DOCSLIB.ORG

May 13, 1988 R the HOUSING CONNECTION

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

K. I. T. COLHtTION REPORTEMay 13, 1988 R THE HOUSING CONNECTION Working daily to make a difference for you! Every day our professionally trained staff assists members of the RiT community with their housing needs. Searching for housing? Need a roommate? Have a room or apartment to rent? Let us heip! The Housing Connection Kate Gleason Hall 475-2575 A free service of the Department of Apartment Life and the Division of Student Affairs. May 13, 1988 CONTENTS Volume 64, Number 25 Reportage 6 Reproview 22 Departments Ri r engineering students participate Slam dancing to the Ramones. Letters 4 in annual all-terrain competition. Care-free, even childish attitude of an Zodiac 10 Two scholarships were presented to RIT up-coming two member group. Tkb Ads 28 for students in Computer Science and What's Happening SO Scoreboard 26 Business. Women's softhall team finishes by Cover Photo: RtPORFKR ends another RIl has reached original $85 million season and looks good. hosting double header. goal and strives for $15 million more. Track and field have just two weeks. Paul Burke, Rolling Stone illustrator, Men's tennis team closes season. shares experience for art students. Fourth-year Computer Science student want recognition. Features 16 & 19 Ken Huth displays his best work from past four years at RIT. RIT Spring-a-thon is a success in breaking the tension for students. Cover Story 13 Rkpori kr highlights a year in review REPROFILE Crowing up is an ongoing challenge in high school three significant events my emanators. Now 1 can have a beer and life It is a beautiful cherubic smile occurred which changed my life. shoot the bull with my dad. Even mom followed by a single blinding tear. Referring to the essays 1 had written on and.l can hang out in the kitchen and Growing up is pieppiered with victories; the final exam, my history teacher told curse the clouds away, and 1 don't have to losses, passion, hatred, courage, fear, joy, me that whatever I did, 1 shouldn't write worry about getting my mouth washed and sorrow. It's a time of lover's eyes, of About the same time I was struggling out with soap My parents have grown up hniken hearts, of castles made with sand, with Honors English. \jy teacher with me of shattered dreams. To me the state of informed me that I had better get out of Like most graduating seniors, 1 can't being grown up means being able to the honors class because 1 wouldn't make wait to walk away from the multitude of think for yourself; to make decisions it through Advanced Placement the bricks for the last time to kiss all the rules relevant to the time in your life In our following year. 1 finished out the course and infamous red tapie good-bye, to live lifetime we reach several plateaus of and took a class in journalism the without the grueling credit hours. reality and maturity. Within college we following year. By the end of my senior Simultaneously, a wave of melancholy achieve certain plateaus; academically, year 1 had half a dozen published articles engulfs me as 1 think of all the familiar socially, and personally. As we reach each and won the first journalism award at my faces 1 will never see again. Isn't it ironic plateau, we gain confidence in our high school. A quote which fits these that we work so hard to complete the abilities and have something to offer. circumstances is, "Have success and there journey of academia, only to feel a great The sum of all experiences is will always be fools to say you have no sense of loss in leaving it all behind? wisdom. We listen, read, write, think and talent," by Edward Pailleron. Everyone 1 have ever met and spoken learn. My father gave me some good I've come a long way since then. with has had an impact on me. A advice a long time ago: "Don't put in When 1 was younger, 1 thought that being collection of memories, ideas, values, words what you don't want the whole allowed to sit at the grown-ups table phrases, thoughts, and opinions make up world to know." I've never forgotten it. meant you were grown upi This involved my exfierience 1 will never stop growing Choose your words carefully. Think leaving behind food fights, length-of- before you speak. Impatience breeds tongue contests, excessive whining and insensitivity and carelessness. There is no kicking your little brother under the excuse for either when it comes down to table This signified that it was time to a person's feelings. move on. Over the years, my piarents have Mark Twain once stated, "Let us be had the strongest impact on me 1 have thankful for the fools. But for them the moved slowly away from the days of rest of us could not succeed." During defiance to a growing