The BEATLES Story Experience

Total Page：16

File Type：pdf, Size：1020Kb

The BEATLES Story Experience The Beatles Museum is located on Albert Dock, Liverpool, about 30 minutes from Manchester. Today it is one of the must-sees of Liverpool. All the fans of this mythical group love it. Indeed, it retraces the story of the most famous four boys of the 60s and during this journey into the past you will relive the life and the career of the Beatles, their culture, and their music... This unique attraction transports us from the Cavern Club to Beatlemania of Hamburg. The visitors discover how Paul McCartney met John Lennon for the first time on the Woolton's village party. The tape guide makes the legend alive thanks to John’s sister , Julia. The reconstitution of The Kasbah club, a replica of the Yellow Submarine, and many other displays allow us to learn about the story of the group and their legacy. Reconstitution of the Cavern Club It's where that the future manager of the Beatles, Brian Epstein saw them playing for the first time, on November 9th, 1961. The reconstitution is such as was in the time and we can see the signatures of the members of the band as well drawings on the wall behind the stage. Yellow Submarine The Yellow Submarine is one of the most popular songs of the group. It was composed by Ringo Starr and was played for the first time in 1966. Originally a song for children, but it's not a conventional song. How it started John Lennon summarized the debuts of the group so : "once upon a time three little boys named John, George and Paul, of their given names. They decided to put themselves together because they were of the kind to put themselves together. When they were together, they looked for something to do. Then they decided to have guitars and they made some noise. At the beginning, nobody was interested." About the Beatles ... The band was created in 1957. The Beatles were recognized as probably the most commercially successful and critically acclaimed band in the story of popular music. The Boys’ Band was composed of four ; John Lennon and Paul McCartney (the song-writing duo which made their quartet's success), and George Harrison and Ringo Starr. The Fab Four became figureheads of the social and cultural revolutions of the 1960s. In ten years of existence they sold over one billion records. They had a major impact on their generation and the next. Their style, their clothing, their speeches, their international popularity, their social and political consciousness were copied. "The Beatlemania" as we call the excessive demonstration of fans went beyond their music. Today their influence continues. What we think… To conclude, we loved this visit. It was very interesting and we learnt a lot of things about Beatles. It's a wonderful place for all the fans of the Beatles. We can see amazing reconstitutions and rare objects which belonged to the Fab Four. Laure DOUGNAC, Jérémy GUILLON, Anaïs VAURY .

Copy Link

Recommended publications

Course Outline and Syllabus the Fab Four and the Stones: How America Surrendered to the Advance Guard of the British Invasion
Course Outline and Syllabus The Fab Four and the Stones: How America surrendered to the advance guard of the British Invasion. This six-week course takes a closer look at the music that inspired these bands, their roots-based influences, and their output of inspired work that was created in the 1960’s. Topics include: The early days, 1960-62: London, Liverpool and Hamburg: Importing rhythm and blues and rockabilly from the States…real rock and roll bands—what a concept! Watch out, world! The heady days of 1963: Don’t look now, but these guys just might be more than great cover bands…and they are becoming very popular…Beatlemania takes off. We can write songs; 1964: the rock and roll band as a creative force. John and Paul, their yin and yang-like personal and musical differences fueling their creative tension, discover that two heads are better than one. The Stones, meanwhile, keep cranking out covers, and plot their conquest of America, one riff at a time. The middle periods, 1965-66: For the boys from Liverpool, waves of brilliant albums that will last forever—every cut a memorable, sing-along winner. While for the Londoners, an artistic breakthrough with their first all--original record. Mick and Keith’s tempestuous relationship pushes away band founder Brian Jones; the Stones are established as a force in the music world. Prisoners of their own success, 1967-68: How their popularity drove them to great heights—and lowered them to awful depths. It’s a long way from three chords and a cloud of dust.
