Nachlass Hans Moser

Total Page:16

File Type:pdf, Size:1020Kb

Nachlass Hans Moser Nachlass Hans Moser Wienbibliothek im Rathaus Handschriftensammlung ZPH 688 Wienbibliothek im Rathaus / Handschriftensammlung – Nachlass Hans Moser / ZPH 688 Biographische Angaben Moser, Hans: 6. 8. 1880, Wien - 19. 6. 1964, Wien; Schauspieler; Wien. Provenienz des Bestandes Der Nachlass Hans Moser wurde im Jahr 1988 von der Wienbibliothek im Rathaus von der Hans und Blanca Moser-Stiftung gekauft. Umfang 14 Archivboxen, 1 Foliobox, 162 Inventarnummern (H.I.N. 218.390, H.I.N. 221.474-221.588, H.I.N 221.620-221.665). 2 Wienbibliothek im Rathaus / Handschriftensammlung – Nachlass Hans Moser / ZPH 688 Inhaltsverzeichnis Korrespondenzen an Hans Moser 6 Korrespondenzen von Rechtsanwälten 26 Korrespondenzen betreffend Streitsache Hans Moser und Bavaria Filmgesellschaft 27 Korrespondenzen von Rundfunkanstalten 27 Korrespondenzen von Musik- und Bühnenverlagen 27 Korrespondenzen von Agenturen 28 Offizielle Korrespondenzen 28 Nicht ermittelte Korrespondenzen 30 Visitenkarten 30 Hausverwaltungsunterlagen 33 Schriftstücke betreffs Wohnungen und Villa 33 Versicherungsunterlagen 34 Rechnungen, Bescheide, Schriftstücke betreffend Finanzangelegenheiten 35 Honorarabrechnungen von Filmgesellschaften 36 Honorarabrechnungen von Theatern 37 Abrechnungen und Geschäftskorrespondenz von Schallplattenfirmen 37 Ärztliche Befunde und Krankenhausbestätigungen für Hans und Blanca Moser 38 Dokumente 39 Ausweise und Mitgliedskarten 40 Reisedokumente 40 Einladungen 43 Texte und Materialien zu von Hans Moser gesungenen Liedern 43 Wienerliedtexte (Typoskripte) 45 Wienerliedtexte (Manuskripte) 50 Dokumentation der Bühnenlaufbahn Hans Mosers 51 Dokumentation der Filmlaufbahn Hans Mosers 98 Textbücher 128 Filmdrehbücher 133 Skripts zu Bild- und Tonaufnahmen 135 Textauszüge, Exposés, Fragmente 135 Varietéauftritte Hans Mosers 135 3 Wienbibliothek im Rathaus / Handschriftensammlung – Nachlass Hans Moser / ZPH 688 Diverse Varietéprogramme ohne Mitwirkung von Hans Moser 143 Fotografien zu Varietéauftritten von Hans Moser 144 Dokumente zur Varietélaufbahn von Hans Moser 144 Varietégastspiele 144 Auftritte in Argentinien, Chile und den USA 149 Varietéauftritte nach 1945 151 Diverse andere Programme 151 Fotografien 152 Ehrungen und Auszeichnungen 155 Varia 156 Originalsammelmappen und Umschläge 160 Großformate 161 4 Wienbibliothek im Rathaus / Handschriftensammlung – Nachlass Hans Moser / ZPH 688 Abkürzungsverzeichnis Bl. Blatt eh. eigenhändig fr. Hd. fremder Hand Ms. Manuskript(e) o.D. ohne Datum o.J. ohne Jahr o.O. ohne Ort S. Seiten(n) Typoskr. Typoskript(e) U. Unterschrift ZPH Zuwachsprotokoll Handschriftensammlung 5 Wienbibliothek im Rathaus / Handschriftensammlung – Nachlass Hans Moser / ZPH 688 Archivbox 1 Korrespondenzen an Hans Moser Annast, August Ansichtskarte (Ms.), 1950.08.03 Ansichtskarte (Ms.), 1950.09.03 Ansichtskarte (Ms.), 1956.08.31 Ansichtskarte (Ms.), 1957.07.16 Ansichtskarte (Ms.), 1957.09.03 Ansichtskarte (Ms.), 1958.08.18 Arnim, Erna von Brief (Typoskr.), 1960.06.07, Beilagen Aulinger, Elise Brief (Ms.), 1962.06.03 Bänsch, Wolfgang Brief (Typoskr.), 1961.04.07 Bär, Jürg Briefkarte (Ms.), 1952.03.14 Bartik, Helene Billett (Ms.), 1960.10.26 Bartos, Antonin Brief, Typoskr., 1950.11.05 Beichel, August Brief, Typoskr., 1965.12.22 Archivbox 1 6 Wienbibliothek im Rathaus / Handschriftensammlung – Nachlass Hans Moser / ZPH 688 Benda, Grete und Max Brief, Typoskr., 1961.01.21 Betz, Alfred Billett, Ms., 1961.01.28 Binovec, Wenzel Billett, Ms., o.D. Blümel, Franz Brief, Ms., 1947.05.14 Böning, Lieselotte Brief, Typoskr., 1971.01.10 Bradish, Joseph Brief, Typoskr., 1948.11.05 Brebeck, Max an Moser, Blanca Postkarte, Ms., 1967.01.18 Breyer, Carl Briefkarte, Ms., 1960.08.04 Bröse, Oskar Brief, Typoskr., 1954.05.15 Brief, Ms., 1954.06.17 Burda, Franz Billett, Ms., o.D. Brief, Typoskr., 1961.12.19 Cermak, Hermine Brief, Typoskr., 1947.10.30 Archivbox 1 7 Wienbibliothek im Rathaus / Handschriftensammlung – Nachlass Hans Moser / ZPH 688 Chiavacci, Vinzenz Billett, Ms., o.D. Correl, [...] Telegramm, 1934.09.12 Dänemark, Karl Brief, Ms., 1960.08.03 Dänemark, Karl an Moser, Blanca Brief, Ms., 1964.06.22 Damjanovic, Dragan Ansichtskarte, Ms., 1955.04.23 Dandyk, Alfred Brief, Typoskr., 1964.04.05 Dantine, G[...] an Moser, Blanca Ansichtskarte, Ms., 1970.04.28 De Carli, Alberto Ansichtskarte, Ms., o.D. Dechant, Hans Brief, Typoskr., 1954.12.01 Brief, Typoskr., 1954.12.10 Deesko, [...] Ansichtskarte, Ms., 1955.04.26 Demsich, Artur Brief, Ms., 1960.08.05 Archivbox 1 8 Wienbibliothek im Rathaus / Handschriftensammlung – Nachlass Hans Moser / ZPH 688 De Morlot, Hermione Ansichtskarte, Ms., 1950.08.18 Ansichtskarte, Ms., 1950.10.12 Denzler, Sylvia Mignon Brief, Typoskr., 1951.04.20 Desoyer, Willi Brief, Typoskr., 1947.12.21, Beilage Deutsch, Georg Brief, Ms., 1960.09.03 Deutscher Hof, Hotel Brief, Typoskr., 1949.05.25 Dickin, Stella an Moser, Blanca Ansichtskarte, Ms., 1969.06.01 Ansichtskarte, Ms., 1969.07.18 Dier, Amadeus Postkarte, Ms., 1949.04.01 Distel, Maria Brief, Ms., 1964.03.°° Dorias, Gustav Brief, Ms., 1962.04.18 Dragan, Maria Brief, Ms., 1946.08.07 Drews, Wolfgang Archivbox 1 9 Wienbibliothek im Rathaus / Handschriftensammlung – Nachlass Hans Moser / ZPH 688 Brief, Typoskr., 1960.11.07 Ebert, Paul Brief, Typoskr., o.D. Ansichtskarte, Ms., 1961.12.06 Eigner, Johann Billett, Ms., o.D. Erb, Otto Ansichtskarte, Typoskr., 1960.08.05 Erhardt, Hermann Postkarte, Ms., 1940.08.06 Feldmeier, Gustl Postkarte, Ms., o.D. Brief, Typoskr., 1951.07.04 Ansichtskarte, Ms., 1954.02.15 Brief, Typoskr., 1961.01.24 Fiedler, Josef Brief, Ms., 1949.03.19 Brief, Typoskr., 1960.05.21, Beilage Filip, Frank Brief, Typoskr., 1947.03.30 Fischer, Peter Billett, Ms., o.D. Focke, Josef Brief, Typoskr., 1962.01.03 Archivbox 1 10 Wienbibliothek im Rathaus / Handschriftensammlung – Nachlass Hans Moser / ZPH 688 Forschner, Leo Briefkarte, Ms., o.D. Briefkarte, Ms., o.D. Friedländer, Franz Brief, Ms., 1960.08.07 Friedmann, Erni Brief, Typoskr., 1961.02.01 Postkarte, Typoskr., 1961.02.27 Friedmann, Margarete an Moser, Blanca Brief, Typoskr., 1968.05.12 Fürrer, Rudolf H[...] Billett, Ms., o.D. Briefkarte, Ms., o.D. Brief, Typoskr., 1947.02.08 Brief, Typoskr., 1949.03.16 Geiger, Rosie Brief, Ms., o.D. Godard, R[..] an Moser, Blanca Brief, Ms., 1969.06.25 Goertz, Marie