LUMINOUS Directed by Richard Tognetti AUGUST 2019
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Nigel Westlake
NIGEL WESTLAKE SELECTED CREDITS ALI’S WEDDING (2017) PAPER PLANES (2014) MISS POTER (2006) (Nigel won APRA MusiC Award, nominated for IFMCA Award & World SoundtraCk Award) THE NUGGET(2002) (Nigel won SCreen MusiC Award) BIOGRAPHY Nigel Westlake's Career in musiC has spanned more than four deCades. As a Composer for the sCreen, his film Credits inClude the feature film ‘Ali’s Wedding’, ‘Paper Planes’, ‘Miss Potter’, ‘Babe’, ‘Babe: Pig in the CitY’, ‘Children of the Revolution’, ‘The Nugget’, plus the Imax films ‘AntarCtiCa’, ‘Imagine’, ‘The Edge and Solarmax’ and numerous others. His television Credits include doCumentaries, telemovies, news themes and station idents. His Compositions have earned numerous aCColades, inCluding the Gold Medal at the New York International Radio Festival and 15 APRA awards (Australasian Performing Right assoC.) in the sCreen & art musiC Categories. The feature film ‘Babe’ won the Golden Globe Award in 1996 for Best Feature MusiCal/ ComedY. He studied the Clarinet with his father, Donald Westlake, and left sChool earlY to pursue a performanCe Career in musiC. His earlY Career as a freelanCe clarinettist, bass clarinettist and saxophonist was spent touring Australia and the world performing with ballet companies, a circus troupe, Chamber musiC ensembles, fusion bands and orChestras. Nigel’s interest in Composition dates from the late 1970s, when he formed a Classical / jazz-roCk / world-musiC / fusion band to perform original Compositions. During this time he started to reCeive offers to Compose for radio, CirCus, TV & film. In 1983 he furthered his studies of ContemporarY music in the Netherlands, studYing bass Clarinet with HarrY SparnaaY and Composition with Theo Leovendie. -
Art Gallery of South Australia Major Achievements 2003
ANNUAL REPORT of the ART GALLERY OF SOUTH AUSTRALIA for the year 1 July 2003 – 30 June 2004 The Hon. Mike Rann MP, Minister for the Arts Sir, I have the honour to present the sixty-second Annual Report of the Art Gallery Board of South Australia for the Gallery’s 123rd year, ended 30 June 2004. Michael Abbott QC, Chairman Art Gallery Board 2003–2004 Chairman Michael Abbott QC Members Mr Max Carter AO (until 18 January 2004) Mrs Susan Cocks (until 18 January 2004) Mr David McKee (until 20 July 2003) Mrs Candy Bennett (until 18 January 2004) Mr Richard Cohen (until 18 January 2004) Ms Virginia Hickey Mrs Sue Tweddell Mr Adam Wynn Mr. Philip Speakman (commenced 20 August 2003) Mr Andrew Gwinnett (commenced 19 January 2004) Mr Peter Ward (commenced 19 January 2004) Ms Louise LeCornu (commenced 19 January 2004) 2 TABLE OF CONTENTS Principal Objectives 5 Major Achievements 2003-2004 6 Issues and Trends 9 Major Objectives 2004–2005 11 Resources and Administration 13 Collections 22 3 APPENDICES Appendix A Charter and Goals of the Art Gallery of South Australia 27 Appendix B1 Art Gallery Board 29 Appendix B2 Members of the Art Gallery of South Australia 29 Foundation Council and Friends of the Art Gallery of South Australia Committee Appendix B3 Art Gallery Organisational Chart 30 Appendix B4 Art Gallery Staff and Volunteers 31 Appendix C Staff Public Commitments 33 Appendix D Conservation 36 Appendix E Donors, Funds, Sponsorships 37 Appendix F Acquisitions 38 Appendix G Inward Loans 50 Appendix H Outward Loans 53 Appendix I Exhibitions and Public Programs 56 Appendix J Schools Support Services 61 Appendix K Gallery Guide Tour Services 61 Appendix L Gallery Publications 62 Appendix M Annual Attendances 63 Information Statement 64 Appendix N Financial Statements 65 4 PRINCIPAL OBJECTIVES The Art Gallery of South Australia’s objectives and functions are effectively prescribed by the Art Gallery Act, 1939 and can be described as follows: • To collect heritage and contemporary works of art of aesthetic excellence and art historical or regional significance. -
Compassion Booklet
