Rezistance: Diné Grassroots Organization and Modes of Activism
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Deautock in PARIS AS SERIOUS MATTER
^7 «lli WMTincE NET PRESS RUN roiaeaat or U. a. Mfeaiaer 8« tm«, AVERAGE-DAILY CIRCULATION • . 1.-. ^am'Maeeo for the Month of March, 1929 Mostljr tflondyf ?wlth rtumifii. Sunday ai^ in norfb and nMfrt poc- *■; 5,326 tlotu tbhight. ^ ■Member of the A adit Bareaa of Ctrcalatioae r>j"svr'y^' •i,. PRICE THREE CENTS SOUTH MANCHESTER, G0NN:,"SATURDAY, APRIL 20, 1929. SIXTEEN PAGES VOL. XLII., NO. 159. (Classifled Advertising on Page 14) TIBETANS USE SKULLS FOR PRACTICAL NEEDS. UNION BUILDINGS WRECKED DESPITE TROOPS UTTLE CHANCE Chicago, April 20.— The pe culiar practices of the Tibetans of using human skulls and other bones for various practical pur FORDIRTROAD poses and as symbols of their DEAUtOCK IN PARIS religious ceremonies were told here by Dr. Berthold Laufer, curator of anthropology of the APPROPRIATION Field Museum. Dr. Laufer re cently returned from Tibet and' AS SERIOUS MATTER brought with him bowls made of State Aid Funds to Go for human skulls and other objects. ys.. Hillstown Man, Once Arrest Bowls made from skulls are used by the Tibetans for liba ed Here for Bigamy, If War Debt Controversy Gravel Roads— Fanners' tions in honor of the Lama gods. PRIVATE PARLEYS Tambourines made of skulls and Bloc is Defeated in State trumpets made or thigh bones Chooses Prison Rather Fails, U. S. Will Stand to are upon exhibit. OF DEBT DELEGATES <S> - Lose Many Millions; Con ....... Than Support Wife No. 1. , CliAKENCE G. WILLARD OUR FUTURE MEN Victor Lozeau of Hillstown, was Trying to Prevent Collapse gressmen Take Sides I found guilty of non-support la, the What was probably the most un Manchester police court this morn of Negotiafions Expected With Germany in Dis expected occurrence of the present TO BE BRAINIER ing and given a jail sentence pf' 30 session of the General Assembly days. -
Muskogean Tribes Musical Influence on the Genre of Delta Blues by Dale
Muskogean Tribes Musical Influence on the Genre of Delta Blues by Dale Shackleford A thesis presented to the Honors College of Middle Tennessee State University in partial fulfillment of the requirements for graduation from the University Honors College Spring 2021 Thesis Committee: Cosette Collier, Thesis Director Dean John Vile PhD, Thesis Committee Chair Muskogean Tribes Musical Influence on the Genre of Delta Blues by Dale Shackleford APPROVED: ______________________________________ Cosette Collier, Thesis Director Professor, MTSU Department of Recording Industry, and Recording Arts Technology (M.F.A.) ______________________________________ John Vile, PhD, Thesis Committee Chair Dean, MTSU University Honors College ii ACKNOWLEDGMENTS Special thanks to my family who have supported me in my research and showed continued interest in its development. Inki, yakoke. Chi_pila_tok lawa yancha oklhlhili moma falayya ii_liit ii_fatpolachi_tok anoa yancha anoa. I could not have done this without your help. To my tribe and elders who have taught me through the years and built the foundation of my knowledge of our culture. Yakoke. And to my thesis Director, Cosette Collier, who listened, believed, and encouraged me throughout the entire process of writing this thesis. Your faith in me helped give me the motivation to pursue this project to its end. Your guidance helped give me directions when I did not know the next step to take. Thank you. iii ABSTRACT Little is known about the Native American influence on popular genres of music today. The subject has attracted little interest until recently, yet none of that interest has focused on the southeastern tribes, such as the Chickasaw or Choctaw. This is not altogether unusual as there remains much research to be done on how the various Native American cultures have influenced modern society. -
Sawyer Brown This Thing Called Wantin' and Havin' It All Mp3, Flac, Wma
Sawyer Brown This Thing Called Wantin' And Havin' It All mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: This Thing Called Wantin' And Havin' It All Country: US Released: 1995 Style: Country MP3 version RAR size: 1838 mb FLAC version RAR size: 1110 mb WMA version RAR size: 1959 mb Rating: 4.9 Votes: 214 Other Formats: APE AUD ASF MP4 RA WMA WAV Tracklist 1 Nothin' Less Than Love 3:37 2 Big Picture 3:55 3 I Will Leave The Light On 3:09 4 This Thing Called Wantin' And Havin' It All 3:27 5 Another Mile 3:40 6 'Round Here 4:01 7 She's Gettin' There 4:02 8 Treat Her Right 3:38 9 Like A John Deere 2:52 10 Small Town Hero 3:56 Other versions Category Artist Title (Format) Label Category Country Year This Thing Called D4-77785, D4 Sawyer Curb Records, D4-77785, D4 Wantin' And Havin' It All