Pandora's Box Vol. 34 No. 2
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Museum of Arts and Design
SPRING/SUMMER BULLETIN 2011 vimuseume of artsws and design Dear Friends, Board of Trustees Holly Hotchner LEWIS KRUGER Nanette L. Laitman Director Chairman What a whirlwind fall! Every event seemed in some way or another a new milestone for JEROME A. CHAZEN us all at 2 Columbus Circle. And it all started with a public program that you might have Chairman Emeritus thought would slip under the radar—Blood into Gold: The Cinematic Alchemy of Alejandro BARbaRA TOBER Chairman Emerita Jodorowsky. Rather than attracting a small band of cinéastes, this celebration of the Chilean- FRED KLEISNER born, Paris-based filmmaker turned into a major event: not only did the screenings sell Treasurer out, but the maestro’s master class packed our seventh-floor event space to fire-code LINDA E. JOHNSON Secretary capacity and elicited a write-up in the Wall Street Journal! And that’s not all, none other HOllY HOtcHNER than Debbie Harry introduced Jodorowsky’s most famous filmThe Holy Mountain to Director filmgoers, among whom were several downtown art stars, including Klaus Biesenbach, the director of MoMA PS1. A huge fan of this mystical renaissance man, Biesenbach was StaNLEY ARKIN DIEGO ARRIA so impressed by our series that beginning on May 22, MoMA PS1 will screen The Holy GEORGE BOURI Mountain continuously until June 30. And, he has graciously given credit to MAD and KAY BUckSbaUM Jake Yuzna, our manager of public programs, for inspiring the film installation. CECILY CARSON SIMONA CHAZEN MICHELE COHEN Jodorowsky wasn’t the only Chilean artist presented at MAD last fall. Several had works ERIC DObkIN featured in Think Again: New Latin American Jewelry. -
Sills Takes ·Historic Oath
In Sports In Section 2 ~~ (1 , £SA An Associated Collegiate Press Four-Star All-American Newspaper Looks who's Happy New :g back. Komlo Year from / '' ft;;;f: reflects on Del. Times Square w'-' '\j page 86 page B1 /If'£~ w ) ( FREE FRIDAY Sills takes ·historic oath Female student Wilmington's first black maK_or is sworn in Tuesday dies in Gilbert By Margaret Zeman Center went to Megan's Gilbert A By Lisa McCue Studrnt Affairs Editor residence hall to speak to the RAs Associate News Editor When friends of Megan Betz and students, said Cynthia WILMINGTON - More than 500 people (HR FR) did not see her all day Cummings, associate director of flocked to City Council chambers Tuesday Monday they tried calling her room Housing and Residence Life. night to witness one of the state's most in Gilbert Hall A and leaving Danielle Mayers (HR FR) met · historic · events-the swearing-in of the messages on her answering Megan the first day of school in city's first African-American mayor. machine. But there was no biology lab and said she was "one After James H. Sills took his oath of response. of a kind." office, a packed audience of supporters, Though her door was locked, the "She was always interested in including Sills' family, Sen. Joseph R. fan was still running. Knowing how you were doing," Mayers said. Biden (D-Del.) and Governor-elect Thomas something was wrong, the students "Whenever you needed help with R. Carper, gave the new mayor a round of prompted two resident assistants anything, she would be there for thunderous applause and a standing ovation. -
Beyond the Pink: (Post) Youth Iconography in Cinema
