Welcome Centers Hop-On Hop-Off at Any of These Stops

Total Page:16

File Type:pdf, Size:1020Kb

Welcome Centers Hop-On Hop-Off at Any of These Stops NYC_FEB18_MAP_18X20_CSR_310118.qxp_Layout 1 30/01/2018 21:23 Page 1 KEY HOP-ON HOP-OFF AT ANY EXPLORE UPTOWN EXPLORE DOWNTOWN OF THESE STOPS 35 PLEASE LOOK AFTER YOUR TICKET ) IF YOU LOSE IT, YOU LOSE YOUR RIDE. EXPLORE BROOKLYN EXPLORE HARLEM EXPLORE UPTOWN DISCOVER NYC BY NIGHT Stop Number 8:00AM TO 5:00PM LAST DEPARTURE NOW FEATURING LIVE BUS LOCATION 36 BROADWAY THEATER DISTRICT - 46th & Broadway SIGHTSEEING CRUISES 1 TIMES SQUARE WEST - W 42nd St & 8th Ave 2 CIRCLE LINE SIGHTSEEING - 42nd St in Hudson River Park 34 LIBERTY CRUISE 3 MADISON SQUARE GARDEN - 34th St & 8th Ave 4 RESTAURANT ROW - 8th Ave & 46th St Speak to our on-street staff for 5 TIMES SQUARE NORTH - 50th St & 7th Ave more information 6 TIMES SQUARE EAST - W 42nd St & Broadway 7 BRYANT PARK - W 42nd St & 6th Ave 8 GRAND CENTRAL TERMINAL – 42nd St btwn Park & Lexington Ave 9 MIDTOWN EAST – 49th St btwn 3rd & Lexington Ave 10 THE METROPOLITAN MUSEUM OF ART - 5th Ave & E 83rd St 11 THE FRICK MUSEUM - 5th Ave & E 72nd St 12 CENTRAL PARK ZOO - 5th Ave & E 66th St 13 THE PLAZA HOTEL - Central Park South & Grand Army Plaza 14 COLUMBUS CIRCLE - Central Park & Columbus Circle 15 CARNEGIE HALL - 57th St & 7th Ave 16 M&M WORLD STOP - 7th Ave & W 48th St 10 EXPLORE DOWNTOWN 8:00AM TO 5:00PM LAST DEPARTURE 33 M&M WORLD STOP - 7th Ave & W 48th St 6 TIMES SQUARE EAST - W 42nd St & Broadway 7 BRYANT PARK - W 42nd St & 6th Ave 17 5TH AVENUE MIDTOWN - 5th Ave & 37th St 11 18 EMPIRE STATE BUILDING / KOREA TOWN – 5th Ave & W 32nd St 19 FLATIRON DISTRICT - 5th Ave & W 23rd St 20 UNION SQUARE - 5th Ave & W 14th St 21 GREENWICH / NYU - E 8th St & Mercer St 12 22 NOHO - Broadway & Bleecker St 23 SOHO / LITTLE ITALY - Broadway & Spring St 14 13 24 CHINATOWN - Lafayette St & Walker St 25 BROOKLYN BRIDGE / CITY HALL - Park Row & Beekman St 15 26 WALL STREET / CHARGING BULL - Broadway & Wall St DOWNTOWN 27 STATUE OF LIBERTY/ BATTERY PARK - State St & Pearl St TOUR STARTS • HERE • 28 MIDTOWN WEST - 42nd St & 12th Ave 5 9 29 PORT AUTHORITY BUS TERMINAL - 42nd btwn 8th & 9th UPTOWN TOUR STARTS 16 4 RESTAURANT ROW - 8th Ave & 46th St • HERE • 5 TIMES SQUARE NORTH - 50th & 7th 4 36 EXPLORE BROOKLYN 6 7 10:00AM TO 3:00PM (DEPARTURES EVERY HOUR) 2 1 8 27 STATUE OF LIBERTY / BATTERY PARK - State Street & Pearl St 28 29 30 BARCLAYS CENTER - Flatbush Ave btwn Dean St & Bergen St 17 31 GRAND ARMY PLAZA - Grand Army Plaza on Flatbush Ave 3 32 ONE WORLD OBSERVATORY *Drop off location only - Fulton St & Church St 18 27 STATUE OF LIBERTY / BATTERY PARK - State Street & Pearl St EXPLORE HARLEM 10:00AM TO 3:00PM (DEPARTURES EVERY HOUR) 14 COLUMBUS CIRCLE - Central Park & Columbus Circle 33 AMERICAN MUSEUM OF NATURAL HISTORY - Central Park West & W 80th St 19 34 CATHEDRAL OF ST. JOHN THE DIVINE - Amsterdam Ave & W 112th St 35 APOLLO THEATER / HARLEM - W 125th St & Frederick Douglass Blvd 14 COLUMBUS CIRCLE - Central Park & Columbus Circle DISCOVER NYC BY NIGHT 6:00PM TO 8:00PM (DEPARTURES EVERY 30 MINUTES) 20 16 M&M WORLD STOP - 7th Ave & W 48th St 21 WELCOME CENTERS 22 The Big Bus Welcome Centers are here to help you make the most of your visit to New York. 23 BIG WELCOME CENTER 712 7TH AVE. (BETWEEN 47TH & 48TH ST.) HOURS: 8:00 AM TO 6:00 PM MADAME TUSSAUDS 24 234 W 42ND ST. (BETWEEN 7TH & 8TH AVE.) HOURS: 8:00 AM TO 5:00 PM CENTURY 21 DEPARTMENT STORE – VISITORS CENTER 22 CORTLANDT ST (BETWEEN CHURCH ST & BROADWAY) HOURS: MON – FRI 9:00 AM TO 5:00 PM SAT 10 AM-5 PM, SUN 11 AM -5 PM 25 32 26 27 STATUE OF LIBERTY & ELLIS ISLAND FERRY 30 Includes access to the Liberty & Ellis Island grounds and a FREE audio tour. Ferry tickets must be picked up at the Big 31 Bus Welcome Center, which is closest to Stop (712 Seventh Ave.) or at the Century 21 Department Store – Big Bus Kiosk (22 Cortlandt St.) Not applicable for New York Pass holders..
