DOCSLIB.ORG

Appendix A: G. K. Chesterton's “The Blue Cross” (1910)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Appendix A: G. K. Chesterton's “The Blue Cross” (1910) APPENDIX A: G. K. CHESTERTON’S “THE BLUE CROSS” (1910) In assessing whether this story has a Gestalt shift structure, it is imperative to keep in mind that with it Gilbert Keith Chesterton (1874–1936) sought to launch a new detective. During the first decade of the twentieth cen- tury, various authors, influenced by the extraordinary success of Doyle’s Sherlock Holmes stories, explored writing detective fiction. As a fan of detective stories and a prolific author, Chesterton was among those aware of this opportunity. In fact, in 1904 he had already made an attempt to enter this market, the chief result of which was a book he published that year titled The Club of Queer Trades.1 In 1910, Chesterton decided to try this market again. His goal was to create a detective who could compete with Holmes’s remarkable array of talents and long list of successes, despite being a very different type of person using quite different techniques. This presented no small challenge. But more than this, Chesterton’s great con- cern throughout his life was to champion various religious, philosophical, and political causes. Doyle also favored various causes, but refrained from burdening Holmes with these issues; for example, Holmes never champi- oned spiritualism, whereas Doyle spent much of the last decade of his life writing and lecturing on spiritualist claims. Chesterton probably realized 1 John Peterson, “Introduction,” Collected Works of G. K. Chesterton, XII (San Francisco: Ignatius Press, 2005), 15–18. © The Author(s) 2018 197 M. J. Crowe, The Gestalt Shift in Conan Doyle’s Sherlock Holmes Stories, https://doi.org/10.1007/978-3-319-98291-5 198 APPENDIX A: G. K. CHESTERTON’S “THE BLUE CROSS” (1910) he needed not only a Holmes substitute but also a Watson, a Moriarty, and a Lestrade for his stories. And, not least important, he desired a detective able to succeed using at least some techniques comparable in power but quite different from those employed by Holmes. Chesterton opened his “The Blue Cross” by introducing Valentin, the “most famous investigator of the world.”2 It would be natural for readers of this first story to assume that Valentin would be the hero of the story. Chesterton devoted his second and third paragraphs to introducing that “colossus of crime,” Hercule Flambeau, on whom Chesterton remarks that on “his best days (I mean, of course, his worst) Flambeau was a figure as statuesque and international as the Kaiser.”3 As is well known, Flambeau ends up doing double duty: after serving as Father Brown’s Moriarty, he emerges in later stories as Brown’s Watson. This sets the stage for Chesterton to introduce (seemingly as an aside) a “little priest” named Father Brown; as Chesterton states, “he had a face as round and dull as a Norfolk dumpling; he had eyes as empty as the North Sea.”4 Brown’s mission is to bring a precious crucifix to a Eucharistic Congress, a fact that Valentin specifically advises Brown not to mention, whereas Brown with “moon-calf simplicity” does exactly the opposite. The reader naturally expects that this rather hopeless bungler will be the victim. Father Brown then links up with another priest (who turns out not to be a priest, but rather to be the infamous Flambeau, who is disguised as a priest) attending the conference. He accompanies Brown as they travel through the London area, chatting about various matters and stopping periodically for snacks. In the course of their rambles, they encounter such strange events as salt in a sugar dish at one restaurant, apples knocked out of their basket at a grocery, signs shifted in a store window, a splash on the wall of another eatery, a broken window, and so on. The bungler priest seems to be the source of these problems. None of this makes any sense to anyone except to the astute Valentin, who is desperately looking for clues yet finds nothing but these anomalies. The two priests then reach Hampstead Heath, where they engage in a discussion of the question of intelligent life in outer space. Suddenly the taller priest interrupts this ­discussion by telling the little priest to hand over the cross. The tall priest, 2 G. K. Chesterton, “The Blue Cross” in Chesterton’s The Innocence of Father Brown (New York: Penguin Books, 1975), 7. 3 Chesterton, Innocence, 8. 