[Show full text]
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I ﬁ rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
[Show full text]
Download Press Release As PDF File
For Immediate Release MUSIC ICONS: THE BEATLES IN LIVERPOOL THURSDAY, MAY 9, 2019 THE RAREST BEATLES RECORD IN THE WORLD-JOHN LENNON’S PERSONAL “YESTERDAY AND TODAY” BUTCHER ALBUM PROTOTYPE, A BEATLES SIGNED BASEBALL FROM THEIR FINAL U.S. CONCERT, JOHN LENNON’S AND RINGO STARR’S TITTENHURST PARK DOOR, JOHN LENNON’S SIGNED GUITAR STRAP AND MORE WILL ROCK THE BEATLES MEMORABILIA AUCTION EVENT OF THE SEASON Julien’s Auctions and The Beatles Story Bring Back “Memorabilia Day” Friday, May 10 in Spectacular Two-Day Beatlemania Event Los Angeles, California – (March 21, 2019) – Julien’s Auctions, the world-record breaking auction house, has announced that MUSIC ICONS: THE BEATLES IN LIVERPOOL, their annual auction extravaganza of the Fab Four’s most iconic and historic memorabilia to take place on Thursday, May 9 live for the first time at The Beatles Story Museum in Liverpool, UK, the birthplace of The Beatles and online at juliensauctions.com. (photo left to right: John Lennon’s guitar strap, John Lennon’s Yesterday and Today butcher album prototype and a baseball signed by The Beatles). In addition Julien’s Auctions will partner once again with The Beatles Story to bring their Beatles and Merseybeat “Memorabilia Day” back home to Liverpool on Friday, May 10th 2019 (12-8pm GMT) for a spectacular two-day Beatlemania event. Fans and collectors are invited to bring in their Beatles memorabilia to have appraised by the experts for free at The Beatles Story’s Fab4 Cafe on the Royal Albert Dock. The Beatles are the foremost and most influential music band of all time that were a phenomenon upon their arrival on the music scene in Liverpool in 1960 and changed pop culture forever with their music, style and innovations which continue to reverberate within millions of artists and fans worldwide today.
[Show full text]
The Apple Label with the Capitol Logo
The Apple Label With the Capitol Logo When Apple label introduced itself to the world in 1968, the brand featured a label design from the Gene Mahon agency. Reportedly, Neil Aspinall of Apple contacted Gene Mahon personally and told him that they would like for Mahon to shoot photographs of apples. His idea was to have a full apple on one side with no writing whatsoever, and a sliced apple on the other side containing all of the information about the record. With the way that the laws were written, EMI were reluctant to cram all of the information onto one label (which might also pose logistical problems on an album label). Mahon selected Paul Castell to take the photographs. Some apple photos later, and the famous Apple record label was born. The rim area around the label was left blank, to allow each EMI affiliate the ability to print whatever manufacturing information they desired (or what might be required by law). The art department at Capitol Records decided to keep the print to a minimum. At the bottom of the sliced side, they placed the words “Mfd. by Apple Records, Inc.” That was all that needed to be said. A few months later, Capitol decided to mark the labels differently for artists who had contracts with Capitol. At the time, this basically meant the Beatles themselves, whose singles were numbered as part of the Capitol series (in the 2000s). Records that were from artists whose discs were in the Apple series (the 1800s) and who had contracts through Apple alone would continue to be marked with “Mfd.
[Show full text]
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they
[Show full text]
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964
[Show full text]
A Visit to Liverpool Brings Beatles Fans Back to Their Roots Travel
6 7 A Where it all began A at the Cavern 292 times, earning just 5 British A visit to Liverpool brings Beatles fans back to their roots pounds (about $8) at the beginning. Crowds gen- By Kathy Rodeghier erated so much heat in the humid basement, Daily Herald Correspondent which had no air conditioning, that condensation ran down the walls, shorting out the equipment. LIVERPOOL, England — They were just another The Cavern Club was torn down and has since boy band, a gaggle of teenagers with too much energy. been rebuilt with the same bricks on part of its They’d meet in the basement of a friend’s suburban original site on Mathew Street, a walkway lined home, horsing around and playing guitar. One mis- with bars and restaurants. The club has two chievously began carving his name on a wood wall stages. A Beatles tribute band plays most Satur- board — J-O-H — before being day nights. smacked in the head by the friend’s Outside, a Wall of Fame has bricks mom. He’d finish later, adding the travel inscribed with more than 1,800 names of final “N.” artists who have performed here, among Graffiti etched by John Lennon is but one of the curi- them Jimi Hendrix, Elton John, The Who, Queen osities you’ll see on tours of the Casbah Coffee Club and Adele. A life-size statue of Lennon stands DAILYHERALD.COM/ENTERTAINMENT where the band that became the Beatles got its start alongside. Figures of all four Beatles perch on the in 1959.
