Cameron Hurley Thesis NEW FINAL
PRINCESS POWER Uncovering the Relationship Between Disney’s Protagonists, their Mothers, and their Fictive Kin Cameron Hurley A thesis submitted to the department of Cultural Anthropology for honors Duke University | Durham, North Carolina | 2018 Hurley 1 Abstract This paper analyzes the kinship relationships displayed in Disney princess films produced between 1937-2010. By exploring the various parental figures in the films, or the fictive kin who supplement their absence, the paper highlights the ways in which anachronistic thematic plots continue to affect modern children. The paper is divided into four chapters: I) Just Around the Riverbend, which discusses the familial sacrifices made in Pocahontas and Mulan; II) Motherless, which examines the consistent lack of biological maternal figures in the majority of the films, along with the witches who supplant them; III) Fairies, Forest Creatures, Father Figures, and Fictive Kin, which explores the single-fathers in the films and the anthropomorphic fictive kin that guide the protagonists in Cinderella and The Little Mermaid; and IV) Married Ever After, a chapter detailing Disney’s marketing tactics, consumerism, and the evolution of a woman’s relationship with the Walt Disney Company. Acknowledgments I would like to thank Dr. Lee D. Baker, Dr. Edna Andrews, and Dr. Heather Settle for their continued support throughout this senior thesis distinction project process. In addition, I would like to thank the Duke University Cultural Anthropology department as a whole for fostering my education over the last four years. Finally, I would like to thank my parents, my Yaya, and Jason Kaplan for their guidance through this journey.
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