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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
NEW THIS WEEK from MARVEL COMICS... Amazing Spider-Man
NEW THIS WEEK FROM MARVEL COMICS... Amazing Spider-Man #16 Fantastic Four #7 Daredevil #2 Avengers No Road Home #3 (of 10) Superior Spider-Man #3 Age of X-Man X-Tremists #1 (of 5) Captain America #8 Captain Marvel Braver & Mightier #1 Savage Sword of Conan #2 True Believers Captain Marvel Betrayed #1 ($1) Invaders #2 True Believers Captain Marvel Avenger #1 ($1) Black Panther #9 X-Force #3 Marvel Comics Presents #2 True Believers Captain Marvel New Ms Marvel #1 ($1) West Coast Avengers #8 Spider-Man Miles Morales Ankle Socks 5-Pack Star Wars Doctor Aphra #29 Black Panther vs. Deadpool #5 (of 5) Marvel Previews Captain Marvel 2019 Sampler (FREE) Moon Girl and Devil Dinosaur #40 Mr. and Mrs. X Vol. 1 GN Spider-Geddon Covert Ops GN Iron Fist Deadly Hands of Kung Fu Complete Collection GN Marvel Knights Punisher by Peyer & Gutierrez GN NEW THIS WEEK FROM DC... Heroes in Crisis #6 (of 9) Flash #65 "The Price" part 4 (of 4) Detective Comics #999 Action Comics #1008 Batgirl #32 Shazam #3 Wonder Woman #65 Martian Manhunter #3 (of 12) Freedom Fighters #3 (of 12) Batman Beyond #29 Terrifics #13 Justice League Odyssey #6 Old Lady Harley #5 (of 5) Books of Magic #5 Hex Wives #5 Sideways #13 Silencer #14 Shazam Origins GN Green Lantern by Geoff Johns Book 1 GN Superman HC Vol. 1 "The Unity Saga" DC Essentials Nightwing Action Figure NEW THIS WEEK FROM IMAGE... Man-Eaters #6 Die Die Die #8 Outcast #39 Wicked & Divine #42 Oliver #2 Hardcore #3 Ice Cream Man #10 Spawn #294 Cold Spots GN Man-Eaters Vol. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Marvel References in Dc
Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros. -
Blade II" (Luke Goss), the Reapers Feed Quickly
J.antie Lissow- knocks Starbucks, offers funny anecdotes By Jessica Besack has been steadily rising. stuff. If you take out a whole said, you might find "Daddy's bright !)ink T -shirt with the Staff Writer He is now signed under the shelf, it will only cost you $20." Little Princess" upon closer sparkly words "Daddy's Little Gersh Agency, which handles Starbucks' coffee was another reading. Princess" emblazoned across the Comedian Jamie Lissow other comics such as Dave object of Lissow's humor. He In conclusion to his routine, front. entertained a small audience in Chappele, Jim Breuer and The warned the audience to be cau Lissow removed his hooded You can read more about the Wolves' Den this past Friday Kids in the Hall. tious when ordering coffee there, sweatshirt to reveal a muscular Jamie Lissow at evening joking about Starbucks Lissow amused the audience since he has experienced torso bulging out of a tight, http://www.jamielissow.com. coffee, workout buffs, dollar with anecdotes of his experi mishaps in the process. stores and The University itself. ences while touring other col "I once asked 'Could I get a Lissow, who has appeared on leges during the past few weeks. triple caramel frappuccino "The Tonight Show with Jay At one college, he performed pocus-mocha?"' Lissow said, Leno" and NBC's "Late Friday," on a stage with no microphone "and the coffee lady turned into a opened his act with a comment after an awkward introduction, newt. I think I said it wrong." about the size of the audience, only to notice that halfway Lissow asked audience what saying that when he booked The through his act, students began the popular bars were for University show, he presented approaching the stage carrying University students. -
Moon Knight Table Guide by Shoryukentothechin
Page 1 of 15 Moon Knight Table Guide By ShoryukenToTheChin 9 1 2 3 4 5 6 7 8 Key to Table Image Above 1. Crime Scene Hole 2. Left Orbit 3. Left Ramp 4. Mission Orbit 5. Side Mission Hole 6. Crawley Target 7. Right Ramp 8. Right Orbit 9. Moon Ramp In this Guide when I mention a Ramp etc. I will put a number in brackets which will correspond to the Key above, so that you know where on the Table that particular feature is located. Page 2 of 15 TABLE SPECIFICS Introduction This is one of the four Tables which were included in the Marvel Pinball Vengeance & Virtue Pack, this is available for PFX2 on Xbox 360 for a mere 800MS PTS. This Table is for me one of the Best, if not the Best that Zen Studios have produced. It truly blends the Comic Book nature of the character of Moon Knight and his Universe. One of the most unique aspects of the Table is that it has cinematic occurrences; these can of course be skipped at any time. This adds to the whole immersion of the Characters World. The Layout of the Table is very unique and for me can’t be compared with any Table that has come before it, but I would say it’s perhaps a Blade II Table so to speak. Overall the Team once again have done such an amazing job they really captured the Character of Moon Knight brilliantly and incorporated his Universe in the Table seamlessly. The voice acting is top notch calibre and the Artwork etc. -