[Show full text]
TBS GCSE MUSIC A4 Revison.Indd
GCSE Music. Comprehensive resource pack to support the popular Music area. GCSE Music. Contents. 1. Introduction 2. Learning Aims and Objectives 3. Before Sgt Pepper 4. The ‘concept album’. 5. Pop Art, Peter Blake and the importance of album art in the 60s and beyond 6. L yric Analysis: (exploring melody, harmony, structure, rhythm and meaning behind the lyrics) — Lucy in the Sky — Within You/Without You — With a Little Help from my Friends 7. Worksheets – exploring structure: With a Little Help from My Friends and Within You, Without You 8. Sgt Pepper lectures @ The Beatles Story 9. The Beatles story and Liverpool Hope Partnership 10. Booking a visit to the Beatles Story 11. L yrics: With a Little Help from My Friends, Lucy in the Sky, Within you, Without You 12. Fascinating facts about the album 13. Recommended reading list/websites 2 Introduction. Located within Liverpool’s historic Albert Dock, the Beatles Story is a unique visitor attraction that transports you on an enlightening and atmospheric journey into the life, times, culture and music of the Beatles. Since opening in 1990, the Beatles Story has continued to develop our learning resources to create a fun and educational experience for all. Our commitment to life-long learning ensures every guest has a valuable experience, whatever their age or ability. We have linked the story of the Beatles, their early lives, their fame and combined creativity to selected areas of the National Curriculum: history, literacy, art and music to actively encourage and involve pupils in their own learning. This resource pack focuses on GCSE Music in accordance with the AQA specification.
[Show full text]
'Memorabilia Day' to Hard Rock Cafe London
PRESS RELEASE April 2017 The Beatles Story and Julien’s Auctions bring ‘Memorabilia Day’ to Hard Rock Cafe London Following on from the success of the Liverpool memorabilia call out day in October 2016, The Beatles Story and Julien’s Auctions will be teaming up once again to bring ‘Memorabilia Day’ to London’s Hard Rock Cafe on Monday 5th June 2017. Hard Rock International is home to the world’s biggest collection of music memorabilia, with over 80,000 iconic pieces including countless items from The Beatles, making it a perfect partner for the upcoming event. This special event will give members of the public, fans and collectors the opportunity to have their Beatles and Mersey Beat memorabilia appraised for free by the experts. The Liverpool day was a huge success bringing in a stream of visitors with exciting artefacts to be valued. One of the unique finds was a letter written by John Lennon addressed to The Queen, explaining why he was returning his MBE, valued by Julien’s Auctions at around £60,000. The owner, who wishes to remain anonymous, discovered the item tucked away inside the sleeve of a record that was part of a collection of 45s he picked up for £10 at a car boot sale 20 years ago. Until the meeting with Darren Julien, CEO of Julien’s, the owner of the letter had presumed it must have been a copy and was stunned and delighted to discover that it was authentic and valuable. Internationally renowned Julien’s Auctions has broken world records with the sale of Beatles memorabilia including John Lennon’s acoustic guitar which sold recently for a record $2.4 million, Ringo Starr’s Ludwig drum kit which sold for a record $2.2 million, The Ludwig Beatles Ed Sullivan Show drumhead which sold for a record price of $2.1 million and The Beatles White Album owned by Ringo Starr that sold for $790,000.