Recommended publications
  • A Brief History of Occupy Wall Street ROSA LUXEMBURG STIFTUNG NEW YORK OFFICE by Ethan Earle Table of Contents
    A Brief History of Occupy Wall Street ROSA LUXEMBURG STIFTUNG NEW YORK OFFICE By Ethan Earle Table of Contents Spontaneity and Organization. By the Editors................................................................................1 A Brief History of Occupy Wall Street....................................................2 By Ethan Earle The Beginnings..............................................................................................................................2 Occupy Wall Street Goes Viral.....................................................................................................4 Inside the Occupation..................................................................................................................7 Police Evictions and a Winter of Discontent..............................................................................9 How to Occupy Without an Occupation...................................................................................10 How and Why It Happened........................................................................................................12 The Impact of Occupy.................................................................................................................15 The Future of OWS.....................................................................................................................16 Published by the Rosa Luxemburg Stiftung, New York Office, November 2012 Editors: Stefanie Ehmsen and Albert Scharenberg Address: 275 Madison Avenue, Suite 2114,
    [Show full text]
  • The Occupy Wall Street Movement's Struggle Over Privately Owned
    International Journal of Communication 11(2017), 3162–3181 1932–8036/20170005 A Noneventful Social Movement: The Occupy Wall Street Movement’s Struggle Over Privately Owned Public Space HAO CAO The University of Texas at Austin, USA Why did the Occupy Wall Street movement settle in Zuccotti Park, a privately owned public space? Why did the movement get evicted after a two-month occupation? To answer these questions, this study offers a new tentative framework, spatial opportunity structure, to understand spatial politics in social movements as the interaction of spatial structure and agency. Drawing on opportunity structure models, Sewell’s dual concept of spatial structure and agency, and his concept of event, I analyze how the Occupy activists took over and repurposed Zuccotti Park from a site of consumption and leisure to a space of political claim making. Yet, with unsympathetic public opinion, intensifying policing and surveillance, and unfavorable court rulings privileging property rights over speech rights, the temporary success did not stabilize into a durable transformation of spatial structure. My study not only explains the Occupy movement’s spatial politics but also offers a novel framework to understand the struggle over privatization of public space for future social movements and public speech and assembly in general. Keywords: Occupy Wall Street movement, privately owned public space (POPS), spatial opportunity structure, spatial agency, spatial structure, event Collective actions presuppose the copresence of “large numbers of people into limited spaces” (Sewell, 2001, p. 58). To hold many people, such spaces should, in principle, be public sites that permit free access to everyone. The Occupy Wall Street (OWS) movement, targeting the engulfing inequality in the age of financialization and neoliberalization, used occupation of symbolic sites to convey its message.
