Softball Bat List, July 17, 2021
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Brazilian/American Trio São Paulo Underground Expands Psycho-Tropicalia Into New Dimensions on Cantos Invisíveis, a Global Tapestry That Transcends Place & Time
Bio information: SÃO PAULO UNDERGROUND Title: CANTOS INVISÍVEIS (Cuneiform Rune 423) Format: CD / DIGITAL Cuneiform Promotion Dept: (301) 589-8894 / Fax (301) 589-1819 Press and world radio: [email protected] | North American and world radio: [email protected] www.cuneiformrecords.com FILE UNDER: JAZZ / TROPICALIA / ELECTRONIC / WORLD / PSYCHEDELIC / POST-JAZZ RELEASE DATE: OCTOBER 14, 2016 Brazilian/American Trio São Paulo Underground Expands Psycho-Tropicalia into New Dimensions on Cantos Invisíveis, a Global Tapestry that Transcends Place & Time Cantos Invisíveis is a wondrous album, a startling slab of 21st century trans-global music that mesmerizes, exhilarates and transports the listener to surreal dreamlands astride the equator. Never before has the fearless post-jazz, trans-continental trio São Paulo Underground sounded more confident than here on their fifth album and third release for Cuneiform. Weaving together a borderless electro-acoustic tapestry of North and South American, African and Asian, traditional folk and modern jazz, rock and electronica, the trio create music at once intimate and universal. On Cantos Invisíveis, nine tracks celebrate humanity by evoking lost haunts, enduring love, and the sheer delirious joy of making music together. São Paulo Underground fully manifests its expansive vision of a universal global music, one that blurs edges, transcends genres, defies national and temporal borders, and embraces humankind in its myriad physical and spiritual dimensions. Featuring three multi-instrumentalists, São Paulo Underground is the creation of Chicago-reared polymath Rob Mazurek (cornet, Mellotron, modular synthesizer, Moog Paraphonic, OP-1, percussion and voice) and two Brazilian masters of modern psycho- Tropicalia -- Mauricio Takara (drums, cavaquinho, electronics, Moog Werkstatt, percussion and voice) and Guilherme Granado (keyboards, synthesizers, sampler, percussion and voice). -
Kant Borges Derrida
From Cosmopolitical Literature to Cosmo-panto-mimesis and ”this strange institution called ’literature”’: Kant, Borges, Derrida Thomas Dutoit To cite this version: Thomas Dutoit. From Cosmopolitical Literature to Cosmo-panto-mimesis and ”this strange institution called ’literature”’: Kant, Borges, Derrida. 2015. hal-01202389 HAL Id: hal-01202389 https://hal.univ-lille.fr/hal-01202389 Preprint submitted on 26 Sep 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 1 From Cosmopolitical Literature to Cosmo-panto-mimesis and "this strange institution called literature": Kant Borges Derrida THOMAS DUTOIT UNIVERSITÉ DE LILLE E.A. 4074 CECILLE "All of this would not have happened if we knew what literature is. None of this would have happened if we knew what the word 'literature' means." Jacques Derrida1 2 "Que serait une littérature qui ne serait que ce qu'elle est, littérature? Elle ne serait plus elle- même si elle était elle-même." Jacques Derrida3 "I like Fidel Castro and his beard." Bob Dylan4 In "Préjugés," Jacques Derrida takes Franz Kafka's "Devant la loi" ("Vor dem Gesetz") as the literary text with which he delivers a "Talmudic" reading meant to indicate, subtly, how "differance" would be the fulcrum by which Derrida could suspend the otherwise judgmental, critical, categorical and decisive nature of Jean- François Lyotard's work, in particular in the latter's turn to the work of Kant at the end of the 1970's and early 1980's. -
Das Remake Als Fetischkunst Gus Van Sants »Psycho« Und Die Absonderlichen Serialitäten Des Hollywood-Kinos