4 Chesterton, Innocence, 28. APPENDIX A: G. K. CHESTERTON’S “THE BLUE CROSS” (1910) 199 we recognize, is Flambeau in disguise; the short priest responds simply “No,” and explains that he has already sent the cross to its destination. Moreover, this “celibate simpleton,” as Flambeau describes him, turns out to have substantial knowledge of crime and criminals, which he attributes partly to his many hours in the confessional. We then gradually learn in the final paragraphs that this apparent bungler has known all along that his fellow priest is not a priest and that Valentin accompanied by then by two police has been following them, attracted by the bizarre trail that Brown has been leaving (e.g., misplaced sugar and a broken window). They even- tually emerge and capture the master criminal. The final lines of the story are these: And even as [Flambeau] turned away to collect his property, the three policemen came out from under the twilight trees. Flambeau was an artist and a sportsman. He stepped back and swept Valentin a great bow. “Do not bow to me, mon ami,” said Valentin with silver clearness. “Let us both bow to our master.” And they both stood an instant uncovered while the little Essex priest blinked about for his umbrella.5 In these few minutes, a Gestalt shift has occurred. The “most famous investigator of the world” and the “colossus of crime” have recognized this bungling clergyman, Fr. Brown, as a master detective working, it seems, on new principles forged in such sources as a confessional. Valentin is deposed as the ne plus ultra detective. Flambeau for the first time has met more than his match; in fact, after years he has now been identified and is under arrest. The Cross is saved. The reader finally recognizes that Chesterton has cre- ated a new detective who has emerged suddenly and only at the very end of this story. Probably even Chesterton was unaware that this unique detec- tive would over the next twenty-five years succeed in attaining solutions in fifty-one more stories and an international reputation. What I am suggesting is that although Chesterton’s Fr. Brown was dras- tically different from Doyle’s Holmes in appearance and methods from the great detective that Doyle had so successfully created, Chesterton seems to have carried over from Doyle a dramatic technique present in the Holmes stories: structuring his stories in accordance with a form of change that would decades later be described as a Gestalt shift. Moreover, Chesterton 5 Chesterton, Innocence, 29. 200 Appendix A: G. K. Chesterton’s “The Blue Cross” (1910) in 1925 in his “How to Write a Detective Story,” suggested: “The first and fundamental principle is that the aim of a mystery story, as of every other story and every other mystery, is not darkness but light. The story is writ- ten for the moment when the reader does understand, not merely for the many preliminary moments when he does not understand. The misunder- standing is only meant as a dark outline of cloud to bring out the bright- ness of that instant of intelligibility.”6 6 G. K. Chesterton, “How to Write a Detective Story,” available on the internet at http:// www3.dbu.edu/mitchell/chesterton_on_detective_fiction.htm. APPENDIX B: SOmE QUESTIONS aND SOmE ANSwERS OF THE REcENT CHaRacTERS MODELED ON SHERLOck HOLmES CHaRacTER, WHIcH IS MOST AUTHENTIc? In the last two decades, characters modeled on Doyle’s Sherlock Holmes have appeared in numerous films and television shows, leading critics to discuss which production is most faithful to the original stories. Among such dramatizations are Elementary with Johnny Lee Miller, British televi- sion’s Sherlock with Benedict Cumberbatch, and the films featuring Robert Downey as Holmes. A few years ago a friend suggested another candidate for the distinction of having come closest to the spirit of the original sto- ries. This seemed at first a most unlikely candidate because the central figure is not named Holmes and rather than being a detective is a physi- cian. Nonetheless, I followed up on her lead and have come to accept its plausibility. To offer a definitive answer to this question would take a per- son with far more knowledge of the candidates than I can claim, but my investigation has led to a suggestion. The candidate is named House, M.D., a television show featuring Hugh Laurie as physician Gregory House. The show’s 177 episodes ran from 2004 to 2012; in fact, it was the most watched series in the world in 2008. The evidence that David Shore, who created House, used Doyle’s stories as models is compelling. For example, Shore explicitly stated that he drew upon Doyle’s stories in creating House (whose name is a variant of © The Author(s) 2018 201 M. J. Crowe, The Gestalt Shift in Conan Doyle’s Sherlock Holmes Stories, https://doi.org/10.1007/978-3-319-98291-5 202 APPENDIX B: SOME QUESTIONS AND SOME ANSWERS Holmes) and whose first name, Gregory, comes from Inspector Gregson. House, like Holmes, has an addiction (vicodin), a closest friend, Dr. James Wilson (think Dr. John Watson), and a brusque manner. More signifi- cantly, although a rather irascible figure, House has a genius for diagnos- ing diseases, typically rare diseases.
