Tehran Symphony Orchestra Performs at Vahdat Hall
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Le Vie Dell'amicizia: Ravenna-Kiev Riccardo Muti John Malkovich
Le vie dell’Amicizia: Ravenna-Kiev direttore Riccardo Muti voce recitante John Malkovich Si vive meglio in un territorio che incoraggia 2018 i Sogni. Ravenna-Kiev Le vie dell’Amicizia ©2016 direttore Riccardo Muti voce recitante John Malkovich DAL 1992, UN IMPEGNO FORTE PER LA CRESCITA SOCIALE DEL MONDO GIOVANILE. La Fondazione Cassa di Risparmio di Ravenna ha sempre rivolto grande attenzione all’universo giovanile, contribuendo alla trasmissione di valori e motivazioni. I progetti sostenuti in questi anni hanno svolto un ruolo importante per la crescita dei processi educativi, dell’istruzione, della pratica sportiva e per l’acquisizione di strutture e dotazioni all’avanguardia al servizio del Polo ravennate dell’Ateneo bolognese. Da anni, la Fondazione opera inoltre per la valorizzazione dell’autonomia scolastica e, grazie al suo contributo, un numero ingente di plessi scolastici dell’intero territorio provinciale ha già rinnovato laboratori, luoghi di lettura e di studio, modalità di insegnamento. La Fondazione contribuisce a rispondere con un segnale forte di speranza e di fiducia alle aspettative sociali della comunità, per l’avvenire nostro e dei nostri figli. Palazzo Mauro de André DA SEMPRE A FIANCO DEL RAVENNA FESTIVAL. 3 luglio, ore 21 www.fondazionecassaravenna.it ringrazia Sotto l’Alto Patronato del Presidente della Repubblica Italiana con il patrocinio di Associazione Amici di Ravenna Festival Presidenza del Consiglio dei Ministri Ministero dei Beni e delle Attività Culturali e del Turismo Apt Servizi Emilia Romagna Ministero -
Women Musicians and Dancers in Post-Revolution Iran
Negotiating a Position: Women Musicians and Dancers in Post-Revolution Iran Parmis Mozafari Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Music January 2011 The candidate confIrms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2011 The University of Leeds Parmis Mozafari Acknowledgment I would like to express my gratitude to ORSAS scholarship committee and the University of Leeds Tetly and Lupton funding committee for offering the financial support that enabled me to do this research. I would also like to thank my supervisors Professor Kevin Dawe and Dr Sita Popat for their constructive suggestions and patience. Abstract This research examines the changes in conditions of music and dance after the 1979 revolution in Iran. My focus is the restrictions imposed on women instrumentalists, dancers and singers and the ways that have confronted them. I study the social, religious, and political factors that cause restrictive attitudes towards female performers. I pay particular attention to changes in some specific musical genres and the attitudes of the government officials towards them in pre and post-revolution Iran. I have tried to demonstrate the emotional and professional effects of post-revolution boundaries on female musicians and dancers. Chapter one of this thesis is a historical overview of the position of female performers in pre-modern and contemporary Iran. -
Ghazaleh Mohammadi Honored at Japanese Environment Painting
Prayer Times Noon:11:56 Evening: 17:33 Dawn: 4:11 (tomorrow) Sunrise: 7:03 (tomorrow) DECEMBER 9, 2019 ART&CULTURE I N T E R N A T I O N A L D A I L Y www.tehrantimes.com Managing Director: Mohammad Shojaeian Editor-in-Chief: Mohammad Ghaderi Ghazaleh Mohammadi honored at Editorial Dept.: Fax: (+98 21) 88808214 — 88808895 [email protected] Switchboard Operator: Tel: (+98 21) 43051000 Advertisements Dept.: Telefax: (+98 21) 43051450 Public Relations Office: Tel: (+98 21) 88805807 Japanese environment painting contest Subscription & Distribution Dept.: Tel: (+98 21) 43051603 www.eshterak.ir Distributor: Padideh Novin Co. ARTTEHRAN — Ghazaleh Tel: 88911433 