A Casebook on the Enforcement of Intellectual Property Rights – 4Th Edition a Casebook on the Enforcement of Intellectual Property Rights
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International Intellectual Property Law
ee--RRGG Electronic Resource Guide International Intellectual Property Law * Jonathan Franklin This page was last updated February 8, 2013. his electronic resource guide, often called the ERG, has been published online by the American Society of International Law (ASIL) since 1997. T Since then it has been systematically updated and continuously expanded. The chapter format of the ERG is designed to be used by students, teachers, practitioners and researchers as a self-guided tour of relevant, quality, up-to-date online resources covering important areas of international law. The ERG also serves as a ready-made teaching tool at graduate and undergraduate levels. The narrative format of the ERG is complemented and augmented by EISIL (Electronic Information System for International Law), a free online database that organizes and provides links to, and useful information on, web resources from the full spectrum of international law. EISIL's subject-organized format and expert-provided content also enhances its potential as teaching tool. 2 This page was last updated February 8, 2013. I. Introduction II. Overview III. Research Guides and Bibliographies a. International Intellectual Property Law b. International Patent Law i. Public Health and IP ii. Agriculture, Plant Varieties, and IP c. International Copyright Law i. Art, Cultural Property, and IP d. International Trademark Law e. Trade and IP f. Arbitration, Mediation, and IP g. Traditional Knowledge and IP h. Geographical Indications IV. General Search Strategies V. Primary Sources VI. Primary National Legislation and Decisions VII. Recommended Link sites VIII. Selected Non-Governmental Organizations IX. Electronic Current Awareness 3 This page was last updated February 8, 2013. -
In the United States District Court for the District of Delaware
IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF DELAWARE CALLAWAY GOLF COMPANY, ) ) Plaintiff/Defendant-in-Counterclaim, ) ) v. ) ) Civil Action No. 01-669-KAJ DUNLOP SLAZENGER GROUP AMERICAS, ) INC., d/b/a MAXFLI, ) ) Defendant/Plaintiff-in-Counterclaim. ) MEMORANDUM ORDER I. Introduction Presently before me is a motion (D.I. 364) filed by Dunlop Slazenger Group Americas, Inc. d/b/a Maxfli (“Dunlop”) seeking reconsideration of the May 13, 2004 Memorandum Opinion and Order (Docket Item [“D.I.”] 358, 359) in which I granted Callaway Golf Company’s (“Callaway”) motion for partial summary judgment on Dunlop’s counterclaim for misappropriation of trade secrets related to Dunlop’s polyurethane golf ball technology. In a separately filed motion (D.I 366), Dunlop also seeks reconsideration of the part of my Opinion and Order dated May 18, 2004 (D.I. 361, 362) in which I granted Callaway’s motion for partial summary judgment on Dunlop’s claims for negligent hiring, training, supervision, and/or retention of employees, conversion and unjust enrichment. I have jurisdiction over this case pursuant to 28 U.S.C. §§ 1331, 1338, and 1367. For the reasons that follow, the motions will be denied. 1 II. Background Because the factual and procedural history of this case is set forth in several prior rulings, see Memorandum Opinion dated May 13, 2004 (D.I. 359), Memorandum Opinion dated May 18, 2004 (D.I. 362), Memorandum Order dated May 18, 2004 (D.I. 360), and Memorandum Order dated May 21, 2004 (D.I. 363), it will not be repeated here. Rather, the facts pertinent to the motions currently before me are incorporated in the discussion below. -
Globalizing Intellectual Property: Linkage and the Challenge of a Justice-Constituency
GLOBALIZING INTELLECTUAL PROPERTY: LINKAGE AND THE CHALLENGE OF A JUSTICE-CONSTITUENCY SAMUELK. MURUMBA* 1. INTRODUCTION There are historical moments in which invisible forces take a perfectly good idea and turn it into an ideology or even an idol. Such seems to be the case with intellectual property. Twenty years ago, intellectual property hardly existed as such. Its individ ual components-copyrights, patents, trademarks , etc.-had been around for a long time, of course, but they had not coalesced into anything comparable to the unified body of law we have today. Nor were they central to legal practice or significant to law school curriculum. Indeed, as recently as the beginning of the 1980s, de bate was still raging over the appropriate name to give to this emerging field ("industrial property" or "intellectual property") and over its precise boundaries. Almost overnight, however, in tellectual property has changed from a complex and generally eso teric body of law-the preserve of specialists in technology and entertainment law-to the stuff of folklore and conversation at cocktail parties, and for some, almost an object of worship. Intel lectual property now frequently appears in the company of such lofty notions as freedom and democracy, and has even been hailed as a more potent weapon than bombs and missiles for use against dictators!*'� * Professor of Law, Brooklyn Law School; LL.B. (Honors) (Makerere Uni versity, Kampala); LL.M.; Ph.D. (Monash University, Melbourne, Australia). This paJ?er was presented at the Annual Meeting of the American Society of InternatiOnal Law, International Economic Law Interest Group, Washington, D.C., December 5, 1997. -