Brief, Ms., o.D. Postkarte, Ms., o.D. Goeskowitz, Erich Brief, Ms., o.D., Beilage Gohlke von Mathe, Vera Archivbox 1 11 Wienbibliothek im Rathaus / Handschriftensammlung – Nachlass Hans Moser / ZPH 688 Brief, Typoskr., 1960.12.06 Gortana, G[...] Ansichtskarte, Ms., 1946.06.06 Gottlieb, Josef Brief, Typoskr., 1955.08.30 Brief, Typoskr., 1957.11.21 Brief, Typoskr., 1958.04.22 Grätz, Waltraud Brief, Ms., 1964.06.13 Grebenz, Karl Brief, Ms., 1963.02.10 Grossglettner, Maria Brief, Ms., 1962.12.26 Gruber, Herbert Telegramm, o.D. Guggenberger, Siegmund Brief, Ms., o.D. Hainisch, Grete Brief, Ms., 1952.05.20 Halla, F[...] Briefkarte, Ms., 1954.09.01 Hann, Peter Briefkarte, Ms., 1960.08.06 Archivbox 1 12 Wienbibliothek im Rathaus / Handschriftensammlung – Nachlass Hans Moser / ZPH 688 Hebenstreith, Wolfgang Telegramm, 1960.08.06 Heiderscheidt, Vilma Brief, Typoskr., 1963.04.27 Brief, Typoskr., 1963.07.23 Heiderscheidt, Vilma an Moser, Blanca Billett, Ms., o.D. Brief, Typoskr., 1963.03.27 Heigl, Otto Brief, Typoskr., 1962.06.10 Heigl, Otto an Moser, Blanca Brief, Ms., o.D. Heilper, Wilhelm und Piroska Brief, Ms., 1966.01.20 Billett, Ms., 1966.01.27 Helbig, Karl Brief, Typoskr., 1961.06.05 Heller, Nina Brief, Typoskr., 1960.08.08, Beilage Hellerström, Arnhilt Erika Brief, Typoskr., 1960.08.06, Beilage Herbe, Walter Brief, Ms., 1946.05.13 Herzstark, Ernst und Mika Archivbox 1 13 Wienbibliothek im Rathaus / Handschriftensammlung – Nachlass Hans Moser / ZPH 688 Ansichtskarte, Ms., 1954.05.13 Ansichtskarte, Ms., 1954.07.19 Herzstark, Ernst und Mika an Moser, Blanca Brief, Typoskr., 1964.06.24 Heydt, Friedel Brief, Ms., 1960.08.06 Hietzinger Heimatmuseum Brief, Typoskr., 1963.04.23 Hildebrandt, Max Brief, Ms., 1949.05.15 Hnatnicky, Lilli an Moser, Blanca Postkarte, Ms., 1967.05.22 Höhne, Franz und Josefine Brief, Ms., 1960.08.05 Höltzel, Gustav Brief, Ms., 1960.08.03 Hugelmann, Oskar Brief, Ms., 1960.08.13 Hurley, N[...] Brief, Ms., 1960.05.15 Huttenlocher, W[...] an Moser, Blanca Brief, Typoskr., 1964.07.08 Hutton, E[...] F[...] Archivbox 1 14 Wienbibliothek im Rathaus / Handschriftensammlung – Nachlass Hans Moser / ZPH 688 Brief, Typoskr., 1960.01.08 Jacobs, Werner und Margit an Moser, Blanca Briefkarte, Ms., o.D. Ansichtskarte, Ms., 1967.°°.°° Jara, [...] Ansichtskarte, Ms., 1957.12.20 Jesch, Peter Brief, Ms., 1963.05.19 Jucker, Erich Brief, Typoskr., 1947.04.14 Kahane, M[...] Visitenkarte, Ms., 1966.07.18 Kaiser, Ingrid Brief, Ms., 1963.01.08, Beilage Kallich, Walter Brief, Typoskr., 1950.01.07 Kappel, Ladislaus Billett, Ms., o.D. Kaps, Artur Brief, Ms., 1964.06.23 Kapsreiter, Gustav Ansichtskarte, Ms., 1958.06.13, Beilage Khevenhueller, Franz Archivbox 1 15 Wienbibliothek im Rathaus / Handschriftensammlung – Nachlass Hans Moser / ZPH 688 Telegramm, 1960.08.06 Kiefer, Jean Egon Telegramm, 1962.06.20 Brief, Typoskr., 1962.06.27 Kimeswenger, J[...] Brief, Typoskr., 1954.02.05 Knoll, Hans Brief, Typoskr., 1964.06.23 Koscherak, Ernst Billett, o.D. Kramas, Franz Brief, Typoskr., 1950.02.01 Kraupner, Heinz Brief, Typoskr., 1961.02.11 Kreuzhuber, Otto Brief, Typoskr., 1963.04.17, Beilage Krug, Karl Brief, Ms., 1950.08.18 Krzizek, Eva Brief, Ms., 1960.08.04 Kulturclub Brief, Typoskr., 1965.06.14 Kyburz, Beatrice Archivbox 1 16 Wienbibliothek im Rathaus
