Somewhere Nowhere Harriet Fraser & Rob Fraser CV 2011-2020

Total Page:16

File Type:pdf, Size:1020Kb

Somewhere Nowhere Harriet Fraser & Rob Fraser CV 2011-2020 somewhere nowhere Harriet Fraser & Rob Fraser CV 2011-2020 somewhere-nowhere is the collaborative practice of photographer Rob Fraser and writer Harriet Fraser. Our work celebrates the value of walking and slow time outdoors, and uses exploration and collaboration, with writing and visual and sculptural artwork, to reflect on the culture and nature of land, and strengthen connections between people and nature. Our work embraces self-led projects, partnership work, commissions and consultancy. www.somewhere-nowhere.com email: [email protected] twitter: @butnorain Instagram: somewhere_now.here facebook: somewherenowhereCumbria Key Projects Sense of Here (2019-2021) The knowing and feeling of place (Funders: University of Cumbria, Lake District National Park Authority, Lancaster University, Langdale Estate, Forestry Commission England). Into the Light of Things (2019) Running Artist Residency for young and emerging artists (Funders: Great Place Lakes and Dales and Wordsworth Trust) Our Common Cause, Our Upland Commons (2018-2019) Consultants in this wider project coordinated by Foundation for Common Land in partnership with 23 organisations Ensemble, (2017-2022) artists for a five-year EPSRC-funded fellowship exploring Climate Change impact, communication and communities. treefolds / Charter Art Residency (2017) (Commissioned by Common Ground with additional funding from Lake District National Park Authority, National Trust and Friends of the Lake District) The Long View (2015-2017) Two years with seven remarkably ordinary trees (Funders: Arts Council England, Lake District National Park Authority, Friends of the Lake District, National Trust, Woodland Trust, Forestry Commission England, Lancaster University). Voices from the Land (2016-2017) Farming and Landscape in the Yorkshire Dales (Funders: HLF and Yorkshire Dales National Park Sustainable Development Fund). Land Keepers (2012-2014) Upland Farming in Cumbria (Funders: Leader, National Trust, Lake District National Park Authority, Farmer Network) somewhere nowhere CV 2020 1 Exhibitions: Solo 2020 Sense of Here, Grizedale Forest (scheduled to open September 25) 2019 Our Common Cause, Our Common Uplands, Dartmoor National Park (May/June) 2018 The Long View, ONCA, Brighton (June) 2018 The Long View, North Wall Gallery, Oxford (May) 2018 The Long View, Great North Museum: Hancock, Newcastle (Jan – Mar) 2018 Voices From the Land, The Folly, Settle (May – July) 2018 Voices From the Land, The Station, Richmond, Yorkshire (March - April) 2017 Voices From the Land, Dales Countryside Museum, Hawes, Yorkshire (Oct-Dec) 2017 The Long View, Grizedale Forest, Cumbria (June – Oct) 2016 The Long View, Lakeside Gallery, Nottingham (May – June) 2016 The Long View, C-Art, Cumbria (Thorney How, Grasmere) 2014 iPorter, Royal Geographical Society (with IBG), London (November) 2014 iPorter, Theatre by the Lake Keswick (May – June) 2014 Land Keepers Royal Geographical Society (with IBG), London (October) 2014 Land Keepers, Wordsworth Museum, Grasmere; Low Sizergh Barn, Kendal; Wray Castle, Ambleside; Theatre by The Lake, Keswick; Cumbria. 2012 Land Keepers, Woolfest, Cockermouth, Cumbria Exhibitions: Group 2019 Westmorland Landscape Prize Exhibition (Shortlisted/runner-up), Rheged, Cumbria 2019 Artists in the Field Exhibition, Royal Geographical Society (with IBG), London 2019 Radical Landscapes Plough Arts Centre, Great Torrington 2018 Common Ground, Yorkshire Sculpture Park 2017 C-Art, Art in Extraordinary Places: treefolds, Cumbria 2016 Environmental Internet of Things, Royal Welsh Show 2016 and 2017 Mountain Arts Festival, Rheged, Cumbria Installations Archive of Lost Woods (2019) With Woodland Trust, Glyn Davies Wood, Warwickshire Haiku in the Trees (2019) Timber Festival, National Forest Space for Imagining (2019) Evolving the Forest, Dartington Seven Tree Transformations (2016-2017) Cumbria (part of The Long View) treefolds (2017) Cumbria (three locations) Tree Poles (2017) Poems for eight poles to celebrate