Canada 1995 77785 Brown Curb Records 77785 (Cass, Album, Dol) This Thing Called Sawyer D4-77785 Wantin' And Havin' It All Curb Records D4-77785 US 1995 Brown (Cass, Album, Dol) Related Music albums to This Thing Called Wantin' And Havin' It All by Sawyer Brown Allan Jones - What Is This Thing Called Love Frank Sinatra - What Is This Thing Called Love / The Night We Called It A Day Leo Reisman And His Orchestra - What Is This Thing Called Love? / She's Such A Comfort To Me Sawyer Brown - Sawyer Brown Greatest Hits Al Sack & His Orchestra - April In Paris / What Is This Thing Called Love? George Metaxa - "Wake Up And Dream" / What Is This Thing Called Love Sawyer Brown - The Dirt Road Bonnie Raitt - Thing Called Love. -
Billboard Charted Albums.Xlsx
DEBUT PEAK WKS RIAAFORMAT TITLE LABEL SEL# ABOUT A MILE 8/2/14 20 14 Christian 1. About A Mile/ 8/2/14 11 7 Heatseek About A Mile Curb-Word ACUFF, Roy 4/6/74 44 6 Country 1. Back In The Country Hickory/MGM 4507 ADAMS, Kay 5/14/66 16 12 Country 1. A Devil Like Me Needs An Angel Like You (w/ Dick Curless) Tower/Sidewalk 5025 11/19/66 36 5 Country 2. Wheels & Tears Tower/Sidewalk 5033 ADAMS, Yolanda (7) 12/22/01 2 67 l Christian 1. Believe Elektra/Curb-Word 62690 ADKINS, Wendel 3/12/77 46 5 Country 1. Sundowners Hitsville 406 ALLAN, Davie, And The Arrows 10/15/66 17 71 Top200 1. The Wild Angels Tower/Sidewalk 5043 4/22/67 94 18 Top200 2. The Wild Angels, Vol. II Tower/Sidewalk 5056 8/19/67 165 2 Top200 3. Devil's Angels Tower/Sidewalk 5074 all of above produced by Mike Curb ALLANSON, Susie 8/26/78 42 4 Country 1. We Belong Together Warner/Curb 3217 4/28/79 11 15 Country 2. Heart To Heart Elektra/Curb 177 AMERICAN YOUNG 7/19/14 39 1 Country 1. American Young (EP)/ 7/19/14 12 1 Heatseek American Young (EP) Curb ANDERSON, Bill 3/30/91 64 4 Country 1. Best Of Bill Anderson Curb 77436 ANDREWS, Meredith 5/17/08 19 4 Christian 1. The Invitation Curb-Word 87410 3/20/10 12 6 Christian 2. As Long As It Takes/ 3/20/10 5 3 HeatSeek As Long As It Takes Curb-Word 87950 2/9/13 7 7 Christian 3. -
“Covering” the Bluesman from a Distance
Introduction In many ways, my journey towards this thesis topic began with my brother’s music collection. Throughout my teens he would introduce me to a wide range of local and international acts, many of which were influenced by African-American blues artists. This influence is evident in both their construction of sound and the old songs that they rerecorded. From there I began tracing musical influences from song credits and interview excerpts—a path often travelled by musicians and fans alike—that would eventually lead me to an appreciation of blues music. The penultimate step towards this topic came in the form of my honours thesis—a creative project that involved rerecording several tracks from the catalogue of an early Australian country music artist, one of which was titled “Blue Mountain Blues”.1 From there I turned to blues music in Australia. Initially conceived as a history of “Australian blues”, it became apparent that this proposed sub-genre struggled to unify and explain the disparate musical styles contained therein. Although each artist was clearly addressing the musical characteristics and influences I had come to recognise as “blues music”, it all sounded different. In the meantime, I developed a keen interest in a fellow colleague’s thesis topic that addressed the role of “covers” within the Australian music industry (Giuffre, 2005). My epiphany—and catalyst for the current thesis topic—eventually presented itself while viewing a live performance from Peter Green Splinter Group. The concert was split into two courses: an acoustic entrée featuring several Robert Johnson “covers”; and, an electric main with side dishes of early Fleetwood Mac material—the band Green had help found many years ago. -
Just-This-Banjo-2019.Pdf
Just This Banjo By Patrick Costello For my father. My hero, my mentor, my father, my partner, and most of all, my friend. No son has ever had such a cohort in a jam, on stage or in life. Special thanks go to my Patreon sponsors for helping us make this book happen. I love you all. ISBN: 0-9744190-7-9 © Copyright 2019 Joseph Patrick Costello III Cover art by Carlos Vazquez My sincerest heartfelt thanks to Ken Brewer – he knows why. Here we stand before your door, As we stood the year before; Give us whiskey, give us gin, Open the door and let us in. Or give us something nice and hot. Like a steaming bowl of pepper pot! ~The Philadelphia Mummers Birdsong brings relief to my longing I'm just as ecstatic as they are, but with nothing to say! Please universal soul, practice some song or something through me! ~Mewlana Jalaluddin Rumi Even a fish would stay out of trouble if it kept its mouth shut! ~My father Contents Introduction .......................................................................................................................... 5 The Rabbit ............................................................................................................................. 6 The Guitar Girl ....................................................................................................................... 8 The Core .............................................................................................................................. 14 Aunt Mannie ...................................................................................................................... -
