Music List February 2020

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Music List February 2020 Sunday 2nd – Candlemas Sunday 9th – Epiphany V 10:30am Solemn Mass 10:30am Solemn Mass CP80: When Candles are lighted on Candlemas Day 346: Christ is the world’s true light (t.205) 453: Faithful vigil ended NEH 535: All the ends of the earth have seen 33: Of the Father’s heart begotten 265: O thou, who at thy eucharist didst pray 314: Hail to the Lord who comes CP393: Brother, sister, let me serve you Setting: Missa Brevis (Lotti) Setting: Mass in A Minor (Casciolini) Anthem: Nunc Dimittis in Bb (Stanford) Anthem: O Sing Joyfully (Batten) 6:30pm Compline and Benediction 6:30pm Choral Evensong Introit: O Nata Lux (Tallis) Introit Hymn: 51: Hail, thou Source of every blessing Preces: Bryd (arr. Fishburn) Responses: Byrd (arr. Fishburn) Psalms: 4, 31, 134 Psalm: 4 Office Hymn: Sing how the age-long promise of a Saviour Office Hymn: 54: O Trinity of blessed light Nunc Dimittis: Stanford in G Canticles: Short Service (Gibbons) Anthem: When Mary to the temple went (Eccard) Anthem: Locus Iste (Bruckner) O Salutaris: NEH 269, Pt 2 Final Hymn: 239: Lord of all hopefulness Tantum Ergo: Deodat de Severac Hymns at Solemn Mass are to be found in Hymns Ancient and Modern (New Standard), Hymns at Choral Evensong are to be found in The New English Hymnal. Music List February 2020 Sunday 16th – Sexagesima Sunday 23rd – Quinquagesima 10:30am Solemn Mass 10:30am Solemn Mass 180: Thou, whose almighty word 367: God of grace and God of glory 460: Give to our God immortal praise (t.494) 318: ‘Tis good, Lord, to be here 103: The spacious firmament on high 266: We hail thy presence glorious 105: All creatures of our God and King (omit *) 4: Christ, whose glory fills the skies Setting: Mass for four voices (Byrd) Setting: Mass of the Quiet Hour (Oldroyd) Anthem: Ave Verum (Byrd) Anthem: Ubi Caritas (Gjeilo) 6:30pm Choral Evensong 6:30pm Choral Evensong Introit: Jesu, the very thought of thee (Bairstow) Introit Hymn: 420: O Jesus, I have promised Responses: Smith (arr. Marlow) Responses: Smith (arr. Marlow) Psalm: 148 Psalm: 84 Office Hymn: 54: O Trinity of blessed light Office Hymn: 54: O Trinity of blessed light Canticles: Dyson in F Cantiles: Sumsion in A Anthem: Thou wilt keep him in perfect peace (Wesley) Anthem: Save us, O Lord (Bairstow) Final Hymn: 250: Saviour, again to thy dear name Final Hymn: 242: As now the sun’s declining rays Hymns at Solemn Mass are to be found in Hymns Ancient and Modern (New Standard), Hymns at Choral Evensong are to be found in The New English Hymnal. .

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Choral Evensong
Dean of Chapel The Revd Dr Michael Banner The Dean in on sabbatical during Lent Term Director of Music Stephen Layton Chaplains The Revd Kirsty Ross Acting Dean of Chapel The Revd Dr Andrew Bowyer Organ Scholars Alexander Hamilton Asher Oliver CHORAL EVENSONG Sunday 4 February 2018 The Second Sunday before Lent (Sexagesima) ORGAN MUSIC BEFORE EVENSONG Huw Williams Bath Abbey Theme and Variations (Andriessen) Sonata No. 6 in G, BWV 530 (Bach) Fantasia in f, K 608 (Mozart) Welcome to this service of Choral Evensong sung by The Choir of Trinity College Cambridge Please ensure that all electronic devices, including cameras, are switched off For those who wish to use them, copies of The New English Hymnal melody edition are available in the stalls The congregation stands when the choir and clergy enter the Chapel. The opening hymn will follow unannounced. HYMN NEH 373 (t. CP 466) COE FEN Words: John Mason (c. 1645–94) Music: Ken Naylor (1931–91) CCLI Licence No. 808452 The minister reads Dearly beloved brethren, the Scripture moveth us in sundry places, to acknowledge and confess our manifold sins and wickedness; and that we should not dissemble nor cloak them before the face of Almighty God our heavenly Father; but confess them with an humble, lowly, penitent, and obedient heart; to the end that we may obtain forgiveness of the same, by his infinite goodness and mercy. And although we ought, at all times, humbly to acknowledge our sins before God; yet ought we most chiefly so to do, when we assemble and meet together to render thanks for the great benefits that we have received at his hands, to set forth his most worthy praise, to hear his most holy Word, and to ask those things which are requisite and necessary, as well for the body as the soul.