Beyond the Pink: (Post) Youth Iconography in Cinema Christina Lee Bachelor of Arts with First Class Honours in Communication Studies This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2005 Declaration I declare that this dissertation is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. ______________________ Christina LEE Hsiao Ping i Publications and Conference Presentations Refereed Publications Christina Lee. “Party people in the house(s): The hobos of history” in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon (ed.) Crawley: University of Western Australia Press, 2005. pp. 43-52. This chapter was written in association with the research on rave culture, as featured in Chapter Six. Christina Lee. “Let me entertain you” in TTS Australia: Critical Reader. Bec Dean (ed.) Northbridge: PICA, 2005. pp. 17-18. This piece was written in association with the research on nationalism and xenophobia, as featured in Chapter Seven. Christina Lee. “Lock and load(up): The action body in The Matrix”, Continuum: Journal of Media and Cultural Studies, forthcoming 2005. This journal article was written in association with the research on simulacra and masculinity, as featured in Chapter Two and Chapter Seven. Conference Presentations “Lock and Load(up): The Action Body in The Matrix”. Alchemies: Community Exchanges. 7th Annual Humanities Graduate Research Conference. Curtin University of Technology: Bentley, Australia. 6-7 November, 2003. This conference presentation was derived from research on the simulacra and the action hardbody as presented in Chapter Two and Chapter Seven. -
The Philosophy of the Western
University of Kentucky UKnowledge American Popular Culture American Studies 5-28-2010 The Philosophy of the Western Jennifer L. McMahon East Central University B. Steve Csaki Centre College Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation McMahon, Jennifer L. and Csaki, B. Steve, "The Philosophy of the Western" (2010). American Popular Culture. 11. https://uknowledge.uky.edu/upk_american_popular_culture/11 (CONTINUED FROM FRONT FLAP) McMAHON PHILOSOPHY/FILM AND CSAKI THE PHILOSOPHY OF THE gender, animal rights, and other topics depicted in western narratives. “The writing is accessible to nonspecialists and should be of interest to general WESTERN Drawing from philosophers as varied as Aristotle, Spinoza, William James, and Jean- readers who enjoy thinking about EDITED BY Paul Sartre, The Philosophy of the Western JENNIFER L. McMAHON AND B. STEVE CSAKI examines themes that are central to the genre: philosophy, film, or westerns.” individual freedom versus community; the —KAREN D. HOFFMAN, encroachment of industry and development on the natural world; and the epistemological Hood College here are few film and television genres and ethical implications of the classic “lone that capture the hearts of audiences rider” of the West. The philosophies of John like the western. While not always T T Locke, Thomas Hobbes, and Jean-Jacques H true to the past, westerns are tied to, and Rousseau figure prominently in discussions E P expressive of, the history of the United States. -
Curating Now: Imaginative Practice/Public Responsibility Full Text Edited by Paula Marincola
QUESTIONS OF PRACTICE Curating Now: Imaginative Practice/Public Responsibility Full Text Edited by Paula Marincola THE PEW CENTER FOR ARTS & HERITAGE / PCAH.US / @PEWCENTER_ARTS CURATING NOW: IMAGINATIVE PRACTICE/PUBLIC RESPONSIBILITY OCT 14-15 2000 Paula Marincola Robert Storr Symposium Co-organizers Philadelphia Exhibitions Initiative Funded by The Pew Charitable Trusts Administered by The University of the Arts The Philadelphia Exhibitions Initiative is a granting program funded by The Pew Charitable Trusts and administered by The University of the Arts, Philadelphia, that supports exhibitions and accompanying publications.“Curating Now: Imaginative Practice/Public Responsibility” has been supported in part by the Pew Fellowships in the Arts’Artists and Scholars Program. Philadelphia Exhibitions Initiative 230 South Broad Street, Suite 1003 Philadelphia, PA 19102 215-985-1254 [email protected] www.philexin.org ©2001 Philadelphia Exhibitions Initiative All rights reserved ISBN 0-9708346-0-8 Library of Congress catalog card no. 2001 131118 Book design: Gallini Hemmann, Inc., Philadelphia Copy editing: Gerald Zeigerman Printing: CRW Graphics Photography: Michael O’Reilly Symposium and publication coordination: Alex Baker CONTENTS v Preface Marian Godfrey vii Introduction and Acknowledgments Paula Marincola SATURDAY, OCTOBER 14, 2000 AM 3 How We Do What We Do. And How We Don’t Robert Storr 23 Panel Statements and Discussion Paul Schimmel, Mari-Carmen Ramirez, Hans-Ulrich Obrist,Thelma Golden 47 Audience Question and Answer SATURDAY, -