[Show full text]
The Pr of the U.K. Invasion: a Historical Case Study Of
THE PR OF THE U.K. INVASION: A HISTORICAL CASE STUDY OF THE BEATLES’ 1964 U.S. TOUR A THESIS SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFULLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS BY RICHARD J. SADLIER ADVISOR: BECKY MCDONALD BALL STATE UNIVERSITY MUNCIE, INDIANA JULY 2012 ACKNOWLEDGEMENTS I am deeply indebted to all who have contributed, directly or otherwise, to the completion of the research within these pages. Foremost, I am deeply grateful to my committee chairperson, Dr. Becky McDonald, for her guidance and patience, not only in regard to my research and writing but also in life. Likewise, I extend my sincere thanks to committee members Dr. Dustin Supa and Prof. Mark Masse’ for additional support and guidance throughout this process. Many thanks go to my family and friends for enduring those moods directly resulting from my academic pursuits and for providing consistent emotional support. Finally, I express my thanks to Ms. Colleen Holmes and Drs. Jerrfrey Roessner and Ken Schiff who first taught me to recognize and appreciate scholarship of popular music and the culture surrounding it. CONTENTS Chapter Page 1. PROBLEM 4 2. REVIEW OF LITERATURE 7 3. METHODOLOGY 11 4. FINDINGS 15 5. SUMMARY AND CONCLUSIONS 36 REFERECE LIST 41 APPENDIXES 43 CHAPTER ONE: PROBLEM The Beatles are generally considered by numerous sources to be the most influential musical group of the 20th century (Berger, 2001; Blaney, 2008; Davies, 1968; Frontani, 2007; Goldsmith, 2004; Ilson, 2008; Inglis, 2000; Kozinn, 1995; Lewisohn, 1992; Miles, 1998; Norman, 2003; Spizer, 1994). Countless sources have examined their career from even more numerous angles, though a general narrative-based biography seems to be the most common method.
[Show full text]
TRAVEL TRADE Information
THE BEATLES STORY, LIVERPOOL TRAVEL TRADE PACKAGES AND INFORMATION January 2016 ABOUT US: The award-winning the Beatles Story is the world's largest permanent exhibition purely devoted to the lives and times of The Beatles. Located in the Fab Four’s hometown of Liverpool on the stunning UNESCO World heritage site at the Albert Dock, the Beatles Story takes visitors on an atmospheric journey through the lives, times, culture and music of the world’s greatest band. Go on a magical history tour and see how four young lads from Liverpool were propelled to the dizzy heights of worldwide fame and fortune to become the greatest band of all time. Visitors to the attraction will take a personal journey from the Fab Four’s Liverpool childhood, through the early days of the band, to world domination and on to their solo careers. Find out how they met, go behind the scenes at the famous Abbey Road Studios and take an underwater trip on the Yellow Submarine. Experience first-hand the place where it all started by hanging out at the Casbah Coffee Club and explore a stunning exact replica of the Cavern Club. With a rolling programme of special exhibitions, visitors can return time and time again and always discover something new. Listen to the Beatles Story unfold through a 'Living History' audio guide available in ten different languages and beautifully narrated by John Lennon’s sister, Julia, with interviews with Paul McCartney, George Martin, Cynthia Lennon, Peter Blake and others. The guide is available in Brazilian Portuguese, English, French, German, Italian, Japanese, Mandarin, Polish, Russian and Spanish.
[Show full text]
Beatles History – Part One: 1956–1964
BEATLES HISTORY – PART ONE: 1956–1964 January 1956–June 1957: The ‘Skiffle Craze’ In January 1956, Lonnie Donegan’s recording of “Rock Island Line” stormed into the British hit parade and started what would become known as the ‘skiffle craze’ in Great Britain (vgl. McDevitt 1997: 3). Skiffle was originally an amateur jazz style comprising elements of blues, gospel, and work songs. The instrumentation resembled New Or- leans street bands called ‘spasms,’ which relied on home-made instru- ments. Before skiffle was first professionally recorded by American jazz musicians in the 1920s and 1930s, it had been performed at ‘rent parties’ in North American cities like Chicago and Kansas City. Many African- American migrant workers organized rent parties in order to raise money for their monthly payments (vgl. Garry 1997: 87). Skiffle provided the musical entertainment at these parties, as everybody was able to partici- pate in the band, which usually consisted of home-made acoustic guitars or a piano backed by a rhythm section of household instruments, such as a washboard, a washtub bass, and a jug (vgl. McDevitt 1997:16). Jazz trumpeter and guitarist Ken Colyer pioneered the skiffle scene in Great Britain. In 1949, he formed the Crane River Jazz Band in Cran- ford, Middlesex, together with Ben Marshall (guitar), Pat Hawes (wash- board), and Julian Davies (bass). Their repertoire included skiffle songs “to illustrate aspects of the roots of jazz and to add variety to a pro- gramme” (Dewe 1998: 4). After leaving the group in 1951, Colyer mi- grated to the United States to work with jazz musicians in New Orleans.
[Show full text]