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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Discography of the Mainstream Label
Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet -
Live at the Olympia Paris Live Dvd, Blu-Ray and Digital Concert Film to Be Released November 10
*** CONFIDENTIAL & EMBARGOED UNTIL 6am PST / 9am EST / 2pm BST / 3pm CEST WEDNESDAY, OCTOBER 4TH 2017 *** STING: LIVE AT THE OLYMPIA PARIS LIVE DVD, BLU-RAY AND DIGITAL CONCERT FILM TO BE RELEASED NOVEMBER 10 “At the heart of what Sting does is a supreme songwriting talent, flowing melodies, audacious grooves and meaningful lyrics delivered by a master musician...with a thrilling super-honed musical attack and swagger.” – The Telegraph LONDON, UK: Eagle Vision and Cherrytree Management today announced the release of Sting: Live At The Olympia Paris on November 10 on DVD, blu-ray and digital download. Physical pre-orders are open now. Sting: Live At The Olympia Paris captures the musician’s critically-acclaimed guitar-driven rock tour as it hit the French capital for a very special performance at the iconic venue in April, 2017. Hailed “the show of a lifetime” (The Vancouver Globe & Mail), Live At The Olympia Paris celebrates highlights from across the 16-time GrammyÒ Award winner’s illustrious career, with blistering performances of new songs from his latest album 57th & 9th including the infectious first single,“I Can’t Stop Thinking About You”, and the anthemic “50,000”, alongside classic hits from The Police as well as Sting’s solo career. Sting: Live At The Olympia Paris showcases the wide range of his eclectic style and songwriting influences in one momentous live show. *** CONFIDENTIAL & EMBARGOED UNTIL 6am PST / 9am EST / 2pm BST / 3pm CEST WEDNESDAY, OCTOBER 4TH 2017 *** Sting is joined onstage by a 4-piece band including his longtime guitarist, Dominic Miller, Josh Freese (drums), Rufus Miller (guitar) and Percy Cardona (accordion), with backing vocals from Joe Sumner plus Diego Navaira & Jerry Fuentes of Warner Music Nashville recording artists, The Last Bandoleros. -
FRONTERAS Reales, Fronteras IMAGINADAS
FRONTERAS reales, fronteras IMAGINADAS SONIDOS EN LA RETINA FRONTERAS reales, fronteras IMAGINADAS JOSÉ A. BORNAY LLINARES FCO. JAVIER ROMERO NARANJO VICENTE J. RUIZ ANTÓN JENARO VERA GUARINOS [EDITORES] Fronteras reales, fronteras imaginadas Serie: Sonidos en la retina, núm. 2 Editores: José A. Bornay Llinares Fco. Javier Romero Naranjo Vicente J. Ruiz Antón Jenaro Vera Guarinos © de sus autores, 2014 © Ediciones Letra de Palo, S.L., 2015 www.letradepalo.es www.facebook.com/Letradepalo [email protected] Diseño cubierta y maquetación: Letradepalo Montaje foto portada: José A. Bornay Formato digital ISBN: 978-84-15794-24-0 Materia IBIC: GT Este libro electrónico contiene hipervículos a sitios web, cuyo contenido es únicamente respon- sabilidad de sus respectivos titulares. Dichos enlaces están referidos a una fecha concreta, por lo que Ediciones Letra de Palo se exime de toda responsabilidad si en el momento de la consulta no estuvieran operativos. Reservados todos los derechos. ÍNDICE PRÓLOGO 11 01 - El sexo como frontera Música y erotismo en el cine español hasta la Transición 17 Julio Arce Bueno 02 - Tarantino y el spaghetti western: la banda sonora como recurso narrativo 35 Lucía Pérez Córdoba 03 - Ennio Morricone, entre tradición y modernidad 55 Ludovico Longhi 04 - Una historia de convergencias y divergencias: al atisbo de una nueva frontera (radio edit) 69 José A. Bornay Llinares 05 - De Niccoló Paganini a Inside Llewyn Davis: mitos y figuras heroicas en el cine sobre músicos 97 Ferran Riesgo Martínez 06 - La cultura visual -
Jazzweek with Airplay Data Powered by Jazzweek.Com • June 14, 2010 Volume 6, Number 29 • $7.95