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Evensong Pack CONTENTS
Chichester Cathedral Guide for Visiting Choirs Evensong Pack CONTENTS INTRODUCTION _____________________________________________________________________ 3 MUSIC INFORMATION _______________________________________________________________ 4 WHAT WE NEED FROM YOU _______________________________________________________________ 4 CHOICE OF MUSIC _______________________________________________________________________ 4 RESPONSES ____________________________________________________________________________ 4 CANTICLES ____________________________________________________________________________ 4 ANTHEM ______________________________________________________________________________ 4 FINAL DISMISSAL _______________________________________________________________________ 4 PSALMS _______________________________________________________________________________ 5 HYMNS _______________________________________________________________________________ 5 CANTOR ______________________________________________________________________________ 5 DETAILS OF EVENSONG SERVICE ____________________________________________________ 6 EVENSONG PSALMS FOR THE DAY ___________________________________________________ 7 2 Introduction We are delighted that your choir will be singing at Chichester Cathedral shortly, and we look forward to welcoming you for what we hope will be a memorable and rewarding visit. This booklet is intended to help you prepare for your visit. Please take some time to read through it. We hope that it answers some of the questions you may have. If
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Sunday 1 November 2020 Choral Evensong All Saints Day Online Evensong from University College, Oxford
Sunday 1 November 2020 Choral Evensong All Saints Day Online Evensong from University College, Oxford A warm welcome to our service this week. Thank you for joining us from wherever you may be. The full text of the service is found in this pdf file that you have downloaded from our Online Evensong page. An audio-recording of the full service is on the page where you found the link to this text. Our preacher this week is the Rt Revd Christopher Chessun, the Bishop of Southwark. 1 WORDS OF WELCOME INTROIT ‘With prayer and supplication’ With prayer and supplication, let your requests be known unto God. And the peace of God which passeth all understanding, shall keep your hearts and minds, through Jesus Christ, our Lord. Words: Philippians 4.6-7 Music: Amy Beach (1867-1944) 2 HYMN ‘Jerusalem the Golden’ Jerusalem the golden, with milk and honey blest, beneath thy contemplation sink heart and voice oppressed. I know not, O I know not, what social joys are there; what radiancy of glory, what light beyond compare. They stand, those halls of Zion, conjubilant with song, and bright with many an angel, and all the martyr throng. The Prince is ever in them, the daylight is serene; the pastures of the blessed are decked in glorious sheen. There is the throne of David; and there, from care released, the song of them that triumph, the shout of them that feast; and they who, with their Leader, have conquered in the fight, forever and forever are clad in robes of white.