deskMohammadi, a member Webmaster: [email protected] of Iran’s Institute for Intellectual Printed at: Jame Jam Bartar Borna - 44197737 Development of Children and Young Adults (IIDCYA), on Saturday received her prize Tehrantimes79 Tehrantimesdaily previously won at the 10th Kao International Environment Painting Contest for Children No. 18, Bimeh Alley, Nejatollahi St., Tehran, Iran in Tokyo. P.o. Box: 14155-4843 Zip Code: 1599814713 Clad in local costume, Mohammadi who lives in the northwestern Iranian town of Maku, got the prize from Kao President Michitaka Sawada, the IIDCYA announced in a press release on Sunday. Another IIDCYA member, Baran Karami, who has won a Kao Prize, could not attend the awards ceremony of the painting contest. Tohid Sangvini, Janan Abedzadeh and Mohammad-Amin Asghari, all from Iran, were presented with Eco Friend Prizes at GUIDE TO the competition. Parsa Ildarabadi from SPIRITUAL AWAKENING Iran was honored with a special jury prize. Over 450 paintings by Iranian children were submitted to the contest, which was Faith is a white spot in the heart, and the stronger held on the theme of “Together, We Are that faith, the largest that spot is. -
Untitled Work from the Lit Shadow Series, Mohammad-Hossein Emad (B
F T O E C H U R S A N I Iranian contemporary art has been The modern movements of Iranian art began considered the powerhouse of Middle during the 1940s; at the time of increased N Eastern art, and one of the most unique relations and contact with the West and right forces within the global art scene. In after the death of Iran’s master painter Kamal- T making modern Iran, art has played a ol-Molk (1852 – 1940) that symbolically ended R fundamental role to break the rules of the rigid adherence to academic painting. For conventions, to crack open cemented the first time Iranian artists and intellectuals O opinions and has challenged and looked began to openly question authority and push D at the world and its own society with a boundaries, and this resulted in the creation critical eye. Iran’s modern history is of a group of artists dedicated to creating a U full of segmented episodes of artistic uniquely Iranian and modern idiom. As artistic C inquisitions for creating a native, yet a expectations gradually evolved, teaching modern artistic language. establishments began to also transform; T shifting their teaching methodologies from I what were long traditionally practiced and began to encourage innovation instead of O copying. N The three decades before the 1979 revolution saw the opening of Iran’s first galleries and Iranian artists becoming active in the international art scene by participating in solo and group exhibitions and art fairs around the world. Iran also gradually became the cultural hub of the region, regularly holding events and festivals and attracting the most well-known and most influential artists, collectors and art patrons of the world. -
Ravenna-Tehran Conductor Riccardo Muti Giovedì 6 Luglio Tehran - Vahdat Hall Sabato 8 Luglio Ravenna - Palazzo Mauro De André
THE ROADS OF FRIENDSHIP: RAVENNA-TEHRAN conductor RICCARDO MUTI GIOVEDÌ 6 LUGLIO TEHRAN - VAHDAT HALL SABATO 8 LUGLIO RAVENNA - PALAZZO MAURO DE ANDRÉ Istituto Culturale dell’Ambasciata della Repubblica Islamica dell’Iran - Roma Farnesina Ministero degli Affari Esteri e della Cooperazione Internazionale HORMOZ VASFI Ambasciata d’Italia Ambasciata della Repubblica a Tehran Islamica dell’Iran in Italia con il contributo di Si vive meglio in un territorio che incoraggia 2017 i Sogni. Ravenna-Tehran Le vie dell’Amicizia ©2016 direttore Riccardo Muti DAL 1992, UN IMPEGNO FORTE PER LA CRESCITA SOCIALE DEL MONDO GIOVANILE. La Fondazione Cassa di Risparmio di Ravenna ha sempre rivolto grande attenzione all’universo giovanile, contribuendo alla trasmissione di valori e motivazioni. I progetti sostenuti in questi anni hanno