UK Tree Charter More here Publications Books: somewhere nowhere Press Our Common Cause, Our Upland Commons (2019) Voices From the Land (Farming & Landscape in the Yorkshire Dales, 2018) The Long View (Two years with seven remarkably ordinary trees, 2017) Meadow (Poetry from a month in a meadow; Limited Edition, 2017) Water Finds its Way (Environmental Internet of Things in the Conwy Valley, 2016) Land Keepers (Upland Farming in Cumbria, 2014) somewhere nowhere CV 2020 2 Articles/Contributions in: Adventure Travel Landscape Photographer Alpinist Magazine The Learned Pig Countryfile magazine Outdoor Photographer Cumbria Magazine Patterns Journal Curlew Calling (poetry anthology) Performing Research Journal Dark Mountain Sidetracked Magazine Earthlines Telegraph Magazine (3 multi-page spreads) Ethnography Journal Toast Magazine Geographical magazine Treeline (anthology) The Goose, Journal of Arts, Environment & Valuing Arts & Arts Research Culture Write To Be Counted (anthology) Films These and other films are available at: https://vimeo.com/somewherenowhere 2020 A Question of Values 2017 The Long View 2017 iPorter. Peebles Mountain Film Festival; Sheffield Adventure Film Festival; Vancouver International Mountain Film Festival 2016 Everything is Connected 2016 iPorter, Kendal Mountain Festival Radio & Television appearances BBC Cumbria BBC World Service BBC Breakfast TV BBC Radio 4 BBC Radio Oxford Presentations & Panels, a selection 2020 Envecon 2020, UK Network for Environmental Economists, Royal Society, London 2020 Multiple Perspectives of Place, School of Geosciences, University of Edinburgh 2019 Words in the Wild, John Muir Trust, Keswick 2019 Artists in the Field, RGS Explore 2019 Keynote Speakers, International Perspectives Conference, Principia College, Illinois 2019 Norman Nicholson Society AGM 2019 What is Natural? Wordsworth Trust 2019 Making Sense of Here IFLAS (Institute for Leadership and Sustainability), Cumbria 2018 Taking the Long View, Maryport Literature Festival 2018 Seven Remarkably Ordinary Trees, Words by the Water Festival, Keswick 2018 Geography and Art on Foot, RGS regional lecture, Blencathra Centre 2018 Words by the Water, Literary Festival, Keswick 2017 Friends of the Lake District Kirby Lecture, Ambleside, Cumbria 2017 How do artists touch the void? Panelists, Kendal Mountain Literature Festival 2017 The Long View: behind the scenes, RGS Lecture Series, Kendal somewhere nowhere CV 2020 3 2017 Art and the environment, Art XL, Sheffield University 2017 Our Practice, art.earth, First Friday talk, Dartington 2017 Poetry from The Long View, The Stove Network, Dumfries 2017 Ethnography on Foot II, CSOP, University of Newcastle 2016 Lakes Alive, Poetry with Luke Jerram’s ‘Museum of the Moon’ 2016 Stories of the land, Artists, Farmers & Philosophers Northern Heartlands Conference, Bowes 2016 Whose View is it Anyway?, Bivouac, Eden Arts, Cumbria 2016 iPorter, RGS Lecture Series, Kendal 2016 Canopy, Woodland Trust, Stratford-upon-Avon 2016 Land Keepers, Tate Britain, London 2015 Open Fell Poetics, Ecocultures Conference, Glasgow 2015 Working in the Land, Writing in the Land, Kendal Mountain Festival, Kendal 2015 Creative views on A Cultural Landscape, Blencathra FSC Centre, Keswick 2015 Land Keepers, University of Newcastle 2014 Explore, Royal Geographical Society (with IBG); Photographers’ Panel and Writers’ Panel Commissions & Residencies In collaboration, Rob & Harriet 2017 – 2022 Artist researchers in residence on Ensemble, a five-year EPSRC-funded fellowship led by Prof Gordon Blair (University of Lancaster), exploring Climate Change impact, communication and communities: The role of Digital Technologies in understanding, mitigating and adapting to environmental change. 2020 The Moss Hut Artist commission, in collaboration with Charlie Whinney, for Wordsworth Trust 2019 Annenberg Scholars & Visiting Lecturers: Principia University, Illinois 2018-2019 Consultants, Social Cohesion in England’s Uplands, for ‘Our Common Cause, Our Upland Commons’ 2018 Artists in residence, Sail Britain 2017-2018 Charter Art Residency with Common Ground: creation of the Cumbrian treefolds 2017 Lead artists: City-wide walk investigating trees in Newcastle, with the Cultural Sense of Place group at Newcastle University and the Urban Laboratory. 