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Gabriel Jackson
Gabriel Jackson Sacred choral WorkS choir of St Mary’s cathedral, edinburgh Matthew owens Gabriel Jackson choir of St Mary’s cathedral, edinburgh Sacred choral WorkS Matthew owens Edinburgh Mass 5 O Sacrum Convivium [6:35] 1 Kyrie [2:55] 6 Creator of the Stars of Night [4:16] Katy Thomson treble 2 Gloria [4:56] Katy Thomson treble 7 Ane Sang of the Birth of Christ [4:13] Katy Thomson treble 3 Sanctus & Benedictus [2:20] Lewis Main & Katy Thomson trebles (Sanctus) 8 A Prayer of King Henry VI [2:54] Robert Colquhoun & Andrew Stones altos (Sanctus) 9 Preces [1:11] Simon Rendell alto (Benedictus) The Revd Canon Peter Allen precentor 4 Agnus Dei [4:24] 10 Psalm 112: Laudate Pueri [9:49] 11 Magnificat (Truro Service) [4:16] Oliver Boyd treble 12 Nunc Dimittis (Truro Service) [2:16] Ben Carter bass 13 Responses [5:32] The Revd Canon Peter Allen precentor 14 Salve Regina [5:41] Katy Thomson treble 15 Dismissal [0:28] The Revd Canon Peter Allen precentor 16 St Asaph Toccata [8:34] Total playing time [70:22] Recorded in the presence Producer: Paul Baxter All first recordings Michael Bonaventure organ (tracks 10 & 16) of the composer on 23-24 Engineers: David Strudwick, (except O Sacrum Convivium) February and 1-2 March 2004 Andrew Malkin Susan Hamilton soprano (track 10) (choir), 21 December 2004 (St Assistant Engineers: Edward Cover image: Peter Newman, The Choir of St Mary’s Episcopal Cathedral, Asaph Toccata) and 4 January Bremner, Benjamin Mills Vapour Trails (oil on canvas) 2005 (Laudate Pueri) in St 24-Bit digital editing: Session Photography:
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The Plight of Anglican Church Music in the Western Cape: Three Case Studies
THE PLIGHT OF ANGLICAN CHURCH MUSIC IN THE WESTERN CAPE: THREE CASE STUDIES Levi Eudo Alexander Thesis presented in partial fulfilment of the requirements for the degree of Master of Music (Choral Conducting) in the Faculty of Arts and Social Sciences at Stellenbosch University. Supervisor: Martin Berger March 2021 Stellenbosch University https://scholar.sun.ac.za DECLARATION By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Levi Alexander March 2021 Copyright © 2021 Stellenbosch University All rights reserved 1 Stellenbosch University https://scholar.sun.ac.za ABSTRACT Music ministries still providing Anglican church congregations with traditional Anglican church music find themselves clutching onto a musical tradition in a church plagued by the increasing secularisation of society. This thesis, in three case studies, investigates the musical output and general daily function of three Anglican churches in the Western Cape by interviewing the rector and music director of each parish. Each parish was selected as it presented a varied historical, musical, liturgical and churchmanship culture. The aim of the thesis is to ascertain, primarily, whether traditional music is under threat of falling into disuse in the church and secondly, if traditional music is indeed under threat, the possible measures which could be implemented to preserve the heritage for future generations of Anglican worshippers.
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Cantus Christi Copyright © 2002 Christ Church, Moscow, Idaho 2004 Revised Edition
Cantus Christi Copyright © 2002 Christ Church, Moscow, Idaho 2004 Revised Edition Published by Canon Press P.O. Box 8729, Moscow, ID 83843. 800–488–2034 www.canonpress.org 05 06 07 08 09 9 8 7 6 5 4 3 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means, electronic, mechanical, photocopy, recording, or otherwise, without prior permission of the author, except as provided by USA copyright law. The publisher gratefully acknowledges permission to reprint texts, tunes and arrangements granted by the publishers, organizations and individuals listed on pages xviii and 443–445. Every effort has been made to secure current copyright permission information on the Psalms, hymns, and service music used. If any right has been infringed, the publisher promises to make the correction in subsequent printings as the additional information is received. ISBN: Cantus Christi (clothbound) 1–59128–003- 6 ISBN: Cantus Christi (accompanist’s edition) 1–59128–004–4 Tabl e of Conte nt s Manifesto on Psalms and Hymns by Douglas Wilson . v Introduction to Musical Style by Dr. Louis Schuler . ix List of Abbreviations . xvii Copyright Holders . xviii Section I Psalms . 1 Section II Hymns . 197 Baptism . 198 Communion . 202 Advent . 218 Christmas . 230 Epiphany . 251 Christ’s Passion . 255 Triumphal Entry . 268 Resurrection . 269 Ascension . 274 Pentecost . 276 All Saints . 280 Thanksgiving . 283 Adoration . 286 Supplication . 336 Evening Hymns . 377 Section III Service Music . 385 Indexes . 441 Copyright Permissions . 443 Chronological Index of Hymn Tunes . 446 Index of Authors, Composers, and Sources .
