A Hidden Collection, Helen Balfour Morrison
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Volume XIII, Number 1 Spring 2019
The Herald Volume XIII, Number 1 Spring 2019 ARCHITECT HOWARD VAN DOREN SHAW AT 150 by William Tyre Friends, in partnership with Returning to Chicago in early 1893, Glessner House, will host a half- he rejoined the firm of Jenney & day symposium on May 11, 2019 to Mundie, and in April, married honor the 150th anniversary of the Frances Wells in a ceremony at First birth of architect Howard Van Presbyterian Church. By early 1894, Doren Shaw, who designed our Shaw established his own practice, National Historic Landmark setting up his office on the top floor designated sanctuary in 1900 of his family home on Calumet following a devastating fire. (See Avenue. He hired a draftsman, page 4, for more information). In Robert G. Work, and quickly this issue, we look back at Shaw’s established a reputation for designing life and several commissions he distinctive residences in a variety of received in the South Loop which architectural styles. exhibit the breadth of his abilities. In 1897, Shaw received his first large Howard Van Doren Shaw was commission through his Yale born on May 7, 1869 to Theodore classmate Thomas E. Donnelley. and Sarah (Van Doren) Shaw. Ave., and joined Second Presbyterian The building at 731 S. Plymouth Theodore was a successful dry by profession of faith in 1885. Shaw Court housed the Lakeside Press, goods merchant and a descendant earned a Bachelor of Arts degree later R. R. Donnelley & Sons. The of an early Quaker settler who from Yale in 1890 and that fall, vaulted fireproof structure with came to America with William entered the Massachusetts Institute reinforced concrete floors showed Penn. -
Lorado Taft Midway Studios AND/OR COMMON Lorado Taft Midway Studios______I LOCATION
Form No. 10-300 (Rev. 10-74) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS ___________TYPE ALL ENTRIES - COMPLETE APPLICABLE SECTIONS______ | NAME HISTORIC Lorado Taft Midway Studios AND/OR COMMON Lorado Taft Midway Studios______________________________ I LOCATION STREET & NUMBER University of Chicago, 6016 Ingleside Avenue —NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT Chicago __ VICINITY OF STATE CODE COUNTY CODE Illinois 05 P.onV CLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE _DISTRICT —PUBLIC XXOCCUPIED _ AGRICULTURE —MUSEUM X_BUILDING(S) ?_PRIVATE —UNOCCUPIED —COMMERCIAL —PARK —STRUCTURE —BOTH _ WORK IN PROGRESS ^-EDUCATIONAL —PRIVATE RESIDENCE _ SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT —IN PROCESS —YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED _ YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION _NO —MILITARY —OTHER. (OWNER OF PROPERTY NAMEINAMt University of Chicago, (Office of Special Events, Administration STREET & NUMBER 5801 Ellis Avenue CITY. TOWN STATE VICINITY OF Chicago T1 1 inr>i' a LOCATION OF LEGAL DESCRIPTION COURTHOUSE, REGISTRY OF DEEps.ETc. Cook County Recorder and Registrat of Titles STREET & NUMBER 118 North Clark CITY. TOWN STATE Chicago Tllinm', REPRESENTATION IN EXISTING SURVEYS TITLE none known DATE — FEDERAL —STATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS CITY. TOWN STATE DESCRIPTION CONDITION CHECK ONE CHECK ONE YY —EXCELLENT _DETERIORATED —UNALTERED —ORIGINAL SITE XXQOOD —RUINS XXALTERED —MOVED DATE_______ —FAIR —UNEXPOSED DESCRIBETHE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE Lorado Taft's wife, Ada Bartlett Taft y described the Midway Studios in her biography of her husband, Lorado Taft, Sculptor arid Citizen; In 1906 Lorado moved his main studio out of the crowded Loop into a large, deserted brick barn on the University of Chicago property on the Midway. -
VILLAGE WIDE ARCHITECTURAL + HISTORICAL SURVEY Final
