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5S5w.Fr That the Old Man Comes Home Drunk Crime Just Does Not Pay, Engineering Prepared Him Even When It’s Play-Acting For a Directing Career Bette Davis and Ida Lupino Find Veteran Clarence Brown, Educated Whalebone Corsets Make Them In Scientific Fields, Turned Suffer for Their Film Sins To Films Before Hollywood HOLLYWOOD. Hale, By Mary Some of Hollywood's directors used to be actors; some came to Associated Press StsII Writer. Hollywood from the field of business, and a fpw were writers. Clarence HOLLYWOOD. Brown, however, has the distinction of making the broad jump to the the care- Bette Davis committed her third movie murder the other day, and movies from the field of engineering. Most of those who follow of his stories feel that some company lost then calmly ate a chocolate fudge sundae. fully planned working pattern a very engineer in the transition. But strangling a woman with a bell rope recently put Ida Lupino good The director of the new Clark Gable-Rosalind Russell co-starring to bed with a bad case of Jitters. “They Met in Bombay,” had These two film meanies are reducing the population for handsome picture, his mind set strictly on problems oi throw but aside from movie crime doesn’t wood, today, is not a stone's salaries, naturally; money, they say and when he took chemistry physics away from the studio nself.” pay either. Whalebone corsets make#- his at the degree, witl\high rating, It was shortly aLer the comple- them suffer for their sins. the pointed out. "Nobody is, if you University of Tennessee. But tion of “The Goose Woman that “And I mean suffer!” said Bette. of motion understand them." newly developing industry Brown left the Universal Studios “I can hardly breathe. How women him. and when That's the way Ida feels about pictures intrigued to direct Rudolph Valentino in “The endured those corsets in 1900 is forward with an offer I her role of Ellen in "Ladies in Re- chance stepped Eagle.” From there he returned to more than 1 can understand.” Fort the little studio tirement.” of a job at Lee, Metro-Goldwyn-Ma ver to take over At noon she takes hers off, puts as assistant to "Ellen commits murder,” ex- outside New York, the sensational Swedish star, Greta on a blue housecoat and relaxes on Brown seized the plained Ida. "because she has a Maurice Tourneur, Garbo. That first film was “Flesh a chaise lounge in her dressing The roster of protective complex about her two opportunity avidly. and the Devil." in which Miss Garbo room. The corset is the same one such names as zany sisters. She’s pathetic—not actors then Included co-starred with Jack Gilbert. Brown Ehe wore In “The Sisters.” Eileen Robert horrible.” Alice Brady, Percy, directed six more Garbo films after Elsie Mahlon Ida can't take her corset off for a For a year Warners have groomed Warwick, Ferguson. that, including her first talking pic* Kimball siesta. Every morning she gets Ida for the same type of roles that Hamilton, Clara Young, ture, “Anna Christie.” with Holbrook Blinn, Clark. sewed into an 1887 monstrosity Bette plays. So far, Bette has been Marguerite Brown has a record as one of the has to it on all Matt Moore and Alec a bustle, and keep given the top spots. But there's no Mary’ Pickford, most versatile directors on the coast, B Francis. day. antagonism between them. tOr so moving deftly from drama to com- is afraid to Brown had little more than a Neither of the gals they say.) good edy. One of his most recent tri- for a role. start in his chosen how- discard glamour meaty “I don’t- think I play second fiddle profession umphs in the laUer bracket was when came the first Bette plays a matron approaching to Bette,” said Ida. “My career ever, along “Come Live With Me.” co-starring a in her World War. He enlisted in the 40. Ida grim spinster early hasn't anything to do with her.” Hedy Lamarr and James Stewart. Air After the armistice was thirties. “There’s plenty of good material Corps. He directed "Edison, the Man,” one Bette is one murder he returned to the business of So far, up for both of us,” said Bette. signed of the notable biographical films. on Ida. She committed her first Ida’s first murder took in making motion pictures, only to find place Still Want New Faces. several years ago in “Bordertown” “They Drive by Night,” a remake that the industry’ had headed West “Times haven't changed much.'1 by closing the garage doors on her of "Bordertown.” After that she to Hollywood. commented the director. "The only husband and letting gas fumes would have liked something cheer- Reputation Was