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JONATHAN LUCAS Editor Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. THE TROUBLE WITH MAGGIE COLE (series) Various ITV / Genial Productions Cast: Dawn French, Mark Heap Prod: Mark Brotherhood, Sophie Clarke-Jervoise YEARS AND YEARS (miniseries) Lisa Mulcahy BBC / Canal+ / HBO Cast: Emma Thompson Prod: Russell T. Davies RANDOM ACTS (series) Annie Griffin Channel 4 / Little Dot Studios Prod: Fiona Lamptey THE MOONSTONE (mini-series) Lisa Mulcahy BBC / King Bert Cast: Joshua Silver, John Calder, Terenia Edwards Prod: Joanna Hanley Feature Films PROJECT DIRECTOR STUDIO / PRODUCTION CO. UNDERCLIFFE Lisa Mulcahy Open Palm Films Cast: Laurie Kynaston, Mark Addy, Akbar Kurtha Prod: Dominic Dromgoole World Premiere: 2018 Austin Film Festival THE FLIGHT FANTASTIC (documentary) Tom Moore Damiki Productions Cast: Tito, Armando, Chela and Richie Gaona HIDE AWAY Chris Eyre MMC Joule Films Cast: Josh Lucas, James Cromwell, Ayele Zurer Prod: Sally Jo Effenson, Carl Effenson DIRTY GIRL Abe Sylvia Killer Films / The Weinstein Company Cast: Juno Temple, Jeremy Dozier, Zach Lasry Prod: Rob Paris, Christine Vachon AMERICAN COWSLIP Mark David Buffalo Speedway / Entertainment One Cast: Diane Ladd, Rip Torn, Cloris Leachman Prod: Steve Blevins, Tony Hewett A PLUMM SUMMER Caroline Zelder Fairplay Pictures Cast: Jeff Daniels, Henry Winkler, Lisa Guerrero Prod: Frank Antonelli CORPSE BRIDE Tim Burton Warner Bros. Cast: Johnny Depp, Helena Bonham Carter Mike Johnson Prod: Allison Abate, Jeffrey Auerbach THE POSTMAN*** Kevin Costner Warner Bros. / Tig Productions Cast: Kevin Costner, Will Patton, Larenz Tate Prod: Steve Tisch, Jim Wilson Editor: Peter Boyle WATERWORLD*** Kevin Reynolds Universal Pictures Cast: Kevin Costner, Rick Aviles, R.D. Call Prod: John Davis, Lawrence Gordon Editor: Peter Boyle TROY** Wolfgang Petersen Warner Bros. Cast: Julian Glover, Brian Cox, Nathan Jones Prod: Diana Rathbun, Colin Wilson Editor: Peter Honess HARRY POTTER & THE CHAMBER OF SECRETS* Chris Columbus Warner Bros. + Previsualization Editor Prod: David Heyman Cast: Daniel Radcliffe, Rupert Grint, Emma Watson Editor: Peter Honess THE FAST AND THE FURIOUS* Rob Cohen Universal Pictures Cast: Paul Walker, Vin Diesel, Michelle Rodriguez Prod: Neal Moritz / Editor: Peter Honess 101 DALMATIANS* + VFX Editor Stephen Herek Walt Disney Pictures Cast: Glenn Close, Jeff Daniels, Joely Richardson Prod: John Hughes, Ricardo Mestres Editor: Trudy Ship ROBIN HOOD: PRINCE OF THIEVES* Kevin Reynolds Warner Bros. Cast: Kevin Costner, Morgan Freeman, Prod: Pen Desham, John Watson Mary Elizabeth Mastrantonio Editor: Peter Boyle * 1st Assistant Editor ** Supervising 1st Assistant Editor *** Associate Editor 1645 Vine Street #402, Los Angeles, CA 90028 | p 323.856.3000 | [email protected] | www.easterntalent.net .