    [Show full text]
  • New York City Adventure “One If by Land, and Two If by Sea”
    NYACK COLLEGE HOMECOMING NEW YORK CITY ADVENTURE “ONE IF BY LAND, AND TWO IF BY SEA” 1 READE S T REE T WASHINGTON MARKET C PARK H G CIV I C T E URC W REE E C E N T E R O ROCKEFELLER C H A M B ERS S T REE T R PARK T E T R K R S RE A T S P N H L WE N W O N R W A RRE N S T REE T S DIS O A A M I C H E R P T T S H R I RE T 2 V E TRI B E C A N E R D AVEN W E T E N K F O R T S T R E CITY O F R A MSURRA YB ST REE T T E HALL BR E T SP W T R O RR PARK R K R O KLY ASHI A L RE O P A U N A P A R K P L A C E S P R U C E S B E D O V E R C RID N A E N G A E S T E MURR A Y S T REE T G T RE RE D D E T E T T T E T 3 Y O E W E N B T B A RCL A Y STREE T E T RE E E LL K M A E T A A N T S S T E RE E RE TRE Y T T S RE M T S R L A P E A I A C K S L L E E L H P I L D I P V ESEY S T REE T E R S T R E T A N N S T R E E T O T W G B EE A T N 4 K W W M A N ES FUL T O N STREE T FRO FU 5 H T C L D E Y T T W O RLD W O RLD T R A D E O S FINA N C I A L C E N T ER SI T E DU F N F T C E N T E R J O H N T S T R E CLI RE E T E T S O U T H S T R E E T T C O R T L A N D T Y E E E S E A P O R T Pier 17 A E M J O T A IDEN E PL H N S T A T T R W S T R R RE N O R T H L E T E E A N T T C O V E D E PEARL STRE T S A T S L I B ERT Y S T REE T LIBER FL W GREENWICH S E R T O T C H Y E R Pedestrian A U S T Bridge S I RE E T H N M CEDA R CED A R S T REE T A I M N BR AID I A S G E T N I T C E L S D A O Y T H A M E S A R S T N L R E E N E T T B AT T E R Y A S L A L B A N Y S T REE T T P O E S RE I PA R K N P U I N E S T T L R E E T T RE E P I N W E CIT Y H A E T T E RE CARLISLE S T REE T T
    [Show full text]
  • Campuses New York City, NY Los Angeles, CA South Beach, Miami
    132 LOCATIONS LOCATIONS 133 Campuses New York City, NY Los Angeles, CA South Beach, Miami, FL Gold Coast, Australia Satellite Locations Florence, Italy Paris, France Harvard University, MA Walt Disney World® Resort, FL Beijing, China Shanghai, China Mumbai, India Doha, Qatar Moscow, Russia Kyoto, Japan Seoul, Korea Amsterdam, Netherlands Rio De Janeiro, Brazil Locations 134 NEW YORK CITY NEW YORK CITY 135 New York City, NY The New York Film Academy’s flagship campus in New Chinatown and Spanish Harlem, the stately Museum Mile Central Location Extracurricular Activities York City places students in the heart of one of the on the Upper East Side, the neighborhood brownstones of world’s greatest metropolises. For its size, excitement, Park Slope in Brooklyn. New York City is about neon lights, The New York Film Academy’s New York City campus in “The city that never sleeps” offers as many exciting culture, and landscape, the city remains unparalleled taxi horns, street music, bookstores, landscaped parks, Manhattan’s historic Financial District is split between adventures and discoveries as there are people. For — and plays a starring role in the projects and lives of and 10 million inhabitants working together — each as premier facilities on Battery Park and Broadway, steps dining, film, nightlife, shopping, museums, and so much our students. unique as the next. from the iconic Charging Bull statue on Wall Street, more, New York ranks number one in the world. the beautiful Hudson River Park, and the Castle Clinton Dynamic, rich in diversity, and always alive, New York Our students in New York City have the opportunity National Monument in Battery Park.