Load more

Recommended publications
  • Heythrop College London G.K. Chesterton's Concept Of
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Heythrop College Publications HEYTHROP COLLEGE LONDON G.K. CHESTERTON’S CONCEPT OF HOLINESS IN DAILY LIFE A DISSERTATION SUBMITTED IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY MARTINE EMMA THOMPSON LONDON 2014 1 Abstract The term holiness and the concept of sainthood have come under much scrutiny in recent times, both among theologians and the modern laity. There is a sense that these terms or virtues belong to an age long past, and that they are remote and irrelevant to modern believers; that there is the ‘ideal’ but that it is not seriously attainable in a secular, busy modern world with all its demands. Moreover, many believe that sainthood is accessible only to the very few, attained by those who undergo strict ascetic regimes of self-denial and rejection of a ‘normal’ life. However, these conceptions of holiness are clearly at odds with, and may be challenged by others, including the Roman Catholic Church’s teaching of a ‘universal call to holiness’. One of the aims of this thesis is to address those misconceptions with particular focus upon the theological concepts of the writer G.K. Chesterton and his understanding of holiness in the ordinary. Having been a popular writer and journalist, it has proved difficult for some academics and laypeople to accept Chesterton as a theologian. Furthermore, Chesterton considered himself to be an ordinary man, he did not belong to a religious order or community, and yet he was a theological writer who formulated an original conception of holiness in the ordinary.
    [Show full text]
  • Issue #53 Spring 2006
    T HE NORWEGIAN EXPLORERS OF MINNESOTA, INC. ©2006 Winter, 2006 EXPLORATIONS Issue #53 EXPLORATIONSEXPLORATIONS From the (Outgoing) President . Julie McKuras, ASH, BSI Inside this issue: Internet Explorations 2 Annual Meeting & Dinner 3 Explorer Travels 4 A New Take on Mrs. Hudson 5 Holmes and Plastic Man? 6 The English 8 A Toast to Mycroft 9 Sherlock’s Last Case 9 From the Editor’s Desk Study Group 10 n this last issue of Explorations for 2006 delivered at our annual dinner, joining I we recap our recent annual meeting and frequent contributors Mike Eckman and dinner, notable for a changing of the guard Bob Brusic as well as Study Group reviewer as Julie McKuras stepped down after an Charles Clifford. Phil Bergem continues his energetic nine years as president of the Nor- Internet Explorations, and we look forward wegian Explorers. We are sure that our new to an upcoming performance of a Sher- president, Gary Thaden, will ably carry on lockian play. in the tradition of Julie and all our past Letters to the editor or other submis- leaders, including our founder and Siger- sions for Explorations are always welcome. son, the late E.W. “Mac” McDiarmid. We Please email items in Word or plain text also note travels by Explorers to two recent format to [email protected] conferences, both of which featured speak- ers from the ranks of the Explorers. We John Bergquist, BSI welcome Ray Riethmeier as a contributor to Editor, Explorations the newsletter by printing his fine toast Page 2 EXPLORATIONS Issue #53 From the (Incoming) President Internet Explorations .