2016 Lake District World Heritage Site Campaign, Lake District National Park Authority 2015–2016 Environmental Internet of Things Artists in Residence, with University of Lancaster and Centre for Hydrology and Ecology 2010-2016 Outdoor and creative work with more than 30 schools across Cumbria Harriet Fraser - poetry 2017-present UK Tree Charter Poet in Residence 2016 - 2017 Poetry for audi otransmission in installations Woodland Trust 2016 Creative Writing Tutor Kendal College 2015 Poet in the Meadow Friends of the Lake District Residency, High Borrowdale, Cumbria Rob Fraser - photography 2016-2017 Photographer Dry Stone Walling Association Heritage Project (Funders HLF, DSWA); (Rob Fraser) 2009-2013 Pathways to Art, (Rob Fraser) Whitehaven & Workington, Copeland & Allerdale Borough Councils somewhere nowhere CV 2020 4 Long Walks 2018 7-day treefold-to-treefold walk, Cumbria 2016 The Dark Walks Seven dawns, seven dusks: threshold moments at seven trees, for seven days spanning Midwinter 2016 The Light Walk Seven days, Seven Nights, 118km: walking between seven trees over Midsummer 2016 The Long View walks: walking to seven trees in a series of more than 20 walks, with over 350 people Further Education & Research 2015-2017 Harriet Fraser, MPhil (Interdisciplinary Studies), University of Glasgow: Open Fell Poetics: Investigating the Lake District as a ‘Cultural Landscape’ through practice based poetics. Recipient of the Cairncross McRae Scholarship. Memberships, associations, fellowships, patronage a-n Royal Geographical Society (Fellows & art.earth (research associates) Northwest region committee members) British Mountaineering C StAnza Brewery Poets Tree Charter Champions Friends of the Lake District (Patrons) TSOeG (artist members: Temporal School of Landscape & Arts Network Experimental Geography) Walking Artists Network www.somewhere-nowhere.com somewhere nowhere CV 2020 5 .
Recommended publications
  • Grizedale Forest
    FORESTRY COMMISSION H.M. Forestry Commission GRIZEDALE FOREST FOR REFERENCE ONLY NWCE)CONSERVANCY Forestry Commission ARCHIVE LIBRARY 1 I.F.No: H.M. Forestry Commission f FORESTRY COMMISSION HISTORY o f SHIZEDALE FOREST 1936 - 1951 NORTH WEST (ENGLAND) CONSERVANCY HISTORY OF GRIZEDALE FOREST Contents Page GENERAL DESCRIPTION OF THE FOREST ...................... 1 Situation ••• ••• ••• ••• ••• 1 Ax*ea ancL Utilisation • • • ••• ••• ••• • • • 1 Physiography * *. ••• ... ••• ••• 4 Geology and Soils ... ... ... ... ... 5 Vegetation ... ... ... ... ••• 6 Meteorology ... •.• ••• ••• 6 Risks ••• • • • ••• ... ••• 7 Roads * • # ••• • • • ••• ••• 8 Labour .«• .«• ... .•• ••• 8 SILVICULTURE ••• * • • ••• ••• ••• 3 Preparation of Ground ... ... ... ... ... 3 t Choice of Species ... ... ... ... ... 9 Planting - spacing, types of plants used, Grizedale forest nursery, method of planting, annual rate of planting, manuring, success of establishment ... 11 Ploughing ... ... ... ... ... 13 Beating up ... ... ... ... ... li^ Weeding ... ... ... ... ... 14 Mixture of Species ... ... ... ... ... 14 Rates of Growth ... ... ... ... ... 13 Past treatment of established plantations Brashing, pruning, cleaning and thinning ... 17 Research ... ... ... ... ... 21 Conclusions ... ... ... ... ... 21 Notes by State Forests Officer ... ... ... ... 23 APPENDICES I Notes from Inspection Reports ... ... 24 II Record of Supervisory Staff ... ... 26 III Other notes of interest 1) Coppice demonstration area ... ... 27 2) Headquarters seed store ... ... 27 Map of the Forest HISTORY OF GRIZEDALE FOREST GENERAL DESCRIPTION OF THE FOREST Situation The forest is situated in the Furness Fells area of Lancashire between the waters of Coniston and Esthwaite. It lies within the Lake District National Park area, and covers a total of 5,807 acres. The name Grizedale is derived from the name given to the valley by the Norse invaders, who in the ninth century, colonised Furness and its Fells. At the heads of the high valleys, the then wild forest land was used for the keeping of pigs.