Projects, Publications, and Meetings of the Academy
2018 PROJECTS, PUBLICATIONS, AND MEETINGS OF THE ACADEMY SCIENCE, ENGINEERING, AND TECHNOLOGY GLOBAL SECURITY AND INTERNATIONAL AFFAIRS EDUCATION AND THE DEVELOPMENT OF KNOWLEDGE THE HUMANITIES, ARTS, AND CULTURE AMERICAN INSTITUTIONS, SOCIETY, AND THE PUBLIC GOOD With Appreciation . Academy projects, publications, and meetings are supported by gifts and grants from Members, friends, foundations, corporations, Affiliates, and other funding agencies. The Academy expresses its deep appreciation for this support and to the many Members who contribute to its work. Published by the American Academy of Arts and Sciences, September 2018 CONTENTS From the President 3 Projects, Publications & Meetings AMERICAN INSTITUTIONS, SOCIETY, AND THE PUBLIC GOOD Overview 4 Commission on the Practice of Democratic Citizenship 5 Making Justice Accessible 9 EDUCATION AND THE DEVELOPMENT OF KNOWLEDGE Overview 11 Commission on the Future of Undergraduate Education 12 GLOBAL SECURITY AND INTERNATIONAL AFFAIRS Overview 20 New Dilemmas in Ethics, Technology, and War 21 Civil Wars, Violence, and International Responses 25 The Global Nuclear Future 34 Meeting the Challenges of the New Nuclear Age 37 SCIENCE, ENGINEERING, AND TECHNOLOGY Overview 40 The Public Face of Science 41 The Alternative Energy Future 46 Challenges for International Scientific Partnerships 50 THE HUMANITIES, ARTS, AND CULTURE Overview 55 Commission on Language Learning 56 The Humanities Indicators 57 Commission on the Arts 60 EXPLORATORY INITIATIVES 64 LOCAL PROGRAM COMMITTEES 70 MEMBER EVENTS 73 AFFILIATES OF THE AMERICAN ACADEMY 88 Academy Leadership 91 FROM THE PRESIDENT cademy projects and publications address issues critical to our country and Athe wider world. Over a 239-year history, we have earned the public’s trust as an independent, non- partisan institution dedicated to applying evidence to policy and engaging civil dis- course. -
[email protected] Home Ph
Curriculum Vitae VIRGINIA MAKSYMOWICZ 3719 Lancaster Avenue Philadelphia PA 19104 e-mail: [email protected] home phone: 215-387-9706 website: <http://www.maks-arts.com> PROFESSIONAL: Exhibitions (solo) 2016 SACI Gallery, Florence, Italy: “Architectural Overlays” Holy Family University, Philadelphia, PA: “Architectural Overlays” 2014 Philadelphia Episcopal Cathedral, PA: “Stations of the Cross” 2011 Art on the Avenue, Philadelphia, PA: “Previously Occupied” Memorial Hall, National Shrine of the Immaculate Conception: “Stations of the Cross” 2009-10 Michener Art Museum, Doylestown, PA: “Aesthetic Distance” 2008 Delaware Center for the Contemporary Arts, Wilmington, DE: “Structure and Metaphor” 2007 Landmarks Contemporary Projects, Powel House, Philadelphia, PA: “Rules of Civility” Narthex Gallery, Saint Peter’s Church, New York, NY: “Stations of the Cross 2006 Center Art Gallery, Calvin College, Grand Rapids, MI: “Searching for Patterns” 2005 Penelec Gallery, Allegheny College, Meadville, PA: “Stations of the Cross” 2003 Richard E. Peeler Art Center, DePauw University, Greencastle, IN: “Accumulated Intention” (twenty-year retrospective) 2002 Ceres Project Room, Elizabeth Foundation, New York, NY: “The Physical Boundaries of this World” Phillips Museum, Franklin & Marshall College, Lancaster, PA: “Alternating Figures” (ten-year retrospective) 2001 Silicon Gallery, Philadelphia, PA: “Grief” (window installation) 2000 Phoenix Gallery Project Room, New York, NY: “Garden of Earthly Delights” 1998 St. Joseph’s University Art Gallery, -
Drew Ellen Shiflett 43 Great Jones Street, #2 New York, New York 10012 [email protected]