481 0678 Compassion – Symphony of Songs Song cycle for voice and orchestra by Lior and Nigel Westlake based on a collection of ancient Hebrew and Arabic texts 1 Sim Shalom – Grant Peace 7’28 2 Eize Hu Chacham? – Who is Wise? 5’25 3 La Yu’minu – Until You Love Your Brother 4’18 4 Inna Rifqa – The Beauty Within 4’55 5 Al Takshu L’vavchem – Don’t Harden Your Hearts 4’45 6 Ma Wadani Ahadun – Until the End of Time 7’57 7 Avinu Malkeinu – Hymn of Compassion 5’57 Total Playing Time 40’46 Lior vocals Sydney Symphony Orchestra Nigel Westlake conductor Compassion was commissioned by the Sydney Symphony Orchestra, for the SSO and the other Australian symphony orchestras, with the support of Symphony Services International. 3 The Genesis of Compassion In stark contrast to what had preceded, here was another side to Lior’s artistry, his keening and emotionally charged voice allowing us an intimate glimpse into the rich vein of middle eastern heritage The catalyst for Compassion can be traced to a single watershed moment: the occurrence of my first that is his birthright. Lior concert. It was the winter of 2009 in the tiny rural village of St Albans NSW, the occasion being the inaugural fundraising event for the Smugglers of Light, a foundation formed by our family in The power and spirituality of the song struck a deep resonance amongst the crowd, all of whom were memory of my son Eli. captivated in spellbound rapture. For my own part, I had just experienced a small taste of a tantalising and exotic sound world and was overcome by a strange yearning to be a part of it. -
BILL HENSON Bill Henson Is One of Australia's Leading Contemporary
BILL HENSON Bill Henson is one of Australia’s leading contemporary artists. Born in Melbourne in 1955, Henson had his first solo exhibition, at the age of 19, at the National Gallery of Victoria in 1975. He has since exhibited extensively in Australia and overseas, including New York, London, Paris, Beijing, Tokyo, Montreal, Barcelona, Vienna and Amsterdam. In 1995 Henson represented Australia at the Venice Biennale, with his celebrated series of cut-screen photographs. He holds an honorary doctorate from the University of NSW. In 2003 Henson’s work appeared in Strangers: The First ICP Triennial of Photography and Video at the International Center of Photography in New York. In the same year he had a solo exhibition at the Centro de Fotografia, University of Salamanca, Spain. In 2005 a comprehensive survey of his work was held at the Art Gallery of New South Wales in Sydney and the National Gallery of Victoria in Melbourne. This landmark survey show attracted record visitor numbers for a contemporary art exhibition in Australia. In 2006 Henson exhibited a major body of work in Twilight: Photography in the Magic Hour at the Victoria and Albert Museum, London. Bill Henson’s work is to be found in every major public collection in Australia including the Art Gallery of New South Wales, the Art Gallery of South Australia, the Art Gallery of Western Australia, the National Gallery of Victoria and the National Gallery of Australia. Overseas collections include the Bibliotheque Nationale de Paris, the Houston Museum of Fine Art, the Los Angeles County Museum of Art, The Montreal Museum of Fine Arts, the Museo Nacional Centro de Arte Reina Sofía, Madrid, the Museum Moderner Kunst, Vienna, the Sammlung Volpinum, Vienna, the San Francisco Museum of Modern Art, Solomon R. -
ABC TV 2015 Program Guide
2014 has been another fantastic year for ABC sci-fi drama WASTELANDER PANDA, and iview herself in a women’s refuge to shine a light TV on screen and we will continue to build on events such as the JONAH FROM TONGA on the otherwise hidden world of domestic this success in 2015. 48-hour binge, we’re planning a range of new violence in NO EXCUSES! digital-first commissions, iview exclusives and We want to cement the ABC as the home of iview events for 2015. We’ll welcome in 2015 with a four-hour Australian stories and national conversations. entertainment extravaganza to celebrate NEW That’s what sets us apart. And in an exciting next step for ABC iview YEAR’S EVE when we again join with the in 2015, for the first time users will have the City of Sydney to bring the world-renowned In 2015 our line-up of innovative and bold ability to buy and download current and past fireworks to audiences around the country. content showcasing the depth, diversity and series, as well programs from the vast ABC TV quality of programming will continue to deliver archive, without leaving the iview application. And throughout January, as the official what audiences have come to expect from us. free-to-air broadcaster for the AFC ASIAN We want to make the ABC the home of major CUP AUSTRALIA 2015 – Asia’s biggest The digital media revolution steps up a gear in TV events and national conversations. This year football competition, and the biggest football from the 2015 but ABC TV’s commitment to entertain, ABC’s MENTAL AS.. -