    [Show full text]
  • 19. South Cumbria Low Fells Area Profile: Supporting Documents
    National Character 19. South Cumbria Low Fells Area profile: Supporting documents www.gov.uk/natural-england 1 National Character 19. South Cumbria Low Fells Area profile: Supporting documents Introduction National Character Areas map As part of Natural England’s responsibilities as set out in the Natural Environment White Paper 1, Biodiversity 20202 and the European Landscape Convention3, we are revising profiles for England’s 159 National Character Areas (NCAs). These are North areas that share similar landscape characteristics, and which follow natural lines East in the landscape rather than administrative boundaries, making them a good decision-making framework for the natural environment. Yorkshire & The North Humber NCA profiles are guidance documents which can help communities to inform West their decision-making about the places that they live in and care for. The information they contain will support the planning of conservation initiatives at a East landscape scale, inform the delivery of Nature Improvement Areas and encourage Midlands broader partnership working through Local Nature Partnerships. The profiles will West also help to inform choices about how land is managed and can change. Midlands East of Each profile includes a description of the natural and cultural features that shape England our landscapes, how the landscape has changed over time, the current key drivers for ongoing change, and a broad analysis of each area’s characteristics London and ecosystem services. Statements of Environmental Opportunity (SEOs) are South East suggested, which draw on this integrated information. The SEOs offer guidance South West on the critical issues, which could help to achieve sustainable growth and a more secure environmental future.
    [Show full text]
  • Nervous Sympathy in the Familial Collaborations of the Wordsworth
    The Mediated Self: Nervous Sympathy in the Familial Collaborations of the Wordsworth- Lamb-Coleridge Circle, 1799-1852 Katherine Olivia Ingle MA (University of Edinburgh) MScR (University of Edinburgh) English & Creative Writing Lancaster University November 2018 This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature. Katherine Olivia Ingle ii I declare that this thesis was composed by myself, that the work contained herein is my own except where explicitly stated otherwise in the text, and that this work has not been submitted for any other degree or professional qualification. November 2018 Katherine Olivia Ingle iii This thesis is dedicated with love to my grandmothers, Cynthia Ingle and Doreen France & in loving memory of my grandfathers, Thomas Ian Ingle, 1925-2014 & Joseph Lees France, 1929-2017 There is a comfort in the strength of love; ‘Twill make a thing endurable, which else Would overset the brain, or break the heart. Wordsworth, “Michael” Katherine Olivia Ingle iv Acknowledgements This thesis could not have taken shape without the attention, patience and encouragement of my supervisor Sally Bushell. I am deeply grateful to her for helping me to clarify ideas and for teaching me that problems are good things. I thank Sally in her numerous capacities as a Wordsworthian scholar, reader, teacher and friend. I am grateful to the Department of English & Creative Writing at Lancaster for a bursary towards an archival visit to the Jerwood Centre at The Wordsworth Trust. I thank the Curator, Jeff Cowton, for his generosity, insights and valuable suggestions.