Recommended publications
  • Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
    Operetta after the Habsburg Empire by Ulrike Petersen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Richard Taruskin, Chair Professor Mary Ann Smart Professor Elaine Tennant Spring 2013 © 2013 Ulrike Petersen All Rights Reserved Abstract Operetta after the Habsburg Empire by Ulrike Petersen Doctor of Philosophy in Music University of California, Berkeley Professor Richard Taruskin, Chair This thesis discusses the political, social, and cultural impact of operetta in Vienna after the collapse of the Habsburg Empire. As an alternative to the prevailing literature, which has approached this form of musical theater mostly through broad surveys and detailed studies of a handful of well‐known masterpieces, my dissertation presents a montage of loosely connected, previously unconsidered case studies. Each chapter examines one or two highly significant, but radically unfamiliar, moments in the history of operetta during Austria’s five successive political eras in the first half of the twentieth century. Exploring operetta’s importance for the image of Vienna, these vignettes aim to supply new glimpses not only of a seemingly obsolete art form but also of the urban and cultural life of which it was a part. My stories evolve around the following works: Der Millionenonkel (1913), Austria’s first feature‐length motion picture, a collage of the most successful stage roles of a celebrated
    [Show full text]
  • Diplomarbeit
    DIPLOMARBEIT Titel der Diplomarbeit Der Topos „Musikstadt Wien“ in den Filmen von Willi Forst Analyse der Filme „Wiener Blut“ und „Wiener Mädeln“ Verfasserin: Daniela Burgstaller angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. Studienblatt: A 316 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuerin / Betreuer: ao.Univ.Prof. Dr. Margareta Saary Inhaltsverzeichnis Vorwort ............................................................................................................................ 3 1. Musikstadt Wien ......................................................................................................... 5 2. Wiener Film ................................................................................................................. 9 2.1 Definition ................................................................................................................ 9 2.2 Entwicklung .......................................................................................................... 10 2.3 Themen und wichtige Persönlichkeiten ................................................................ 11 3. Willi Forst .................................................................................................................. 13 3.1 Von der Theaterbühne zum Film – Leben und Werk ........................................... 13 3.2 Im Aufsichtsrat der Wien-Film GmbH ................................................................. 16 3.3 Die Filme über Wien ............................................................................................
