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CSSC/SCEBD Panels 2018 **All panels will take place on the conference floor of the Bloor-Yorkville Marriott**

Thursday May 10

Time Panel – topic // // 9:00 Registration 9:30 Panel 1a, Various Collaborations Panel 1b, [un]costumed SH Panel 1c, Canadian comics -Lawrence, Negotiating -Sweeney, “I won't wear one of -Grace, ’ s Self- Conceptions of Identity with those damnfool spandex body- Revision in The Playboy Comics and Bilingual Grade 4 condom things. I don't have the -Ryan, “My body is paper thin”: Students bust for it.” Costume in The Deconstruction of the -Nash and Tampold, Collaborative the WildStorm Comics of Warren Canadian Nature Myth in the Authorship in Comics Ellis Graphic Novels of Michael -Serles, “It’s Like I’m Walking Inside -Wiebe and Woodman, Costumed DeForge a Giant .” – Musings on and Framed: Bodies and Moral -Marrone, Senses of Museum Comics Power in Universe Movement: Rhythm and -Kidder, Complicit Critique: ‘The Texture in ’s Obligatory Shower Scene’ in Bitch Scrolling Comics Planet 11:00 Pause 11:15 Panel 2a, French BD Panel 2b, Adaptation Panel 2c, Formal readings -Nguyen, La rhétorique de Chester -Christopher, Inky Cloaks and -From, Necessary Brown dans son traitement Cloaking Inks: Adaptation and Interconnectedness of Point-of- narratologique du conflit Riel vs Intermediality in Nicki Greenberg’s View, Graphiation, and Macdonald Hamlet Autobiography: An Examination -Lemay, Le Printemps érable et la -Krishnamurti, Absence, affect and –Linton, Waxing and Waning: Crise d’octobre dans la bande violence in two graphical retellings Negative Space as Narrative in dessinée Québécoise of the Ramayana Moon Knight -Reyns-Chikuma, The Difficult -Malone, Bobby Bär, meet Bobby -Wilmott, Meaning without Transfer of Superheroes in/to Bear: The British Origins of an Language: Figural and France Austrian Comic Strip in the 1920s Nonfigural Writing in Comics 12:45 Lunch 14:00 Panel 3a, Significant Magazines Panel 3b, “Breaking the Mold: Panel 3c, Nostalgia -Jeffries, WWE Superstars: Manga & the Politics of Identity” -Peppard, Revisionism in Wrestling Storytelling from the Whaley: "Will the Real Nihonjin : The Evolution of Squared Circle to Sequential Art Please Stand Up? Ethno-Racial Nostalgia in Contemporary -Smylitopoulos, The Caricature Politics in Tezuka's Gringo" - Comics Magazine, or Hudibrastic Mirror: Okabe: “Ain’t Worth a Shilling No -Deman, For My Dream to End Thomas Tegg’s Commercial More: Class, Detection & the Boy in Flames and Glory: Re-Reading Seriality Sleuths of Japan” - Chris Claremont & the Best- -Worden, Zap and the Chau: “Intersecting Indigeneity: Selling Comic of All Time Underground Archive Transcultural Graphical Orality in -Smith, Steve and Reed: The War of the Blink” Active Life Versus the Contemplative in the Modern Comical Context 15:15 Pause 15:30 Keynote Lecture: Bart Beaty Close Reading, Big Data, Absent Facts: Comics Studies in the Comics World 16:45 Pause

17:00 Panel 4a, Dis/Abilities Panel 4b, About Other Countries -Froese, Drawing the Medicalized -Needham, Learning to Love: The Body Shift in Manga Visual Conventions -Newman & Hibbard, Graphic for Female Audiences in The Heart Signs: Representations of Deaf of Thomas Identity and Deaf Culture in Comics -Andraus, The Brazilian Poetic -Osolen and Brochu, Creating an Comics: a fantastic-philosophical Authentic Experience: A Study in sui generis native style Comic Books, Accessibility, and the -Garceau, and the Indian Visually Impaired Reader Prop

18:15 CSSC/SCEBD Social At the Firkin (Across the street from the Marriott Hotel)

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Friday May 11

9:00 Industry Keynote: Françoise Mouly Joint with Librarian & Educator Day NB: At Toronto Reference Library, Appel Salon 10:30 Panel 5a, Other approaches to Panel 5b, Female empowerment comics -Chung, Ms. Marvel – Dismantling -Dziwak, Mining the gap; A the Male Power Fantasy Narrative quantitative analysis of vocabulary -Johnson, Who Was Donna Troy? shifts in reviews Superheroes, Soap Opera, and the -Chestapalova, Archiving the Past, Prestige of Melodrama Drawing the Present, and Preserving -Macklem, “Some Trips Are More Displaced Histories in Non-Fictional Than Distance Travelled in Miles”: Graphic Novels Lucy Knisley’s Travelogues -Rhéault, Structure des interactions dans La Mémoire de pierre de Vink 11:45 Lunch 13:15 AGM 14:45 Pause 15:00 Creative Keynote: Karasik Sponsored by the Department of & Newgarden: How to Read Nancy English, Ryerson University 16:15 Pause 16:30- Panel 6a, Critical Sexualities Panel 6b, Constructing Geo-cultures 17:45 -Boer, “I Really Dig Where Your -Cullen, The Buckaroo of the Head’s At”: Explicit Sex and Implicit Badlands: Carl Barks, Don Rosa, and Prejudice in Zap and Wimmen’s (Re)envisioning the West Comix -Jones, Drugs, Dog People, and -Brown, Partners/Lovers/ Dinosaurs: The Conquest of Superheroes: Redefining ’s Tenochtitlan in Fantasy Comics Sexuality -Kohlert, An Absence of Signification: -Chochinov, “A sight to dream of, not Representing Racial Whiteness in to tell!”: Orality and Power in Comics and Ariela Kristantina’s Insexts