understanding of REPORTER MAGAZINE is published weekly during the academic year by students at Rochester Institute of Technology. One Lomb Memorial Drive. Rochester. New York 14623 Editorial and pro duction facilities are located m Room A 283 of the College Alumni Union, telephone 716 475 2212 Subscription *4 00 per quarter The opinions expressed in REPORTER do not necessarily reflect those of the Institute RIT does not generally review or approve of the contents of REPORTER and does not accept responsibility for matters contained in REPORTER • Letters must be sub mitted to the REPORTER office by 4 pm Monday Letters must be typed and double spaced Please limit letters to 250 words REPORTER reserves the right to edit for libel and clarity No letters will be printed unless signed and accompanied by a phone number REPORTER will withhold rMmes upon request. All letters received are property of REPORTER Magaiine. • REPORTER takes pride in its membership In the Associated Collegiate Press and American Civil Liberties Union. • © 1M8 REPORTER MAGAZINE All rights reserved No portion oTthis magazine may be reproduced without prior written permission from REPORTER. 3 REPORTER LETTERS Magazine Debate Applauded another. This is Stefa's last week at RIT. Though on Friday she may be finished It is interesting to note the backgrounds of teaching her students will not stop learning. EditorinChief G. Gordon Liddy and Dr. Timothy Leary, In each of their hearts an ember has been James A. Ferme who debated on the power of government sparked, and with time this ember can Managing Editor versus the freedom of the individual last become ablaze — an inferno that suppiorts Ellis J. Canal Tuesday evening at Ingle Auditorium. Mr. what is wonderful in all human beings. With Executive Editor Liddy is the product of the military- her fire, Stefa has warmed all her students. industrial complex, while Dr. Leary is the No amount of thanks can equal this gift But Kris Argento result of an academically idealistic era — an like the song offered in the mov ie To Sir With Senior Editor era when society wasn't as career-oriented as Love, this letter is offered as an attempt Stefa, Nils Morgan today — and both are members of a thank you for everything from the "spiders," Copy Editor different generation than the students who to the after-class discussions, to the Marco Abundo attended. Each presented diametrically oppiortunity to perform. From the laughter, Mews Editors opf>osed viewpioints of American society — to the sweat. From the teaching of rotation Kris Loomis governmentally and individually — from a to the teaching of respiect But most of all for Manuel Rivera different historical pierspective than we have the teaching of love News Writers as students in the late 1980s. As students, we Dancers of RTF David Martin Claudia Lastella should not just absorb the opinions of these Bill Norton Patrick Deupree gentlemen, let them do our thinking for us, We Did! Heather Ann Ricker Cosmo Tedone or worse, pass off their opinions without a Feature Writers ihoughL but evaluate these opinions using 1 am writing to correct you on a remark Joe Marini our own backgrounds and pierspectives in repiorted in the Rf.P()RI"ER article "Leary Mark Tiffany an honest, f>ersonal way. Although both and Liddy Philosophize in Ingle" which was speakers are the quintessential eloquent Entertainment Editor printed in the May 6 issue This article states statesmen of each viewpoint, we are the Lou Masella that '...Mr. Liddy wore a conservative brown future of America, and the future begins suit which a student later criticized him Entertainment Writer now. As we mature into full participatory about..." 1 am that student and 1 did not Doug Jerum involvement in American democratic criticize him on his outfit at all; he just Sports Editor society, we must begin to develop the brushed off my question by saying that if 1 Chris Martin personal viewpoints and political didn't like the suiL he could go change it I philosophies which will represent us during Sports Writers was trying although pioorly done, to state our lifetime In a career-oriented institution Jeff Gibb that Mr. Liddy and Dr. Leary were just too Greg House such as RIT, where most students are opposite for their supposed hatred to be John Loiars exposed to a more technical, rather than authentic 1 was also stating that they were liberal, education, these points often go Photo Editor made up to be too opposite and that 1 felt unnoticed in day-to-day life It is now time Bruce Strong this "Great Debate" was a big farce My for us to learn our role and to begin to play Chief Photographer question was two-fold and it went like this: our part in American history.
Recommended publications
  • Ramones 2002.Pdf