    [Show full text]
  • Gardens in GK Chesterton's Father Brown Stories
    ANGLICA An International Journal of English Studies 24/1 EDITOR prof. dr hab. Grażyna Bystydzieńska [[email protected]] ASSOCIATE EDITORS dr hab. Marzena Sokołowska-Paryż [[email protected]] dr Anna Wojtyś [[email protected]] AdviSory BoArd Michael Bilynsky, University of Lviv, Ukraine Andrzej Bogusławski, University of Warsaw, Poland Mirosława Buchholtz, Nicolaus Copernicus University, Toruń, Poland Xavier dekeyser, University of Antwerp / KU Leuven, Belgium Bernhard diensberg, University of Bonn, Germany Edwin duncan, Towson University, Towson, Md, USA Guðni Ellíson, University of iceland, reykjavik, iceland Jacek Fisiak, Adam Mickiewicz University, Poznań, Poland Elzbieta Foeller-Pituch, Northwestern University, Evanston-Chicago, USA Piotr Gąsiorowski, Adam Mickiewicz University, Poznań, Poland Keith Hanley, Lancaster University, United Kingdom Christopher Knight, University of Montana, Missoula, MT, USA Marcin Krygier, Adam Mickiewicz University, Poznań, Poland Krystyna Kujawińska-Courtney, University of Łódź, Poland Zbigniew Mazur, Maria Curie-Skłodowska University, Lublin, Poland rafał Molencki, University of Silesia, Sosnowiec, Poland John G. Newman, University of Texas at Brownsville, USA Znak ogólnodostępny / wersjeMichal językowe Jan rozbicki, St. Louis University, USA Jerzy rubach, University of iowa, iowa City, USA Piotr ruszkiewicz, Pedagogical University, Cracow, Poland Wersje językowe znaku Hans Sauer, University of Munich, Germany Znak Uniwersytetu Warszawskiego występuje w trzech wersjach językowych:
    [Show full text]
  • The Evolution of Sherlock Holmes: Adapting Character Across Time
    The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62
    [Show full text]
  • The Complete Decoding the Subtext
    Decoding the Subtext Being an examination of the homoerotic subtext contained within the Sherlock Holmes Canon Nekosmuse 1 Copyright © 2007 Contents 1 iii Contents Introduction 1 The Gloria Scott 2 The Musgrave Ritual 6 A Study in Scarlet 8 The Speckled Band 16 The Resident Patient 23 The Noble Bachelor 29 The Second Stain 34 The Reigate Squires 39 A Scandal in Bohemia 46 The Man with the Twisted Lip 55 The Five Orange Pips 63 A Case of Identity 67 The Red-Headed League 72 The Adventure of the Dying Detective 79 The Blue Carbuncle 88 The Valley of Fear 94 The Adventure of the Yellow Face 103 The Adventure of the Greek Interpreter 107 The Sign of [the] Four 112 The Hound of the Baskervilles 136 The Copper Beeches 155 The Boscombe Valley Mystery 164 The Stockbroker’s Clerk 171 The Naval Treaty 177 The Cardboard Box 183 The Engineer’s Thumb 190 The Crooked Man 194 Wisteria Lodge 201 Silver Blaze 206 The Beryl Coronet 211 The Final Problem 215 iv 1 Decoding the Subtext The Empty House 228 The Golden Pince-Nez 241 The Three Students 245 The Solitary Cyclist 249 Black Peter 256 The Norwood Builder 259 The Bruce Partington Plans 265 The Veiled Lodger 273 The Sussex Vampire 277 The Missing Three-Quarter 281 The Abbey Grange 288 The Devil’s Foot 293 The Dancing Men 301 The Retired Colourman 305 Charles Augustus Milverton 312 The Six Napoleons 320 The Problem of Thor Bridge 324 The Priory School 330 Shoscombe Old Place 335 The Three Garridebs 339 Lady Frances Carfax 345 The Illustrious Client 352 The Red Circle 359 The Blanched Soldier 363 The Three Gables 370 The Mazarin Stone 375 The Creeping Man 379 The Lion’s Mane 384 His Last Bow 389 Appendix I: Abbreviations 394 Introduction 1 1 Introduction Decoding the Subtext is a series of essays which examine each of the Sherlock Holmes stories for homoerotic subtext.