    [Show full text]
  • The Ethics of Artistic Appropriation
    Taking Charging Bull by the Horns: The Ethics of Artistic Appropriation In the wake of the global stock market crash of 1987, the Sicilian immigrant Arturo Di Modica created the guerilla artwork known as Charging Bull. Without permission, and after spending $350,000 of his own funds, Di Modica had the bull installed in 1989 near Wall Street in New York City during the height of Christmas season to symbolize the strength and power of the American people. Many tourists and locals alike loved the Charging Bull and identified it as “the only significant work of guerrilla capitalist art in existence.” The New York Stock Exchange quickly removed the 3.5-ton statue the day it was installed, but the resulting public outcry led to its “temporary installation” in a nearby location; thirty years later, Charging Bull is still standing strong as one of the most iconic symbols of New York City. On March 7, 2017, Charging Bull was faced with a new opponent. Photo: Anthony Quintano/CC BY 2.0 During the night before International Women’s Day in March 2017, a small sculpture of a young girl was quietly placed in front of Charging Bull. Known as Fearless Girl, the unscheduled installation stands defiantly with her hands on her hips and faces the bull with an unwavering confidence. At the feet of the statue was a bronze plaque that reads “Know the power of women in leadership. SHE makes a difference.” The initial reaction from many people was that this was another act of guerrilla art, one particularly needed now given Wall Street’s challenges with gender equity and diversity.
    [Show full text]
  • The Effect of Increased Tourism in Lower Manhattan by Catherine Mcvay Hughes, Chair Of
    The City of New York Manhattan Community Board 1 Catherine McVay Hughes CHAIRPERSON | Noah Pfefferblit DISTRICT MANAGER Committee on Lower Manhattan Redevelopment Oversight Hearing on The Effect of Increased Tourism in Lower Manhattan Testimony by Catherine McVay Hughes Chairperson Friday, September 28, 2012 250 Broadway, Committee Room, 16th Floor, New York, NY 10:00 AM Good morning Chairperson Chin and members of the New York City Council Committee on Lower Manhattan Redevelopment. I am Catherine McVay Hughes Chairperson of Manhattan Community Board One. We thank you for the opportunity to comment on the effect of increased tourism in Lower Manhattan. Lower Manhattan has long served as a destination for tourists because it is rich in historical, iconic, cultural, and economic assets, ranging from the National 9/11 Memorial, Statue of Liberty/Ellis Island, Wall Street, The Bull (at Bowling Green), Brooklyn Bridge, and Governor’s Island. Lower Manhattan residents appreciate the significance of these local assets, understand the desire of tourists to experience them, and recognize the economic benefits such tourists generate for the area and the City. There has been increased tourism in the aftermath of 9/11. “Eleven years after September 11, Lower Manhattan attracts 10 million tourists per year. According to the Downtown Alliance, the local Business Improvement District largely responsible for spearheading the area's growth, there are 39,380 visitors to the area each day with more than 309,500 weekday workers and 61,000 residents living in more than 325 residential buildings,” according to the NY Daily News (September 6, 2012, by Jason Sheftell).
    [Show full text]
  • Lower Manhattan Public Art Offers Visitors Grand, Open-Air Museum Experience
    FOR IMMEDIATE RELEASE Contact: Maria Alvarado, (212) 835.2763, [email protected] LOWER MANHATTAN PUBLIC ART OFFERS VISITORS GRAND, OPEN-AIR MUSEUM EXPERIENCE Works by Dubuffet, Koons and Naguchi are among the 14 unique installations featured South of Chambers Street (February 23, 2015) – With more than a dozen masterpieces from world-renowned artists, Lower Manhattan is home to a remarkable and inspiring public art program. The works of art are now featured in a new walking tour itinerary curated by the Downtown Alliance, “Lower Manhattan by Public Art.” The full tour can be found on the Alliance’s website at http://downtownny.com/walkingtours. The walking tour begins at the district’s northernmost edge at 1 Police Plaza, across from City Hall. Here, visitors will find 5-in-1 by Tony Rosenthal. The artist’s work of five interlocking steel discs, rising to a height of 35 feet, represents the five boroughs coming together as one city. Additional pieces of art featured are: Shadows and Flags by Louise Nevelson (William Street between Maiden Lane and Liberty Street) Seven pieces bundled together as a singular abstract unit alludes to the wafting flags, ceremonious spirals, and blooming trees that define the New York City landscape. Group of Four Trees by Jean Dubuffet (28 Liberty Street) The “four trees” are created by a series of intertwined irregular planes, which lean in different directions and are connected by thick black outlines. The piece is part of Dubuffet’s “L’Hourloupe” cycle — a bold, graphic style inspired by a doodle. Sunken Garden by Isamu Noguchi (28 Liberty Street) In the winter, the garden, set one story below ground level, is a dry circular expanse; in the summer, it is transformed into a giant water fountain.