FORSCHUNGSBEITRAG DAS REMAKE ALS FETISCHKUNST Gus Van Sants »Psycho« und die absonderlichen Serialitäten des Hollywood-Kinos Frank Kelleter 154 RKEMA ING ALS SERIELLE PRAXIS Film-Remakes und Film-Fortsetzungen verkörpern den kommerziellen Prag- matismus des Hollywood-Kinos in schamloser Manier. Kein Wunder, dass sich Feuilleton und Filmwissenschaft lange Zeit nicht mit ihnen anfreunden konnten. Noch heute muss jeder Film, der eine Zahl im Titel trägt, darauf gefasst sein, als Beispiel für die Einfallslosigkeit einer ganzen, eigentlich geldgeilen Industrie herzuhalten. Problematisch ist diese Haltung nicht, weil sie falsch wäre – Remakes und Fortsetzungen operieren tatsächlich als ›pre-sold com- modities‹ –, sondern weil Einfallsreichtum in der Geschichte des populären Films eigentlich immer schon an profitorientierte Produktionskulturen gebun- den war. Wie unbehaglich dieser Gedanke in cinephilen Kreisen weiterhin sein mag, lässt sich daran ablesen, dass die Figur des sich gegen ökonomische Zwänge behauptenden ›Auteurs‹ die Rede über Filme selbst dort noch orga- nisiert, wo die proklamierten filmtheoretischen Überzeugungen schon längst das Gegenteil behaupten. Das Problem filmischer Autorschaft steht im Zentrum von Gus Van Sants »Psycho« und vermengt sich dort in irritierender Weise mit Fragen medialer Selbstreflexion und narrativer Fortsetzungslogik. Um zu verstehen, was hier geschieht, bietet es sich an, das Format ›Neuverfilmung‹ zunächst einmal seri- alitätstheoretisch zu beschreiben. Auf den ersten Blick ist das eine kontrain- tuitive Perspektive: Remakes behaupten ja in aller Regel nicht, Episoden oder Fortsetzungen eines größeren Erzählganzen zu sein. Dennoch fällt es schwerer, POP. Kultur und Kritik ◆ Heft 7 Herbst 2015 ◆ S. 154–173 ◆ © transcript zwischen einer Neuverfilmung und einer Fortsetzung formal zu unterscheiden, als diese scheinbar eindeutigen Begriffe vermuten lassen (Verevis 2006a; siehe auch einzelne Beiträge in Heinze/Krämer 2015). -
James Dean Brown – Psychedelic Soul You Are
James Dean Brown – Psychedelic Soul You are about to enter a space where hardly any clubber has danced before… Feel well-absorbed into James Dean Brown's most extraordinary, emphatic and convincing DJ work so far. As soon as he is supposed to feel reasonably safe in terms of a conclusive music selection and respectable mixing skills, JDB starts (and keeps on) experimenting, merging and warping styles, leaving the comfort zone. Consequently, you will experience weirdness of epic dimensions here while listening to a story that pleads for a great diversity of sound cultures at parties. Surrounded by nature, outdoors vibes and the heavy, monsoon-like rain must have been a great inspiration. Otherwise one could hardly explain how JDB managed to mix some of these hazardous grooves in such a relaxed way. The trip becomes an audio drama: psychedelic Soul, Funk and Blues full of exotic magic and mystery, intoxicating Voodoo House, decelerated grooves, flexible shuffle modes, alien sound signatures, tripping hazards, spiritual vibes, enchanting incantations, ghost whispers, tribal percussion reverberating from the electrically vibrating rain forest, echoes from space, strange and unusual music not quite from this world, fluid fairytales, passion, temptation, ritual ecstasy, obscuration and revelation, and other oddities – it's all in here. Welcome to a subtle dislocation off the norm. mixed + recorded live under heavy rain at "Contour", ://about blank garden, Berlin, 29.07.12 between 5.00 and 8.00 a.m. Theo Parrish – Dusty Cabinets 12"EP: Pieces of a Paradox (Sound Signature SS004) http://www.discogs.com/release/4298 Theo Parrish – Dan Ryan 12"EP: Roots Revisited (Sound Signature SS005) http://www.discogs.com/release/6849 Electric Soul – Here Come One 12"EP: ANewSong / Here Come One (People PEOPLE 005) http://www.discogs.com/release/32449 Kenny Dixon Jr. -
November '92 Sound