    [Show full text]
  • The Worshipper's Half-Holiday: GK Chesterton and Parody
    Durham E-Theses The Worshipper's Half-Holiday: G.K. Chesterton and Parody SHALLCROSS, MICHAEL,RONALD How to cite: SHALLCROSS, MICHAEL,RONALD (2014) The Worshipper's Half-Holiday: G.K. Chesterton and Parody, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10662/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 The Worshipper’s Half-Holiday: G.K. Chesterton and Parody Michael Ronald Shallcross Abstract This thesis constitutes the first study of G.K. Chesterton’s status as a theorist and practitioner of parody. Employing a combination of original archival research, historical contextualisation, theoretical analysis, and textual close reading, I demonstrate that an extensive range of parodic strategies permeate Chesterton’s diverse output, from his detective fiction, to his nonsense verse, journalism, novels, and critical essays. I particularly focus upon elaborating the affinity of Chesterton’s work with the literary and cultural theory of Mikhail Bakhtin, in relation to the latter’s principle of dialogism, and his account of the parodic basis of the carnivalesque.
    [Show full text]
  • Telling the True Story
    Bachelor Thesis Telling The True Story Queerbaiting, representation, and fan resistance in the BBC Sherlock fandom Suzanne Frenk 613191 Algemene Cultuurwetenschappen (Culture Studies) School of Humanities Tilburg University Supervisor: Dr. P. K. Varis Second Reader: Dr. I. E. L. Maly August 18, 2017 Synopsis In this thesis, I follow an online community on Tumblr revolving around a self- proclaimed conspiracy theory called TJLC. This group is part of the broader community of fans of the BBC TV show Sherlock, and is focused on ‘The Johnlock Conspiracy’: the belief that the two main characters of the show, John and Sherlock, are bisexual and gay, respectively, and will ultimately end up as a romantic couple, which would make Sherlock a mainstream TV show with explicit and positive LGBTQIA+ representation. This visibility is especially important to LGBTQIA+ individuals within the TJLC community, who want to see their identities more often and more accurately represented on television. The fact that the creators of Sherlock, as well as several of the actors in the show, are either part of the LGBTQIA+ community themselves or known supporters, works to further strengthen TJLC’ers’ trust in the inevitable unfolding of the story into a romantic plot. The fact that the TJLC community is based on a conspiracy theory not only makes it a remarkable example of fan culture, but has also led to many close readings of the show and its characters – from the textual level to symbolism to the musical score – on a level that can often be seen as close to academic. These pieces of so-called ‘meta’ have led to many predictions about the direction of the show, such as the strong belief that ‘Johnlock’ would become real in season four of the series.