    [Show full text]
  • Curriculum Vitae
    Robert von Dassanowsky Dept. of Languages and Cultures Tel: +1.719.255.3562 Dept. of Visual and Performing Arts [email protected] University of Colorado [email protected] Colorado Springs, CO 80918 USA Dual Citizenship: Austria + USA UNIVERSITY FACULTY POSITIONS AND VISITING/ADJUNCT APPOINTMENTS: University of Colorado, Colorado Springs (UCCS) CU Distinguished Professor of Film and Austrian Studies, 2020. Professor of Visual and Performing Arts-Film and German/Austrian Studies, 2006-present. Founding Director, Film Studies Program, 1997-present. Founding Co-Director, European Studies, 2012. Chair, Dept. of Languages and Cultures, 2001-06; Acting chair, 2009; Co-Chair, 2020. Interim Chair, Dept. of Visual and Performing Arts, 2000-01; 2010. Head of German Program, 1993-present. Graduate/Undergraduate Humanities Program, 1993-present. Associate Professor of German and Visual and Performing Arts, 1999-2006. Assistant Professor of German, 1993-99. The Global Center for Advanced Studies (GCAS), New York and Dublin Affiliate Faculty 2017-present; Board Member of the GCAS Research Institute Dublin; Development Director for GCAS Vienna Center, 2019-present. Webster University, Vienna Adjunct Faculty of Media Communication and Film, 2013-15. University of California, Los Angeles Visiting Professor of German (cinema and contemp. literature), 2007-08. Visiting Assistant Professor of German, 1992-93. Teaching Fellow, Department of Germanic Languages, 1989-92. EDUCATION: Ph.D., Germanic Languages, University of California, Los Angeles, 1992. Dissertation Directors: Wolfgang Nehring, Hans Wagener, Kathleen Komar, 2 G. B. Tennyson. MA, German Studies (film spec.), University of California, Los Angeles, 1988. BA, Cum Laude/Highest Departmental Honors, Political Science and German, University of California, Los Angeles, 1985.
    [Show full text]
  • The Museum of Modern Art Celebrates Vienna's Rich
    THE MUSEUM OF MODERN ART CELEBRATES VIENNA’S RICH CINEMATIC HISTORY WITH MAJOR COLLABORATIVE EXHIBITION Vienna Unveiled: A City in Cinema Is Held in Conjunction with Carnegie Hall’s Citywide Festival Vienna: City of Dreams, and Features Guest Appearances by VALIE EXPORT and Jem Cohen Vienna Unveiled: A City in Cinema February 27–April 20, 2014 The Roy and Niuta Titus Theaters NEW YORK, January 29, 2014—In honor of the 50th anniversary of the Austrian Film Museum, Vienna, The Museum of Modern Art presents a major collaborative exhibition exploring Vienna as a city both real and mythic throughout the history of cinema. With additional contributions from the Filmarchiv Austria, the exhibition focuses on Austrian and German Jewish émigrés—including Max Ophuls, Erich von Stroheim, and Billy Wilder—as they look back on the city they left behind, as well as an international array of contemporary filmmakers and artists, such as Jem Cohen, VALIE EXPORT, Michael Haneke, Kurt Kren, Stanley Kubrick, Richard Linklater, Nicholas Roeg, and Ulrich Seidl, whose visions of Vienna reveal the powerful hold the city continues to exert over our collective unconscious. Vienna Unveiled: A City in Cinema is organized by Alexander Horwath, Director, Austrian Film Museum, Vienna, and Joshua Siegel, Associate Curator, Department of Film, MoMA, with special thanks to the Österreichische Galerie Belvedere. The exhibition is also held in conjunction with Vienna: City of Dreams, a citywide festival organized by Carnegie Hall. Spanning the late 19th to the early 21st centuries, from historical and romanticized images of the Austro-Hungarian empire to noir-tinged Cold War narratives, and from a breeding ground of anti- Semitism and European Fascism to a present-day center of artistic experimentation and socioeconomic stability, the exhibition features some 70 films.