    [Show full text]
  • Heidi J. Snow, Phd P.O. Box 193 117 Mill Street Elsah, IL 62028, USA 618.946.9624 [email protected]
    Heidi J. Snow, PhD P.O. Box 193 117 Mill Street Elsah, IL 62028, USA 618.946.9624 [email protected] The Edith and Lewis White Distinguished Professor at Principia College, appointed for excellence in teaching and dedication to the mission of the College. I have taught at the university level for 20 years and have served in administrative positions such as Chair of the Curriculum Committee, Department Chair, Acting Division Head, and Interim Dean of Academics. My research has focused on William Wordsworth and his attitudes towards religion and poverty. Recently, my research has shifted to Dorothy Wordsworth and has included work on a project with the Wordsworth Trust to help make her later journals more accessible to the wider public. Education : Southern Illinois University, Carbondale; PhD, English Literature, May 2008 Dissertation Title: The Impact of Contemporary Theological Attitudes towards Poverty on William Wordsworth’s Writing Bridgewater State College, Massachusetts (now Bridgewater State University); Master of Arts in English, May 2000 Thesis Title: The Pastoral Sublime and The Prelude Principia College: Bachelor of Arts, English, June 1979; Bachelor of Arts, Philosophy, June 1979 Teaching and Academic Administrative Experience: 2019 to present: returned to the classroom; appointed Edith and Lewis White Distinguished Professor 2018-2019: Interim Dean of Academics 2015 – present: Professor of English Literature, Principia College 2010 – 2015: Associate Professor of English Literature, Principia College 2002 – 2010: Assistant Professor of English Literature, Principia College 2000 – 2002 Instructor, Composition 101 and Composition 201, English Department, Bentley College, Waltham, MA, USA 1992 – 1996 Adult Educator, Writing and Science courses, Wellspring Adult Learning Center, Hull, MA,USA Publications: William Wordsworth and the Theology of Poverty.
    [Show full text]
  • William Wordsworth (7 A;뼈 1770 - 23 Ap벼 1850)
    William Wordsworth (7 A;뼈 1770 - 23 Ap벼 1850) Judith W. Page Millsaps College BOOKS: AnEv’e1’↑따r Peter Bell, A Tale in Verse (London: Printed by dressed to a young Lady, [rom the Lakes o[ the Strahan & Spottiswoode for Longman, North o[ Englaηd (London: Printed for J. Hurst, Rees, Orme & Brown, 1819); johnson, 1793); The Waggoner, A Poem. To Which are added, Sonnets Descriptive Sketches. ln Verse. Take'ft 4t띠ng a Pedes­ (London: Printed by Strahan & Spot­ trian Tour in the ltalian, G:매:son, Swi:ss, and Sa­ tiswoode for Longman, Hurst, Rees, Orme voyard Aφ's (London: Printed for J. johnson, & Brown, 1819); 1793); M강cellaη eous Poems o[ William Word:sworth, 4 vol­ Lyrical Ballad:s, with a [ew other Poems (Bristol: umes (London: Printed for Longman, Printed by Biggs & Cottle for T. N. Long­ Hurst, Rees, Orme & Brown, 1820); man, London, 1798; London: Printed for J. The River Dμddoη, A se얘es o[ Sonnets: Vaudracmιr & A. Arch 1798; enlarged edition 2 vol­ , , q,nd Jμ lia: and Other Poems. To which 강 aη­ umes, London: Printed for T. N. Longman nexed, A Topographical Desc얘 tioη o[ the Coun­ & Rees by Biggs &. Co., Bristol, 1800; Phil­ o. tη, o[ the Lakes, in the North o[ Eη.glaηd (Lon­ adelphia: Printed & s이d by james Hum­ don: Printed for Longman, Hursì:, Rees, phreys, 1802); Orme & Brown, 1820); Poems, in two Volumes (London: Printed for Long­ ADαcπÖ:þ tioη o[ the Sceη ery o[ the Lakes in The N orth man, Hurst, Rees & Orm~ , 1807); o[ Eη.glaηd. Third Editioη, (Now [irst publi:shed Concerning the Convention o[ Cintra (London: separately) (London: Printed for Longman, Printed for Longman, Hurst, Rees & Orme Hurst, Rees, Orme & Brown, 1822; revised 1809); and enlarged, 1823); revised and enlarged TheEχ:cursion, being a portion o[ The Recluse, a Poem again as A Gμide through the Di:strict o[ the (London: Printed for Longman, Hurst, Lakes in The N orth o[ Eηgland (Kendal: Pub­ Rees, Orme & Brown, 1814; New York: C.