    [Show full text]
  • The Adventure of the Shrinking Public Domain
    ROSENBLATT_FINAL (DO NOT DELETE) 2/12/2015 1:10 PM THE ADVENTURE OF THE SHRINKING PUBLIC DOMAIN ELIZABETH L. ROSENBLATT* Several scholars have explored the boundaries of intellectual property protection for literary characters. Using as a case study the history of intellectual property treatment of Arthur Conan Doyle’s fictional character Sherlock Holmes, this Article builds on that scholarship, with special attention to characters that appear in multiple works over time, and to the influences of formal and informal law on the entry of literary characters into the public domain. While copyright protects works of authorship only for a limited time, copyright holders have sought to slow the entry of characters into the public domain, relying on trademark law, risk aversion, uncertainty aversion, legal ambiguity, and other formal and informal mechanisms to control the use of such characters long after copyright protection has arguably expired. This raises questions regarding the true boundaries of the public domain and the effects of non-copyright influences in restricting cultural expression. This Article addresses these questions and suggests an examination and reinterpretation of current copyright and trademark doctrine to protect the public domain from formal and informal encroachment. * Associate Professor and Director, Center for Intellectual Property Law, Whittier Law School. The author is Legal Chair of the Organization for Transformative Works, a lifelong Sherlock Holmes enthusiast, and a pro bono consultant on behalf of Leslie Klinger in litigation discussed in this Article. I would like to thank Leslie Klinger, Jonathan Kirsch, Hayley Hughes, Hon. Andrew Peck, and Albert and Julia Rosenblatt for their contributions to the historical research contained in this Article.
    [Show full text]
  • Case 1:15-Cv-00432-WPL-KBM Document 1 Filed 05/21/15 Page 1 of 24
    Case 1:15-cv-00432-WPL-KBM Document 1 Filed 05/21/15 Page 1 of 24 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF NEW MEXICO CONAN DOYLE ESTATE LTD. Plaintiff, v. No.1:15-CV-432 MIRAMAX, LLC, ROADSIDE ATTRACTIONS LLC, PENGUIN RANDOM HOUSE LLC, MITCH CULLIN, WILLIAM CONDON, Defendants. COMPLAINT FOR INJUNCTION AND DAMAGES Plaintiff Conan Doyle Estate Ltd. (CDEL) alleges as follows for its Complaint against Defendants Penguin Random House, Roadside Attractions, LLC, Miramax, LLC, Mitch Cullin, and William Condon. INTRODUCTION 1. This action for copyright infringement arises from unauthorized copying by Mitch Cullin—in his novel A Slight Trick of the Mind and in the motion picture Mr. Holmes based on the novel—of original Sherlock Holmes stories written by Sir Arthur Conan Doyle (Conan Doyle). The remaining defendants have participated in copying these protected stories in the infringing movie, have published and distributed the infringing novel and motion picture, and have titled the movie so as to confuse consumers and unfairly trade on CDEL’s goodwill. 2. Defendant Mitch Cullin grew up in Santa Fe, New Mexico, and through his father became acquainted with the noted Sherlockian scholar and collector John Bennett Shaw, who also lived in Santa Fe. Defendant Cullin had access to all of Conan 1 Case 1:15-cv-00432-WPL-KBM Document 1 Filed 05/21/15 Page 2 of 24 Doyle’s works in Mr. Shaw’s library. Cullin’s dedication of A Slight Trick of the Mind included a dedication to “the late John Bennett Shaw, who once left me in charge of his library.” It is apparent from A Slight Trick of the Mind—a story of Sherlock Holmes in retirement—that Mr.