    [Show full text]
  • Spielfilme Mit Österreich-Bezug 2011 in ORF 2
    Spielfilme mit Österreich-Bezug 2011 in ORF 2 Datum Zeit Titel Land Jahr Genre Farbe Ton Regie Darsteller Rudolf Schock (Michael), Christine Görner (Mariza), Rudolf 01.01.2011 13:46 Gräfin Mariza DEU 1958 Spielfilm F Mono Renate Ewert (Lisa), Gunther Philipp (Koloman Zupan), Schündler Hans Moser (Ferdinand) Paul Hörbiger (Johann Ebeseder), Guggi Löwinger (Franziska), Rex Gildo (Stefan Breuer), Udo Jürgens Tanze mit mir in den 02.01.2011 11:05 AUT 1962 Spielfilm F Mono Peter Doerre (Max), Oskar Sima (Franz Biedermann), Rudolf Carl Morgen (Wenzel Kainz), Evi Kent (Daisy), Peter Vogel (Kurt Liebrich), Gerhard Wendland, Chris Howland Hans Holt (Alexander Marhold), Margit Saad (Beate), 06.01.2011 13:10 Rendezvous in Wien AUT 1958 Komödie F Mono Helmut Weiss Peter Weck (Bobby), Peer Schmidt (Alexander), Josef Meinrad (Windberger) Caterina Valente (Kathrin), Peter Alexander (Pierre), 08.01.2011 13:24 Bonjour Kathrin DEU 1955 Komödie F Mono Karl Anton Silvio Francesco (Sylvio), Dietmar Schönherr (Duval), Rudolf Vogel (Fogar) Anita Gutwell (Ulli), Rudolf Lenz (Christian), Rudolf Carl Der Wilderer vom 16.01.2011 14:17 DEU 1957 Heimatfilm F Mono Otto Meyer (Mathias), Lucie Englisch (Mathilde), Traute Wassler Silberwald (Josefa), Fritz Muliar (Hansl) Gerhard Riedmann (Toni), Margot Hielscher (Sonja), Géza von 23.01.2011 14:13 Hoch droben auf dem Berg DEU 1957 Heimatfilm F Mono Gunther Philipp (Egon), Lucie Englisch (Rosa), Paul Bolváry Hörbiger (Ferdinand) Doris Kirchner (Marianne), Herta Staal (Hansi), Erni Rudolf Mangold (Mizzi), Hermann Thimig (Direktor Müller), 05.02.2011 13:16 Abenteuer im Schloss AUT 1952 Komödie F Mono Steinböck Susanne Engelhart (Frau Professor), Gerhard Riedmann (Georg) Marika Rökk (Irene Wagner), Dieter Borsche (Dr.
    [Show full text]
  • Klassiker Der Deutschen Filme
    Klassiker der deutschen Filme Die Konferenz der Tiere (1969) ..................................................................................................3 Zwei blaue Vergißmeinnicht (1963)............................................................................................4 So liebt und küsst man in Tirol (1961) ........................................................................................5 Am Sonntag will mein Süsser… (1961) ......................................................................................5 Allotria in Zell am See (1963).....................................................................................................6 Freddy und das Lied der Südsee (1962).......................................................................................7 Lady Windermeres Fächer (1935)...............................................................................................7 Fridericus - Der Alte Fritz (1963)................................................................................................8 Paradies Paradies der Junggesellen (1939) ..................................................................................9 Der Kaiser von Kalifornien (1935/36).........................................................................................9 Amphitryon (1935) ...................................................................................................................10 Der Jugendrichter (1959) ..........................................................................................................11
    [Show full text]
  • Manuskript Als
    Kleiner großer Mann Die Lange Nacht über den österreichischen Volksschauspieler Hans Moser Autor: Nikolaus Scholz Regie: Nikolaus Scholz Redaktion: Dr. Monika Künzel Sprecher: Dörte Lyssewski Markus Hering Michael Dangl, Zitate Erwin Steinhauer, Zitate Moser & Rolle Hans Moser Sandra Cervik, Rolle Blanca Moser Sendetermine: 10. Februar 2018 Deutschlandfunk Kultur 10./11. Februar 2018 Deutschlandfunk __________________________________________________________________________ Urheberrechtlicher Hinweis: Dieses Manuskript ist urheberrechtlich geschützt und darf vom Empfänger ausschließlich zu rein privaten Zwecken genutzt werden. Jede Vervielfältigung, Verbreitung oder sonstige Nutzung, die über den in den §§ 45 bis 63 Urheberrechtsgesetz geregelten Umfang hinausgeht, ist unzulässig. © Deutschlandradio - unkorrigiertes Exemplar - insofern zutreffend. 1. Stunde „Hallo, Dienstmann“ (Lied) a.d.gln. Film (2.40) MODERATION W Als der Film „Hallo Dienstmann“ 1952 unter der Regie des österreichischen Produzenten Franz Antel gedreht wird, steht einer der beiden Hauptdarsteller am Zenit seiner Karriere: M Die Rede ist von Hans Moser, jenem beliebten österreichischen Volksschauspieler, der am 6. August 1880 in Wien als Johann Julier geboren wird, und viele Jahre unentdeckt in kleinen und Kleinstrollen bei Wandertheatern in der österreichisch-ungarischen Provinz sein Auskommen fristen muss, bevor er ab den 1930er Jahren einen nahezu kometenhaften Aufstieg seiner Karriere erfährt. W Ihm widmen wir die kommenden drei Stunden. Einleitung (hustet) ... auf gebaut kommt’s nicht an. Also, sammas ... sind mir soweit? MODERATION W 1952 – drei Jahre vor Unterzeichnung des österreichischen Staatsvertrages - ist Hans Moser 72 Jahre alt, und wirkt neben seiner Glanzrolle als Wiener Dienstmann auch im satirischen Science-Fiction-Film „1. April 2000“ mit. M Der von der österreichischen Bundesregierung in Auftrag gegebene Propagandafilm unter der Regie von Wolfgang Liebeneiner soll zeigen, wie die Österreicher wirklich sind: Friedliebend, heiter, harmlos und vor allem musikalisch.