Torts: Cases and Context Volume One
1 Torts: Cases and Context Volume One Eric E. Johnson Associate Professor of Law University of North Dakota School of Law eLangdell Press 2015 About the Author Eric E. Johnson is an Associate Professor of Law at the University of North Dakota. He has taught torts, intellectual property, sales, entertainment law, media law, sports law, employment law, and writing courses. He has twice been selected by students as the keynote speaker for UND Law’s graduation banquet. His writing on legal pedagogy has appeared in the Journal of Legal Education. With scholarly interests in science and risk, and in intellectual property, Eric’s publications include the Boston University Law Review, the University of Illinois Law Review, and New Scientist magazine. His work was selected for the Yale/Stanford/Harvard Junior Faculty Forum in 2013. Eric’s practice experience includes a wide array of business torts, intellectual property, and contract matters. As a litigation associate at Irell & Manella in Los Angeles, his clients included Paramount, MTV, CBS, Touchstone, and the bankruptcy estate of eToys.com. As in-house counsel at Fox Cable Networks, he drafted and negotiated deals for the Fox Sports cable networks. Eric received his J.D. cum laude from Harvard Law School in 2000, where he was an instructor of the first-year course in legal reasoning and argument. He received his B.A. with Highest and Special Honors from the Plan II program at the University of Texas at Austin. Outside of his legal career, Eric performed as a stand-up comic and was a top-40 radio disc jockey. -
Robert P Merges What Kind of Rights Are Intellectual Property Rights?
Robert P Merges What Kind of Rights Are Intellectual Property Rights? Forthcoming in Rochelle C Dreyfuss & Justine Pila (eds), The Oxford Handbook of Intellectual Property Law © RP Merges 2017 Table of Contents 1. Intellectual Property as a Right 1.1 Intellectual Property Rights Are Property Rights 1.2 The Basic Features of Intellectual Property as Property 1.2.1 The Right to Control Uses 1.2.2 The Right to Transfer 1.2.3 The Special Case of Waiver 1.3 Limitations on Intellectual Property Rights 2. What Kind of Rights? Hohfeld and Intellectual Property 2.1 Claim Right/Duty 2.2 Privilege/No Claim 2.3 Power/Liability 2.4 Immunity/Disability 2.5 Hohfeld: Conclusion 3. Obstacles to Conceiving Intellectual Property as Property 3.1 Intellectual Property Acquisition and Misunderstandings About What it Means to be a Right 3.2 What, No Automatic Injunction? That’s Not Property! 3.3 Why Intellectual Property Rights Are Not ‘Regulation’ 3.3.2 The Second Sense of ‘Regulation’ 3.3.3 Freedom and Permission 3.3.4 Freedoms in Historical Perspective 3.4 Intellectual Property Rights as Property Rights: Summing Up 4. Problems With Conceiving Intellectual Property as Property 4.1 Group Ownership 4.2 Intellectual Property As Constitutional Property: The Takings Problem 5. Conclusion 1. Intellectual Property Rights as Rights Electronic copy available at: https://ssrn.com/abstract=2959073 The phrase is common enough that it rolls off the tongue: intellectual property rights. It even has a well-known acronym, ‘IPRs.’1 But are they really rights? And if so, what kind of rights? Most importantly, what difference does it make that they are rights – what practical import does this carry? These are the questions I take up here. -
Intellectual Property and Information Technology
Intellectual Property and Information Technology Cover or Section Title • 1 Dentons’ Kazakhstan Intellectual Property practice will select the right options to suit your business needs, whether you are assessing an IP portfolio, performing due diligence for an acquisition, securing a patent, trademark, trade secret or copyright or need to resolve a dispute through litigation or other means. We are uniquely positioned to help, with a full-service IP practice that is integrated with other practices, providing you with comprehensive and tailored legal solutions. Our enviable track record includes representing entrepreneurs, artists, public institutions, emerging companies and global corporations. We are pioneers in researching cloud computing regulation in Kazakhstan. Given that there are no special (complex) regulations regarding cloud computing in the country, a set of normative acts are applicable, which requires a thorough knowledge of the national security law, personal data law, law on banks and banking activity, informatization, etc. 2 • Cover or Section Title The leading legal practice in Kazakhstan Overview The leading legal practice in Kazakhstan. Dentons is the only international law firm with a full-service IP practice in Kazakhstan. It comprises five professionals: a Partner, two lawyers, including a qualified Patent and Trademark Attorney of the Republic of Kazakhstan and two paralegals. Dentons’ IP and TMT practice is recognized as Tier 1 in Kazakhstan, according to The Legal 500. In 2021, our practice was also included in the World Trademark Review (WTR 1000) ranking. Wide list of services We can assist you with IP protection (procedural issues of registration of the exclusive rights to items of intellectual property) and issues of IP enforcement at pre-litigation (including administrative proceedings with state bodies) and litigation stages. -