    Ramones 2002.Pdf

    PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri­ fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re­ earth: The airwaves were ruled by crotchety old di­ corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con­ The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen­ Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world.
  • I Hope You're Available to Swing by the Newseum This Evening As the National Park Trust Honors Senator Martin Heinrich (June 13Th at 6:30 PM)

    I Hope You're Available to Swing by the Newseum This Evening As the National Park Trust Honors Senator Martin Heinrich (June 13Th at 6:30 PM)

    Message From: Knauss, Chuck [[email protected]] Sent: 6/13/2018 4:40:24 PM To: Wehrum, Bill [/o=Exchangelabs/ou=Exchange Administrative Group (FYDI BO HF 23SPDL T)/cn=Recip ients/en =33d96a e800cf43a391 ld94a 7130b6c41-Weh rum, Wil] Subject: Invitation for tonight -- yes I know it's late ... Attachments: 2018 Bruce F Vento Public Service Award lnvitation.s-c-c-c-c.pdf Bill: Please come tonight and share with others that might be interested. ! I hope you're available to swing by the Newseum this evening as the National Park Trust honors Senator Martin Heinrich (June 13th at 6:30 PM). As you know, I'm on the NPT board and our mission is very important to me - protecting high priority lands for the National Park Service and creating future park stewards, with a special emphasis on children from under-served communities. Each year we host the Bruce F. Vento Public Service Award event to honor an outstanding elected official and conservationist and celebrate NPT's accomplishments. The invitation is below and attached. The short program will give you a chance to hear about the important and effective projects we have underway and the highlight of the evening is hearing directly from some over the under-served children in our programs. The event includes a reception with the 30-minute formal program starting at 7:00 PM. Best regards, Chuck Sierra Club v. EPA 18cv3472 NDCA Tier 1 ED_002061_00180418-00001 Sierra Club v. EPA 18cv3472 NDCA Tier 1 ED_002061_00180418-00002 Sierra Club v. EPA 18cv3472 NDCA Tier 1 ED_002061_00180418-00003 Bruce E Vento Public Service Award Recipients JOHL C'Jn<Jrntt'Nnm:m Sett; McCdkm, Minntrna 2th Ss>ndM fbb h)r!nvm.
  • Architecture As Social Reform In

    Architecture As Social Reform In

    FEMINIST APPLEPIEVILLE: ARCHITECTURE AS SOCIAL REFORM IN CHARLOTTE PERKINS GILMAN’S FICTION _______________________________________________________________ A thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia __________________________________________________ In Partial Fulfillment Of the Requirements for the Degree Master of Arts __________________________________ by MARY McPHERSON DAVIS Dr. Nancy West, Thesis Advisor MAY 2007 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled FEMINIST APPLEPIEVILLE: ARCHITECTURE AS SOCIAL REFORM IN CHARLOTTE PERKINS GILMANS FICTION Presented by Mary Davis, A candidate for the degree of Master of English Literature, And hereby certify that, in their opinion, it is worthy of acceptance. ______________________________ Nancy West ______________________________ Patricia Okker ______________________________ Keith Eggner Thanks to Mum, Deanna, Jessie, Stu and Bill for all your encouragement and kindness. ACKNOWLEDGMENTS A great thanks to my advisor, Nancy West, who was ever so helpful, inspiring, patient, and stern, when necessary. Also, I am very grateful to my other committee members, Pat Okker and Keith Eggener. I am beholden to my mother, Polly Aird, and to Bill Kerwin who read and reread for me. - ii - TABLE OF CONTENTS ACKNOWLEDGEMENTS……………………………………………………………….ii LIST OF ILLUSTRATIONS……………………………………………………………..iv INTRODUCTION………………………………………………………………………...1 Section 1 1. GILMAN’S BIOGRAPHY AND MOTIVATIONS FOR WORLD IMPROVEMENT……………………………………………………………3
  • The Long History of Indigenous Rock, Metal, and Punk

    The Long History of Indigenous Rock, Metal, and Punk

    UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories.
  • Chapter 11), Making the Events That Occur Within the Time and Space Of