Drew Ellen Shiflett 43 Great Jones Street, #2 New York, New York 10012 [email protected] www.drewshiflett.com EDUCATION: 1978 Maryland Institute College of Art - Hoffberger School of Painting - MFA 1974 Columbia College Chicago - BA 1970 Goddard College - Liberal Arts GRANTS & AWARDS: 2009 Artists’ Fellowship Award – Printmaking/Drawing/Book Arts New York Foundation for the Arts 2009 Top Honors Award – 71st Guild Hall Artist Members Exhibition, awarded by juror, Jodi Hauptman, curator - Dept. of Drawings, Museum of Modern Art 1993 Mid Atlantic/NEA Regional Visual Arts Fellowship - Sculpture Mid Atlantic Arts Foundation 1992 Guggenheim Fellowship Award – Fine Arts John Simon Guggenheim Memorial Foundation 1990 Artists' Fellowship Award – Sculpture New York Foundation for the Arts SOLO EXHIBITIONS: 2018 Lesley Heller Gallery, Drew Shiflett: Sculptural Works 1984-2006, New York City 2017 Lesley Heller Workspace, New York City (catalogue) 2012 Lesley Heller Workspace, New York City 2011-12 Guild Hall Museum – Spiga Gallery, East Hampton, New York (catalogue) 2010 The Drawing Room, East Hampton, New York 2008-09 Lesley Heller Gallery, New York City 2006 Lesley Heller Gallery, New York City 2004 Islip Art Museum, Collection Insights: Drew Shiflett, East Islip, New York 1993 The InterArt Center, New York City (catalogue) 1984-85 White Columns, New York City 1983 Fashion Moda, Paper Constructions, Bronx, New York TWO-PERSON EXHIBITIONS: 2016 Drew Shiflett, Christoph Radke – On and Beyond The Grid – curated by Nicolaus Schmidt, Kunststiftung -
LIAM GILLICK Born 1964, Aylesbury. Lives and Works in London And
LIAM GILLICK Born 1964, Aylesbury. Lives and works in London and New York. Education 1984-87 Goldsmiths College, University of London, B.A. (Hons.) 1983-84 Hertfordshire College of Art Awards 2008 The Vincent Award Nomination, Stedelijk Museum, Amsterdam 2002 Turner Prize Nomination, London 1998 Paul Cassirer Award, Berlin Selected Solo Exhibitions 2017 EXTENDED SOUNDTRACK FOR A LOST PRODUCTION LINE: TON UND FILM, Galerie Eva Presenhuber,Zurich 2016 Liam Gillick: Campaign, Serralves Museum of Contemporary Art, Porto Phantom Structures, Casey Kaplan, New York, NY Cool Your Jets, with Jonathan Monk, Quartz Studio, Torino Liam Gillick: What’s What in a Mirror, Dublin City Gallery, Hugh Lane, Dublin Liam Gillick and Sadie Benning, Air de Paris, Paris 2015 Liam Gillick 1 Rue Gabriel Tarde, Sarlat-La-Caneda, Dordogne, Galerie Micheline Szwajcer, Brussels All-Intimate-Act, Stedelijk Museum and Holland Festival, Amsterdam Alfonso Artiaco, Naples Liam Gillick: The Thought Style Meets the Thought Collective, Maureen Paley, London 2014 Complete Bin Development, Galerie Hans Mayer, Düsseldorf Liam Gillick: Revenons Á Nos Moutons, Esther Schipper From 199C to 199D, Le Magasin, Grenoble 2013 Cross//Roads, with Willie Birch, Hessel Museum of Art, Annandale-on-Hudson For the doors that are welded shut, Kerlin Gallery, Dublin, July 26, 2013 From Fredensborg to Halen via Loch Ruthven - Courtyard Housing Projections, HICA (Highland Institute of Contemporary Art), September 1, 2013 Margin Time 2 and Laguna Discussion Platform, Austin Museum of Art, September -
Performing Masculinity: the Star Persona of Tom Cruise Ruth O
Performing Masculinity: the Star Persona of Tom Cruise Ruth O’Donnell A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Royal Holloway, University of London Department of Media Arts March 2012 1 Contents Acknowledgements p.6 Declaration p.7 Abstract p.8 Introduction: Masculinity and Performance in the Screen Persona of Tom Cruise p.9 Why a Study of Tom Cruise? p.9 Cruise‘s Star Persona p.10 Cruise and 1980s America p.11 A Psychodynamic Approach to Cruise p.17 Cruise Within Stardom p.19 Cruise Within Modern Hollywood p.26 Structure of the Thesis p.29 Section One: The Star Persona p.29 Section Two: Cruise‘s Performances of Masculinity p.31 Section Three: A Psychodynamic Reading of the Persona p.34 Conclusion p.38 Notes p.39 Chapter One: The Tom Cruise Persona p.40 Meanings of Persona p.40 Cruise‘s Persona p.44 The Early Persona of Tom Cruise p.46 Top Gun and Stardom p.52 Tom Cruise as Actor p.55 2 Extensions of the Persona p.58 Transgressing the Persona p.61 Eyes Wide Shut – a Shift in Persona p.65 Cruise, Oprah and Scientology p.71 Conclusion p.77 Notes p.78 Chapter Two: Male Bonding - Gender, Homoeroticism and the Performing Tom Cruise p.80 Bonds Between Men p.80 Performing Masculinity p.83 Figuring the Soldier p.85 The Other‘s Martial Masculinity p.91 Making an Exhibition of Oneself p.97 ‗Being the Best‘ – the Erotics of Male Competition p.106 ‗Passing‘ as Men p.112 Hysterical Performances p.119 Conclusion p.123 Notes p.124 Chapter Three: Male Bonding – The Racial Other p.126 Filmic Contexts -