The Dracula Film Adaptations
DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no. -
Super Ticket Student Edition.Pdf
THE NATION’S NEWSPAPER Math TODAY™ Student Edition Super Ticket Sales Focus Questions: h What are the values of the mean, median, and mode for opening weekend ticket sales and total ticket sales of this group of Super ticket sales movies? Marvel Studio’s Avi Arad is on a hot streak, having pro- duced six consecutive No. 1 hits at the box office. h For each data set, determine the difference between the mean and Blade (1998) median values. Opening Total ticket $17.1 $70.1 weekend sales X-Men (2000) (in millions) h How do opening weekend ticket $54.5 $157.3 sales compare as a percent of Blade 2 (2002) total ticket sales? $32.5 $81.7 Spider-Man (2002) $114.8 $403.7 Daredevil (2003) $45 $102.2 X2: X-Men United (2003) 1 $85.6 $200.3 1 – Still in theaters Source: Nielsen EDI By Julie Snider, USA TODAY Activity Overview: In this activity, you will create two box and whisker plots of the data in the USA TODAY Snapshot® "Super ticket sales." You will calculate mean, median and mode values for both sets of data. You will then compare the two sets of data by analyzing the differences graphically in the box and whisker plots, and numerically as percents of ticket sales. ©COPYRIGHT 2004 USA TODAY, a division of Gannett Co., Inc. This activity was created for use with Texas Instruments handheld technology. MATH TODAY STUDENT EDITION Super Ticket Sales Conquering comic heroes LIFE SECTION - FRIDAY - APRIL 26, 2002 - PAGE 1D By Susan Wloszczyna USA TODAY Behind nearly every timeless comic- Man comic books the way an English generations weaned on cowls and book hero, there's a deceptively unas- scholar loves Macbeth," he confess- capes. -
BLADE II Yacht Charter Price
BLADE II Yacht Charter Details for 'Blade II', the 44m Superyacht built by MMGI Shipyard SPECIFICATIONS ACCOMMODATION CHARTER RATES LENGTH GUESTS CABINS CREW SUMMER 44m / 144'4 from €125,000 / week + expenses BEAM DRAFT 10 5 8 8m / 26'3 1.5m / 4'11 WINTER from CABIN CONFIGURATION YEAR REFIT $125,000 / week + expenses 2009 2016 1 Master 3 VIP 1 Twin Details correct as of 29 Sep, 2021 CRUISING SPEED 12 Knots FOR MORE INFORMATION: or SCAN QR CODE www.YachtCharterFleet.com The World's Leading Luxury Yacht Charter Guide MORE PHOTOS, VIDEO OR INTERACTIVE DECK PLANS: This document is not contractual. The yacht charters and their particulars displayed in the results above are displayed in good faith and whilst believed to be correct are not guaranteed. YachtCharterFleet.com does not warrant or assume any legal liability or responsibility for the accuracy, completeness, or usefulness of any information and/or images displayed. All information is subject to change without notice and is without warranty. Your preferred charter broker should provide you with yacht specifications, brochure and rates for your chosen dates during your charter yacht selection process. Starting prices are shown in a range of currencies for a one-week charter, unless otherwise indicated. The World's Leading Luxury Yacht Charter Guide BLADE II YACHT CHARTER Superyacht BLADE II was built in 2009 by MMGI Shipyard. She is a 44m / 144'4 Custom motor yacht with exterior design by A Lab and interior styling by Michela Reverberi . Blade II offers accommodation for up to 10 guests in 5 cabins with additional room for her crew of 8. -
Blood and Images in Dracula 2000
Journal of Dracula Studies Volume 8 2006 Article 3 2006 "The coin of our realm": Blood and Images in Dracula 2000 Alan S. Ambrisco University of Akron, Ohio Lance Svehla University of Akron, Ohio Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Ambrisco, Alan S. and Svehla, Lance (2006) ""The coin of our realm": Blood and Images in Dracula 2000," Journal of Dracula Studies: Vol. 8 , Article 3. Available at: https://research.library.kutztown.edu/dracula-studies/vol8/iss1/3 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected],. "The coin of our realm": Blood and Images in Dracula 2000 Cover Page Footnote Alan S. Ambrisco is an Associate Professor of English at The University of Akron. His research interests include medieval literature and the history of monsters. Lance Svehla is an Associate Professor of English at the University of Akron. He has published work in such journals as Teaching English in the Two-Year College and College Literature. This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol8/ iss1/3 “The coin of our realm”: Blood and Images in Dracula 2000 Alan S. Ambrisco and Lance Svehla [Alan S. -