Ode to Margaret
CHILDS PLAY an Original Piece Performed by Preshil Senior Chamber Orchestra Adrian Perger Luke Stevenson Billy O’Connell Phil Bywater Callum Harrod Riley Turner Emily Wilson Rosemary Simons Fran Johnson Ruby Dargaville Gina Mendoza Shirley Harrod JUPITER by Gustav Holst Han Day Silvana Verrocchi Performed by Carneval Strings & Preshil Strings Ivan Rosa Zoe Verocchi Ode to Margaret Acorn Holmes à Court Liv Carlisle Lawrence Folvig Adrian Perger Lucinda Greene Alex Lander Lucy Williams A Celebratory Fundraising Concert Lisa Reynolds Jennen Ngian-Keng PUR TI MIRO FROM L’INCORONAZIONE DI POPPEA Allegra Holmes à Court Mila Goren-Chirico by Claudio Monteverdi Amelie Justin Nichaud Kuti Performed by Preshil Senior Vocal Angelo von Moller Nicholas Jowett Georgia Andrew Anja Margach Nick Bentley McKinnon Helen Kerr-Lawley Asher Brady Plum Talbot Riley Turner Callum Harrod Riley Turner Charlotte Jowett Ruby Marriot Dante Kuti Sasha Arnold-Levy MELBOURNE MUSICIANS Dari Justin Sia Xipolitou Conductor Frank Pam Ebony Campese Simon Holmes à Court Elena Boyce Stella Holmes à Court Lesley Qualtrough Biana Goldenberg Ezra Justin Tilde George-Murphy Meredith Thomas Alyssa Kennedy Fran Johnson Tim Dargarville Edwina Kayser Liz Bonetti Hugo Thatcher Veronica Greene Felicité Heine Oleksandr Belenko Ilona von Moller Will Govenlock Rosia Pasteur Therese McCoppin Imogen Purves Will Holmes à Court Naomi Wileman Karoline Kuti Katrina Holmes à Court Zoe Verrochi Rebecca Scully Meredith Woinarski Laura Prior Lawrence Folvig Jenny Lowe Zoey Pepper Jess Belll Chloe -
1 Curating Photography in Australia Dr Daniel
Curating Photography in Australia Dr Daniel Palmer (Monash University) & Dr Martyn Jolly (ANU) This paper derives from some early research into the various forces currently influencing photography curating in Australian art galleries. We are especially interested in new technologies such as the internet, but more generally the protean nature of the medium itself. Naturally, to better understand the present, we start with a few glimpses of the past. The Pre-History Although the institutional collecting and curating of photography didn’t begin in earnest until the 1970s, in the five or so decades before then the powerful idea of collecting photographs was intermittently discussed, at various levels of institutional authority, with various degrees of vigour. At the end of the First World War, the amateur photographic magazine the Australasian Photo Review called for a ‘national collection of Australian photographic records’. The Mitchell Library was one of several who responded positively to this idea, even suggesting a list of twelve different categories of photographs which amateurs could take for a future repository. However the librarians didn’t follow through on their initial positive noises and collections failed to materialise. Thirty years later, at the end of the Second World War, the idea of a national collection was raised again. Contemporary Photography devoted an entire issue to the new sharp bromide enlargements Harold Cazneaux had made of his Pictorialist negatives of Old Sydney, and declared that they ‘would be a valuable acquisition for the Mitchell Library or Australian Historical Societies.’ However, once more the library failed to follow through, and Cazneaux’s photographs remained uncollected. -
Reviewed by Malcolm Roberts the Henson Case