svolto un ruolo importante per la crescita dei processi educativi, dell’istruzione, della pratica sportiva e per l’acquisizione di strutture e dotazioni all’avanguardia al servizio del Polo ravennate dell’Ateneo bolognese. Da anni, la Fondazione opera inoltre per la valorizzazione dell’autonomia scolastica e, grazie al suo contributo, un numero ingente di plessi scolastici dell’intero territorio provinciale ha già rinnovato laboratori, luoghi di lettura e di studio, modalità di insegnamento. La Fondazione contribuisce a rispondere con un segnale forte di speranza e di fiducia alle aspettative sociali della comunità, per l’avvenire nostro e dei nostri figli. Palazzo Mauro de André DA SEMPRE A FIANCO DEL RAVENNA FESTIVAL. 8 luglio, -
The Art of State Persuasion: Iran's Post-Revolutionary
Persica 22, 1-13. doi: 10.2143/PERS.22.0.2034398 © 2008 by Persica. All rights reserved. THE ART OF STATE PERSUASION: IRAN’S POST-REVOLUTIONARY MURALS H.E. Chehabi & Fotini Christia Largely ignored by Western visitors for almost three decades, Tehran is the puzzling capital of an increasingly powerful and defi ant Iran. Vast and densely populated, this Middle Eastern megalopolis makes for a rich urban topography, its mystique amplifi ed by a shroud of chronic smog.1 Though landscape stimulants competing for the visitor’s atten- tion abound — be they fl ashy billboards, colorful posters, or catchy advertisements —, none are more gripping for the foreign visitor than the city’s murals.2 Cast across Tehran’s prominent avenues, on both private and public buildings, the murals constitute dominant fi xtures of the city’s visual space. Varying in color, genre, and symbolism, they are of distinctive artistic style, painted and brought to life by regime-sanctioned artists. Though Iran’s propaganda culture has been a subject of academic inquiry,3 mural images per se had not been systematically presented to Western audiences until the spring of 2007. At a time when Iran was making daily headlines, the murals’ number and size, as well as their powerful iconography and aesthetics, inspired a photo exhibit entitled “Walls of Martyrdom”: Tehran’s Propaganda Murals, displayed from May to July 2007 at Harvard’s Center for Government and International Studies South Concourse Gallery.4 The exhibit employed mixed visual media such as a fi fteen meter-long cityscape design, 1 For a relatively recent study of Tehran see Ali Madanipour, Tehran: The Making of a Metropolis. -
Traditional Iranian Music in Irangeles: an Ethnographic Study in Southern California
Traditional Iranian Music in Irangeles: An Ethnographic Study in Southern California Item Type text; Electronic Thesis Authors Yaghoubi, Isra Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 05:58:20 Link to Item http://hdl.handle.net/10150/305864 TRADITIONAL IRANIAN MUSIC IN IRANGELES: AN ETHNOGRAPHIC STUDY IN SOUTHERN CALIFORNIA by Isra Yaghoubi ____________________________ Copyright © Isra Yaghoubi 2013 A Thesis Submitted to the Faculty of the SCHOOL OF MIDDLE EAST AND NORTH AFRICAN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2013 2 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: Isra Yaghoubi APPROVAL BY THESIS DIRECTOR This thesis has been approved -
The Evolution of Opera Theatre in the Middle East and North Africa
The Evolution of Opera Theatre in the Middle East and North Africa The Evolution of Opera Theatre in the Middle East and North Africa By Paolo Petrocelli The Evolution of Opera Theatre in the Middle East and North Africa By Paolo Petrocelli This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Paolo Petrocelli All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-3800-1 ISBN (13): 978-1-5275-3800-9 This book is dedicated to my parents, Maria Franca and Pier Luigi my brothers, Carlo and Enrico and Carolina CONTENTS List of Illustrations ..................................................................................... xi List of Tables ............................................................................................. xii Acknowledgements .................................................................................. xiii Summary .................................................................................................. xiv Chapter One ................................................................................................. 