Experiments of Transpiration Cooling Inspired Panel Cooling on a Turbine Blade Yielding Film Effectiveness Levels Over 95% †
International Journal of Turbomachinery Propulsion and Power Article Experiments of Transpiration Cooling Inspired Panel Cooling on a Turbine Blade Yielding Film Effectiveness Levels over 95% † Augustin Wambersie 1,*, Holt Wong 1 , Peter Ireland 1 and Ignacio Mayo 2 1 Department of Engineering Science, University of Oxford, Oxford OX1 3PJ, UK; [email protected] (H.W.); [email protected] (P.I.) 2 Rolls-Royce PLC, Derby DE24 8BJ, UK; [email protected] * Correspondence: [email protected] † This paper is an extended version of our meeting paper published in the 14th European Turbomachinery Conference, Gdansk, Poland, 12–16 April 2021. Abstract: Panels were tested at different locations around the turbine blade, on both suction and pressure surfaces. Three different surface porosities were also tested. Results demonstrated that the approach can be very successful with high levels of film cooling effectiveness, exceeding 95%, achieved using low coolant mass flow rates. Increasing the surface porosity also proved to be an important parameter in the panel’s performance. Additionally, staggering the film holes lead to signif- icant positive interactions between individual films, resulting in much improved panel performance. Keywords: transpiration cooling; turbine blade; film cooling; pressure sensitive paint Citation: Wambersie, A.; Wong, H.; Ireland, P.; Mayo, I. Experiments of 1. Introduction Transpiration Cooling Inspired Panel The need to design turbine blades able to endure the ever increasing temperatures Cooling on a Turbine Blade Yielding found in the next generation of turbine engines has long motivated continuous improve- Film Effectiveness Levels over 95% . ment in cooling and material technology. -
Behold the Beast: Victorian Anxieties and Monstrous Forms
BEHOLD THE BEAST: VICTORIAN ANXIETIES AND MONSTROUS FORMS By Ben Pascoe A Thesis Submitted in Partial Fulfillment of the Requirement for the Degree MASTER OF ARTS Major Subject: English West Texas A&M University Canyon, Texas May 2019 ABSTRACT This paper seeks to analyze two examples of Victorian Gothic, the 1885 novella The Strange Case of Dr. Jekyll and Mr. Hyde and the 1897 novel Dracula as texts dealing with anxieties of degeneration, medicine, and addiction on the personal scale and a wider societal scale respectively. Both Dracula and Hyde represent monsters constructed as representatives of these anxieties in a direct and actionable form so that the audience could address their concerns. ii ACKNOWLEDGEMETS The Author would like to thank: his major advisor and committee members for their patience, help, and guidance; the various other faculty members who have contributed advice and assistance in the research and formatting of this paper. This thesis is dedicated to my family for their love and support through the attainment of my degree, the friends who have helped me along this journey, and the teachers who have helped me learn the skills to create it. iii Approved: [Chairman, Thesis Committee] [Date] [Member, Thesis Committee] [Date] [Member, Thesis Committee] [Date] [Department Head/Direct Supervisor] [Date] [Dean, Academic College] [Date] [Dean, Graduate School] [Date] iv TABLE OF CONTENTS Chapter Page CHAPTER 1: GOTHIC ANXIETIES .......................................................................... 1 CHAPTER 2: THE BEAST AMONG FRIENDS ...................................................... 30 Sex, Drugs, and Chemicals: The Vice Reading ................................................................ 34 Dr. Jekyll and Dr. Hyde: The Medical Reading ............................................................... 44 The Savage Gentleman: The Degenerative Reading ........................................................ 49 CHAPTER 3: THE BEAST AT THE GATES ..........................................................