A Last Lecture This Is Tomorrow

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A Last Lecture This is Tomorrow The Independent Group, 1956 • In 1958, Independent Group member, Lawrence Alloway, vocalized his insistence on the inclusion of popular culture into the art world by writing that: … rejection of the mass produced arts is not, as critics think, a defence of culture but an attack on it. The new role for the academic is the keeper of the flame; the new role for the fine arts is to be one of the possible forms of communication in an expanding framework that also includes the mass arts. • Alloway, Lawrence. “The Arts and The Mass Media.” Architectural Design & Construction., February 1958 84-85 Grant me the power to revolutionize the world: A Personal History of Art. How Hayao Miyazaki opened my mind, Sailor Moon and David Bowie made me a digital artist, and why I explain images to people. How did I get into this mess? Revolutionary Girl Utena, 1997 directed by Kunihiko Ikuhara based on the Manga by Chiho Saito Warriors of the Wind, 1985 Hayao Miyazaki, Nausicaä of the Valley of the Wind, 1984 Howl’s Moving Castle Diana Wynne Jones, 1986 Hayao Miyazaki, 2005 Hayao Miyazaki, Nausicaä of the Valley of the Wind, 1984 Mel Chin, Revival Field, 1990 - 1993 • “Making objects and marks is also about making possibilities, making choices—and that is one of the last freedoms we have. To provide that is one of the functions of art.” - Chin • Pig’s Eye Landfill in St. Paul, Minnesota for three years. Zelda II: The Adventure of Link, 1987 Thatgamecompany, Journey, 2012 Maurice Vlaminck, Restaurant de la Machine at Bougival, 1905 Zelda II: The Adventure of Link, 1987 TRS 80, Tandy Corporation, 1977-1981 Speedboat, 1984, Hayes Publishing Barnett Newman Who's Afraid of Red, Yellow and Blue III, 1967 Who's Afraid of Red, Yellow and Blue I, 1966 Kenneth Noland, Bridge, 1964 Sailor Moon, DiC version, Aired 1995 Episode 28 Ye ol’ Internet Sailor Moon Stars, 1996 Floria Sigismondi, David Bowie, Dead Man Walking, 1997 Revolutionary Girl Utena, 1997 directed by Kunihiko Ikuhara based on the Manga by Chiho Saito Diana Poulsen Words, 2003 Breathe Escape, 2003 The Adolescence of Utena, 1999 Poulsen, Stepper v 1.0, 2016 Poulsen, Station, -- In process Conversations with my Surgeon Diana Poulsen, Marina Abramovic, The Kitchen V, Carrying the Milk, 2009, 2016 Diana Poulsen, Joseph Légaré, The Fire in the Saint-Jean Quarter, Seen Looking Westward 1848, 2016 Yayoi Kusama, Gleaming Lights of the Souls, 2008 Diana Poulsen, Yayoi Kusama, Gleaming Lights of the Souls, 2008, 2015 Diana Poulsen, Thatgamecompany, Journey, 2012, 2015.

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Protoculture Addicts
PA #88 // CONTENTS PA A N I M E N E W S N E T W O R K ' S ANIME VOICES 4 Letter From The Publisher PROTOCULTURE¯:paKu]-PROTOCULTURE ADDICTS 5 Page 5 Editorial Issue #88 (Summer 2006) 6 Contributors Spotlight SPOTLIGHTS 98 Letters 25 BASILISK NEWS Overview Character Profiles 8 Anime Releases (R1 DVDs) Story Primer 10 Related Products Releases Shinobi: The live-action movie 12 Manga Releases By Miyako Matsuda & C.J. Pelletier 17 Anime & Manga News 32 URUSEI YATSURA An interview with Robert Woodhead MANGA PREVIEW An Introduction By Zac Bertschy & Therron Martin 53 ES: Eternal Sabbath 35 VIZ MEDIA ANIME WORLD An interview with Alvin Lu By Zac Bertschy 73 Convention Guide 78 Interview ANIME STORIES Hitoshi Ariga 80 Making The Band 55 BEWITCHED AGNES 10 Tips from Full Moon on Becoming a Popstar Okusama Wa Maho Shoujo 82 Fantasia Genre Film Festival By Miyako Matsuda & C.J. Pelletier Sample fileKamikaze Girls 58 BLOOD + The Taste Of Tea By Miyako Matsuda & C. Macdonald 84 The Modern Japanese Music Database Part 35: Home Page 19: Triceratops 60 ELEMENTAL GELADE By Miyako Matsuda REVIEWS 63 GALLERY FAKE 86 Books Howl’s Moving Castle Novel By Miyako Matsuda & C.J. Pelletier Le Guide Phénix Du Manga 65 GUN SWORD Love Hina, Novel Vol. 1 By Miyako Matsuda & C.J. Pelletier 87 Live-Action Lorelei 67 KAMICHU! 88 Manga Kamisama Wa Chugakusei 90 Related Products By Miyako Matsuda CD Soundtracks 69 TIDELINE BLUE Otaku Unite! By Miyako Matsuda & C.J. Pelletier 91 Anime More on: www.protoculture-mag.com & www.animenewsnetwork.com 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ LETTER FROM THE PUBLISHER A N I M E N E W S N E T W O R K ' S PROTOCULTUREPROTOCULTURE¯:paKu]- ADDICTS Over seven years of writing and editing anime reviews, I’ve put a lot of thought into what a Issue #88 (Summer 2006) review should be and should do, as well as what is shouldn’t be and shouldn’t do.
