The Right to Occupyâ•Floccupy Wall Street and the First Amendment
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A Brief History of Occupy Wall Street ROSA LUXEMBURG STIFTUNG NEW YORK OFFICE by Ethan Earle Table of Contents
A Brief History of Occupy Wall Street ROSA LUXEMBURG STIFTUNG NEW YORK OFFICE By Ethan Earle Table of Contents Spontaneity and Organization. By the Editors................................................................................1 A Brief History of Occupy Wall Street....................................................2 By Ethan Earle The Beginnings..............................................................................................................................2 Occupy Wall Street Goes Viral.....................................................................................................4 Inside the Occupation..................................................................................................................7 Police Evictions and a Winter of Discontent..............................................................................9 How to Occupy Without an Occupation...................................................................................10 How and Why It Happened........................................................................................................12 The Impact of Occupy.................................................................................................................15 The Future of OWS.....................................................................................................................16 Published by the Rosa Luxemburg Stiftung, New York Office, November 2012 Editors: Stefanie Ehmsen and Albert Scharenberg Address: 275 Madison Avenue, Suite 2114, -
The Occupy Wall Street Movement's Struggle Over Privately Owned
International Journal of Communication 11(2017), 3162–3181 1932–8036/20170005 A Noneventful Social Movement: The Occupy Wall Street Movement’s Struggle Over Privately Owned Public Space HAO CAO The University of Texas at Austin, USA Why did the Occupy Wall Street movement settle in Zuccotti Park, a privately owned public space? Why did the movement get evicted after a two-month occupation? To answer these questions, this study offers a new tentative framework, spatial opportunity structure, to understand spatial politics in social movements as the interaction of spatial structure and agency. Drawing on opportunity structure models, Sewell’s dual concept of spatial structure and agency, and his concept of event, I analyze how the Occupy activists took over and repurposed Zuccotti Park from a site of consumption and leisure to a space of political claim making. Yet, with unsympathetic public opinion, intensifying policing and surveillance, and unfavorable court rulings privileging property rights over speech rights, the temporary success did not stabilize into a durable transformation of spatial structure. My study not only explains the Occupy movement’s spatial politics but also offers a novel framework to understand the struggle over privatization of public space for future social movements and public speech and assembly in general. Keywords: Occupy Wall Street movement, privately owned public space (POPS), spatial opportunity structure, spatial agency, spatial structure, event Collective actions presuppose the copresence of “large numbers of people into limited spaces” (Sewell, 2001, p. 58). To hold many people, such spaces should, in principle, be public sites that permit free access to everyone. The Occupy Wall Street (OWS) movement, targeting the engulfing inequality in the age of financialization and neoliberalization, used occupation of symbolic sites to convey its message. -
What Comes After Occupy?
What Comes After Occupy? ADAPT LABOUR STUDIES BOOK-SERIES International School of Higher Education in Labour and Industrial Relations Series Editors Tayo Fashoyin, University of Lagos (Nigeria) Michele Tiraboschi, University of Modena and Reggio Emilia (Italy) Guest Editors Massimo Pilati, University of Modena and Reggio Emilia (Italy) Hina Sheikh, UCLA University of California (Los Angeles) Francesca Sperotti, ADAPT Senior Research Fellow (Italy) Chris Tilly, UCLA University of California (Los Angeles) English Language Editor Pietro Manzella, ADAPT Senior Research Fellow (Italy) ADAPT (www.adapt.it) is a non-profit organisation founded in 2000 by Professor Marco Biagi with the aim of promoting studies and research in the field of labour law and industrial relations from an international and comparative perspective. In collaboration with the Centre for International and Comparative Studies on Law, Economics, Environment and Work (DEAL) at the Marco Biagi Department of Economics of the University of Modena and Reggio Emilia (Italy), ADAPT set up the International School of Higher Education in Labour and Industrial Relations, a centre of excellence which is accredited at an international level for research, study and the postgraduate programmes in the area of industrial and labour relations. ADAPT International Scientific Committee Bertagna Giuseppe (University of Bergamo, Italy), Bulgarelli Aviana (ISFOL, Italy), Fashoyin Tayo (University of Lagos, Nigeria), Frommberger Dietmar (Universität Magdeburg, Germany), Grisolia Julio Armando (Universidad -