Samuel Willcoxon a Thesis Submitted to the Faculty of the Universi
HIGHWAY 61: GOOD ROADS, GREAT MIGRATIONS, AND DELTA BLUES By: Samuel Willcoxon A thesis submitted to the faculty of the University of Mississippi in partial fulfillment of the requirement of the Sally McDonnell Barksdale Honors College. Oxford April 2019 Approved by: Advisor: Professor Darren Grem Reader: Professor Adam Gussow Reader: Professor Ted Ownby 2 Table of Contents INTRODUCTION……………………………………………………………………...... 4 CHAPTER 1……………………………………………………………………………....9 CHAPTER 2……………………………………………………………………………..22 CHAPTER 3……………………………………………………………………………..32 CHAPTER 4……………………………………………………………………………..43 BIBLIOGRAPHY……………………………………………………………………….62 3 Abstract This thesis analyzes the social and racial factors that contributed to the cultural significance of U.S. Highway 61. First, I explore the background of road building and transportation in the United States. Next I detail the history of convict labor in the South, from convict leasing to convict labor on roads as a result of the Good Roads Movement. Third, I describe how economic and social conditions contributed to the out-migration of southerners during the twentieth century. Lastly, I analyze how social conditions spawned the Mississippi Delta blues, and how Highway 61 became a symbol of opportunity for blues musicians. 4 Introduction Running 1,699 miles from New Orleans to Minnesota, U.S. Route 61 winds through regions and cities that loom large in the cultural consciousness of the United States. Officially designated in 1926 by the Joint Board on Interstate Highways to stretch from Minnesota’s Canadian border to Louisiana, Route 61 is a historic highway of cultural significance.1 For much of its history, Route 61 symbolized freedom of mobility, the opportunity to make a better life and also the hardscrabble reality faced by all Americans. -
Copyright by Craig Dwight Hillis 2011
Copyright by Craig Dwight Hillis 2011 The Dissertation Committee for Craig Dwight Hillis Certifies that this is the approved version of the following dissertation: The Austin Music Scene in the 1970s: Songs and Songwriters Committee: __________________________________ Mark C. Smith, Supervisor __________________________________ Douglas E. Foley __________________________________ Karl H. Miller __________________________________ Kevin Mooney __________________________________ Jeffery L. Meikle __________________________________ William M. Stott The Austin Music Scene in the 1970s: Songs and Songwriters by Craig Dwight Hillis, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas At Austin August, 2011 Dedication In memory of David Norman Hillis ~ Brother Valerie Ann Hillis ~ Mother Dwight Norman Hillis ~ Father Acknowledgements This project began roughly twenty years ago when I visited the American Studies Department to inquire about their graduate program. I'd been rooting around the History Department where, at age forty-one and only twenty years behind schedule, I'd finished my undergraduate degree. I had the academic bug and I wanted to move on to graduate school. Professor David Montejano was kind enough to let me sit in on one of his graduate courses to allow me to get a feel for what graduate work involved. As the seminar wound down, he suggested that I check out the AMS program on the third floor of Garrison Hall. I looked through the courses the department had been offering over the last few semesters and after noticing subjects like film history, jazz, a large collection of topics in popular culture, and seminars dealing with drugs, alcohol, and the beat generation, I knew I'd found a new home. -
Curb Label Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Curb Label Discography