VILLAGE WIDE ARCHITECTURAL + HISTORICAL SURVEY Final Survey Report August 9, 2013 Village of River Forest Historic Preservation Commission CONTENTS INTRODUCTION P. 6 Survey Mission p. 6 Historic Preservation in River Forest p. 8 Survey Process p. 10 Evaluation Methodology p. 13 RIVER FOREST ARCHITECTURE P. 18 Architectural Styles p. 19 Vernacular Building Forms p. 34 HISTORIC CONTEXT P. 40 Nineteenth Century Residential Development p. 40 Twentieth Century Development: 1900 to 1940 p. 44 Twentieth Century Development: 1940 to 2000 p. 51 River Forest Commercial Development p. 52 Religious and Educational Buildings p. 57 Public Schools and Library p. 60 Campuses of Higher Education p. 61 Recreational Buildings and Parks p. 62 Significant Architects and Builders p. 64 Other Architects and Builders of Note p. 72 Buildings by Significant Architect and Builders p. 73 SURVEY FINDINGS P. 78 Significant Properties p. 79 Contributing Properties to the National Register District p. 81 Non-Contributing Properties to the National Register District p. 81 Potentially Contributing Properties to a National Register District p. 81 Potentially Non-Contributing Properties to a National Register District p. 81 Noteworthy Buildings Less than 50 Years Old p. 82 Districts p. 82 Recommendations p. 83 INVENTORY P. 94 Significant Properties p. 94 Contributing Properties to the National Register District p. 97 Non-Contributing Properties to the National Register District p. 103 Potentially Contributing Properties to a National Register District p. 104 Potentially Non-Contributing Properties to a National Register District p. 121 Notable Buildings Less than 50 Years Old p. 125 BIBLIOGRAPHY P. 128 ACKNOWLEDGEMENTS RIVER FOREST HISTORIC PRESERVATION COMMISSION David Franek, Chair Laurel McMahon Paul Harding, FAIA Cindy Mastbrook Judy Deogracias David Raino-Ogden Tom Zurowski, AIA PROJECT COMMITTEE Laurel McMahon Tom Zurowski, AIA Michael Braiman, Assistant Village Administrator SURVEY TEAM Nicholas P. -
Women and Health Series
Women and Health Series Raymond G. DeVries Making Midwives Legal Childbirth, Medicine, and the Law Second Edition Ohio State University Press Columbus Copyright © 1996 by the Ohio State University Press. All rights reserved. Library of Congress Cataloging-in-Publication Data DeVries, Raymond G. Making midwives legal: childbirth, medicine, and the law / Raymond G. DeVries. p. cm. — (Women and health) Originally published: Regulating birth. 1985. With new pref. and epilogue. Includes bibliographical references and index. ISBN 0-8142-0703-0 (paper : alk. paper) 1. Midwives—Legal status, laws, etc.—United States. 2. Midwives-—United States. 3. Obstetrics—United States. I. DeVries, Raymond G. Regulating birth. II. Title. III. Series. IV. Series: Women & health (Columbus, Ohio) KF2915.M5D48 1996 344.73'O415—dc2O [347.304415] 96-6312 CIP Type set in ITC Garamond Book by G&S Typesetters, Inc., Austin, Texas. Printed by Cushing-Malloy, Inc., Ann Arbor, Michigan. The paper used in this publication meets the minimum require ments of American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials. ANSI Z39.48- 1992. 987654321 To C. A. Contents Series Editors' Preface ix Preface xi Acknowledgments xxiii Introduction xxv 1 Midwifery, Medicine, and the Law 3 2 The Emergence of Midwifery Regulation 21 3 Midwifery in the Legislature: Licensing Laws in Arizona, Texas, and California 47 4 Midwifery in Action: The Influence of Law on Practice 89 5 Midwifery on Trial: Violations of Regulatory Law byMidwives 119 6 Conclusion: Birth, Medicine, and the Law 139 Appendix: On Researching Midwifery 155 Epilogue: The Trap of Legal Recognition 163 Notes 183 References 189 Index 223 Series Editors' Preface We are pleased to add Making Midwives Legal: Childbirth, Medi cine, and the Law to our Women and Health Series. -
NFS Form 10-900-B Ombno
NFS Form 10-900-b OMBNo. 1024-0018 (Rev. Aug. 2002) (Expires Jan. 2005) RECEIVED United States Department of the Interior National Park Service National Register of Historic Places Multiple Property Documentation Form mi REGISTER OF HISTORIC NATIONAL PARK SERVI This form is used for documenting multiple property groups relating to one or several historic contexts. See instructions in How to Complete the Multiple Property Documentation Form (National Register Bulletin 16B). Complete each item by entering the requested information. For additional space, use continuation sheets (Form 10-900-a). Use a typewriter, word processor, or computer to complete all items, _ X New Submission _ _ Amended Submission A. Name of Multiple Property Listing Deerpath Hill Estates: an English Garden Development in Lake Forest, Illinois; 1926-1961 B. Associated Historic Contexts (Name each associated historic context, identifying theme, geographical area, and chronological period for each). Development of Deerpath Hill Estates, The City Beautiful Movement, 1926-1931 Great Depression and World War II, 1929-1945 Post World War II Housing Boom and the Renewal of Deerpath Hill Estates, 1945-1961 C. Form Prepared by name/title Paul Bergmann street & number 238 East Woodland Road telephone 312 381 7314 day city or town Lake Bluff state Illinois zip code 60044 D. Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this documentation form meets the National Register documentation standards and sets forth requirements for the listing of related properties consistent with the National Register criteria. This submission meets the procedural and professional requirements set forth in 36 CFR Part 60 and the Secretary of the Interior's Standards and Guidelines for Archeology and Historic Preservation. -
Village of Lake Bluff, Illinois
VILLAGE OF LAKE BLUFF, ILLINOIS Summary and Historic Resource Survey: Estate Areas of Lake Bluff 2008 William McCormick Blair House BENJAMIN HISTORIC CERTIFICATIONS TABLE OF CONTENTS Introduction, 4 Preservation in Lake Bluff and the Role of the Survey 7 Architectural Styles in the Survey Area 11 French Eclectic 12 Tudor Revival 13 Italian Renaissance Revival 14 Mission Revival 15 Mediterranean Revival 16 Colonial Revival/Georgian Revival 17 Modern or Modernist 19 Post Modern 20 History of Lake Bluff Estate Development 21 Ferry Field and Ferry Woods Estate Area 22 Stanley Field Estate 23 Albert A. Sprague, II, Estate 28 Stewart and Priscilla Peck House 32 Mrs. Carolyn Morse Ely House, Gate Houses Orangerie, Wing 33 Harry B. Clow Estate, “Lansdowne” 38 Conway Olmsted House 40 The North Sheridan Road Estate Area 41 “Crab Tree Farm” 41 William McCormick Blair Estate 44 Edward McCormick Blair House 50 Edgar Uihlein Property 51 Lester Armour House 53 Laurence and Pat Booth House 54 Shoreacres Country Club Estate Area 55 Shoreacres Country Club 57 Howard and Lucy Linn House 58 Gustavus Swift, Jr., Property 60 Frank Hibbard House 61 John McLaren Simpson House 62 Frederick Hampton Winston House 63 The Green Bay Road Estate Area 64 Russell Kelley Estate 65 Phelps Kelley Estate 66 William V. Kelley Estate “Stonebridge” 67 Philip D.Armour Estate,“Tangley Oaks, Gate Lodge 69 William J. Quigley Property 72 Ralph Poole House 74 Bibliography 75 Lake Bluff Structures Included on the Illinois Historic Structures Survey, Illinois Historic Landmarks Survey and properties Listed on the National Register of Historic Places 77 Conclusion 78 Acknowledgments 79 Data Base of Properties Surveyed 80 2 VILLAGE OF LAKE BLUFF, ILLINOIS: A SUMMARY AND HISTORIC RESOURCE SURVEY OF THE ESTATE AREAS Published by the Village of Lake Bluff VILLAGE OF LAKE BLUFF Christine Letchinger, Village President BOARD OF TRUSTEES David Barkhausen Rick Lesser Kathleen O’Hara Michael Peters Brian Rener Geoff Surkamer Michael Klawitter, Village Clerk R. -
America's Catholic Church"
rfHE NATION'S CAPITAL CELEBRArfES 505 YEARS OF DISCOVERY HONORING THE GREA1" DISCOVERER CHRISTOPHER COLUMBUS MONDAY OCTOBER 12. 1998 THE COLUMBUS MEMORIAL COLUMBUS PI~AZA - UNION STATION. W ASIIlNGTON. D.C. SPONSORED BY THE WASHINGTON COLUMBUS CELEBRATION ASSOCIATION IN COORDINATION WITH THE NATIONAL PARK SERVICE CELEBRATING CHRISTOPHER COLUMBUS IN THE NATION'S CAPITAL The Site In the years following the great quadricentennial (400th anniversary) celebration in 1892 of the achievements and discoveries of Christopher Cohnnbus, an effort was launched by the Knights of ~ Columbus to establish a monument to the ~ great discoverer. The U. S. Congress passed a law which mandated a Colwnbus Memorial in the nation's capital and appropriated $100,000 to cover the ~· ~, ·~-~=:;-;~~ construction costs. A commission was T" established composed of the secretaries of State and War, the chairmen of the House and Senate Committees on the Library of Congress, and the Supreme Knight of the Knights of Columbus. With the newly completed Union Railroad Station in 1907, plans focused toward locating the memorial on the plaz.a in front of this great edifice. After a series of competitions, sculptor Lorado Z. Taft of Chicago was awarded the contract. His plan envisioned what you see this day, a monument constructed of Georgia marble; a semi-circular fountain sixty-six feet broad and forty-four feet deep and in the center, a pylon crowned with a globe supported by four eagles oonnected by garland. A fifteen foot statue of Columbus, facing the U. S. Capitol and wrapped in!