    Chapter 11), Making the Events That Occur Within the Time and Space Of

    CHAPTER I INTRODUCTION: IN PRAISE OF BABBITTRY. SORT OF. SPATIAL PRACTICES IN SUBURBIA Kenneth Jackson’s Crabgrass Frontiers, one of the key histories of American suburbia, marshals a fascinating array of evidence from sociology, geography, real estate literature, union membership profiles, the popular press and census information to represent the American suburbs in terms of population density, home-ownership, and residential status. But even as it notes that “nothing over the years has succeeded in gluing this automobile-oriented civilization into any kind of cohesion – save that of individual routine,” Jackson’s comprehensive history under-analyzes one of its four key suburban traits – the journey-to-work.1 It is difficult to account for the paucity of engagements with suburban transportation and everyday experiences like commuting, even in excellent histories like Jackson’s. In 2005, the average American spent slightly more than twenty-five minutes per day commuting, a time investment that, over the course of a year, translates to more time commuting than he or she will likely spend on vacation.2 Highway-dependent suburban sprawl perpetually moves farther across the map in search of cheap available land, often moving away from both traditional central 1 In the introduction, Jackson describes journey-to-work’s place in suburbia with average travel time and distance in opposition to South America (home of siestas) and Europe, asserting that “an easier connection between work and residence is more valued and achieved in other cultures” (10). 2 One 2003 news report calculates the commuting-to-vacation ratio at 5-to-4: “Americans spend more than 100 hours commuting to work each year, according to American Community Survey (ACS) data released today by the U.S.
  • Die Ramones Als Helden Der Pop-Kultur

    Die Ramones Als Helden Der Pop-Kultur

    Nutzungshinweis: Es ist erlaubt, dieses Dokument zu drucken und aus diesem Dokument zu zitieren. Wenn Sie aus diesem Dokument zitieren, machen Sie bitte vollständige Angaben zur Quelle (Name des Autors, Titel des Beitrags und Internet-Adresse). Jede weitere Verwendung dieses Dokuments bedarf der vorherigen schriftlichen Genehmigung des Autors. Quelle: http://www.mythos-magazin.de CHRISTIAN BÖHM Die Ramones als Helden der Pop-Kultur Inhalt 1. Einleitung 2. Punk und Pop 2.1 Punk und Punk Rock: Begriffsklärung und Geschichte 2.1.1 Musik und Themen 2.1.2 Kleidung 2.1.3 Selbstverständnis und Motivation 2.1.4 Regionale Besonderheiten 2.1.5 Punk heute 2.2 Exkurs: Pop-Musik und Pop-Kultur 2.3 Rekurs: Punk als Pop 3. Mythen, Helden und das Star-System 3.1 Der traditionelle Mythos- und Helden-Begriff 3.2 Der moderne Helden- bzw. Star-Begriff innerhalb des Star-Systems 4. Die Ramones 4.1 Einführung in das ‚ Wesen ’ Ramones 4.1.1 Kurze Biographie der Ramones 4.1.2 Musikalische Charakteristika 4.2 Analysen und Interpretationen 4.2.1 Analyse von Presseartikeln und Literatur 4.2.1.1 Zur Ästhetik der Ramones 4.2.1.1.1 Die Ramones als ‚ Familie ’ 4.2.1.1.2 Das Band-Logo 4.2.1.1.3 Minimalismus 4.2.1.2 Amerikanischer vs. britischer Punk: Vergleich von Ramones und Sex Pistols 4.2.1.3 Die Ramones als Helden 4.2.1.4 Eine typisch amerikanische Band? 4.2.2 Analyse von Ramones-Songtexten 4.2.2.1 Blitzkrieg Bop 4.2.2.2 Sheena Is A Punk Rocker 4.2.2.3 Häufig vorkommende Motive und Thematiken in Texten der Ramones 4.2.2.3.1 Individualismus 4.2.2.3.2 Motive aus dem Psychiatrie- Comic- und Horror-Kontext 4.2.2.3.3 Das Deutsche als Klischee 4.2.2.3.4 Spaß / Humor 4.3 Der Film Rock’n’Roll High School 4.3.1 Kurze Inhaltsangabe des Films 4.3.2 Analyse und Interpretation des Films 4.3.2.1 Die Protagonistin: Riff Randell [...] Is A Punk Rocker 4.3.2.2 Die Antagonistin: Ms.
  • The Daily Egyptian, November 07, 1997