    [Show full text]
  • STEPS 2019 - 2 Keep in Touch
    Lancaster Alumni Magazine 2019 PROFESSOR DAME SUE BLACK A MISSION TO FURTHER ENGAGEMENT ACADEMIC FREEDOM FOR ALL THE LANCASTER SANCTUARY FELLOWSHIP PROJECT WWW.LANCASTER.AC.UK/ALUMNI Keep in touch www.lancaster.ac.uk/alumni Welcome Contents Last year, my introduction 03 07 to Steps reflected on the dramas and challenges Mission to Melissa’s facing our world. Twelve months on and little has Engage Magic Candy 15 changed – and I didn’t anticipate writing this piece Professor Dame Sue Black talks Factory in a UK that still lingers on about her vision for her new role University News the edge of Brexit! in the University. Meet Melissa Snover who was inspired to start her business Updates and developments about whilst at Lancaster. your University. Easier by Email Do we have your current email address? Most of our communications use email for speed 09 and to restrict the amount of paper we use. To ensure you receive our Friends for Life 17 Enews and event invitations, please email us at [email protected] An alumni couple, who are and we will verify that we have pursuing diverse careers and Championing the appropriate information for all returning to Lancaster to future communications. Also if you Despite the political and legislative As in many other areas of university life, celebrate their wedding. Disability Arts headwinds we face, it has been another philanthropy has played an important move house or no longer require a successful year for Lancaster, borne role in making this Institute a reality. Tony Heaton, disability activist printed copy of the magazine, please out by our UK league table placings.
    [Show full text]
  • Wordsworth and Later Eighteenth-Century Concepts of The
    1 1 1 1 Wordsworth and later eighteenth-century concepts of the reading experience 1 1 by 1 Gordon Tweedle © A thesls submltted to the Faculty of Graduate Studles and Research ln partial fulfllment of the 1 requlrements for the degree of PhD. 1 1 J Gordon TweedÏf~ Dept. of English 1 McGl1i University Montreal. P. a. March.1991 1 J 1 1 J 1 1 1 1 Abstract 1 Wordsworth and later eighteenth-century concepts of the reading experience 1 Gordon Tweedie PhD., Department of Enghsh McGiII University 1 March, 1991 1 Inlluentiallater eighteenth-century cr:lics and philosophers (Stewart, Knight, Alison, Jeffrey, 1 Godwin) argued that poetry's moral and practical beneflts derive from "ana1ytical" modes of reading, rather than trom the poet's instructive intentions. Frequently explolting the phllosophleal "language 1 of neeesslty," Wordsworth's essays and prefaces (1798-1815) protested that poetry dlrectly improves t,le reade(s mOial code and etl1ical conduct. This dissertation discusses Wordsworth's cntlclsm ln the 1 context of analytical pnnclples of interpretation current in the 1790s, providing terlT's for exploring the - ln 1 theme of readrng early mss of Peter Bell and The Bujned Cottage (1798-1799), the 1798 ~ Ballads, and later poe ms such as "A narrow girdle of rough stones and crags," "Resolution and 1 Independence," "Eleglac Stanzas," and The Prelude (Book V). 1 These poems anticipate Wordsworth's presentation of reading as the "art of admiration" in the "Essay, Supplementary" to the 1815~, and indicate a sustained search for alternatives and 1 correctives to detached investigative approaehes to the aesthetie experienee.
    [Show full text]
  • Open to Discover 'An Educational Experience Like
    Open to discover ‘an educational experience like no other’ We invite you to a life-changing experience like no other in ‘the loveliest spot that man hath ever found’. Nestled in the heart of the beautiful English work directly with our original manuscripts, Lake District sits Dove Cottage, the former enjoy guided walks in the beautiful landscape home of poet William Wordsworth. It was that inspired Wordsworth’s greatest poetry, and whilst living here from 1799 to 1808 that spend the evening in Dove Cottage, reading Wordsworth composed the most important poetry by candlelight and conversing around and best-loved of his poems, and his sister the fire. They will even have the chance to Dorothy wrote her now famous Grasmere make their own notebooks from start to finish Journal. Today, the Wordsworth Trust cares for and write in them with a quill and oak gall ink, Dove Cottage and the historic hamlet of Town just as the Wordsworths did. Our courses are End, as well as an internationally important designed specifically for university students, collection of over 68,000 manuscripts, books, and are carefully tailored and personalised to personal belongings and artworks relating to each group. Above all, they are stimulating and the Romantic era, with the Wordsworth family great fun! manuscripts at its heart. Working with our collection will be at the “I’ve gained a new invigorated heart of their experience. Students will have passion for my studies – a privileged access to our pre-eminent collection of manuscripts, rare books and fine art. With new appreciation for archives, the guidance of our specialist curators, they preservation, creation and will learn to handle these objects, gaining a curation.” new appreciation for the value of manuscripts and what can be learnt from them.