    [Show full text]
  • Sherlock Holmes for Dummies
    Index The Adventure of the Eleven Cuff-Buttons • Numerics • (Thierry), 249 221b Baker Street, 12, 159–162, 201–202, “The Adventure of the Empty House,” 301, 304–305 21, 48, 59, 213, 298 “The Adventure of the Engineer’s Thumb,” 20, 142 • A • “The Adventure of the Golden Pince-Nez,” 22, 301 “The Abbey Grange,” 22 “The Adventure of the Illustrious Client,” Abbey National, 162 24, 48, 194–195, 309 acting, Sherlock Holmes’s, 42. See also “The Adventure of the Lion’s Mane,” 24, 93 individual actors in roles “The Adventure of the Mazarin Stone,” Adler, Irene (character), 96, 280, 298 24, 159 “The Adventure of Black Peter,” 22 “The Adventure of the Missing Three- “The Adventure of Charles Augustus Quarter,” 22 Milverton,” 22, 137, 267 “The Adventure of the Noble Bachelor,” “The Adventure of Shoscombe Old 20, 308 Place,” 25 “The Adventure of the Norwood “The Adventure of the Abbey Grange,” 22 Builder,” 21 “The Adventure of the Beryl Coronet,” “The Adventure of the Priory School,” 22 20, 141 “The Adventure of the Red Circle,” “The Adventure of the Blanched 23, 141, 188 Soldier,” 24, 92, 298 “The Adventure of the Reigate Squire,” 20 “The Adventure of the Blue Carbuncle,” “The Adventure of the Retired 19, 141, 315 Colourman,” 25 “The Adventure of the Bruce-Partington “The Adventure of the Second Stain,” 22, 78 Plans,” 23 “The Adventure of the Six Napoleons,” “The Adventure of the Cardboard Box,” 22, 73 20, 97, 138, 189, 212 “The Adventure of the Solitary Cyclist,” “The Adventure of the Copper Beeches,” 21, 137, 140 20, 140 “The Adventure of the Speckled
    [Show full text]
  • The Database of Baker Street: Sherlock Holmes and The
    THE DATABASE OF BAKER STREET Sherlock Holmes and the Victorian Media Condition by Todd S. Gillam A Thesis Subrnitted to the FacuZîy of Graduate Sfudies in Partid FuifiZIment of the Requirernents for the Degree of WSTEROF ARTS Depariment of English University of Manitoba Winnipeg Manitoba National tibrary Bibliothèque nationale 1+1 dcanaâa du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue WeUinglori OttawaON K1AW OIEawaON K1AûN4 Canada canada The author has granted a non- L'auteur a accordé une licence non exclusive licence aüowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seii reproduire, prêter, distnïer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film,de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwïse de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. TEE UNIVERSITY OF MANITOBA FACULTY OF GRADUATE STUDIES ***** COPYRIGHT PERMISSION PAGE THE DATABASE OF BAKER STREET Sherlock Holmes and the Vietarira Media Condition BY TODD S. GILLAM A Theds s~bmittedto the Frcalty of Gradaate Studies of The University of Manitoba in partial fiilflllment of the requirements of the degree of MASTER OF ARTS Todd S.
    [Show full text]
  • Father Brown Mysteries Chesterton, G.K
    Father Brown Mysteries Chesterton, G.K. G.K. Chesterton (1874-1936), British author, essayist, and theologian, was also an accomplished mystery writer. He produced between 1910 and 1935 a number of short stories (collected into five volumes) featuring the unlikely sleuth and Roman Catholic priest Father Brown. The humble priest’s unassuming air, masking a profound knowledge of human nature, enabled him to solve many a mystery. The Father Brown stories are available from the New Bern-Craven County public Library in a one-volume edition. Audio tapes are also available for The Innocence of Father Brown and the Wisdom of Father Brown. The Innocence of Father Brown (1911) Short story collection containing: The Blue Cross, The Secret Garden, The Queer Feet, The Flying Stars, The Invisible Man, The Honour of Israel Gow, The Wrong Shape, The Sins of Prince Saradine, The Hammer of God, The Eye of Apollo, The Sign of the Broken Sword, and The Three Tools of Death. The Wisdom of Father Brown (1914) Short story collection containg: The Absence of Mr. Glass, The Paradise of Thieves, The Duel of Dr. Hirsch, The Man in the Passage, The Mistake of the Machine, The Head of Caesar, The Purple Wig, The Perishing of the Pendragons, The God of the Gongs, The Salad of Colonel Cray, The Strange Crime of John Boulnois, and The Fairy Tale of Father Brown. The Incredulity of Father Brown (1926) Short story collection containing: The Resurrection of Father Brown, The Arrow of Heaven, The Oracle of the Dog, The Miracle of Moon Crescent, The Curse of the Golden Cross, The Dagger with Wings, The Doom of the Darnaways, and The Ghost of Gideon Wise.
    [Show full text]