Assured. difference is that the glamour girls asphyxiate him. In “The Letter” ful. But she plaved in “High Sier- are livelier We were never she pumped six bullets Into a faith- ra.” "The Sea Wolf” and "Out of Once again he joined forces with today. permitted to muss them up in the less lover. the Fog"—all on the somber side. Tourneur, but shortly after was early days. Their one object in Reform? handed his first independent assign- Poison Might Be Nice. Why life was to be decorative. Audi- Ida's inclinations and the requests ment. It was "The Great Redeem- As Regina Giddens, in the screen ences, today, have changed They of her fans are going to change er,” starring House Peters and Mar- version cf Lillian Heilmans play, demand action of the heroines, as she She'd like to do a jorie Daw. This film incidentally, of this, hopes. well as the heroes.” •The Little Foxes,” she gets rid to gay comedy or a romantic love was the first Metro production an Invalid husband by failing to Brown, however, feels that while story. Too many drab roles, she play on Broadw’av. him medicine when he has a audiences may have changed insofar give says, have made her nervous and From that point on. Brown’s heart attack. as a heroine's conduct is concerned, depressed. reputation as a director was assured Bette says shell commit murder they have not changed in their Looking as though butter wouldn't The business of making pictures had (for the camera) with almost any desire to find new favorites. Ever melt in her mouth, Bette knit plac- graduated from the "pot boiler” weapon, but she loathes a gun. since beginning his career as a di- idly between camera setups. She classification to something else. “The noise terrifies me,” she rector he has taken pleasure in in- was making a sock with a compli- Brown’s engineering principles ap- laughed. “I'm a good Fourth of troducing new personalities to the- cated pattern. plied to the screen were beginning July girl—with my head under the atergoers. or taking old ones and Ida says knitting would drive her to show results. They worked so I’m always scared to death casting them in new^ types of roles, pillow! crazy. But two nights a week she well, as a matter of fact, that in 1924 the bullets might be real instead of roles that eventually lead them to attends a first-aid class for the he was intrusted with Hollywood’s blanks. I wouldn't like to knife a new stardom. It was Brown who * * * Women’s Ambulance Defense Corps. first all-star production, “The Goose one. either. Now. poison cast Marie Dressier with Garbo in any An odd way for a murderess to Woman,” co-starring Constance Blight be nice. • • •” “Anna Christie.” a stroke of genius spend her evenings. I suggested. Bennett, Jack Pickford and Louise lunch. I 1 that shot the actress to her highest (We were eating hastily “Can’t a girl reform?” asked Ida, Dresser. fork.) peak of popularity. E'ic Linden put down my knife and Indignantly. “There’s hardly a day goes by that rather a neurotic was one of his “finds” in “Ah. Wil- Bette would play Bette’s retort to that is "Who I don't have a special reason to re- a derness.” and little Gene Reynolds, woman like Regina than comedy wants to?” member that picture,” Brown said. popular juvenile, was given his in- role “We searched all over Hollywood for itial film chance in “Of Human “Gives me more to think about,” just the right type of tree-shaded Bette. “I like to out Hearts.” said figure I lane for one particular sequence, tick. The world Lahr Back in Films what makes Regina i Finally, we found it. It had but one women like her. After Bert Lahr, noted star of Broadway is full of ! drawback, and that in the fact that on the screen musical comedies, has been signed people see Regina they it was miles away from anything. Final Title them.” by R-K-O Radio Pictures and will can be on guard against We had to practically move the “The Men in Her Life” has been But she can’t a little be teamed with Buddy Ebsen in help feeling studio to the spot, and even then set as the final titie of Columbia's toward the character. “I’m Dying to Live.'’ a romantic *ympathetic we were considered to be camping forthcoming Gregory Ratoff produc- all Bette farce with a New York locale. “Regina isn't bad,” out in the wilderness. tion starring Loretta Lahr. last seen on Broadway In Young, pre- Directed Valentino. viously titled to the Buddy de Sylva hit’ “Du Barry "Tonight Belongs **I pass that spot every’ day on my Us” and, briefly, “Woman of Desire.” Was a Lady,” early in his career be- Outdoor Amusements way to work.
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