New York City Adventure “One If by Land, and Two If by Sea”
NYACK COLLEGE HOMECOMING NEW YORK CITY ADVENTURE “ONE IF BY LAND, AND TWO IF BY SEA” 1 READE S T REE T WASHINGTON MARKET C PARK H G CIV I C T E URC W REE E C E N T E R O ROCKEFELLER C H A M B ERS S T REE T R PARK T E T R K R S RE A T S P N H L WE N W O N R W A RRE N S T REE T S DIS O A A M I C H E R P T T S H R I RE T 2 V E TRI B E C A N E R D AVEN W E T E N K F O R T S T R E CITY O F R A MSURRA YB ST REE T T E HALL BR E T SP W T R O RR PARK R K R O KLY ASHI A L RE O P A U N A P A R K P L A C E S P R U C E S B E D O V E R C RID N A E N G A E S T E MURR A Y S T REE T G T RE RE D D E T E T T T E T 3 Y O E W E N B T B A RCL A Y STREE T E T RE E E LL K M A E T A A N T S S T E RE E RE TRE Y T T S RE M T S R L A P E A I A C K S L L E E L H P I L D I P V ESEY S T REE T E R S T R E T A N N S T R E E T O T W G B EE A T N 4 K W W M A N ES FUL T O N STREE T FRO FU 5 H T C L D E Y T T W O RLD W O RLD T R A D E O S FINA N C I A L C E N T ER SI T E DU F N F T C E N T E R J O H N T S T R E CLI RE E T E T S O U T H S T R E E T T C O R T L A N D T Y E E E S E A P O R T Pier 17 A E M J O T A IDEN E PL H N S T A T T R W S T R R RE N O R T H L E T E E A N T T C O V E D E PEARL STRE T S A T S L I B ERT Y S T REE T LIBER FL W GREENWICH S E R T O T C H Y E R Pedestrian A U S T Bridge S I RE E T H N M CEDA R CED A R S T REE T A I M N BR AID I A S G E T N I T C E L S D A O Y T H A M E S A R S T N L R E E N E T T B AT T E R Y A S L A L B A N Y S T REE T T P O E S RE I PA R K N P U I N E S T T L R E E T T RE E P I N W E CIT Y H A E T T E RE CARLISLE S T REE T T -
Real Democracy in the Occupy Movement
NO STABLE GROUND: REAL DEMOCRACY IN THE OCCUPY MOVEMENT ANNA SZOLUCHA PhD Thesis Department of Sociology, Maynooth University November 2014 Head of Department: Prof. Mary Corcoran Supervisor: Dr Laurence Cox Rodzicom To my Parents ii ACKNOWLEDGEMENTS This thesis is an outcome of many joyous and creative (sometimes also puzzling) encounters that I shared with the participants of Occupy in Ireland and the San Francisco Bay Area. I am truly indebted to you for your unending generosity, ingenuity and determination; for taking the risks (for many of us, yet again) and continuing to fight and create. It is your voices and experiences that are central to me in these pages and I hope that you will find here something that touches a part of you, not in a nostalgic way, but as an impulse to act. First and foremost, I would like to extend my heartfelt gratitude to my supervisor, Dr Laurence Cox, whose unfaltering encouragement, assistance, advice and expert knowledge were invaluable for the successful completion of this research. He was always an enormously responsive and generous mentor and his critique helped sharpen this thesis in many ways. Thank you for being supportive also in so many other areas and for ushering me in to the complex world of activist research. I am also grateful to Eddie Yuen who helped me find my way around Oakland and introduced me to many Occupy participants – your help was priceless and I really enjoyed meeting you. I wanted to thank Prof. Szymon Wróbel for debates about philosophy and conversations about life as well as for his continuing support. -
Campuses New York City, NY Los Angeles, CA South Beach, Miami
132 LOCATIONS LOCATIONS 133 Campuses New York City, NY Los Angeles, CA South Beach, Miami, FL Gold Coast, Australia Satellite Locations Florence, Italy Paris, France Harvard University, MA Walt Disney World® Resort, FL Beijing, China Shanghai, China Mumbai, India Doha, Qatar Moscow, Russia Kyoto, Japan Seoul, Korea Amsterdam, Netherlands Rio De Janeiro, Brazil Locations 134 NEW YORK CITY NEW YORK CITY 135 New York City, NY The New York Film Academy’s flagship campus in New Chinatown and Spanish Harlem, the stately Museum Mile Central Location Extracurricular Activities York City places students in the heart of one of the on the Upper East Side, the neighborhood brownstones of world’s greatest metropolises. For its size, excitement, Park Slope in Brooklyn. New York City is about neon lights, The New York Film Academy’s New York City campus in “The city that never sleeps” offers as many exciting culture, and landscape, the city remains unparalleled taxi horns, street music, bookstores, landscaped parks, Manhattan’s historic Financial District is split between adventures and discoveries as there are people. For — and plays a starring role in the projects and lives of and 10 million inhabitants working together — each as premier facilities on Battery Park and Broadway, steps dining, film, nightlife, shopping, museums, and so much our students. unique as the next. from the iconic Charging Bull statue on Wall Street, more, New York ranks number one in the world. the beautiful Hudson River Park, and the Castle Clinton Dynamic, rich in diversity, and always alive, New York Our students in New York City have the opportunity National Monument in Battery Park. -