African American History Month; Resource Guide; New York State Muesum; 2001 New York State Museum
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State Magazines, Books & Papers: African American Buffalo Quarters Historical Society Papers | Experience Batchelor, Lillion 2001 African American History Month; Resource Guide; New York State Muesum; 2001 New York State Museum Follow this and additional works at: http://digitalcommons.buffalostate.edu/magazines-books Recommended Citation "African American History Month; Resource Guide; New York State Muesum; 2001." Batchelor, Lillion | Buffalo Quarters Historical Society Papers. Digital Collections. Monroe Fordham Regional History Center, Archives & Special Collections Department, E. H. Butler Library, SUNY Buffalo tS ate. http://digitalcommons.buffalostate.edu/magazines-books/1 This Book is brought to you for free and open access by the Buffalo Quarters Historical Society Papers | Batchelor, Lillion at Digital Commons at Buffalo tS ate. It has been accepted for inclusion in Magazines, Books & Papers: African American Experience by an authorized administrator of Digital Commons at Buffalo tS ate. For more information, please contact [email protected]. PROGWIS, Exnmrrs,m PIJBLICfflONS IN MUSEIIS OFNEWYOBK Sn COVER PHOTOGRAPHS Left: Herbert Collins (active ca. 1890-1920) Mrs. Tell's daughters Gelatin silver print, ca. 1910-1916 Museum of Afro American History, Inc., Boston, Massachusetts Top right: A. (Arthur) P. Bedou (1882-1966) The Louisiana Shakers Gelatin silver print, ca. 1920 Hogan Jazz Archives, Howard-Tilton Memorial Library Tulane University, New Orleans, Louisiana Bottom right: Morgan (1910-1995) and Marvin (b. 1910) Smith Easter Sunday in Harlem Gelatin silver print, 1939 Prints and Photographs Division Schomburg Center for Research in Black Culture New York Public Library Courtesy of Mrs. -
Willie Birch
Willie Birch Born 1942, New Orleans, LA EDUCATION 1973 M.F.A., Maryland Institute College of Art, Baltimore 1969 B.A., Southern University, New Orleans, LA SELECTED AWARDS AND COMMISSIONS 2014 United States Artists Fellowship, James Baldwin Fellow 2013 National Conference of Artists (NCA) Life Time Achievement Award Artist in Residence, RedLine Milwaukee “Roll With It, Brass Bands in the streets of New Orleans”, Duke University Press 2012 Commission, Jimmy Club Sculpture Garden, St. Ann, Louisiana 2011 Artist in Residence, New Orleans Center for Creative Arts (NOCCA) 2009 Artist in Residence, Ecole superieure des beaux-arts de Nantes, France 2008 The Benjamin Altman Prize, National Academy of Design 2006 The Pollock Krasner Foundation Award The Joan Mitchell Foundation Grant 2005 Cue Art Foundation Fellowship 2004 The Governor’s Award, State of Louisiana 2002-04 Artist in Residence, New Orleans Jazz and Heritage Foundation 2002 Mayor’s Arts Award, New Orleans, LA 2000 Artist in Residence, Tamarind Institute, Albuquerque, NM 1997 Spoffard Juvenile Detention Center, Brooklyn, NY 1996 Louisiana Review of the Arts NYC Metropolitan Transit Authority, Arts for Transit, 135th Street and Lenox Ave. (Mural) Philadelphia International Airport, Terminal A (Mural) 1995 Municipal Collaborative Project for Downtown Winston-Salem 1993 John Guggenheim Fellowship (sculpture) 1992 Lila Wallace - Readers' Digest International Artists Fellowship Mid-Atlantic Arts Foundation Visual Arts Residency Grant 1989-90 New York State Council on the Arts National Endowment