1 Introduction Chapter Two ............................................................................................... -
2019 MARCH 40Th Season
2019 MARCH 40TH SEASON NOWRUZ: PERSIAN NEW YEAR SPECIAL CONCERT Carl St.Clair, conductor Dvořák CARNIVAL OVERTURE Shahrdad Rouhani, conductor and piano Homayoun Shajarian, vocalist Khachaturian “SABRE DANCE” FROM GAYANE Tahmoures Pournazeri, tanbour Rohani DANCE OF SPRING Sohrab Pournazeri, kamancheh and tanbour Shahrdad Rouhani Navid Kandelousi, violin Rohani FREEDOM Shahrdad Rouhani Rohani PERSIAN GARDEN FOR VIOLIN AND ORCHESTRA Navid Kandelousi Rohani BEAUTY OF LOVE Shahrdad Rouhani Rohani MEDLEY IN ISFAHAN SCALE Shahrdad Rouhani Intermission THE MUSIC OF HOMAYOUN SHAJARIAN, TAHMOURES POURNAZERI, AND SOHRAB POURNAZERI This concert is genorously sponsored by Anoosheh and Alan Oskouian, with generous additional support from members of Pacific Symphony’s Cyrus Society. Sunday, March 24, 2019 @ 7 p.m. This concert’s special cultural sponsor is the Segerstrom Center for the Arts Farhang Foundation. Renée and Henry Segerstrom Concert Hall OFFICIAL HOTEL OFFICIAL TV STATION OFFICIAL MUSIC STATION CULTURAL SPONSOR PacificSymphony.org 40TH SEASON | MARCH 2019 25 PROGRAM NOTES should have been far more influential in they are often viewed as two pawns the development of American classical stranded on the Kremlin’s deadly cultural Antonin Dvořák: music than it turned out to be. chessboard. But there was a third pawn For the Prague premiere of the in the game: Aram Khachaturian, whose Carnival Overture overture—a concert that turned out to popular and exuberant “Sabre Dance” is his be a kind of farewell performance for most often-heard composition. Observed at the the departing Dvořák—he wrote his own Composed as part of a serious four- astronomical moment program notes. Regarding the “Carnival act ballet, the gleeful “Sabre Dance” marking the onset of Overture,” he commented that it was became one of those excerpts that springtime, Nowruz intended to evoke “a lonely, contemplative popped up seemingly everywhere. -
W I N T E R 2 0
Published by the American Recorder Society, Vol. LIII, No. 5 • www.americanrecorder.org winter 2012 SOPRANINO TO SUBBA SS A WELL-TUNED CON S ORT www.moeck.com Anzeige_Orgel_A4.indd 1 11.11.2008 19:21:44 Uhr Lost in Time Press New works and arrangements for recorder ensemble Compositions by Frances Blaker Paul Ashford Hendrik de Regt and others Inquiries: Corlu Collier PMB 309 2226 N Coast Hwy Newport, Oregon 97365 www.lostintimepress.com [email protected] Dream-Edition – for the demands of a soloist Enjoy the recorder Mollenhauer & Adriana Breukink Enjoy the recorder Dream Recorders for the demands of a soloist New: due to their characteristic wide bore and full round sound Dream-Edition recorders are also suitable for demanding solo recorder repertoire. These hand-finished instru- ments in European plumwood with maple decorative rings combine a colourful rich sound with a stable tone. Baroque fingering and double holes provide surprising agility. TE-4118 Tenor recorder with ergonomic- ally designed keys: • Attractive shell-shaped keys • Robust mechanism • Fingering changes made TE-4318 easy by a roll mechanism fitted to double keys • Well-balanced sound a1 = 442 Hz Soprano and alto in luxurious leather bag, tenor in a hard case TE-4428 www.mollenhauer.com Soprano Alto Tenor (with double key) TE-4118 Plumwood with maple TE-4318 Plumwood with maple TE-4428 Plumwood with maple decorative rings decorative rings decorative rings Editor’s ______Note ______ ______ ______ ______ Volume LIII, Number 5 Winter 2012 n The Violinist’s Thumb, Sam Kean exam- Features ines (in a witty way) our genetic code . -