Occupy Wall Street: a Movement in the Making
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 5-20-2012 Occupy Wall Street: A Movement in the Making Hannah G. Kaneck Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Politics Commons, Civil Rights and Discrimination Commons, Economic Policy Commons, Education Policy Commons, Energy Policy Commons, Environmental Policy Commons, Health Policy Commons, Human Rights Law Commons, International Law Commons, Law and Gender Commons, Law and Politics Commons, Law Enforcement and Corrections Commons, Organizations Law Commons, Political Economy Commons, and the Social Policy Commons Recommended Citation Kaneck, Hannah G., "Occupy Wall Street: A Movement in the Making". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/245 Occupy Wall Street: a movement in the making Hannah Kaneck Spring 2012 1 Dedicated to my grandmother Jane Armstrong Special thanks to my parents Karrie and Mike Kaneck, my readers Stephen Valocchi and Sonia Cardenas, the Trinity College Human Rights Program, and to my siblings at Cleo of Alpha Chi 2 Table of Contents Timeline leading up to September 17, 2011 Occupation of Wall Street…………………….……………….4 Introduction…………………………………………………………………………………..……………………………….….……..6 Where did they come from?...........................................................................................................7 -
The Ethics of Artistic Appropriation
Taking Charging Bull by the Horns: The Ethics of Artistic Appropriation In the wake of the global stock market crash of 1987, the Sicilian immigrant Arturo Di Modica created the guerilla artwork known as Charging Bull. Without permission, and after spending $350,000 of his own funds, Di Modica had the bull installed in 1989 near Wall Street in New York City during the height of Christmas season to symbolize the strength and power of the American people. Many tourists and locals alike loved the Charging Bull and identified it as “the only significant work of guerrilla capitalist art in existence.” The New York Stock Exchange quickly removed the 3.5-ton statue the day it was installed, but the resulting public outcry led to its “temporary installation” in a nearby location; thirty years later, Charging Bull is still standing strong as one of the most iconic symbols of New York City. On March 7, 2017, Charging Bull was faced with a new opponent. Photo: Anthony Quintano/CC BY 2.0 During the night before International Women’s Day in March 2017, a small sculpture of a young girl was quietly placed in front of Charging Bull. Known as Fearless Girl, the unscheduled installation stands defiantly with her hands on her hips and faces the bull with an unwavering confidence. At the feet of the statue was a bronze plaque that reads “Know the power of women in leadership. SHE makes a difference.” The initial reaction from many people was that this was another act of guerrilla art, one particularly needed now given Wall Street’s challenges with gender equity and diversity. -
The Effect of Increased Tourism in Lower Manhattan by Catherine Mcvay Hughes, Chair Of
The City of New York Manhattan Community Board 1 Catherine McVay Hughes CHAIRPERSON | Noah Pfefferblit DISTRICT MANAGER Committee on Lower Manhattan Redevelopment Oversight Hearing on The Effect of Increased Tourism in Lower Manhattan Testimony by Catherine McVay Hughes Chairperson Friday, September 28, 2012 250 Broadway, Committee Room, 16th Floor, New York, NY 10:00 AM Good morning Chairperson Chin and members of the New York City Council Committee on Lower Manhattan Redevelopment. I am Catherine McVay Hughes Chairperson of Manhattan Community Board One. We thank you for the opportunity to comment on the effect of increased tourism in Lower Manhattan. Lower Manhattan has long served as a destination for tourists because it is rich in historical, iconic, cultural, and economic assets, ranging from the National 9/11 Memorial, Statue of Liberty/Ellis Island, Wall Street, The Bull (at Bowling Green), Brooklyn Bridge, and Governor’s Island. Lower Manhattan residents appreciate the significance of these local assets, understand the desire of tourists to experience them, and recognize the economic benefits such tourists generate for the area and the City. There has been increased tourism in the aftermath of 9/11. “Eleven years after September 11, Lower Manhattan attracts 10 million tourists per year. According to the Downtown Alliance, the local Business Improvement District largely responsible for spearheading the area's growth, there are 39,380 visitors to the area each day with more than 309,500 weekday workers and 61,000 residents living in more than 325 residential buildings,” according to the NY Daily News (September 6, 2012, by Jason Sheftell). -
Lower Manhattan Public Art Offers Visitors Grand, Open-Air Museum Experience