    The Daily Egyptian, November 07, 1997

    Southern Illinois University Carbondale OpenSIUC November 1997 Daily Egyptian 1997 11-7-1997 The Daily Egyptian, November 07, 1997 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_November1997 Volume 83, Issue 52 This Article is brought to you for free and open access by the Daily Egyptian 1997 at OpenSIUC. It has been accepted for inclusion in November 1997 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Weekender:-·· Art show: The DE's weekly Weekender U~~:c~g(adtiate ar(; entertainment section s~o-~]:asid at 10th-· can now be found :. :: . inside the paper. f>al!t:5 6-11 _..Bf, l'A• N -----•· Southern· llliriois': University'. ~t Carbondale Vol. 83, No. 52, 16 pages http://~.dailyegyptian.com DEEF THOUGHT: Chess dub founder Greg Homrighous (left), a junior in biology from Mt. Vernon, engages the_ club's President Doniel P. Venske, a senior in management inFor- motion systems from Forest Pork, in a game of chess during the fil'$t Dive~ity Fair: DlVIHMam/ U,;ly Ei.11'tian TO.GET . DIVERSITY- • f AIR BRINGS' 0 - .... STUDENTS FROM ACROSS ·cuLT"URES BUILDING BRIDGES: What once ~tarted as a class project has grown to an event featuring 15 RSOs. TRACYTAYi.oe DAILY EaYrnAN RE!'ORTER NEWS TODAY. Fridays, 6 la 8 p.m., Cofo lklongo. Service and O.ildren's Church :; -:00~ Shinsulat at A57·688~. , Service, ~undays, 1:30 p.m., w~ Ci~cndar C • llbrary Alfa-, "lnfroduct~ lo ~ 1,ation. Conloct lorry ot 549• ----- Comlruding Pages (HTMW UPCOMING 26 .: :ieminor, NovcmbcrWoo 7, 10 a.m.
  • March 23, 2017

    March 23, 2017

    March 23, 2017 Volume 96 Number 26 THE DUQUESNE DUKE www.duqsm.com PROUDLY SERVING OUR CAMPUS SINCE 1925 SGA elect Irish for some warm weather Grads arrested achieve for alleged record assault rates Hallie Lauer layout editor In the past year, Duquesne’s six-year graduation rate has gone up five percent from 72 to 77 percent, which is the highest rate ever recorded by the Office of International Research and Planning. The rates are tracked in four, five, six and eight year rates, but six years is the standard for comparison and reporting for all four-year degree granting col- leges or universities. According to the Office of Institutional Re- search and Planning, it is a fed- eral requirement for institutions to keep track of their graduation rates if they want to be eligible for Title IV financial aid. Photo obtained from social media These numbers mean that of the Stalker, the incoming SGA executive freshman who started at Duquesne Vice President of Student Life, was ar- Leah Devorak/Photo Editor rested March 11. He faces charges of Snow falls outside the window of an East Carson Street bar last Friday on St. Patrick’s Day as revelers sought cover indoors. see GRAD — page 3 robbery, assault and escaping custody. Brandon Addeo and Raymond Arke Akinci set to become new DU health school dean the duquesne duke Raymond Arke professor in their Graduate Health- Current Student Government As- asst. news editor care Administration program. He has sociation President James Daher taught there since 2012. said it is “not under [his] authority” A professional with interna- Before his work at King’s Col- to prevent the swearing-in of incom- tional experience will take over lege, Akinci taught at Zirve Uni- ing SGA Executive Vice President of as dean of Duquesne students in versity in Turkey.
  • BW-July-WEB.Pdf

