Golden Gate University Law Review Volume 14 | Issue 2 Article 9 January 1984 Moral Rights and the Realistic Limits of Artistic Control Susan Rabin Follow this and additional works at: http://digitalcommons.law.ggu.edu/ggulrev Part of the Intellectual Property Law Commons Recommended Citation Susan Rabin, Moral Rights and the Realistic Limits of Artistic Control, 14 Golden Gate U. L. Rev. (1984). http://digitalcommons.law.ggu.edu/ggulrev/vol14/iss2/9 This Comment is brought to you for free and open access by the Academic Journals at GGU Law Digital Commons. It has been accepted for inclusion in Golden Gate University Law Review by an authorized administrator of GGU Law Digital Commons. For more information, please contact
[email protected]. Rabin: Moral Rights MORAL RIGHTS AND THE REALISTIC LIMITS OF ARTISTIC CONTROL Artists, musicians, and authors have a substantial need to protect their work from being presented to the public in a dis torted form. In addition to their insecurity in depending on the public for financial support, most artists are relatively unsophis ticated in the business, commercial, and legal aspects of their art. It is essential that artists understand the scope and limits of available protections - statutory, judicial, contractual, or otherwise. Protection of artistic works raises difficult issues, some of which do not lend themselves to legal analysis and solutions. Foremost is the question: When has an artistic work been al tered in such a way that the author/artist/composer may be damaged economically or personally?