    [Show full text]
  • Experiment in the Film
    sh. eitedbyM&l MANVOX EXPERIMENT IN THE FILM edited by Roger Manveil In all walks of life experiment precedes and paves the way for practical and widespread development. The Film is no exception, yet although it must be considered one of the most popular forms of entertainment, very little is known by the general public about its experimental side. This book is a collec- tion of essays by the leading experts of all countries on the subject, and it is designed to give a picture of the growth and development of experiment in the Film. Dr. Roger Manvell, author of the Penguin book Film, has edited the collection and contributed a general appreciation. Jacket design by William Henry 15s. Od. net K 37417 NilesBlvd S532n 510-494-1411 Fremont CA 94536 www.nilesfilminiiseuin.org Scanned from the collections of Niles Essanay Silent Film Museum Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from Jeff Joseph EDITED BY ROGER MANVELL THE GREY WALLS PRESS LTD First published in 1949 by the Grey Walls Press Limited 7 Crown Passage, Pall Mall, London S.W.I Printed in Great Britain by Balding & Mansell Limited London All rights reserved AUSTRALIA The Invincible Press Sydney, Melbourne, Brisbane, Adelaide NEW ZEALAND The Invincible Press, Wellington SOUTH AFRICA M. Darling (Pty.) Ltd., Capetown EDITOR'S FOREWORD The aim of this book is quite simply to gather together the views of a number of people, prominent either in the field of film-making or film-criticism or in both, on the contribution of their country to the experimental development of the film.
    [Show full text]
  • Habsburg's Last War in Austrian Films, 1918 to the Present
    University of New Orleans ScholarWorks@UNO Habsburg's Last War: The Filmic Memory (1918 to the Present) University of New Orleans Press 6-2018 Habsburg’s Last War in Austrian films, 1918 ot the present Hannes Leidinger University of Salzburg Follow this and additional works at: https://scholarworks.uno.edu/hlw Part of the European History Commons, and the Film and Media Studies Commons Recommended Citation Leidinger, Hannes. “Habsburg’s Last War in Austrian films, 1918 ot the Present.” In Habsburg’s Last War: The Filmic Memory (1918 to the Present), edited by Hannes Leidinger, 33-50. New Orleans: University of New Orleans Press, 2018. This Chapter is brought to you for free and open access by the University of New Orleans Press at ScholarWorks@UNO. It has been accepted for inclusion in Habsburg's Last War: The Filmic Memory (1918 to the Present) by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. HABSBURG’S LAST WAR IN AUSTRIAN FILMS, 1918 TO THE PRESENT Hannes Leidinger Introduction This article is devoted to a key issue, a question, which was formulated in an exemplary manner by the editor of the Viennese specialist jour- nal, Meteor, and publisher of several books on film and media, Franz Marksteiner. In a 1999 omnibus volume, The First World War and Popular Cinema, Marksteiner asked: “Where is the war in all of these films? These films have such titles as Kaiserball (The Emperor’s Prom), Kaiserwalzer (The Emperor’s Waltz), Kaisermanoever (The Emperor’s Maneuver), Der Kaiser und das Waeschermaedel (The Emperor and the Washergirl), Die Deutschmeister (The German Masters), Hoch Klingt der Radetzkymarsch (Lofty Sounds: the Radetzky March).