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Hymns for Prayer and Praise: Melody Ebook Free Download
HYMNS FOR PRAYER AND PRAISE: MELODY PDF, EPUB, EBOOK John Harper | 640 pages | 31 Jan 2012 | CANTERBURY PRESS NORWICH | 9781848250628 | English | London, United Kingdom Hymns for Prayer and Praise: Melody PDF Book Please note that there may be a slight delay in the despatch of any orders placed. These songs may help soothe the wound of missing out on fellowship. We did it a lot in the small church I was raised in. Robin on March 10, at am. Ask us here. Victoria Gladden on June 25, at am. They were first published in in the appendix to A Manual of Prayers For the Use of the Scholars of Winchester College , with the admonition for the students to sing them "in your chamber devoutly. The editorial team was headed by John Harper, former director of the Royal School of Church Music, and consisted of esteemed members of Anglican and Roman Catholic communities. Thy hand, in sight of all my foes, Doth still my table spread; My cup with blessings overflows, Thine oil anoints my head. Sing and make music in your hearts to the Lord, Berean Literal Bible speaking to each other in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord, New American Standard Bible speaking to one another in psalms and hymns and spiritual songs, singing and making melody with your heart to the Lord; New King James Version speaking to one another in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord, King James Bible Speaking to yourselves in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord; Christian Standard Bible speaking to one another in psalms, hymns, and spiritual songs, singing and making music with your heart to the Lord, Contemporary English Version When you meet together, sing psalms, hymns, and spiritual songs, as you praise the Lord with all your heart.
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Romance of Psalter and Hymnal : Authors and Composers
Psalter and Hymnal The Leonard Library OTpcltffe College Toronto shelf No....\.:3.. .... STACKS Register No.... ...&.. I ,; J^^"fl ; I I ISHiH I 999 - - and F. G. EDWARDS. Romance of Psalter and Hymnal, cr. 8vo, doth, 2s. 1889 ROMANCE OF PSALTER AND HYMNAL. Presented to Wycliffe College Library, Toronto, by Magistrate James Edmund Jones, Convener and Secretary Hymnal Committee, General Synod, 1905 - 1938 ROMANCE OF PSALTER AND HYMNAL antr gurijxcrrs KY THE REV. R. E. WELSH, M.A., AND F. G. EDWARDS, " Author of United Praise" HODDER AND STOUGHTON, 27, PATERNOSTER ROW, MDCCCLXXX1X. Printed by Hazel), Watson, & Viney, Ld., London and Aylesbury. PREFACE. r I ^HE past thirty years have witnessed the issue of a host of Hymnals, each having its own special feature or guiding purpose. The Tractarian Movement and, at an earlier period, the Methodist Revival, awakened emotions and left tastes and ten dencies which contributed largely to this outburst of the Churches into song. Roundell Palmer's Book Praise and Ancient and of ', Hymns Modern^ published in 1860, of which a million copies have been sold every year, are significant landmarks. This multiplication of Hymnals has naturally excited a new and keener curiosity regarding the makers and the historic associations of the Hymns and Psalms with which our lips have become so familiar. The present volume seeks to meet and guide this new takes of our choicest sacred curiosity ; some PREFACE. verse and endeavours to throw around it the living interest of curious origin, personal incident, and historic episode, which weave for us a veritable romance, the Romance of Sacred Piaise.
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Hymns Ancient and Modern, Contain
100 LIFE OF BISHOP COLENSO. CHAP. II. that which we gain from our knowledge of what a human parent mayor ought to be." 1 The subject of the Lord's Prayer led the Bishop directly to a subject on which a great deal of angry feeling has been roused, especially among those who find satisfaction in the use of phrases which; whether capable of justification or not, can not be found in the formularies of the Church of England. The Bishop felt himself bound to maintain that reverence for the words of Christ Himself would withhold us from addressing prayer directly to Him. " Our Lord teaches us," he insisted, "to pray always to God, to God our Father-not to the Virgin OMary, not to the saints, as the Roman Catholics do-not even to Christ, as many Protestants do, departing thus from the direct teaching of Jesus Himself and the example of His apostles." I An examination of St Paul's epistles brought him to the conclusion that ec in not a single instance does St Paul pay worship to· Christ either by ascriptions of praise or by offering of prayer." 8 As an exposition of the actual practice of Christendom, the Bishop's sermon is unanswerable. That he wa~ justified in speaking as he spoke, the tone of modem dev~tion leaves little room for doubting. For altering the formularies of the Church of England there has been no opportunity; but the lack of this power has been to a large extent compensated by the introduction of hymns which, like the collection known as Hymns Ancient and Modern, contain, "Many expressions which," the Bishop says, "would have been utterly condemned by our Lord and His apostles, expressions in which not only is adoration paid to Jesus 1 Natal Sermons, II.