BOOK REVIEWS political risk offers a fresh way of The final chapters of Calculating The Henson Case ‘understanding and appreciating Political Risk are devoted to national by David Marr politics and public policy making.’ and international case studies. As a Text Publishing, Melbourne, The result is a serious, academic former state public servant, Althaus 2008 book offering a literature review, a chooses strategic plans from six states $24.95, 149pp quantitative survey, and numerous for analysis. The choice is odd. As ISBN 9781921520037 case studies. Althaus herself notes, the state plans The literature review is heavy were largely marketing strategies going. Althaus reports on an arid intended to create a positive political n May 2008, the Roslyn Oxley9 debate between political sociologists brand for incoming premiers. The IGallery in the Sydney suburb of about what defines political risk. rhetoric about long-term planning Paddington sent out invitations for Much concern is expressed about rarely led to substantive policy an upcoming Bill Henson exhibition, the lack of clarity surrounding the change or shifts in funding. Most of featuring a nude photograph of a concept. At times, the prose slips all, the development plans did not thirteen-year-old girl. On Thursday into ponderous phrases such as entail any significant political risks. 22 May, a column by Miranda ‘risk explains, shapes, delineates There are more interesting issues Devine in the Sydney Morning Herald and defines society and vice-versa; that could have been tackled. Reform and Chris Smith’s afternoon talkback and we can only understand society is typically a high risk venture in show on radio station 2GB sparked if we understand risk.’ We are Australian politics. -
Womadelaide 1992 – 2016 Artists Listed by Year/Festival
WOMADELAIDE 1992 – 2016 ARTISTS LISTED BY YEAR/FESTIVAL 2016 47SOUL (Palestine/Syria/Jordan) Ainslie Wills (Australia) Ajak Kwai (Sudan/Australia) All Our Exes Live in Texas (Australia) Alpine (Australia) Alsarah & the Nubatones (Sudan/USA) Angelique Kidjo (Benin) & the Adelaide Symphony Orchestra (Australia) APY Choir (Australia) Asha Bhosle (India) Asian Dub Foundation (UK) Australian Dance Theatre “The Beginning of Nature” (Australia) Calexico (USA) Cedric Burnside Project (USA) DakhaBrakha (Ukraine) Datakae – Electrolounge (Australia) De La Soul (USA) Debashish Bhattacharya (India) Diego el Cigala (Spain) Djuki Mala (Australia) Edmar Castañeda Trio (Colombia/USA) Eska (UK) – one show with Adelaide [big] String Ester Rada (Ethiopia/Israel) Hazmat Modine (USA) Husky (Australia) Ibeyi (Cuba/France) John Grant (USA) Kev Carmody (Australia) Ladysmith Black Mambazo (South Africa) Mahsa & Marjan Vahdat (Iran) Marcellus Pittman - DJ (USA) Marlon Williams & the Yarra Benders (NZ/Australia) Miles Cleret - DJ (UK) Mojo Juju (Australia) Mortisville vs The Chief – Electrolounge (Australia) Mountain Mocha Kilimanjaro (Japan) NO ZU (Australia) Orange Blossom (France/Egypt) Osunlade - DJ (USA) Problems - Electrolounge (Australia) Quarter Street (Australia) Radical Son (Tonga/Australia) Ripley (Australia) Sadar Bahar - DJ (USA) Sampa the Great (Zambia/Australia) Sarah Blasko (Australia) Savina Yannatou & Primavera en Salonico (Greece) Seun Kuti & Egypt 80 (Nigeria) Songhoy Blues (Mali) Spiro (UK) St Germain (France) Surahn (Australia) Tek Tek Ensemble -
Abc Music Wins Three Awards at the 2020 Aria Awards Abc Music Lifetime Award Wins Now at 188
THURSDAY, NOVEMBER 26 FOR IMMEDIATE RELEASE ABC MUSIC WINS THREE AWARDS AT THE 2020 ARIA AWARDS ABC MUSIC LIFETIME AWARD WINS NOW AT 188 Following the 2020 ARIA Awards last night, ABC Music has collected three awards across the Best Children’s Album, Best World Music Album & Best Classical Album categories. The awards were won by Teeny Tiny Stevies ‘Thoughtful Songs for Little People’ (Best Children’s Album), Joseph Tawadros ‘Live at the Sydney Opera House’ (Best World Music Album) and Richard Tognetti & Erin Helyard ‘Beethoven & Mozart Violin Sonatas’ (Best Classical Album). Last night’s event saw Teeny Tiny Stevies win their first-ever ARIA Award. “We’ve been working musicians for so long now, this nod from the industry is definitely a proud moment. If I’m lucky I’ll get a few high fives from other parents at school drop off today,” said Byll Stephen, half