JazzWeek with airplay data powered by jazzweek.com • June 14, 2010 Volume 6, Number 29 • $7.95 Jazz Album No. 1: Joe Chambers, Horace To Smooth Album No. 1s: Bernie Williams, Max (Savant) Moving Forward (Reform/Rock Ridge); Sade, Soldier of Love (Sony) World Music No. 1: Hot Club of Detroit, It’s Smooth Single No. 1: Bernie Williams, About That Time (Mack Avenue) “Ritmo De Otono” (w/ Dave Koz) (Artistry/ Mack Avenue) JazzWeek Summit 2010: Register now at http://summit.jazzweek.com/ Jazz Album Chart .................... 3 Jazz Add Dates ...................... 7 Smooth Jazz Album Chart ............. 4 Jazz Radio Currents .................. 8 Smooth Singles Chart ................. 5 Jazz Radio Panel ................... 11 World Music Album Chart.............. 6 Smooth Jazz Current Tracks........... 13 Smooth Jazz Station Panel............ 14 Jazz Birthdays June 14 June 25 July 7 Lucky Thompson (1924) Joe Chambers (1942) Tiny Grimes (1916) June 15 June 26 Doc Severinsen (1927) Erroll Garner (1921) Dave Grusin (1934) Hank Mobley (1930) Jaki Byard (1922) Reggie Workman (1937) Joe Zawinul (1932) Tony Oxley (1938) Joey Baron (1955) July 8 June 16 June 27 Louis Jordan (1908) Joe Thomas (1933) Elmo Hope (1923) Billy Eckstine (1914) Albert Dailey (1938) June 28 July 9 Tom Harrell (1946) Jimmy Mundy (1907) Frank Wright (1935) Javon Jackson (1965) June 29 July 10 June 17 Julian Priester (1935) Noble Sissle (1899) Tony Scott (1921) Ivie Anderson (1905) June 30 Joe Thomas (1933) Cootie Williams (1911) Lena Horne (1917) Chuck Rainey (1940) Milt Buckner -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Pop / Rock / Commercial Music Wed, 25 Aug 2021 21:09:33 +0000 Page 1
Pop / Rock / Commercial music www.redmoonrecords.com Artist Title ID Format Label Print Catalog N° Condition Price Note 10000 MANIACS The wishing chair 19160 1xLP Elektra Warner GER 960428-1 EX/EX 10,00 € RE 10CC Look hear? 1413 1xLP Warner USA BSK3442 EX+/VG 7,75 € PRO 10CC Live and let live 6546 2xLP Mercury USA SRM28600 EX/EX 18,00 € GF-CC Phonogram 10CC Good morning judge 8602 1x7" Mercury IT 6008025 VG/VG 2,60 € \Don't squeeze me like… Phonogram 10CC Bloody tourists 8975 1xLP Polydor USA PD-1-6161 EX/EX 7,75 € GF 10CC The original soundtrack 30074 1xLP Mercury Back to EU 0600753129586 M-/M- 15,00 € RE GF 180g black 13 ENGINES A blur to me now 1291 1xCD SBK rec. Capitol USA 7777962072 USED 8,00 € Original sticker attached on the cover 13 ENGINES Perpetual motion 6079 1xCD Atlantic EMI CAN 075678256929 USED 8,00 € machine 1910 FRUITGUM Simon says 2486 1xLP Buddah Helidon YU 6.23167AF EX-/VG+ 10,00 € Verty little woc COMPANY 1910 FRUITGUM Simon says-The best of 3541 1xCD Buddha BMG USA 886972424422 12,90 € COMPANY 1910 Fruitgum co. 2 CELLOS Live at Arena Zagreb 23685 1xDVD Masterworks Sony EU 0888837454193 10,90 € 2 UNLIMITED Edge of heaven (5 vers.) 7995 1xCDs Byte rec. EU 5411585558049 USED 3,00 € 2 UNLIMITED Wanna get up (4 vers.) 12897 1xCDs Byte rec. EU 5411585558001 USED 3,00 € 2K ***K the millennium (3 7873 1xCDs Blast first Mute EU 5016027601460 USED 3,10 € Sample copy tracks) 2PLAY So confused (5 tracks) 15229 1xCDs Sony EU NMI 674801 2 4,00 € Incl."Turn me on" 360 GRADI Ba ba bye (4 tracks) 6151 1xCDs Universal IT 156 762-2 -
Down for the Count Full Score