    [Show full text]
  • Butterfly Conservation Lancashire Branch News Autumn 2019
    Butterfly Conservation Lancashire Branch News Autumn 2019 Sue BrindleSue President Sir David Attenborough Butterfly Conservation Head Office Manor Yard, Registered in England 2206468 East Lulworth, Wareham, Registered Charity 254937 Dorset BH20 5QP 01929 400209 Contents Pages 4-5 Message from the Chair Pages 6-16 2019 Members Day & AGM Reports Pages 17 Events Page Conservation Work Parties - Myers Allotment Page 18 Reserve and Netted Carpet Moth Page 19 - 20 Trip Report - Myers Allotment Trip Report—Holme Stinted Pasture & Holme Pages 21 - 22 Park Fell How ‘Special’ Has 2019 Been For Lancashire Page 22 - 24 Butterflies? Pages 25 - 27 Hyndburn Butterfly Project Update Pages 28 - 29 Update to Branch Sightings Page Duke of Burgundy Stepping Stones Project Pages 30 - 32 August 2019 Pages 33- 35 In Praise of Ragwort An Anniversary Look At The History Of Butterfly Page 36 - 38 Conservation Through Its Magazine Part III. Wonderful Wildflower Meadows in the Forest of Pages 39 - 41 Bowland. Pages 42 -43 National Moth Night & Moth Group Details Page 44 Branch Officer Contact Details 2 A little quiz to get you started…. A B C D E F G H I Can you match the 9 Larval food plants above to the correct Lancashire butterflies? Northern Brown Argus Large White Dark Green Fritillary Holly Blue Common Blue Painted Lady Purple Hairstreak Peacock Orange-tip Answers on Page 32 3 Message from the Chair…. A s I sit here wondering where the warm sunshine of the Bank Holiday weekend has gone, I am happy to reflect on what has generally been a good summer for our region’s butterflies and moths.
    [Show full text]
  • Cumbrian Woodlands Past, Present and Future ITE Symposium No
    CUMBRIANWOODLANDS PAST,PRESENT AND FUTURE Institute of Terrestrial Ecology Natural Environment Research Council á Natural Environment Research Council Institute of Terrestrial Ecology Cumbrian woodlands past, present and future ITE symposium no. 25 Grange-over-Sands Edited by J K Adamson INSTITUTE Of TERRESTRIAL ECOLOGY LIBRARY SERVICE EDINBURGH LABORATORIES • BUSH ESTATE, PEMCUIK MIDLOTHIAN EH26 OQB London : Her Majesty's Stationery Office INSTITUTE OF © Crown Copyright 1989 TERRESTRIAL First published 1989 ECOLOGY ISBN 0 11 701421 4 LIBRARY SERVICE COVER ILLUSTRATION (J K Adamson) Contrasting woodlands within Cumbria. Top picture: Coniferous plantations are a conspicuous 8 SEP1989 feature of the north of the county where they contribute to 7is fi Gsg-.o./ employment, particularly at clearfelling s Bottom picture: Deciduous woodlands are dominant in southern Cumb °4 • 8- ) where they are widely used for recreation, including orienteering Both pictures are inset in the outline of the county of Cumbria The INSTITUTE OF TERRESTRIAL ECOLOGY is one of 15 component and grant-aided research orga- nizations within the Natural Environment Research Council. The Institute is part of the Terrestrial and Freshwater Sciences Directorate, and was established in 1973 by the merger of the research stations of the Nature Conservancy with the Institute of Tree Biology. It has been at the forefront of ecological research ever since. The six research stations of the Institute provide a ready access to sites and to environmental and ecological problems in any part of Britain. In addition to the broad environmental knowledge and experience expected of the modern ecologist, each station has a range of special expertise and facilities.