The Freedom to Copy: Copyright, Creation, and Context
The Freedom to Copy: Copyright, Creation, and Context Olufunmilayo B. Arewa* Although much separates them musically, George Harrison and Michael Bolton share a common legal fate. Both have been held liable in copyright infringement cases in which a court articulated theories of liability based on subconscious infringement. This Article discusses how decisions in the Bolton, Harrison, and other copyright infringement cases reflect a common failing. Such decisions highlight the incomplete nature of the theories of creativity and creation processes in copyright doctrine. After discussing current approaches to questions of creation, this Article suggests ways in which copyright theory can better incorporate a contextualized understanding of creativity and creation processes. Creativity in copyright is frequently characterized as not involving copying, which is typically thought to be antithetical to both originality and creativity. This stigmatization of copying, however, means that copyright theory cannot adequately account for the reality of not infrequent similarities between works that are a result of copying both ideas and expression in the creation of new works. This missing theoretical link has significant implications for copyright in practice. The lack of legal analysis of the full range of creativity and processes of creation is also a major reason why copyright theory often has such difficulty delineating what constitutes appropriate and inappropriate copying of existing works. * Associate Professor, Northwestern University School of Law. A.B. Harvard College; M.A. Anthropology, Ph.D. Anthropology, University of California, Berkeley; A.M. Applied Economics, University of Michigan; J.D., Harvard Law School. For their helpful comments and suggestions on earlier drafts, I am indebted to Margaret Chon, Julie Cohen, Paul Heald, Kevin Jon Heller, Andrew Koppelman, Roberta Rosenthal Kwall, Jacqueline Lipton, Andrew P. -
A Guide to Copyright & Plagiarism
A GUIDE TO COPYRIGHT & PLAGIARISM Work that is submitted to the Scholastic Art & Writing Awards must not be plagiarized or violate copyright laws. If a submitted work is plagiarized and/or violates copyright law, the work will be disqualified from the Scholastic Awards. To avoid this from happening, please review these guidelines for submitting your work. PLAGIARISM IS DIFFERENT FROM A COPYRIGHT VIOLATION PLAGIARISM is an ethical violation. Plagiarism is failing to cite sources and engaging in the act of passing someone else’s work or ideas off as one’s own. • If you take another person’s words, materials, images, etc. without citing them (i.e. if you pass someone else’s work off as your own), the work is plagiarized. This applies even if you have only copied a part, rather than the whole, of another’s work. A COPYRIGHT is a property right. Copyright is a form of legal protection prohibiting others from copying one’s creative work without permission. • Just as someone owns a car and another person may not steal it, an artist or writer owns the rights to the creative expression of his/her own original work and another person may not steal it by copying it without permission. • Copyrights to a work arise as soon as the work is fixed to a tangible form. For example, an idea for a painting is not protected until the idea is actually expressed on a canvas or in another tangible form. Submissions that contain plagiarism and/or copyright violations should not be submitted to the scholastic awards. -
Substantial Similarity” Infringement Test
LCB_23_2_Article_3_Sprigman (Do Not Delete) 6/13/2019 9:29 PM THE FILTRATION PROBLEM IN COPYRIGHT’S “SUBSTANTIAL SIMILARITY” INFRINGEMENT TEST by Christopher Jon Sprigman* and Samantha Fink Hedrick** Copyright protects original artistic and literary expression. It does not protect ideas, facts, or other elements that may be found in artistic and literary works but which Section 102(b) of the Copyright Act, or the judge-made merger and scènes à faire doctrines, place outside the scope of copyright protection. The principle that copyright protects expression but not ideas is easy enough to ar- ticulate, but actually implementing it in copyright infringement litigation is considerably more difficult. This Article focuses not on the theory of idea/expression boundary-setting, but on the mechanics. In particular, how can we make sure that the distinction between protectable expression and unprotectable ideas is faithfully reflected in infringement verdicts? To implement the copyright infringement standard, judges typically engage in a process of “filtration,” by which they separate out ideas and other unprotectable elements of a work. But this procedure does not, by itself, ensure that the idea/expression distinction plays its intended role in the ultimate decision regarding infringement, especially when that decision is made by a jury. If the court’s initial filtration is to have any role in ensuring that infringement is found only on the basis of similarity of protected elements, the jury must be instructed regarding the elements of the works at issue that are protected by copyright and those that are not. But in some cases, instruc- tions may not be enough. -