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A New Edition of Hymns Ancient and Modern Ebook
COMMON PRAISE: FULL MUSIC EDITION: A NEW EDITION OF HYMNS ANCIENT AND MODERN PDF, EPUB, EBOOK Canterbury Press,Henry Chadwick,Lionel Dakers,Timothy Dudley-Smith,Gordon Knights,Patricia Nappin,J. Richard Watson,Allan Wicks,Robert Willis | 1400 pages | 30 Jun 2000 | CANTERBURY PRESS NORWICH | 9781853112645 | English | London, United Kingdom Common Praise: Full Music Edition: A New Edition of Hymns Ancient and Modern PDF Book Bell , Bernadette Farrell , Stuart Townend and others. New Hardcover Quantity Available: 5. Display Title : Good Christians all, rejoice and sing! First Line : Good Christian friends, rejoice and sing! Sing Glory Capo Capo:. He was dean of Durham from as well as chaplain to the king of England. Hymns and Psalms Speedy Hen London, United Kingdom. Worship and Rejoice Condition: New. London: Joseph Masters. Page Scans. The Hymns Ancient and Modern experienced immediate and overwhelming success, becoming possibly the most popular English hymnal ever published. Wishlist Wishlist. Representative Text 1 Good Christians all, rejoice and sing! Text size Text size:. Items related to Common Praise Full Music edition. View all copies of this ISBN edition:. Now is the triumph of our King! Seller Inventory GRD Seller Inventory n. New copy - Usually dispatched within 3 working days. Hymnal for Use in the English Church. Alleluias Scripture : Acts Date : Advanced Search Links. New Hardcover Quantity Available: More information about this seller Contact this seller. Ad revenue helps keep us running. Alington, ; Norman Mealy, b. Full Music edition. Seller Inventory GRD Condition: New. Preces and responses Magnificat Nunc Dimittis. Common Praise University of Hull. Write a Review. In a "new and revised edition" was published, edited by Bertram Luard-Selby.
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A History of the Plagal-Amen Cadence
University of South Carolina Scholar Commons Theses and Dissertations 6-30-2016 A History Of The lP agal-Amen Cadence Jason Terry University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Terry, J.(2016). A History Of The Plagal-Amen Cadence. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/ 3428 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A HISTORY OF THE PLAGAL-AMEN CADENCE by Jason Terry Bachelor of Arts Missouri Southern State University, 2009 Master of Music Baylor University, 2012 ____________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Music Performance School of Music University of South Carolina 2016 Accepted by: Joseph Rackers, Major Professor John McKay, Director of Document Charles Fugo, Committee Member Marina Lomazov, Committee Member Lacy Ford, Senior Vice Provost and Dean of Graduate Studies © Copyright by Jason Terry, 2016 All Rights Reserved. ii DEDICATION To my bride, with all my love. iii ACKNOWLEDGMENTS Special thanks to the following individuals: to Swee Hong Lim (University of Toronto) for planting this research idea in my head in 2010; to Michael Morgan, for sharing your amazing collection of music; to the following individuals who, either through personal meetings or correspondences, shared their wisdom with me: Mary Louise (Mel) Bringle (Brevard College), J. Peter Burkholder (Indiana University), Sue Cole (University of Melbourne), Carl P.
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Guidance Notes for Visiting Organists 2018
St. Peter’s Cathedral Organ Guidance Notes for Visiting Organists 2018 Introduction Welcome to St. Peter’s Cathedral. We hope you enjoy your visit and the opportunity to play this wonderful instrument. The 1929 Hill, Norman and Beard Organ is one of the Cathedral’s great treasures and must be respected as such. Please study these notes carefully to ensure that your playing experience at the Cathedral is a positive one, and that the instrument remains in fine condition for many years to come. Thank you for your cooperation and music ministry in this wonderful space. David Heah Cathedral Organist December 2018 Table of Contents Introduction ............................................................................................................................................ 1 Practical Arrangements for Visiting Organists ........................................................................................ 2 Access to the Organ Loft ................................................................................................................... 2 Organ Practice .................................................................................................................................... 2 Switching On ....................................................................................................................................... 2 Switching Off ....................................................................................................................................... 2 Pistons and Memory Levels ...............................................................................................................
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