    BW-July-WEB.Pdf

    FRIDAY JULY 6TH SATURDAY JULY 7TH THURSDAY JULY 12TH FRIDAY JULY 13TH SATURDAY JULY 14TH FRIDAY JULY 20TH SATURDAY JULY 21ST SUNDAY JULY 22ND FRIDAY JULY 27TH SATURDAY JULY 28TH THURS. AUGUST 2ND FRIDAY AUGUST 3RD THURS. AUGUST 9TH FRIDAY AUGUST 10TH SATURDAY AUGUST 11TH ...AND MUCH MORE: 8.16 - FLATLAND CAVALRY | 8.17 - MAGIC MIKE XXL | 8.18 - ORGY “bRING YOUR ARMY TOUR” w/ MOTOGRATER | 8.19 - LIL DEBBIE W/ WHITNEY PEYTON 8.21 - THE NIGHT OWLS | 8.22 - THE MYSTERY COLLECTION PRESENTS - PAUL NOFFSINGER: UNREAL | 9.14 - MY FAVORITE BANDS | 9.21 - BLOCK PARTY BandWagMag BandWagMag BandWagMag 802 9th St. album reviews Greeley, CO 80631 I AM THE OWL PG. 5 BANDWAGMAG.COM MODERN LEISURE PG. 6 www.BandWagMag.com HEAVY BEAUTY PG. 7 PUBLISHER ELY CORLISS EDITOR-IN-CHIEF JED MURPHY MANAGING EDITOR KEVIN JOHNSTON ART DIRECTOR JACK “JACK” JORDAN PHOTOGRAPHY DYNOHUNTER LIVING LEGENDS PG. 10-11 PG. 14-15 TALIA LEZAMA CONTRIBUTORS KYLE EUSTICE CAITLYN WILLIAMS JAY WALLACE MICHAEL OLIVIER THE COLORADO SoUND’S TOP PICKS PG 8 Advertising Information: [email protected] Any other inquires: [email protected] BandWagon Magazine PG. 18-19 © 2018 The Crew Presents Inc. THIEVERY CORPORATION 3 | BANDWAGON MAGAZINE BANDWAGON MAGAZINE | 4 I Am The Owl A PLACE WHERE A Mission to Civilize: Part II YOU CAN TRUST YOURSELF Michael Olivier and Kyle Krueckeberg’s vocals BandWagon Magazine to tear through in a new way that’s sure to get you pumped. I find myself coming back to the fourth track on the album, BE “You Haven’t Fooled Me.” The REMARKABLE middle of the tune features a massive, almost progressive rock instrumental section that plays heavily with dynamics, shifting drum grooves, and mul- tiple tasty guitar licks for those local ear-candy seekers.
  • Trajetórias De Vida Em Perspectiva Histórica: Joey Ramone E Marky Ramone Life Trajectories in Historical Perspective: Joey Ramone and Marky Ramone

    Trajetórias De Vida Em Perspectiva Histórica: Joey Ramone E Marky Ramone Life Trajectories in Historical Perspective: Joey Ramone and Marky Ramone

    http//dx.doi.org/10.15448/21778-3748.2019.1.32926 Trajetórias de vida em perspectiva histórica: Joey Ramone e Marky Ramone Life trajectories in historical perspective: Joey Ramone and Marky Ramone Fernando Mendes Coelho1 Resumo: este artigo tem como objetivo discutir alguns elementos que marcaram a geração de jovens norte-ame- ricanos dos anos 1960 e do início dos anos 1970, a qual, após o final da Segunda Guerra Mundial, experimentou um período de insatisfação política e social, que levou a inúmeras contestações frente aos comportamentos conservadores estabelecidos até então. Desta forma procuraremos, a partir da análise de alguns trechos de obras autobiográfica e biográfica dos músicos Marky Ramone e Joey Ramone, identificar como os jovens, an- tes de se tornarem astros do rock mundial, enfrentavam os dilemas políticos e culturais dos Estados Unidos, como a repulsa à Guerra do Vietnã, os atritos com a geração dos seus pais e a negação ao movimento hippie. Discutiremos que o surgimento da contracultura apresentou diversas vertentes e, que em contradição aos que apenas queriam paz e amor, havia nos subúrbios urbanos algo mais agressivo, que veio posteriormente a se estruturar como o movimento punk. Todos esses elementos perpassam as incertezas dos anos de juventude dos nossos personagens, que são o centro do objeto da pesquisa, e com a utilização de análises biográficas como fontes de pesquisa histórica, procuraremos explorar as possibilidades metodológicas deste campo teórico para consolidar a argumentação desta pesquisa. Palavras-chave: Contracultura. Punk rock. Juventude. Estados Unidos. Abstract: this article aims to discuss some elements that marked the generation of American youth of the 1960s and early 1970s, which, after the end of World War II, experienced a period of political and social discontent that led to numerous conservative behaviors ​​established so far.
  • CONGRESSIONAL RECORD— Extensions of Remarks E657 HON