FOR IMMEDIATE RELEASE Contact: Maria Alvarado, (212) 835.2763, [email protected] LOWER MANHATTAN PUBLIC ART OFFERS VISITORS GRAND, OPEN-AIR MUSEUM EXPERIENCE Works by Dubuffet, Koons and Naguchi are among the 14 unique installations featured South of Chambers Street (February 23, 2015) – With more than a dozen masterpieces from world-renowned artists, Lower Manhattan is home to a remarkable and inspiring public art program. The works of art are now featured in a new walking tour itinerary curated by the Downtown Alliance, “Lower Manhattan by Public Art.” The full tour can be found on the Alliance’s website at http://downtownny.com/walkingtours. The walking tour begins at the district’s northernmost edge at 1 Police Plaza, across from City Hall. Here, visitors will find 5-in-1 by Tony Rosenthal. The artist’s work of five interlocking steel discs, rising to a height of 35 feet, represents the five boroughs coming together as one city. Additional pieces of art featured are: Shadows and Flags by Louise Nevelson (William Street between Maiden Lane and Liberty Street) Seven pieces bundled together as a singular abstract unit alludes to the wafting flags, ceremonious spirals, and blooming trees that define the New York City landscape. Group of Four Trees by Jean Dubuffet (28 Liberty Street) The “four trees” are created by a series of intertwined irregular planes, which lean in different directions and are connected by thick black outlines. The piece is part of Dubuffet’s “L’Hourloupe” cycle — a bold, graphic style inspired by a doodle. Sunken Garden by Isamu Noguchi (28 Liberty Street) In the winter, the garden, set one story below ground level, is a dry circular expanse; in the summer, it is transformed into a giant water fountain. -
Occupy Boise Case
Case 1:12-cv-00076-BLW Document 17 Filed 02/26/12 Page 1 of 16 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF IDAHO EDWARD WATTERS, DEAN GUNDERSON, STEVEN FARNWORTH, MATTHEW ALEXANDER NEWIRTH, Case No. 1:12-CV-76-BLW individuals, and OCCUPY BOISE, an Idaho unincorporated nonprofit association MEMORANDUM DECISION AND ORDER Plaintiffs, v. C.L. (BUTCH) OTTER, in his official capacity as the Governor of the State of Idaho, TERESA LUNA, in her official capacity of the Director of the Idaho Department of Administration, and COL. G. JERRY RUSSELL, in his official capacity as the Director of the Idaho State Police, Defendants. INTRODUCTION The Court has before it Occupy Boise’s motion for injunctive relief. The Court heard oral argument on the motion on February 24, 2012, and took the motion under advisement. For the reasons explained below, the Court will grant the motion, to the extent it seeks to enjoin the state from removing the symbolic tent city erected by Occupy Boise, but deny the motion, to the extent it seeks to enjoin the occupants from camping, sleeping or storing camping-related personal property at the site. Memorandum Decision & Order - 1 Case 1:12-cv-00076-BLW Document 17 Filed 02/26/12 Page 2 of 16 SUMMARY Occupy Boise’s motion for injunction comes before the Court – as most injunction motions do – on a rushed schedule with expedited briefing. Hasty decisions are rarely wise decisions, and the law recognizes that fact: Preliminary injunctions are issued on a showing of a “likelihood” of success; there is no final resolution of any issue. -
Occupy! Scenes from Occupied America 28 Daily Acadlemsice Bo Ork Reevievwsi Efrowm T Hoe Sfo Cbial Oscoienkcess 2012 Blog Admin
Jul Book Review: Occupy! Scenes from Occupied America 28 daily acadLemSicE bo oRk reevievwsi efrowm t hoe sfo cBial oscoienkcess 2012 Blog Admin Like 19 Tw eet 28 Share 3 In the fall of 2011, a small protest camp in downtown Manhattan exploded into a global uprising, sparked in part by what many saw as the violent overreactions of the police. Occupy! is an unofficial record of the movement and combines first-hand accounts with reflections from activist academics and writers. Jason Hickel finds the book has excellent moments of insight but thought it could benefit from a more lengthy analysis. Occupy! Scenes from Occupied America. Astra Taylor and Keith Gessen (eds). Verso. 2011. Find this book When a small group of activists first occupied Zuccotti Park in Lower Manhattan last September nobody thought it would amount to much. But it wasn’t long before Occupy Wall Street struck a chord with a nation embittered by bank bailouts, plutocracy, and rising social inequalities, galvanized hundreds of thousands of angry protestors, and inspired similar encampments in dozens of cities across the United States and Europe. As a scholar who followed OWS closely with both personal and scholarly interest, I was thrilled to get my hands on Occupy!: Scenes from Occupied America, one of the first book-length texts to have been published on the topic. Occupy! was composed in an unconventional style. It compiles 34 short chapters and dozens of sketches and photographs selected and edited by a team of eight scholar-activists, mostly from radical journals in New York such as n+1 and Dissent, led by Astra Taylor and Keith Gessen.