Curb Label Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Curb Label Discography Curb Label Distributed by RCA RCA/Curb AHL/PCD 1 5319 — Why Not Me — The Judds [1984] Why Not Me/Mr. Pain/Drops Of Water/Sleeping Heart/My Baby's Gone/Bye Bye Baby Blues/Girls Night Out/Love Is Alive/Endless Sleep/Mama He's Crazy *AHL1-7042 — Rockin’ With The Rhythm — The Judds [1985] Cry Myself To Sleep/Dream Chaser/Grandpa (Tell Me ‘Bout The Good Old Days)/Have Mercy/I Wish She Wouldn’t Treat You That Way/If I Were You/River Roll On/Rockin’ With The Rhythm Of The Rain/Tears For You/Working In The Coal Mine *MHL 1-8515 — The Judds — The Judds [1984] Blue Nun Cafe/Change Of Heart/Had A Dream (For The Heart)/Isn’t He A Strange One/John Deere Tractor/Mama He’s Crazy 2070-1 R — Love Can Build A Bridge — The Judds [1990] Are The Roses Not Blooming/Born To Be Blue/Calling In The Wind/In My Dreams/John Deere Tractor/Love Can Build A Bridge/One Hundred And Two/Rompin’ Stompin’ Blues/Talk About Love • This Country’s Rockin’ RCA/Curb Victor 5916 1R — Heartland — The Judds [1987] Don’t Be Cruel/I’m Falling In Love Tonight/Turn It Loose/Old Pictures/Cow Cow Boogie/Maybe Your Baby’s Got The Blues/I Know Where I’m Going/Why Don’t You Believe Me/The Sweetest Gift *6422-1 R — Christmas Time With The Judds — The Judds [1987] Away In A Manger/Beautiful Star Of Bethlehem/Oh Holy Night/Santa Claus Is Comin’ To Town/Silent Night/Silver Bells/What Child Is This/Who Is This Babe/Winter Wonderland *8318-1 R — Greatest Hits — The Judds [1988] Change Of Heart/Cry Myself To Sleep/Girls Night Out/Give A Little Love/Grandpa (Tell Me ‘Bout The Good Old Days)/Have Mercy/Love Is Alive/Rockin’ With The Rhythm Of The Rain/Why Not Me 9595-1 R — River Of Time — The Judds [1989] Cadillac Red/Guardian Angel/Let Me Tell You About Love/Not My Baby/One Man Woman/River Of Time/Sleepless Nights/Water Of Love/Young Love Curb Label Distributed by Elektra Elektra E 100 Series *Elektra-Curb 6E 194 - Family Tradition - Hank Williams Jr. -
Into the Blue Revealing the Essence of a Musical Genre
i INTO THE BLUE REVEALING THE ESSENCE OF A MUSICAL GENRE EFRAÏM TRUJILLO Conservatory of Amsterdam, 2019 Research coordinator: Yaniv Nachum Advisors: Professor William Ferris & Professor Ineke Bockting ii ABSTRACT My name is Efraïm Trujillo. I graduated at the Conservatory of Amsterdam in 1994. My perception of the blues at that time was a 12-bar tune in swing feel with three basic cords and the use of many harmonic substitutions and turn-arounds. I would use the blues scale and play various bebop licks. I basically adopted the same jazz approach as within any other bebop tune. It was not until the next century that I realized that I had never seriously played Blues. In this thesis I examine what makes this music blue. In other words: what are the ingredients for the Blues, where did they originate from and how did they develop? And can I become a better musician by doing this research and implementing these techniques in my playing? I feel there is a key element missing in my music that is essential for the bluesy sound. Whereas many of my teachers and colleagues have told me that you need to “listen to recordings, copy the music, get into the mood and vibe,” I feel that is too abstract. While there is a lot of research available on the history of the Blues, the social context and the lives of many important musicians, most music theory barely comes beyond the basics like the 12-bar form, dominant seventh chords (the harmonic structure), the blues-scale, and the use of the blue notes. -
3Rd Annual BCBF Should Be Biggest and Best Yet Janiva Magness
3rd Annual BCBF Should Be Biggest and Best Yet July-August 2012 Keeping the tunes and the badass Led by harp player and vo- guitar of Laura calist Joe Nosek and great Chavez! Our headlin- Chicago blues front man Blues Alive ers are known across Oscar Wilson, this band is hot the globe for their as a pistol and had their latest great blues shows– CD spend the entire month of you will not want ot November on top of the blues miss the Candye Kane music charts! This band is Band! gaining popularity and is Preceding them on continued on next page stage is the incomparable Nick Moss and his great band, the Fliptops. He and he band push the envelope of the blues to greater and The Candye Kane Band 9:30 PM greater heights. He is It’s that time again! The 3rd a renowned guitar Annual Byron Crossroads player and just a great Blues Festival (BCBF) is com- guy and musician. ing your way again on Satur- day, August 25th. Candye Returning from our Kane headlines the event inaugural festival are with her powerful vocals, hot the Cash Box Kings. Nick Moss & the Fliptops 7:30 PM Janiva Magness & The Nighthawks Return to Rockford Two big shows are coming: crowd of appreciative fans. shows Janiva Magness on We’ve brought them back Thursday, August 9th and and hope our friends and The Nighthawks on Sunday, members will come out to August 19th. Both shows are see these great acts! Call at the Adriatic and have 7:00 779-537-4006 for more info PM starting times.