133-Lilyafshardossierfinal.Pdf
Guitar Jack Price Managing Director 1 (310) 254-7149 Skype: pricerubin [email protected] Contents: Biography Reviews Press Excerpts Mailing Address: 1000 South Denver Avenue Interview Suite 2104 Concerto Repertoire Tulsa, OK 74119 Chamber Music Repertoire Website: Testimonials http://www.pricerubin.com YouTube Video Links Photo Gallery Complete artist information including video, audio and interviews are available at www.pricerubin.com Lily Afshar – Biography An extraordinary artist, Lily Afshar has grounded her career on a strong foundation of excellent formal education, upon which she has built an exceptional record of innovative achievements. With a bachelor's degree from The Boston Conservatory, she earned her Master of Music at The New England Conservatory and went on to study at Florida State University, where she became the first woman in the world to be awarded the degree of Doctor of Music in guitar performance. She pursued greater proficiency with summer studies at the Banff Centre for Fine Arts and the Aspen Music Festival, advanced training at Gargnano, Italy, the Accademia Musicale Chigiana in Siena, and master classes with Andrés Segovia at the University of Southern California. Since becoming a tenured professor and head of the guitar program at the University of Memphis Rudi E. Scheidt School of Music, Afshar has received the 2000 Eminent Faculty Award, and in 2011 she was honored with the Distinguished Alumni Award from The Boston Conservatory. She conducts master classes worldwide and has released six instructional DVD’s “Classical Guitar Secrets”, Vols. I & II for beginner to Intermediate guitarists, and six instructional DVD’s “Classical Guitar Collection”, Vols. -
Music Resume of Dr. Peyman Nasehpour
MUSICAL RESUME FOR DR. PEYMAN NASEHPOUR CONTENTS 1. Education 1 2. Records 2 3. Concerts 2 4. Teaching Experience 6 5. Drumming Workshops 7 6. Academic Lectures 7 7. Personal Research 7 8. Invited Talks 8 9. Publications 8 10. World Wide Web Activities for Music 9 11. Citation 10 12. Skills and Qualifications 10 13. Interviews 11 14. Personal Data 11 1. EDUCATION Daf (Jul. 1996 - Jul. 1997): Kurdish Frame Drumming (Traditional Education in Daf Performance) under the supervision of maestro Mirza Agha Ghowsi. Ghaval (Aug. 1994 - Aug. 1995): Azerbaijani Frame Drummng (Traditional Edu- cation in Ghaval Performance) under the supervision of maestro Latif Tahmasebi- zaeh. Dance (Mar. 1992 - Sep. 1993): Azerbaijani Traditional Dances under the supervi- sion of maestro Morteza Dadashi. Tonbak (1983-1990): Persian Goblet Drumming (Traditional Education in Tonbak Performance) under the supervision of maestro Nasser Farhangfar.1 Child Music (1981-1982): Child Music Course (Carl Orff Method) under the su- pervision of maestro Mohammad Reza Darvishi.2 1In music gatherings, I learned many elegant music points, since I accompanied many important musi- cians including my father Nasrollah Nasehpour, Hasan Kasaie, Jalil Shahnaz, Homayoun Khorram, Fakhri Malekpoor, Malik Mansurov, Mohammad Mousavi, Hossein Alizadeh, Majid Kiani, Darvishreza Monaz- zami, Daryoush Talai, Hadi Montazeri and so on. 2M. R. Darvishi is a famous composer and researcher of Persian regional music. 1 2 MUSICAL RESUME FOR DR. PEYMAN NASEHPOUR 2. RECORDS (1) Playing tonbak in some pieces of Classical Persian music, Homayoun Ensemble conducted by Mehran Mehrnia, vocals by Amir Asnaashari, Tehran, Iran, 2014. (2) Playing ghaval in the Persian music CD with the title “Na”, Composed by Majid Derakhshani, Ney soloist: Shahoo Andalibi, 2013.