Wipo Intellectual Property Handbook Wipo Publication
WIPO INTELLECTUAL PROPERTY HANDBOOK WIPO PUBLICATION No. 489 (E) ISBN 978-92-805-1291-5 WIPO 2004 Second Edition Reprinted 2008 Detailed Table of Contents Chapter 1 Introduction The Concept of Intellectual Property 3 The World Intellectual Property Organization (WIPO) 4 History 4 Mission and Activities 5 Structure 7 Administration 8 Membership 9 Constitutional Reform 9 Wider Consultation and Outreach 12 Chapter 2 Fields of Intellectual Property Protection Patents 17 Introduction 17 Conditions of Patentability 17 Drafting and Filing a Patent Application 22 Examination of a Patent Application 24 Infringement 27 Exploitation of the Patented Invention 33 Compulsory Licenses 34 Utility Models 40 ii WIPO Intellectual Property Handbook: Policy, Law and Use Copyright and Related Rights 40 Introduction 40 Copyright Protection 41 Subject Matter of Copyright Protection 42 Rights Comprised in Copyright 43 Related Rights 46 Ownership of Copyright 49 Limitations on Copyright Protection 50 Piracy and Infringement 51 Remedies 52 Intellectual Property and Traditional Cultural Expressions 56 Trends and Experiences in the Protection of TCEs 64 Conceptual and Policy Questions 66 Recent and Possible Future Developments 67 Trademarks 67 Introduction 67 Definitions 68 Signs Which May Serve as Trademarks 70 Criteria of Protectability 71 Protection of Trademark Rights 77 Use Requirements 77 Trademark Registration 79 Removal of the Trademark from the Register 82 Trademark Piracy, Counterfeiting and Imitation of Labels and Packaging 90 Change of Ownership 92 Trademark -
Substantial Similarity in Literary Infringement Cases: a Chart for Turbid Waters
UCLA UCLA Entertainment Law Review Title Substantial Similarity in Literary Infringement Cases: A Chart for Turbid Waters Permalink https://escholarship.org/uc/item/0m10v6t3 Journal UCLA Entertainment Law Review, 21(1) ISSN 1073-2896 Author Helfing, Robert F. Publication Date 2014 DOI 10.5070/LR8211027175 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Substantial Similarity in Literary Infringement Cases: A Chart for Turbid Waters Robert F. Helfing* As home to thatfictional piece of real estate known as Hollywood, the Ninth Circuit has dealt with the copyright law issue of substantial similarity more than any other jurisdiction,yet it has not developed useful principlesfor analyzing it. This article examines the history of the Ninth Circuit's two-step test for substantialsimilarity in literary in- fringement cases, showing how a quirk in the evolution of the test has created a confusing and ineffectual body of law on the subject. The ar- ticle argues that the courts have underestimated the complexity of the issue and have given too much credit to their own judgment, unaided by expert input. The absence of a genuine understandingof the issue has led courts to look for substantial similarity where it cannot be found: in the individual elements of literary works. The article pre- sents a proposed rule to re-direct the court's inquiryfrom the individ- ual elements of the work, where copyright protection cannot be found, to the artistic structure of the work, where it must be found if it exists at all. Robert F. Helfing is a senior partner and head of the Intellectual Property Department of Sedgwick LLP. -
Incorporating the Commons: a Political Economic Analysis
INCORPORATING THE COMMONS: A POLITICAL ECONOMIC ANALYSIS OF CORPORATE INVOLVEMENT IN FREE AND OPEN SOURCE SOFTWARE by BENJAMIN J. BIRKINBINE A DISSERTATION Presented to the School of Journalism and Communication and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2014 DISSERTATION APPROVAL PAGE Student: Benjamin J. Birkinbine Title: Incorporating the Commons: A Political Economic Analysis of Corporate Involvement in Free and Open Source Software This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Journalism and Communication by: Dr. Janet Wasko Chairperson Dr. Biswarup Sen Core Member Dr. Gabriela Martinez Core Member Eric Priest, J.D. Institutional Representative and J. Andrew Berglund Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2014 ii DISSERTATION ABSTRACT Benjamin J. Birkinbine Doctor of Philosophy School of Journalism and Communication September 2014 Title: Incorporating the Commons: A Political Economic Analysis of Corporate Involvement in Free and Open Source Software Free (libre) and open source software (FLOSS) emerged in the 1980s as a radical alternative to proprietary software. Fighting back against what FLOSS enthusiasts viewed as overly restrictive intellectual property protections placed on proprietary software, FLOSS was designed with the intent of granting users the right to study, modify, adapt, or otherwise tinker with the source code of software. As such, FLOSS users were able to collaborate in producing software that could be distributed freely and widely to others, who could, in turn, make changes to the software.