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SEAN FADEN VFX Supervisor Seanfaden.Com
SEAN FADEN VFX Supervisor seanfaden.com PROJECTS DIRECTORS PRODUCERS/STUDIOS LADY AND THE TRAMP VFX Supervisor Charlie Bean Walt Disney Pictures MULAN VFX Supervisor Niki Caro Walt Disney Pictures POWER RANGERS Dean Israelite Marty Bowen, Wyck Godfrey VFX Supervisor, 2nd Unit Director Brent O’Connor / Lionsgate / Temple Hill FANTASTIC FOUR (Pixomondo) Josh Trank 20th Century Fox SLEEPY HOLLOW Season 2 (Pixomondo) Various Directors Marc Alpert, Dennis Hammer 20th Century Fox SCORPION Pilot (Pixomondo) Justin Lin Don Tardino, Clayton Townsend / CBS GAME OF THRONES Season 3 (Pixomondo) Various Directors HBO VFX Supervisor, 2nd Unit Director Nomination - VES Award WANDA RIDE FILM (Pixomondo) Aerial Unit Director FAST & FURIOUS 6 (Pixomondo) Justin Lin Universal Pictures A GOOD DAY TO DIE HARD (Pixomondo) John Moore 20th Century Fox VFX Supervisor, On-set VFX Supervisor A NIGHTMARE ON ELM STREET (Method Studios) Samuel Bayer New Line Cinema VFX Supervisor, On-set VFX Supervisor, 2nd Unit Director PERCY JACKSON & THE OLYMPIANS: Chris Columbus Fox 2000 THE LIGHTNING THIEF (Method Studios) LET ME IN (Method Studios) Matt Reeves Overture Films VFX Supervisor, On-set VFX Supervisor A LITTLE BIT OF HEAVEN Nicole Kassell Davis Entertainment (Method Studios) The Weinstein Company GULLIVER’S TRAVELS Rob Letterman 20th Century Fox (Method Studios) LOCKE & KEY Pilot (Method Studios) Mark Romanek Dimension Films VFX Supervisor, On-set VFX Supervisor CAPTAIN AMERICA: THE FIRST AVENGER Joe Johnston Paramount (Method Studios) THE GIRL WITH THE DRAGON TATOO David Fincher Columbia Pictures (Method Studios) THE PURGE (Method Studios) James DeMonaco Blumhouse / Universal Pictures VFX Supervisor, On-set VFX Supervisor ARTHUR NEWMAN GOLF PRO (Method Studios) Dante Ariola Vertebra Films TERMINATOR: SALVATION (Asylum) McG Warner Bros.
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Stan Shaw Theatrical Resume
Stan Shaw SAG/AFTRA TELEVISION Criminal Minds Guest Star CBS Code Black Guest Star CBS CSI: Crime Scene Investigation Guest Star CBS Rag and Bone Guest Star Columbia TriStar Television The X-Files Guest Star FOX Freedom Song Supporting TNT Early Edition Guest Star CBS Murder, She Wrote Recurring Guest Star CBS Heaven & Hell: North & South, Book III Recurring Guest Star ABC Matlock Guest Star NBC Lifepod Guest Star FOX When Love Kills: The Seduction of John Hearn Supporting CBS L.A. Law Recurring Guest Star NBC Midnight Caller Recurring Guest Star NBC The Court-Martial of Jackie Robinson Guest Star TNT Wiseguy Recurring Guest Star CBS The Young Riders Guest Star ABC Red River Guest Star CBS The Three Kings Supporting ABC Billionaire Boys Club Supporting NBC Samaritan: The Mitch Snyder Story Supporting CBS Under Siege Supporting NBC The Gladiator Guest Star ABC Fame Guest Star NBC Hill Street Blues Guest Star NBC When Dreams Come True Guest Star ABC American Playhouse: Displaced Person Guest Star PBS Maximum Security Guest Star HBO The Mississippi Guest Star CBS Matt Houston Guest Star ABC Venice Medical Guest Star Doug Cramer, Exec. Prod. Darkroom Guest Star ABC Scared Straight! Another Story Guest Star CBS Buffalo Soldiers Guest Star NBC Roots: The Next Generation Guest Star ABC Arthur Hailey's The Moneychangers Guest Star NBC Street Killing Guest Star ABC FILM Jeepers Creepers 3 Lead Victor Salva Drive Me To Vegas and Mars Lead Sidney Furie Detonator Lead Jonathan Freedman Snake Eyes Lead Brian De Palma Daylight Lead Rob Cohen Cutthroat Island Lead Renny Harlin Houseguest Lead Randall Miller Rising Sun Lead Philip Kaufman Body of Evidence Lead Uli Edel Fried Green Tomatoes Lead Jon Avnet Fear Lead Rockne S.
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Conclusion: What Might a War Film Look Like Going Forward?