    [Show full text]
  • Guide to the Max Reinhardt Collection
    GUIDE TO THE MAX REINHARDT COLLECTION BIOGRAPHICAL NOTE The celebrated theater director Max Reinhardt, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. Born Maximilian Goldmann into an impecunious lower middle-class merchant family, Reinhardt (initially a stage name) began his career as a struggling young actor in Vienna and Salzburg. In 1894 he was invited to Berlin by Otto Brahm, the renowned director of the Deutsches Theater, where the young actor quickly gained critical acclaim for his convincing portrayals of old men. Eager to escape the gloom and doom of the prevailing Naturalist style, Reinhardt in 1901 co-founded an avant-garde literary cabaret called Sound and Smoke (Schall und Rauch), the allusion being to a poem by Goethe. This cabaret theater perceptively satirized the fashions of current theatrical theory and practice and came to function as an experimental laboratory for the future director.
    [Show full text]
  • A Very Timely Celebration of One Hundred Years of Austrian
    Robert von Dassanowsky. Austrian Cinema: A History. Jefferson: Mcfarland, 2007. 328 pp. $75.00, paper, ISBN 978-0-7864-3733-7. Reviewed by John Warren Published on HABSBURG (April, 2010) Commissioned by Jonathan Kwan (University of Nottingham) I suppose one must start with an acceptance make sense if I briefly summarize their content, that Austria's place in public consciousness as a the last chapter bringing us into an important and filmmaking nation is not strong, but we now have successful phase of Austrian cinema, Austrian cin‐ a book, Robert von Dassanowsky's Austrian Cine‐ ema in the twenty-first century. ma, that provides a complete picture of cinema in The very early years from 1895 to 1928 cover Austria from 1895 to the early party of the twenty- experiments, hectic growth, and the post-1918 sto‐ first century. This reprint in paperback of the ry of Austria's contribution to the silent flm. Early original case bound edition (published in 2005) is film production pre-1914 in Austria was marked a valuable and brave venture, revealing that this by a variety of work, including that of Louise small state has made many important contribu‐ Kolm, one of the frst ever female directors. A tions to the development of flm, even if most of more important fgure was Sascha Kolowrat them have been abroad, most notably in Berlin (Alexander Josef Graf Kolowrat-Krakowsky, and in Hollywood. Within some 285 pages of text, 1886-1927), who spent his inherited fortune on his Dassanowsky has covered the widest possible film company Sascha-Film-AG in 1918 under range of topics: flms and different flm genres, di‐ whose aegis the Hungarian Mihály Kertész, in‐ rectors, actors, production companies, fnance, in‐ spired by the work of D.
    [Show full text]
  • Introduction
    Introduction New Austrian Film: Th e Non-exceptional Exception Robert von Dassanowsky and Oliver C. Speck In an article in 2006, the New York Times introduced a series of screenings of Austrian productions with the following statement: “In recent years this tiny country with a population the size of New York City’s has become something like the world capital of feel-bad cinema” (Lim 2006). As the critic portrays the major directors, a picture emerges that probably sums up a common sentiment regarding New Austrian Film: not unlike other cinematic new waves, Austria’s artists are engaged in a bitter fi ght against the prevailing petit-bourgeois mindset of their fellow citizens. From this perspective, however, it must appear that New Austrian Film is caught in a deadlock, a fi ght against its nation’s very image, be it the postwar self-stylization as neutral Austria, Nazi Germany’s fi rst victim, or even the ironic self-perception as a leftover of Kakania, Robert Musil’s famous satirical moniker for the k.und k. (imperial and royal) Austro-Hungarian dual monarchy. In an eff ort to break the illusions of the “offi cial” Austria and its long avoidance of dealing with its fascist past, New Austrian Film is not only highly critical and counter-traditionalist (albeit using traditional genres) but it takes on the very mechanisms of spectatorial trust in cinema. And with a strong female participation that is signifi cantly prominent, we can see how gender aff ects cinematic style and mood in dealing with contemporary dystopias. Despite the challenges to the audience, the reductionist “feel-bad cinema” label is itself only another totalizing concept that current Austrian fi lmmakers would smash.
    [Show full text]