mb Nove er ’92 . 2 , NoSS UUNN DD HHHH, YOU DON’T know the shape I’m “O in,” Levon Helm was wailing plaintively over the P.A. as the lights came up at Off Broad- way, a St. Louis nightclub. The DJ’s choice of that particular Band normally prohibits). Brian McTavish of the number couldn’t have been more Star’s “Nighthawk” column was on assign- relevant. Four days on the road ment, so no luck there. A television spot with the Tom Russell Band were wasn't in the budget, so we'd have to rely coming to a close, leaving me primarily on word of mouth for ticket sales. fatigued and exhilarated at the same time. Day 1 – Kansas City The show had run late, and The Tom Russell Band, standin’ on the corner: Barry the management was doing its Ramus (bass), Fats Kaplin (accordion, pedal steel, Waiting at the Comfort Inn for the band harmonica, and more), Tom Russell (guitar, vocals), to roll in to town provided a chance to see a best to herd patrons out the Mike Warner (drums, backing vocals), Andrew Hardin door. As the crowd congratulat- (guitar, harmony vocals). prima donna in action. A member of Lash ing the band dispersed, S LaRue’sband was pressuring the desk clerk staff cartoonist Dug joined me in ap- to change his room assignment, first to down the hall, then, deciding that wasn’t proaching Tom, and in our best Wayne and up a request for an interview left on his toll good enough, to a different floor. -
Psycho by Charles Taylor “The a List: the National Society of Film Critics’ 100 Essential Films,” 2002
Psycho By Charles Taylor “The A List: The National Society of Film Critics’ 100 Essential Films,” 2002 Reprinted by permission of the author The impact of Alfred Hitchcock’s “Psycho” owes so much to its two big surprises that when the film opened in 1960 Hitchcock not only refused to allow press screenings but had theaters hire Pinkerton security guards to prevent latecomers from entering the theater once the picture had started. He wanted to keep the people who hadn’t bought tickets from finding out that Janet Leigh’s Marion Crane is stabbed to death in the shower only forty-five minutes into the movie, and that the murderer is Antho- ny Perkins’s Norma Bates, who has succumbed to the personality of the mother he murdered years before. In many ways, “Psycho” seems like a death knell for the studio system that would lumber on for a few more years before collapsing later in the decade under the weight of filmmakers and audiences sick of the old stultified formu- Alfred Hitchcock holding a clapper on the set of “Psycho.” las. It isn’t just that Hitchcock made the film fast and on Courtesy Library of Congress the cheap (it cost only $800,000), using the crew from his television anthology series “Alfred Hitchcock Presents.” We are as anxious for Norman not to be found out cover- And it’s not just the shock of the shower murder, its bril- ing up “mother’s” crime as we were for Marion not to get liant and savage elisions heralding and in many cases sur- caught stealing the $40,000 that started her on the jour- passing the screen violence to come. -
Record Dreams Catalog
RECORD DREAMS 50 Hallucinations and Visions of Rare and Strange Vinyl Vinyl, to: vb. A neologism that describes the process of immersing yourself in an antique playback format, often to the point of obsession - i.e. I’m going to vinyl at Utrecht, I may be gone a long time. Or: I vinyled so hard that my bank balance has gone up the wazoo. The end result of vinyling is a record collection, which is defned as a bad idea (hoarding, duplicating, upgrading) often turned into a good idea (a saleable archive). If you’re reading this, you’ve gone down the rabbit hole like the rest of us. What is record collecting? Is it a doomed yet psychologically powerful wish to recapture that frst thrill of adolescent recognition or is it a quite understandable impulse to preserve and enjoy totemic artefacts from the frst - perhaps the only - great age of a truly mass art form, a mass youth culture? Fingering a particularly juicy 45 by the Stooges, Sweet or Sylvester, you could be forgiven for answering: fuck it, let’s boogie! But, you know, you’re here and so are we so, to quote Double Dee and Steinski, what does it all mean? Are you looking for - to take a few possibles - Kate Bush picture discs, early 80s Japanese synth on the Vanity label, European Led Zeppelin 45’s (because of course they did not deign to release singles in the UK), or vastly overpriced and not so good druggy LPs from the psychedelic fatso’s stall (Rainbow Ffolly, we salute you)? Or are you just drifting, browsing, going where the mood and the vinyl takes you? That’s where Utrecht scores. -