CONCLUSION: WHAT MIGHT A WAR FILM LOOK LIKE GOING FORWARD? This text began from a broad perspective that was very much in line with Kellner’s understanding of the power of cinema: Films can also provide allegorical representations that interpret, comment on, and indirectly portray aspects of an era. Further there is an aesthetic, philosophical, and anticipatory dimension to flm, in which they provide artistic visions of the world that might transcend the social context of the moment and articulate future possibilities, positive and negative, and pro- vide insight into the nature of human beings, social relationships, institu- tions, and conficts of a given era. (14) From this point of view, this book considered the movies that it ana- lyzed within the technological and military “eras” they were made and frst viewed within, and considered the ways in which the war flm most often undermined the potential cooperative power of Internet-enabled machine species with a continued focus on the humanistic ethics laid out by Jeffords’ Reagan-era hard body. The “insight” the movies provided reifed the fears and concerns found in the moviemaking machinic phy- lum of Hollywood and its overlap with the American State War Machine, all the while deconstructing the documents as windows into “the nature of human beings, social relationships, institutions, and conficts” as it related to the civilian machinic audience of war flms. © The Editor(s) (if applicable) and The Author(s) 2017 229 A. Tucker, Virtual Weaponry, DOI 10.1007/978-3-319-60198-4 230 CONCLUSION: What MIGHT A WAR FILM LOOK LIKE GOING FOrwarD? This book is being published with the knowledge that, like Interfacing with the Internet in Popular Cinema, it is far from compre- hensive and with the hope that other scholars might pick up some of the initial or underdeveloped thoughts that were begun with this text.
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Research Paper Teguh Setiawan A320060121 School
TORETTO’S STREET GANG AMBITION REFLECTED IN THE FAST AND THE FURIOUS MOVIE (2001) DIRECTED BY ROB COHEN: A PSYCHOANALYTIC APPROACH. RESEARCH PAPER Submitted As Partial Fulfillment of Requirement for Getting Bachelor Degree of Education in English Department By TEGUH SETIAWAN A320060121 SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2010 CHAPTER I INTRODUCTION A. Background of the Study The Fast and the Furious movie (2001) is directed by Robert Cohen. This film was produced by Neal H. Moritz. The genres of this film are action, crime, and thriller. The Fast and the Furious movie were first published on 22 June 2001 in USA. The next release in United Kingdom at September 14, 2001 and in Australia September 20, 2001. This film conveys about the Asian automotive import and takes setting in North America. The situation and condition of this film was inspired by Vibe and Ken Li magazine’s article that talked about street racing (Racer X), written by Gary Scott Thompson, Erik Bergquist, and David Ayer in New York City. This film has biggest stars such like; Paul Walker as Brian Earl Spilner or Brian O’Connor, Van Diesel as Dominic Toretto, Michelle Rodriguez as Letty, Jordana Brewster as Mia Toretto, Rick Yune as Johnny Tran, Chad Lindberg as Jesse, Johnny Strong as Leon, Matt Schulze as Vince, Ted Levine as Sgt. Tanner, Ja Rule as Edwin, Vyto Ruginis as Harry, Noel Gugliemi as Hector, R.J. de Vera as Danny Yamato, Stanton Rutledge as Muse, Thom Barry as Agent Bilkins. The Fast and the Furious movie was distributed by Universal Pictures USA.
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Borrero, C.A.S
FELIPE “FLIP” BORRERO, C.A.S. Production Sound Mixer Member, IATSE 695 & 479 Felipe Borrero, or Flip as he prefers to be called, has been mixing sound since the late seventies. He’s had the opportunity to work on a very diverse and long list of shows, both in Features and Television. His career started in New York City. In 1993 Flip moved to sunny Los Angeles and is currently based in Atlanta where he has lived and remained busy for several years. Flip won an Emmy Award for Outstanding Sound Mixing on HBO’s acclaimed telefilm The Rat Pack. Flip enjoys alternating between Features and Television and has seen and adapted to the changes in both mediums as well as keeping up to date with constantly evolving sound technology. On set, Flip’s philosophy of respect and admiration for all is one of the reasons he and his professional sound crew get repeat business and praise from producers, talent and directors. When not working, Flip enjoys kayaking, cooking for friends, meeting new people and of course watching films. Flip works Atlanta and Los Angeles local. Television (Selected credits) Production Director/Producer/Company/Network DOOM PATROL (Season 2) Various / Greg Berlanti / Warner Bros TV/ DC Universe LOVESTRUCK (2019 dramedy pilot) Sanna Hamri Tom Kapinos / 20th Fox TV / Fox RAISING DION (Season 1) Various / Dennis A Liu, Michael B. Jordan / Netflix OZARK (Seasons 2 - 4 and last 2 eps Season 1) Various / Jason Bateman / Zero Gravity /Netflix 2020 Emmy Nomination – Outstanding Sound Mixing for a Comedy or Drama Series (One Hour) 2019 Emmy Nomination –Outstanding Sound Mixing for a Comedy or Drama Series (One Hour) 2018 C.A.S.