    [Show full text]
  • Civic Center Two Bridges South Street Seaport Battery Park City Tribeca
    Neighborhood Map ¯ Worth Street Lafayette Street American Jacob Centre St Hamill Daniel Patrick Moynihan Sentinels Javits Thomas Place Playground 211 2 1 210 Sculpture First Shearith 151 325 United States Plaza Paine New York State Israel Cemetery One 60 Hudson Street Park District Courthouse 347 Hudson Street 1 Jacob K. Javits Supreme Court Oliver Street 45 43 Chinatown St. James Monroe Street 77 Federal Building 51 M9 Partnership Triangle M15SBS M15SBS H M103 Harrison Street Thomas Street St. James Place Church StreetChurch u Broadway West St. Joseph’s d M20 25 s Thomas Street Triumph of o 54 Church Staple Street 55 n the Human Spirit Jay Street PlaceTrimble R Manhattan Sculpture 57 i v Sentinels e M9 St. James’ r United States Court Park Row Knickerbocker 199 Sculpture 200 E Pearl Street M103 James Street M15 137 Tribeca s 332 Greenwich Street 311 Church Village p 42 M20 of International Trade SBS l 165 Tower Plaza a Foley Alfred E. Smith n a M15 d Square Thurgood Marshall Broadway 43 Playground e Borough of Manhattan 331 91 127 125 United States M15 Duane Street 163 151 149 Madison StreetSBS Community College Duane 154 M15 Catherine Street Park Duane Street Duane Street Courthouse 33 M22 Duane Street Chatham 79 African Burial Ground Green Cherry St 29 158 Cardinal Hayes Place West Street National Monument Tanahey African Catholic Church Security zone, M55 2 no access Playground M55 Burial Ground of St. Andrew Monroe Street Visitor Center Pearl Street Alfred E. Smith 130 321 Tribeca 2 Houses 52 50 86 84 Reade Street 120 114 112 Civic 198 Reade Street Washington Reade Street Street Elk Market Park Bogardus Surrogate’s Stuyvesant Sun Plaza 165 156 Two Bridges Court Center Catherine Slip 287 High 95 Building 311 1 Police Madison Street Alfred E.
    [Show full text]
  • The Right to Occupyâ•Floccupy Wall Street and the First Amendment
    Fordham Urban Law Journal Volume 39 | Number 4 Article 5 February 2016 The Right to Occupy—Occupy Wall Street and the First Amendment Sarah Kunstler Follow this and additional works at: https://ir.lawnet.fordham.edu/ulj Part of the First Amendment Commons, Law and Politics Commons, and the Supreme Court of the United States Commons Recommended Citation Sarah Kunstler, The Right to Occupy—Occupy Wall Street and the First Amendment, 39 Fordham Urb. L.J. 989 (2012). Available at: https://ir.lawnet.fordham.edu/ulj/vol39/iss4/5 This Article is brought to you for free and open access by FLASH: The orF dham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Urban Law Journal by an authorized editor of FLASH: The orF dham Law Archive of Scholarship and History. For more information, please contact [email protected]. KUNSTLER_CHRISTENSEN 7/11/2012 9:25 AM THE RIGHT TO OCCUPY—OCCUPY WALL STREET AND THE FIRST AMENDMENT ∗ Sarah Kunstler Eternal vigilance is the price of liberty—power is ever stealing from the many to the few.1 Wendell Phillips, January 28, 1852 Introduction ............................................................................................. 989 I. Symbolic Speech ............................................................................... 993 II. Symbolic Sleeping and the Courts ................................................. 999 III. The Landscape of Symbolic Sleep Protection After Clark v. CCNV .......................................................................................... 1007 IV. The Occupy Movement in the Courts ....................................... 1012 Conclusion .............................................................................................. 1018 INTRODUCTION The Occupy movement, starting with Occupy Wall Street in Zuccotti Park in New York City, captured the public imagination and spread across the country with a force and rapidity that no one could have predicted.