\ medieval mantle, stands in front of the pylon in the bow of a ship with its pn,, extending into the upper basin of the fountain terminating with a winged figurehead representing democracy. -
Masters Thesis
WHERE IS THE PUBLIC IN PUBLIC ART? A CASE STUDY OF MILLENNIUM PARK A Thesis Presented in Partial Fulfillment of the Requirements for The Degree Master of Arts in the Graduate School of The Ohio State University By Corrinn Conard, B.A. ***** The Ohio State University 2008 Masters Examination Committee: Approved by Dr. James Sanders III, Advisor Advisor Professor Malcolm Cochran Graduate Program in Art Education ABSTRACT For centuries, public art has been a popular tool used to celebrate heroes, commemorate historical events, decorate public spaces, inspire citizens, and attract tourists. Public art has been created by the most renowned artists and commissioned by powerful political leaders. But, where is the public in public art? What is the role of that group believed to be the primary client of such public endeavors? How much power does the public have? Should they have? Do they want? In this thesis, I address these and other related questions through a case study of Millennium Park in Chicago. In contrast to other studies on this topic, this thesis focuses on the perspectives and opinions of the public; a group which I have found to be scarcely represented in the literature about public participation in public art. To reveal public opinion, I have conducted a total of 165 surveys at Millennium Park with both Chicago residents and tourists. I have also collected the voices of Chicagoans as I found them in Chicago’s major media source, The Chicago Tribune . The collection of data from my research reveal a glimpse of the Chicago public’s opinion on public art, its value to them, and their rights and roles in the creation of such endeavors. -
JOHN FARSON HOUSE Other Name/Site Number: Pleasant Home
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 JOHN FARSON HOUSE Page 1 United States Department of the Interior, National Park Service____________________________________National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: JOHN FARSON HOUSE Other Name/Site Number: Pleasant Home 2. LOCATION Street & Number: 217 Home Avenue Not for publication: N/A City/Town: Oak Park Vicinity: N/A State: IL County: Cook Code: 031 Zip Code: 60302 3. CLASSIFICATION Ownership of Property Category of Property Private: __ Building(s): JL Public-Local: X District: __ Public-State: __ Site: __ Public-Federal: Structure: __ Object: __ Number of Resources within Property Contributing Noncontributing 1 __ buildings ___ sites ___ structures objects 1 0 Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of Related Multiple Property Listing: N/A NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 JOHN FARSON HOUSE Page 2 United States Department of the Interior, National Park Service____________________________________National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets __ does not meet the National Register Criteria. -
Bertoia, Harry
