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Victoire Welcome to VIVA! & Gala Friday, February 22, 2013 • 7:30 P.M

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Victoire Welcome to VIVA! & Gala Friday, February 22, 2013 • 7:30 P.M ����������������������� �������������� ��������������������������������������������� ������������������������ �������������������������������������� �������� ������������������������������� ��������������������������� ��������������������������������������������������� �������������������� ������������������������������������������������������� �������������������������� ��������������������������������������������� ������������������������ ������������������������������������������������� ���������������������������� ����������������������������� ����� ������������������������������������������������ ���������������� ���������������������������������������� ��������������������������� ���������������������������������������� ��������� ������������������������������������� ���������� ��������������� ������������� ������ ������������� ��������� ������������� ������������������ ��������������� ����������� �������������������������������� �������������������� ����� �������� �������� Victoire Welcome to VIVA! & Gala Friday, February 22, 2013 • 7:30 p.m. The new season of concerts at the Cleveland Museum of Gartner Auditorium, The Cleveland Museum of Art Art showcases 16 outstanding performances from around the globe and the U.S. Among the many highlights of ENSEMBLE the season are programs that tie into exhibitions, the openings of the Renaissance and Islamic galleries, and Missy Mazzoli (compositions, keyboards) the stunningly beautiful Ames Family Atrium. Mellissa Hughes (voice) Olivia De Prato (violin) Tonight please join me in welcoming composer Missy Eileen Mack (clarinet) Mazzoli and her ensemble Victoire to Cleveland. Lorna Krier (keyboards) Coming in March, we present Iraqi oud virtuoso Naseer Eleonore Oppenheim (double bass) Shamma, and fadista Ana Moura singing the passion songs of Portugal. PROGRAM Then in April, we host Afro-pop superstar Oliver Tonight’s program is presented without intermission. Mtukudzi and the Black Spirits for a dance party in the Order to be announced from the stage. atrium and the inimitable Paris Combo. The Diver There’s much more to come. glance through the VIVA! & Gala brochure available in the lobby and see if A Song for Arthur Russell anything catches your imagination for an evening in the A Song for Mick Kelly fabulous surroundings of the Cleveland Museum of Art. A Thousand Tongues Cathedral City Thank you for being with us tonight. A Door into the Dark i am coming for my things Like a Miracle Orizzonte Massoud Saidpour India Whiskey Curator of Performing Arts and Music For legal reasons and physical safety of the artists and for the comfort of the audience, cameras and other recording devices are not permitted in the theater during the performance. COMPOSERS NOTES ABOUT THE ARTISTS Orizzonte, for piano and electrionics, consists of gently VICTOIRE is a family of musical misfits living in New overlapping sinewaves that set the stage for a meditative York City, helmed by composer/keyboardist Missy and introspective piano melody. This piece was composed Mazzoli. This “all-star, all-female band” (Time Out New for Hills Not Skyscrapers, a band devoted to combining live York) of strings, keyboards, clarinets, and electronics electronics, composition and improvisation, founded by performs Mazzoli’s hypnotic blend of dreamy chamber Missy Mazzoli in Amsterdam in 2004. The sinewaves were pop, minimalism and rich romanticism. Their debut created using SuperCollider software. Orizzonte (“horizons” album Cathedral City, released in 2010 on New in Italian) was first performed on a piano that had been left Amsterdam Records, envelopes the listener in a tapestry out in the rain for a year, in a dilapidated squat hidden in of classical influences, distorted guitars, multi-layered the heart of Amsterdam. vocals, vintage keyboard sounds and stuttering samples. Cathedral City was named one of 2010’s best classical albums by the New York Times, Time Out New York, the A Thousand Tongues was originally commissioned by cellist New Yorker, and NPR, and Pitchfork praised the group and vocalist Jody Redhage, and the version you will hear for “condensing moments of focused beauty and quiet tonight is a remix by Victoire’s keyboardist Lorna (Dune) conviction from the pandemic distractions of modern Krier. This piece is a short but intense response to the life.” In the past two years Victoire has performed following text by Stephen Crane: all over the US at the Brooklyn Academy of Music, Chicago’s Millennium Park, Le Poisson Rouge, Joe’s Yes, I have a thousand tongues, Pub, Roulette, the Whitney Museum, and the Bang on And nine and ninety-nine lie. a Can Marathon. In 2011 they embarked on their first Though I