UNIVERSITY of CALIFORNIA SANTA CRUZ EVERYDAY IMAGININGS UNDER the LION ROCK: an ANALYSIS of IDENTITY FORMATION in HONG KONG a Di
UNIVERSITY OF CALIFORNIA SANTA CRUZ EVERYDAY IMAGININGS UNDER THE LION ROCK: AN ANALYSIS OF IDENTITY FORMATION IN HONG KONG A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in POLITICS by Sarah Y.T. Mak March 2013 The Dissertation of Sarah Y.T. Mak is approved: _______________________________ Professor Megan Thomas, Chair ________________________________ Professor Ben Read ________________________________ Professor Michael Urban ________________________________ Professor Lisa Rofel ______________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Sarah Y.T. Mak 2013 TABLE OF CONTENTS List of Figures ..................................................................................................................... v Abstract ...............................................................................................................................vi Acknowledgments.........................................................................................................viii CHAPTER ONE: INTRODUCTION ..............................................................................................1 I. SETTING THE SCENE .......................................................................................................1 II. THE HONG KONG CASE ............................................................................................. 15 III. THEORETICAL STARTING POINTS ........................................................................... -
Representation of Women in Films: „Psycho“ (1960), „The Silence of the Lambs“ (1991), „Titanic“ (1997) and „Skyfall“ (2012)
Representation of Women in Films: „Psycho“ (1960), „The Silence of the Lambs“ (1991), „Titanic“ (1997) and „Skyfall“ (2012) Žuvela, Ana Master's thesis / Diplomski rad 2018 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zadar / Sveučilište u Zadru Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:162:223315 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-27 Repository / Repozitorij: University of Zadar Institutional Repository of evaluation works Sveučilište u Zadru Odjel za anglistiku Diplomski sveučilišni studij engleskog jezika i književnosti; smjer: nastavnički (dvopredmetni) Ana Žuvela Representation of Women in Films: „Psycho“ (1960), „The Silence of the Lambs“ (1991), „Titanic“ (1997) and „Skyfall“ (2012) Diplomski rad Zadar, 2018. Sveučilište u Zadru Odjel za anglistiku Diplomski sveučilišni studij engleskog jezika i književnosti; smjer: nastavnički (dvopredmetni) Representation of Women in Films: „Psycho“ (1960), „The Silence of the Lambs“ (1991), „Titanic“ (1991) and „Skyfall“ (2012) Diplomski rad Student/ica: Mentor/ica: Ana Žuvela Izv. prof. dr. sc. Rajko Petković Zadar, 2018. Izjava o akademskoj čestitosti Ja, Ana Žuvela, ovime izjavljujem da je moj diplomski rad pod naslovom Representation of Women in Films: „Psycho“ (1960), „The Silence of the Lambs“ (1991), „Titanic“ (1997) and „Skyfall“ (2012) rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. -
Letter to Jack Dorsey