of the sister duo. The night marked the fifth ARIA win for Tawadros and Tognetti. “It’s been a hard year for musicians everywhere - like me, most have had no live shows and it’s devastating. This recognition of my music is extra special, especially as it’s a live concert recording with a lively audience. I want to thank everyone who was involved in making it happen. It’s some much-needed light in a very challenging year,” said Joseph. On winning Best Classical Album with Richard Tognetti, Erin Helyard said, “Richard & I are old mates and are delighted to have won. We wanted to present a kind of history of the evolution of the eighteenth-century violin sonata, and the city of Vienna. -
ABC 2018 Programs
Welcome Contents For over 40 years, ABC Commercial has been Presales 4 responsible for bringing the ABC’s content, services and brands to the global marketplace. Over that time Latest Programs 5 the strength of the ABC brand has also allowed ABC Commercial to develop relationships with clients, Drama 13 broadcasters, content creators, and partners who trust Lifestyle and Entertainment 19 our credentials as a distributor of quality content. Factual 27 With a diverse catalogue of over 2000 hours of quality content that we distribute to more than 200 countries Comedy 45 worldwide, we look forward to working with you to Children’s 51 deliver great programs for your audience. Arts and Music 61 For more information read on and visit abccommercial.com/contentsales News and Current Affairs 67 Presales Street Vet For many homeless people their pet is more than a companion, it is their family member, their reason for living. Walking through the streets of Los Angeles, veterinarian Dr. Kwane Stewart recognised that despite their misfortunes, many homeless people sacrificed their own meal to feed their dog. Or refused the comforts of a bed and shelter if it meant parting ways with their pet. The series follows Dr. Kwane as he wanders the back streets and laneways of our major cities on a quest to offer medical help to these pets, from treating simple ailments, to emergencies that require dashing to a hospital for surgery. His encounters will surprise you and the stories will inspire you. Follow him on this epic journey to help those pets, and the people, who need it most. -
VULNERABILITY and the PASSING of CHILDHOOD in BILL HENSON: INNOCENCE in the AGE of MECHANICAL REPRODUCTION1 Joanne Faulkner
PARRHESIA NUMBER 11 • 2011 • 44-55 VULNERABILITY AND THE PASSING OF CHILDHOOD IN BILL HENSON: INNOCENCE IN THE AGE OF MECHANICAL REPRODUCTION1 Joanne Faulkner In May 2008 the Australian art community was delivered a shock when one of its luminaries, photographer Bill Henson, received popular attention for all the wrong reasons. The opening night of his exhibition at the Roslyn Oxley9 gallery, in Sydney’s cosmopolitan suburb of Paddington, was cancelled, and works seized by the NSW police force due to a complaint by child-protection activist, Hetty Johnson. The complaint was leveled particularly at the event’s invitation to friends of the gallery, which used an image of a naked adolescent girl. The exhibition had also received adverse coverage from Sydney Morning Herald columnist Miranda Devine, who wrote in the name of ‘innocent childhood’ that: The effort over many decades by various groups—artists, perverts, academics, libertarians, the media and advertising industries, respectable corporations and the porn industry—to smash taboos of previous generations and define down community standards, has successfully eroded the special protection once afforded childhood.2 Thus the boundaries of conflict were drawn: boundaries that echo similar controversies in the US and Britain, pitting the apparently competing concerns for the protection of children against the freedom of artistic expression.3 On one side, Henson was portrayed as an exploiter of children, and representative of a leisure class that flouts community morality. On the other, he was heralded as an artist of first merit, whose work is above the scrutiny of tabloid-reading philistines.4 The divided nature of the discussion meant that a middle ground was difficult to occupy.