Jazz Lines Publications Presents down for the count Arranged by frank foster prepared by jeffrey sultanof, dylan canterbury, and rob duboff full score JLP-51211 Music by Frank Foster Copyright © 1955 Swing That Music Inc. All Rights Reserved Used By Permission Logos, Graphics, and Layout Copyright © 2018 The Jazz Lines Foundation Inc. This Arrangement Has Been Published with the Authorization of the Estate of Frank Foster. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA frank foster series down for the count (1954) Background: Next to Duke Ellington, there is no more famous band in the history of jazz than that of William “Count” Basie. Although his economical piano playing was ahead of his time compared to several of his more stride-oriented contemporaries, Basie was always best known as the face of an organization that played a continuous role in shaping the trajectory of jazz for over 50 years. Born on August 21, 1904 in Red Bank, New Jersey, even as a youth Basie was attracted to not just music in general, but the idea of being a bandleader specifically. Settling on the piano as his main instrument as a teen, Basie’s musical apprenticeship was fairly typical for the time. Most of his education stemmed from hanging around the Harlem stride piano scene of the 1920s. A series of tours with vaudeville troupes came next; when one of the troupes broke up in Kansas City in 1927, Basie found himself stranded. -
The Rhythm of Broadway
ASSOCIATED MUSICIANS OF GREATER NEW YORK www.Local802afm.org MarchAllegro 2020 l Volume 120, No. 3 OTO: CARLY ZAVALA CARLY OTO: H P Celebrating Women’s History Month THE RHYTHM OF BROADWAY ELISE FRAWLEY NY Phil unveils largest REMEMBERS THE LEGACY WOMEN IN JAZZ women-only commissioning OF FRANCES PERKINS COME TOGETHER initiative in history n YOUR UNION STAFF LOCAL 802 OFFICERS ORGANIZER Adam Krauthamer, President Lily Paulina IN THE AFTERNOON Karen Fisher, Financial Vice President JAZZ Andy Schwartz, Recording Vice President FIELD REPRESENTATIVES Theresa Couture EXECUTIVE Board LIVE SHOWS AT LOCAL 802 Marisa Friedman Janet Axelrod, Lynne Cohen, www.Local802afm.org Shane Gasteyer Monica Davis, Pete Donovan, Elise Frawley, Kyle Hoyt, Morris Bob Pawlo Kainuma, Caryl Paisner, Bobby Shankin Todd Weeks TRIAL Board LOCAL 802 MUSICIANS HEALTH FUND Cenovia Cummins, Sylvia D’Avanzo, Administrator Javier Gándara, Bill Hayes, Gloria McCormick Joanna Maurer, Mary Ann McSweeney, Warren Odze, Louise Owen, Dan Peck Allegro Mikael Elsila (Editor, Advertising Delegates to AFM Convention Manager and Graphic Designer) Adam Krauthamer, Pete Donovan, Javier Gándara, Bill Hayes, Dean LeBlanc, HEADQUARTERS: 322 West 48th Street, Caryl Paisner New York, NY 10036 Delegates to NEW york City Phone: (212) 245-4802 WALLY DUNBAR AND JAZZ ELEVEN BILL WARFIELD AND THE CENTRAL LABOR CounCIL Web site: www.Local802afm.org Thursday, March 19 @ 5 p.m. HELL’S KITCHEN FUNK ORCHESTRA Adam Krauthamer, Bill Hayes, Thursday, March 26 @ 5 p.m. OFFICE HOURS: Daily 9:30 a.m. to Caryl Paisner 5:30 p.m., except Saturdays, Sundays, Join us in March for live shows at Local 802 to support the Local 802 Musicians’ Delegates to NEW YORK State AFL-CIO and holidays Emergency Relief Fund. -
June 2016 Baltimore As a Jazz City: Part II
June 2016 Baltimore As A Jazz City: Part II . 1 Jazz Jam Sessions . 2 BALTIMORE JAZZ ALLIANCE The Spice Band’s Jam Sessions at The Place . 3 BJA Member Notes . 3 Trading Conversations . 4 The Case For Original Jazz . 6 BJA Member Benefits . .8 Ad Rates and Member Sign-up Form . 11 VOLUME XIII ISSUE V THE BJA NEWSLETTER WWW.BALTIMOREJAZZ.COM Baltimore As A Jazz City: Part II The Importance of Innovation By George Spicka BALTIMORE George Spicka's article is an opinion piece. His views do not necessary represent those of BJA or its board. “With Baltimore being located between Philadelphia and D.C., it has little chance of being known as a jazz city.” – Baltimore Jazz Advisory Committee (1993) In spite of this dire prediction, just ten years later, Barry Glassman founded the Baltimore Jazz Alliance. How well I remember that first meeting—a room packed with perform - ers and aficionados expressing their desires and concerns. A dream was