    [Show full text]
  • Restaurant Leasing Opportunity
    RESTAURANT LEASING OPPORTUNITY AMI ZIFF · DIRECTOR, NATIONAL RETAIL · TIME EQUITIES INC. [email protected] · (212) 206-6169 Plaza & Ground Floor Overall Plan WASHINGTON STREET WEST STREET JOSEPH P. WARD STREET WEST THAMES PEDESTRIAN BRIDGE Ground Floor SECOND FLOOR Entrance RESTAURANT ENTRANCE LEVEL 1,189 SF TOTAL SQUARE FOOTAGE: 10,560 SF 1ST FLOOR: 1,189 SF 2ND FLOOR: 9,371 SF CEILING HEIGHTS: 1ST FLOOR: 19'6" 2ND FLOOR: 12'0" FRONTAGE ON WEST STREET: 31’-11”; with 19’-2” glass storefront ESTIMATE DELIVERY DATE: August 2016 SIGNAGE: Location and Size to be approved by owner LOADING: Front loading through West Street DELIVERY CONDITION OF SPACE: • Electric meter, gas meter, water meter and conduit dedicated to the space. • Ability to tie into the sanitary lines of the building (bathrooms and drains not provided) • Condenser water supply and return (tenant will be required to supply their own HVAC equipment) • Louvers at the exterior wall for air intake and exhaust • Sprinkler mains (tenant required to construct sprinkler heads) Second Floor Restaurant Level TOTAL SQUARE FOOTAGE: 10,560 SF 1ST FLOOR: 1,189 SF 2ND FLOOR: 9,371 SF CEILING HEIGHTS: 1ST FLOOR: 19'6" 2ND FLOOR: 12'0" FRONTAGE ON WEST STREET: 31’-11”; with 19’-2” glass storefront ESTIMATE DELIVERY DATE: August 2016 SIGNAGE: Location and Size to be approved by owner LOADING: Front loading through West Street DELIVERY CONDITION OF SPACE: • Electric meter, gas meter, water meter and conduit dedicated to the space. SECOND FLOOR RESTAURANT LEVEL 9,371 SF • Ability to tie into
    [Show full text]
  • Does Occupy Signal the Death of Contemporary Art? by Paul Mason Economics Editor, Newsnight
    Does Occupy signal the death of contemporary art? By Paul Mason Economics editor, Newsnight There has been so much art centred around the Occupy protests that it is beginning to feel like a new artistic movement. What defines it, and could it supplant the world of the galleries? We get in the van and speed along to Bed-Stuy. It is the New York equivalent of London's Shoreditch or Berlin's Prenzlauer Berg, a hipster sub-metropolis, but with cuter beards. I am with The Illuminators - a group of performance artists whose art is to shine revolutionary logos onto buildings in support of the Occupy Wall Street protest, including one that has become iconic - the 99% logo, known to protesters as "the bat signal". http://www.bbc.com/news/magazine-17872666 In the van is not just a projector and a laptop, but also posters, a mobile library, and a whole vat of hot chocolate. The woman controlling the projector is a union organiser. The man vee-jaying the video is - well, a vee-jay (video jockey) in real life, but for corporates, fashion shows and the like. Molly Crabapple's Vampire Squid was appropriated by Occupy protesters across the US And Mark Read, the driver and instigator, is a college lecturer in media studies. "The bat signal is really simple. It's big and it reads as a bat signal - it's culturally legible," he says. It's a call to arms and a call for aid, but instead of a super-hero millionaire psychopath, like Bruce Wayne, it's ourselves - it's the 99% coming to save itself.
    [Show full text]
  • Liminality in Gender, Race, and Nation in Les Quarteronnes De La Nouvelle
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Louisiana State University Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2006 Liminality in gender, race, and nation in Les Quarteronnes de la Nouvelle-Orléans by Sidonie de la Houssaye Christine Koch Harris Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the French and Francophone Language and Literature Commons Recommended Citation Harris, Christine Koch, "Liminality in gender, race, and nation in Les Quarteronnes de la Nouvelle-Orléans by Sidonie de la Houssaye" (2006). LSU Doctoral Dissertations. 2875. https://digitalcommons.lsu.edu/gradschool_dissertations/2875 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. LIMINALITY IN GENDER, RACE, AND NATION IN LES QUARTERONNES DE LA NOUVELLE-ORLÉANS BY SIDONIE DE LA HOUSSAYE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of French Studies By Christine Elizabeth Koch Harris B.A., Mercer University, 1997 M.A., Louisiana State University, 2003 May 2006 Copyright 2006 Christine Elizabeth Koch Harris All rights reserved ii Dedication To the memory of my father, Jack Koch, who would have gotten a kick out of calling me “Doctor.” To the memory of my grandmothers, Caroline Kirkland Conklin and Phyllis Van Houten Koch who bequeathed their love affairs with reading to me, and to my mother, Elizabeth Conklin Koch who continued that tradition.
    [Show full text]