237 East Palace Avenue Santa Fe, NM 87501 800 879-8898 505 989-9888 505 989-9889 Fax [email protected] Harry Bertoia (American Sculptor and Designer, 1915-1978) Arieto Bertoia was born on March 10, 1915, in the small village of San Lorenzo, Friuli, Italy, about 50 miles north of Venice and 70 miles south of Austria. He had one brother, Oreste, and one sister, Ave. Another sister died at eighteen months old; she was the subject of one of his first paintings. Even as a youngster, the local brides would ask him to design their wedding day linen embroidery patterns, as his talents were already recognized. He attended high school in Arzene, Carsara, until age 15. He then accompanied his father to Detroit to visit his brother Oreste. Upon entering North America, his birth name Arri, which often morphed into the nickname Arieto ("little Harry" in Italian), was altered to the Americanized "Harry." Bertoia stayed in Michigan to attend Cass Technical High School, a public school with a special program for talented students in arts and sciences. Later, a one-year scholarship to the Art School of the Detroit Society of Arts and Crafts allowed him to study painting and drawing. He entered and placed in many local art competitions. By the fall of 1937, another scholarship entitled him to become a student, again of painting and drawing, at the Cranbrook Academy of Art in Bloomfield Hills, Michigan. Cranbrook was, at the time, an amazing melting pot of creativity attracting many famous artists and designers: Carl Milles, resident-sculptor, Maija Grotell, resident-ceramist, Walter Gropius, visiting Bauhaus- architect, and others. -
Faithful Friends
Valentiner Meyers Given 24 Water Weasels DETROIT SUNDAY TIMES C April 8. 1945—Part I, Page 11 Dr. Friends . Good Housekeeping Faithful“/ pray thee, give them me, that birds to gentle, unto which the Scripture likeneth chaste and humble In Carriers’ Bag and faithful souls, may not fall into the hands of TABLE PADf Quit cruel To Post men that would kill them”—St Francis Assisi. Knudsen Post Stop chances with your Ml Times Boys Near taklnf table. Be sale, be tare with Art Institute Head Detroit Officer Half Way Mark a Good Housekeeping table Old Masters Authority pad. None better made, none Succeeds General better fitted. Nu-wood grain One Water Weasel short of their patterns William R. Valentiner, with choice of colors half way mark! Detroit Times and soil felt back. Priced fromIMP tor of the Detroit Art Insti- An army career officer will suc- t carriers Saturday had purchased Let our representative measure lute, by some ceed Gen. William S. Knudsen. and considered the Lt 24 Water Weasels and havg 26 to your table and show «am. world’s on M ¦BHg : production pies of foremoat authority old former automotive go to reach their goal ... 50 heat-proof, liquid- proof and masters, will retire this month. geniu* of General Motors Corp., Water Weasels purchased for the washable table pads. his wife, of the air technical Shop at koms by Dr. Valentiner and as director army through calling TR 2-1455, day Cecilia, are at their newly en- service command May 1. 24 Bought the sale of war or night. -
Art and Science Come Together in Detroit Institute of Arts' Exhibition "Bruegel's the Wedding Dance Revealed" !
AiA News-Service Art and science come together in Detroit Institute of Arts' exhibition "Bruegel's The Wedding Dance Revealed" ! Expert Dr. Tomasz Wazny (Nicolaus Copernicus University in Torun) assesses the edge of wood panel of The Wedding Dance as part of the dendrochronological analysis. DETROIT, MICH.- The Detroit Institute of Arts invites visitors to experience an exhibition that explores how science and technology is used to learn about art, focused on one of the DIA’s most iconic European paintings. “Bruegel’s The Wedding Dance Revealed” is open from December 14, 2019–August 30, 2020. The year 2019 marks the 450th anniversary of artist Pieter Bruegel the Elder’s death, and to commemorate it, the DIA’s Conservation department and the European Art department collaborated to trace the life of the painting from its creation in 1566 to the present, including the story behind the DIA’s exciting acquisition of the work in 1930. This exhibition is free with museum admission, which is always free for residents of Macomb, Oakland and Wayne counties. The DIA was the second museum in the U.S. to acquire a painting by Bruegel, and it soon became one of the museum’s most prized and beloved works. This exhibition features three other works from the DIA’s collection, as well as conservation images (x-ray and infrared), archival materials, pigments and a variety of tools inspired by Bruegel’s complex quest to source and create the colors used in the painting. The exhibition is located in Special Exhibitions Central, adjacent to the Detroit Industry murals.