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Korean Demilitarized Zone the Korean
Middle States Geographer, 2009, 42: 100-106 CINEMATIC REPRESENTATIONS OF LANDSCAPE: THE (REEL) KOREAN DEMILITARIZED ZONE Chris Fuhriman Department of Geography and Environmental Engineering United States Military Academy West Point, NY 10996 ABSTRACT: Much more than an artificial border etched into the landscape by conflict, the Korean Demilitarized Zone (DMZ) is a complex, unique space which has gone largely unexplored (literally and conceptually) since its establishment in 1953. This paper provides a cultural geography of the Korean DMZ as expressed through two American films and one South Korean film. The analysis explores the cultural meanings and dominant ideologies that shape these differing cinematic representations of the same landscape, and examines the ways these big screen images in turn reinforce the meanings and ideologies which formed them. In the American films, Stealth (2005) and Die Another Day (2002), the dominant discourse effectively marginalizes the landscape of the DMZ, and by extension, North Koreans. In the South Korean film, JSA (2000), the audience sees a landscape without boundaries, where the differences between North and South Koreans (like the border between them) have disappeared. This paper argues that in the sum of these contrasting cinematic place-images a sense of place emerges. Keywords: Landscape, Space and place, Cinema, Korea, Demilitarized zone THE KOREAN DMZ: FINDING REAL MEANING IN A REEL LANDSCAPE On July 27, 1953 General Mark W. Clark of the United States Army, Kim Il Sung of North Korea, and Peng Teh-huai of the Chinese Volunteers signed the armistice agreement, formally ceasing all combat operations of the Korean War which had devastated the Korean countryside and urban centers for three years (Fehrenbach, 1998).
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SHANE HURLBUT, ASC Director of Photography
SHANE HURLBUT, ASC Director of Photography BIO Shane Hurlbut, ASC is a member of the prestigious American Society of Cinematographers and The Academy of Motion Picture Arts and Sciences. The American Society of Cinematographers recognized Hurlbut after his first feature film, The Rat Pack (1998), depicting Frank Sinatra and his infamous friends at the height of their influence, directed by Rob Cohen. Consequently, Hurlbut was the youngest cinematographer to be nominated by the American Society of Cinematographers for his work on The Rat Pack. He was also nominated by the DVDX Awards in 2003 for his work on 11:14. Hurlbut's films have garnered universal acclaim. His work behind the camera is ever-growing and redefining what it means to be a DoP in the industry. He got his start back in the 90s, working with musicians who defined music in the decade, and therefore, Hurlbut defined their visual tone of the era. He is known for Guns N' Roses' November Rain, as well as working with Smashing Pumpkins, Stone Temple Pilots, The Rolling Stones, and Nirvana. Hurlbut's versatility as a cinematographer transcends any one genre. He's filmed action, sports, drama, and comedy - but it's his attention to story and character that is always at the heart of his arresting visuals. It is Hurlbut's subtlety and creativity with lighting that defines the sheer beauty and atmosphere in his work. The emotion he brings to the movement of the camera, like a dance, walks in line with the character's journey. COMMERCIAL & MUSIC VIDEO DIRECTORS McG, Maurice Marable,
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Best Movies in Every Genre
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28 Days Later
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Want to See More? Find a Comprehensive Oxford Guide At
Displayed at over 500 points from the station to Headington and Folly Bridge to Summertown - all colleges, departments and language schools. JOBS OFFERED Queries 553377 (Mon-Fri 9-5)/423403 Adverts 554444 or via our website: MAMMA MIA IN SUMMERTOWN, Oxford’s oldest Piz- http://www.dailyinfo.co.uk zeria, now hiring full and part time waiting staff. KING’S SCHOOL OXFORD Oxford’s Snail mail: 10 Kingston Road, Oxford OX2 6EF Circa £7.50 per hour inc tips, plus meals on duty. Call Email: [email protected] Director of Studies (Sixth Form) The International Market Consulting 01865 514141 & Training Company Fax 559298 We are looking for an energetic individual to lead the Words@30p (min 10), display@£8/cm (min 3), ACADEMIC DIRECTOR FOR US OVERSEAS STUDY PRO- sixth form department of this busy international school DAILY all + VAT GRAM. Oxford graduate (advanced degree) around Interviewers of English and sixth form college from January 2003. 30 years preferred with some administrative experi- We are currently looking for bright and enthusiastic people INFORMATION Expressions of interest should reach us by post ence, ability to meet deadlines and to plan ahead. to join our team to conduct interviews with key people Next issue: Thurs 24th October or email by 30th October. Please include a brief out- within exciting industry sectors (i.e. Chemicals, Healthcare, www.dailyinfo.co.uk Salary £30-40K depending. Hours could be flexible. Deadline: 10am, Weds 23rd October line of your teaching and administrative experience, IT & Telecommunication, Energy and many others). Issue No. 7311 Send CV to Dr Richardson, 8 Tennyson Lodge, Para- your specialist subject(s) and your experience with Temporary positions: dise Square, OX1 1UD international students.
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Jay O. Sanders
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