born, a dream that has been sustained and grown now for thirteen years. Am I surprised? Not at all. Jazz musicians are some of the WIX IMAGE most passionate people I know. As illustrated in “Baltimore as a Jazz City: Part I,” the key is attitude. But before the BJA than will complaining about the lack of one. To paraphrase starts patting itself on the back, we need to consider: Why what I said back in ‘93, “Forget about BOPA (Baltimore Office did it take a non-native, a person from New York, to recog - of Promotion and the Arts - ed.) and instead carve out our nize that Baltimore was indeed a jazz city, and to initiate a own niche. -
In This Issue
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC In This Issue Carmen Bradford Jay Clayton Bruce Ditmas George Gruntz John McLaughlin Dennis Mackrel Pete LaRoca Buster Williams art pepper on vinyl Cafe society book review Volume 39 Number 2 April may june 2013 MAKAYA MCCRAVEN DRUMS ANDREW TOOMBS PIANO TIM SEISSER BASS “a fresh take on the age-old piano trio, catapulted by McCraven’s propulsive percussion into an orbit that few first-time groups ever achieve.”– Neil Tesser AARON KOPPEL GUITAR MATT NELSON PIANO, RHODES, HAMMOND B-3 GRAHAM CZACH BASS ROBERT TUCKER DRUMS HHHH “There’s always a twist when the forward-thinking guitarist Aaron Koppel is in the picture... The band knows how and where to take chances.” – Jon Ross, Downbeat Available at : CDBaby, iTunes, Amazon ChicagoJazz.com & everywhere www.chicagosessions.com 2013 RELEASES ON SLAM "DAY FOR NIGHT AT JACK STraW" David Haney piano, Julian Priester trombone, Buell Neidlinger bass. Marc Smason trombone, shofar, Doug Haning contra alto clarinet, Dan Blunck tenor sax and flute, Frank Clayton bass, Juan Pablo Carletti drums. "JUST FLUX" “FREE-DOT”, the duo of Antonio Cotardo flutes, voice, bells, piano and Paolo Pacciolla drums, berimbao, mbira, voice, Jew’s harp, household percussion, piano. "RENEGADE" Esmond Selwyn guitar, Paul Sawtell keyboards, Bill Coleman bass, Tony Richards drums DOUBLE CD SLAMCD 291 www.slamproductions.net [email protected] Bernard “Pretty” Purdie And the beat goes on…Share a musical experience with me…. I am available for: Private Lessons-Master Classes-Clinics-Concerts -
Mildred Hayes
“What’s the law on what you can and cannot say on a billboard?” ~ Mildred Hayes 3 “Jeez, then I guess it’s just his word against mine, huh? Kinda like in all those rape cases you hear about, except in this instance, the chick ain’t losing.” ~ Mildred Hayes 5 “I’m doing everything I can to track him down, Mrs. Hayes. I don’t think those billboards is very fair.” ~ Police Chief Willoughby When the billboards go up outside Ebbing, Missouri, they appear to take Taking the role of the man who is both Mildred’s sworn enemy and her direct aim at one man: Police Chief Bill Willoughby, who has failed to only hope is two-time Oscar® nominee Woody Harrelson, seen also this solve the murder of Mildred’s daughter and left her with no solace. But year in the contrasting roles of a colonel ghting for humanity in WAR the more one gets to know Chief Willoughby, the more it becomes clear FOR THE PLANET OF THE APES and an eccentric, alcoholic father in THE that the man Mildred is going to war with is already ghting a private GLASS CASTLE. McDonagh has been friends with Harrelson for many battle. years and previously cast him as live-wire gangster Charlie Costello in SEVEN PSYCHOPATHS. “Bill is a decent man who tends to see the best in people,” comments McDonagh. “In many ways, he’s the archetypal good, small-town cop – “We see a different side of Woody in this lm, de nitely different to what but we discover early on he’s not in the best of health, and now he’s he did in SEVEN PSYCHOPATHS,” McDonagh observes.