strive to use the one, European tour with The National, Efterklang, and Owen It will make no melody at my will, Pallett, and returned to Europe last Fall for a tour of But is dead in my mouth. Germany, France, Belgium, and the Netherlands with My Brightest Diamond. They also recently performed in Sweden as part of the 2012 M.A.D.E. Festival and at the Brooklyn Academy of Music (BAM) as part of the Crossing Brooklyn Ferry Festival, curated by Bryce and Aaron Dessner. Victoire is Missy Mazzoli (compositions, keyboards), Mellissa Hughes and Caroline Shaw (voice), Olivia De Prato (violin), Eileen Mack (clarinet), Lorna Krier (keyboards), and Eleonore Oppenheim (double bass). For more information, visit www.victoiremusic.com or www.missymazzoli.com. 4 5 Internationally recognized as a soloist as well as a work by Matt Marks; sings a solo cycle written for her by chamber musician, Austro-Italian violinist Olivia De Jacob Cooper on a bill with Corey Dargel at (le) Poisson Prato has been described as “flamboyant... convincing” Rouge; makes her New York City Opera debut in a work (New York Times) and an “enchanting violinist” by John Zorn; tours with Missy Mazzoli and Victoire; (Messaggero Veneto, Italy). After moving to New York sings Reich on the West Coast with Alan Pierson and City she has quickly established herself as a passionate Alarm Will Sound, et al. Recent highlights include the performer of contemporary and improvised music, world premiere of David T. Little’s Am I Born, a solo breaking boundaries of the traditional violin repertoire orchestral work written for Ms. Hughes, commissioned and regularly performs in Europe, South America, China by the Brooklyn Philharmonic for Alan Pierson’s and the United States. Her chamber music activities inaugural season as Music Director; rapturously-received include appearances at the Bang on a Can Marathon in performances of David Coll’s Position, Influence for the New York City, the David Byrne Perspective Series at MATA Festival; the world premiere of Alex Temple’s Carnegie Hall, the Lucerne Festival with Pierre Boulez, Liebeslied with George Manahan and the American the Ensemble Modern Festival (Austria), “June in Composers Orchestra at Zankel Hall. Buffalo” Festival, the Ojai Festival with Steve Reich and Lorna Krier is one of the most versatile young Brad Lubman, the Darmstadt New Music Festival and keyboardists in New York performing music from the Aldeburgh Festival in the UK. experimental to pop on anything from analog As well as her activities with Victoire, Olivia is the synthesizers to toy pianos to Steinways. Ms. Krier co-founder and first violinist of the Mivos String Quartet, has been described as “a pianist specializing in focused on the performance of contemporary repertoire. contemporary music, who has become an expert In 2010 and 2011 she toured Europe and South Africa synthesizer player and is helping break down the with Grammy-award winning Esperanza Spalding and boundary between new classical and indie rock” Chamber Music Society on violin and viola. (Lukas Ligeti). Acting as an advocate for new music, Hailed by the New York Times as “a versatile, she has worked with some of the nation’s finest young charismatic soprano endowed with brilliant technique composers and performers to create exciting new and superlative stage instincts…indispensable to New works. She is currently performing with the “all-star, all- York’s new-music ecosystem,” Mellissa Hughes enjoys female quintet” (Time Out New York) Victoire with Missy a busy career in both contemporary and early music. A Mazzoli, JD Samson & MEN, her solo project Lorna Dune, dedicated interpreter of living composers, Ms. Hughes and many other bands and ensembles touring across has worked closely with Julia Wolfe, Michael Gordon, the US, Europe, and Canada. www.lornakrier.com David Lang, Steve Reich, Neil Rolnick, and has premiered works by Caleb Burhans, David T. Little, Missy Mazzoli, Ted Hearne, Jacob Cooper, Matt Marks, and Frederick Rzewski. In the current season, Ms. Hughes reunites with the Brooklyn Philharmonic for performances of a new 6 7 Clarinetist Eileen Mack grew up in Australia and is now Eleonore Oppenheim is a versatile bassist-about-town, based in New York. She is a sought after new music equally at home in several genres, and a staple of the “new clarinetist, regularly performing with the Newspeak music scene” as well. Her playing has been described as ensemble and Victoire, as well as appearing with groups “…quietly virtuosic…with subtle expressivity…” (Alan Kozinn, including Signal Ensemble, Wordless Music Orchestra, NY Times), “…with particular eloquence,” (Joshua Kosman, Wet Ink, ymusic, and the Bang on a Can All Stars. She San Francisco Chronicle), and “…skillfully negotiated… has worked with composers such as Steve Reich, David astonishingly poised.” (Joshua Rosenblum, Charleston
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