21May 2020 Jack Dorsey, CEO Twitter Inc. 1355 Market Street Suite 900 San Francisco, California 94103 Via email: [email protected] Mr.Dorsey: Nearly 19 years ago, my wife, who had an undiagnosed heart condition, fell and hit her head on her desk at work. She was found dead the next morning. Her name is Lori Kaye Klausutis and she was 28 years old when she died. Her passing is the single most painful thing that I have ever had to deal with in my 52 years and continues to haunt her parents and sister. I have mourned my wife every day since her passing. I have tried to honor her memory and our marriage. As her husband, I feel that one of my marital obligations is to protect her memory as I would have protected her in life. There has been a constant barrage of falsehoods, half-truths, innuendo and conspiracy theories since the day she died. I realize that may sound like an exaggeration, unfortunately it is the verifiable truth. Because of this, I have struggled to move forward with my life. The frequency, intensity, ugliness, and promulgation of these horrifying lies ever increases on the internet. These conspiracy theorists, including most recently the President of the United States, continue to spread their bile and misinformation on your platform disparaging the memory of my wife and our marriage. President Trump on Tuesday tweeted to his nearly 80 million followers alluding to the repeatedly debunked falsehood that my wife was murdered by her boss, former U.S. Rep. Joe Scarborough. -
Softball-Records.Pdf
ALL-TIME SOFTBALL CHAMPIONS Year Div. Champion Coach Score Runner-up 1974 4-A El Segundo Sandi Behrmann 3-0 Wilson/Hacienda Heights 1975 4-A Warren Sally Carmen 1-0 Los Altos 3-A Burbank Gayle Runyan 5-1 Valley Christian/Cerritos 1976 4-A El Segundo Barbara Berhlohr 8-4 Villa Park 3-A Cabrillo Martine Bittman 1-0 Lompoc 2-A South Pasadena Lori McDonald 7-6 Bonita 1977 4-A Marina Betsy Ward 7-2 El Segundo 3-A El Dorado Cyndi Watson 3-2 Cabrillo 2-A Central Emma Jones 6-4 Miraleste 1978 4-A El Segundo Debi Cocks 1-0 Downey 3-A La Quinta Ed Andrade 3-0 Los Amigos 2-A Apple Valley Sue Birdsal 3-1 Royal Oak 1-A Ontario Christian Randall Pell 2-1 Don Lugo 1979 4-A Marina Betsy Ward 5-1 North Torrance 3-A Righetti Tom Proffi tt 3-2 Lompoc 2-A Mayfair Jan Smith 3-2 Capistrano Valley 1-A Charter Oak Emilie Redmon 8-3 Bonita SS San Jacinto Fran Alexander 4-2 Rio Hondo Prep 1980 4-A Righetti Bob Bush 1-0 Cypress 3-A St. Joseph/Lakewood Pete Manarino 2-1 Troy 2-A Azusa Sanoy Stewart 5-2 Mayfair 1-A La Reina Simeon Dyke/Joann Cook 4-0 Hemet SS Kern Valley Janet Kleindienst 8-2 Maricopa 1981 4-A Righetti Bob Bush 1-0 Cypress 3-A La Habra Pat O’Donnell 3-1 St. Joseph/Lakewood 2-A Moreno Valley Jim MacMillar 3-1 Bellfl ower 1-A La Reina Stan Hirsch 3-0 Ontario Christian SS Alverno Kate Kendall 4-1 Paraclete 1982 4-A Righetti Bob Bush 3-0 Ocean View 3-A South Hills Rocky Buccola 4-0 La Habra 2-A Bellfl ower Dawn Forster 4-1 Hart 1-A St. -
Huskers Face Challenging Schedule in Cathedral City Mary Nutter Collegiate Classic (Cathedral City, Calif.) the No
NEBRASKA SOFTBALL NEBRASKANO. 1 IN SOFTBALL ACADEMIC ALL-AMERICANS • NO. 13 IN NCAA TOURNAMENT WINS NO. 10 IN WORLD SERIES APPEARANCES • NO. 10 IN NCAA TOURNAMENT APPEARANCES SOFTBALL MEDIA RELATIONS CONTACT: MATT SMITH OFFICE PHONE: (402) 472-7780 CELL PHONE: (402) 770-5926 E-MAIL: [email protected] 2014 NEBRASKA SCHEDULE (7-2) Date Opponent Time/Result Hotel Encanto Invitational (Las Cruces, N.M.) Feb. 7 vs. UTEP W, 7-0 vs. Texas A&M vs. Arizona vs. Tennessee vs. UCLA vs. Boise State Feb. 7 vs. No. 12 Florida State W, 4-3 Friday, Feb. 21 Friday, Feb. 21 Saturday, Feb. 22 Sunday, Feb. 23 Sunday, Feb. 23 Feb. 8 at New Mexico State W, 11-0 (5) 5 p.m. 10 p.m. 7 p.m. 10:30 a.m. 1 p.m. Feb. 9 vs. No. 12 Florida State L, 1-5 Hilton Houston Plaza Classic (Houston, Texas) WEEK 3: MARY NUTTER COLLEGIATE CLASSIC Feb. 14 at Houston W, 4-1 Location: Cathedral City, Calif. l Complex: Big League Dreams Complex Feb. 14 vs. Army W, 7-0 Feb. 15 vs. Stephen F. Austin L, 0-1 Live Stats & Audio: Huskers.com l Live Video: none Feb. 15 vs. Sam Houston State W, 2-0 Feb. 16 vs. Sam Houston State W, 7-1 HUSKERS FACE CHALLENGING SCHEDULE IN Cathedral CITY Mary Nutter Collegiate Classic (Cathedral City, Calif.) The No. 11 Nebraska softball team travels to Cathedral City, Calif., this weekend, where the Huskers Feb. 21 vs. No. 12 Texas A&M 5 p.m. will face four consecutive top-15 teams as part of a challenging five-game schedule at the Mary Nutter Feb.