    CONGRESSIONAL RECORD— Extensions of Remarks E657 HON

    April 26, 2001 CONGRESSIONAL RECORD — Extensions of Remarks E657 hundreds of unsung heroes from the Cerro eral. Her actions led to my introducing legisla- Melnick, who was the tour manager, feared Grande fire, and Ms. Musgrave is one of tion in the House of Representatives, H.R. there might be trouble. Instead, the woman them. 1095, intended to make claims of the fire tax- smiled at him indulgently. As Mr. Melnick, The intense Cerro Grande fire forced local 51, recalled, ‘‘She said, ‘It’s really nice, you free. taking care of these retarded boys.’’’ residents to evacuate and essentially closed The Chamber has also contacted me on Joey Ramone, the gawky, geeky, lovable- down Los Alamos for eight days. When resi- issues that are not fire-related. I am proud to loser singer of the Ramones, died last Sun- dents were allowed to return on May 15, they serve as a member of the Small Business day of lymphatic cancer, never to be under- found the fire had left more than 420 people Committee and, as a result, work on matters estimated again. His real name was Jeffrey homeless and destroyed a number of local vital to the Chamber. For example, we have Hyman; he was 49. businesses. To help the town get back on its worked together on daycare issues facing em- As the music world celebrates the 25th an- feet, the Chamber took the lead in coordi- ployees of the Los Alamos National Labora- niversary of punk, the band’s imprint—its nating relief and rebuilding efforts. tory and other equally important items.
  • Alec Wilder Archive

    Alec Wilder Archive

    ALEC WILDER ARCHIVE RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER A revision of the original finding aid, prepared by Colleen V. Fernandez Fall 2017 1 Marian McPartland and Alec Wilder outside Louis Ouzer’s Gibbs Street studio (1970s). Photograph by Louis Ouzer, from Marian McPartland Collection, Box 32, Folder 11, Sleeve 6. Alec Wilder in Duke University band room (undated). Photograph by Louis Ouzer, from Alec Wilder Archive, Series 7 (Photographs), Box 1, Sleeve 11. 2 TABLE OF CONTENTS Description of the Collection . 5 Description of Series . 8 INVENTORY Series 1: Music Manuscripts (MS) . 10 Sub-series 1: Large instrumental ensemble Sub-series 2: Vocal or instrumental solo with large ensemble Sub-series 3: Instrumental solos, with or without accompaniment Sub-series 4: Chamber music Sub-series 5: Vocal chamber--voice(s) as part of chamber ensemble Sub-series 6: Keyboard--two or more hands Sub-series 7: Vocal solo Sub-series 8: Vocal soloist ensemble with or without accompaniment Sub-series 9: Choral with or without soloists and accompaniment Sub-series 10: Stage works Sub-series 11: Films Scores Sub-series 12: Commercial music Sub-series 13: Sketches Series 2: Printed Music . 88 Series 3: Recordings . 95 Sub-series 1: Reel-to-reel Sub-series 2: NPR recordings Sub-series 3: Discs Sub-series 4: Cassettes Sub-series 5: Videos Sub-series 6: CD's Series 4: Correspondence . 137 Series 5: Personal Papers . 181 Sub-series 1: Poetry Sub-series 2: Prose Series 6: Ephemera . 233 Sub-series 1: Biographical material 3 Sub-series 2: Programs (performances of Wilder's works) Sub-series 3: Listserv documents Sub-series 4: Ancillary materials of various kinds Sub-series 5: Artifacts relating to Wilder’s life Series 7: Photographs .