    [Show full text]
  • Thesis Spring 2015 !2
    ! ! ! ! ! ! ! ! ! ! Alice in Wonderland: Dorothy Wordsworth’s Search for Poetic! Identity in Wordsworthian Nature ! ! ! ! ! ! ! ! ! ! ! ! ! ! Maymay Liu Advised by Susan Meyer and Dan Chiasson, Department of English Wellesley College English Honors Thesis Spring 2015 !2 Table of Contents Acknowledgements 3 Introduction 4 Chapter 1: Daydream in Gold 14 William and Dorothy Wordsworth as Divergent Speakers Chapter 2: Caged Birds 35 William Wordsworth’s Poetic Treatment of Women in Nature Chapter 3: Through the Looking Glass 57 Dorothy Wordsworth’s Conception of Passivity toward Mother Nature Works Cited 82 !3 Acknowledgements! I am deeply grateful to Professor Susan Meyer and Professor Dan Chiasson for acting as my thesis advisors, both of whom were gracious enough to take on my project without being familiar with Dorothy Wordsworth beforehand. I would never have produced more than a page of inspired writing about Dorothy without their guidance and support. I thank Professor Alison Hickey, who first introduced me to Dorothy and William as a junior (I took her class “Romantic Poetry” in the fall, and promptly came back for more with “Sister and Brother Romantics” in the spring). Despite being on sabbatical for the academic year, she has provided encouragement, advice and copious amounts of hot tea when the going got tough. I would like to thank the members of my thesis committee, Professor Yoon Sun Lee, Professor Gurminder Bhogal, Professor Octavio Gonzalez, Professor Joseph Joyce, and Professor Margery Sabin for their time and fresh insights. I thank the Wellesley College Committee on Curriculum and Academic Policy for awarding me a Jerome A. Schiff Fellowship in support of my thesis.
    [Show full text]
  • English Language and Literature in Borrowdale
    English Language and Literature Derwentwater Independent Hostel is located in the Borrowdale Valley, 3 miles south of Keswick. The hostel occupies Barrow House, a Georgian mansion that was built for Joseph Pocklington in 1787. There are interesting references to Pocklington, Barrow House, and Borrowdale by Wordsworth, Coleridge, and Southey. Borrowdale and Keswick have been home to Coleridge, Southey and Walpole. Writer Born Selected work Places to visit John Dalton 1709 Poetry Whitehaven, Borrowdale William Wordsworth 1770 Poetry: The Prelude Cockermouth (National Trust), Dove Cottage (Wordsworth Trust) in Grasmere, Rydal Mount, Allan Bank (National Trust) in Grasmere Dorothy Wordsworth 1771 Letters and diaries Cockermouth (National Trust), Dove Cottage (Wordsworth Trust), Rydal Mount, Grasmere Samuel Taylor Coleridge 1772 Poetry Dove Cottage, Greta Hall (Keswick), Allan Bank Robert Southey 1774 Poetry: The Cataract of Lodore Falls and the Bowder Stone (Borrowdale), Dove Lodore Cottage, Greta Hall, grave at Crosthwaite Church Thomas de Quincey 1785 Essays Dove Cottage John Ruskin 1819 Essays, poetry Brantwood (Coniston) Beatrix Potter 1866 The Tale of Squirrel Lingholm (Derwent Water), St Herbert’s Island (Owl Island Nutkin (based on in the Tale of Squirrel Nutkin), Hawkshead, Hill Top Derwent Water) (National Trust), Armitt Library in Ambleside Hugh Walpole 1884 The Herries Chronicle Watendlath (home of fictional character Judith Paris), (set in Borrowdale) Brackenburn House on road beneath Cat Bells (private house with memorial plaque on wall), grave in St John’s Church in Keswick Arthur Ransome 1884 Swallows and Amazons Coniston and Windermere Norman Nicholson 1914 Poetry Millom, west Cumbria Hunter Davies 1936 Journalist, broadcaster, biographer of Wordsworth Margaret Forster 1938 Novelist Carlisle (Forster’s birthplace) Melvyn Bragg 1939 Grace & Mary (novel), Words by the Water Festival (March) Maid of Buttermere (play) Resources and places to visit 1.
    [Show full text]