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The Art/Science of Anime/Manga
LIT 3311: Fantasy and Science Fiction: The Art/Science of Anime/Manga Spring 2007 W. 5:30 - 8:15 pm FN 2.102 (Kusch Auditorium) Co-Instructors: Prof. Pamela Gossin and Dr. Marc Hairston Prof. Pamela Gossin Office: JO 5.304 Office Phone: 972. (UTD) 883.2071 Office Hrs: W: 2:30 - 4:00 pm + by appt Email: [email protected] (Note: 2nd W of each month: 3:15 - 4pm) Dr. Marc Hairston Instructional Office: FO 2.322B Office Phone: 972. (UTD) 883.2826 Office Hrs: Th. 9:30-11am + by appt Email: [email protected] TA: Aimee Brown Office: JO 4.904 Office Phone: 972-883-2250 or C: 214-454-0699 Office Hrs: Email: [email protected] & [email protected] Pre-requisites: 3 hours of lower-division literature or HUMA 1301. This course is intended for students interested in exploring the interdisciplinary relations between the arts / humanities and science / technology, including students working toward the minor (or future major) in Medical and Scientific Humanities (MaSH). This class is also valuable for students interested in experimental forms of creative writing, including new media and ATEC studies. No previous knowledge of Japanese language, culture or history is expected or required, and most necessary background information will be provided in class or in required readings. * This course counts toward ATEC and Medical and Scientific Humanities (MaSH) * Course Description: In this course we will present an overview of Japanese comics (manga) and Japanese animation (anime) and their rising stature in American pop culture, focusing on various forms of fantasy and science fiction.
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Of 16 ADA PALMER Curriculum Vitae the University of Chicago 773-834
ADA PALMER Curriculum Vitae The University of Chicago 773-834-8178 Department of History Fax: 773-702-7550 1126 East 59th Street, Mailbox 47 [email protected] Chicago, IL 60637 adapalmer.com ● exurbe.com EDUCATION AND EMPLOYMENT Academic Employment University of Chicago, Department of History, Associate Professor 2018-present . Assistant Professor, 2014-2018 o Associate Member of the Department of Classics o Member of the Institute on the Formation of Knowledge o Affiliate Member of the Center for the Study of Gender and Sexuality Texas A&M University, Department of History, 2009 – 2014, Assistant Professor Education Ph.D., History, 2009, Harvard University, Cambridge, MA M.A., History, 2003, Harvard University, Cambridge, MA B.A., History, cum laude, 2001, Bryn Mawr College, Bryn Mawr, PA A.A., with distinction, 1999, Simon’s Rock College of Bard (now Bard College at Simon’s Rock), Great Barrington, MA Non-Degree Programs: o Seminario di Alta Cultura, 2010, Istituto Internazionale di Studi Piceni, Sassoferrato, Italy o Aestiva Romae Latinitatis, 2004, with Fr. Reginald Foster, Rome, Italy Languages: English, Italian, French, Latin, Ancient Greek, Gothic, German (reading). ACADEMIC PUBLICATIONS Books Reading Lucretius in the Renaissance. I Tatti Renaissance Studies Series. Cambridge, MA: Harvard University Press, 2014. The Recovery of Classical Philosophy in the Renaissance, a Brief Guide, Quaderni di Rinascimento 44. Co-author with James Hankins. Istituto Nazionale di Studi sul Rinascimento. Florence: Leo S. Olschki, 2008. Peer-Reviewed Articles and Book Chapters “Pomponio Leto’s Lucretius and the Negative Space of Humanist Latin Knowledge.” Erudition and the Republic of Letters, forthcoming. Page 1 of 16 Curriculum Vitae Ada Palmer “The Effects of Authorial Strategies for Transforming Antiquity on the Place of the Renaissance in the Current Philosophical Canon,” in Beyond Reception: Renaissance Humanism and the Transformation of Classical Antiquity, eds.
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Anime Publisher Year a Tree of Palme ADV Films 2005 Abenobashi ADV
Anime Publisher Year A Tree of Palme ADV Films 2005 Abenobashi ADV Films 2005 Ah! My Goddess Pioneer 2000 Air Gear ADV Films 2007 Akira Pioneer 1994 Alien Nine US Manga 2003 Android Kikaider Bandai Entertainment 2002 Angelic Layer ADV Films 2005 Aquarian Age ADV Films 2005 Arjuna Bandai Entertainment 2001 Black Cat Funimation 2005 Black Heaven Pioneer 1999 Black Lagoon Funimation 2006 Blood: The Last Vampire Manga Entertainment 2001 Blood+ Sony Pictures 2005 BoogiePop Phantom NTSC 2001 Brigadoon Tokyo Pop 2003 C Control Funimation 2011 Ceres: Celestial Legend VIS Media 2000 Chevalier D'Eon Funimation 2006 Cowboy Bebop Bandai Entertainment 1998 Cromartie High Scool ADV Films 2006 Dai-Guard ADV Films 1999 Dears Bandai Visual 2004 DeathNote VIS Media 2003 Elfen Lied ADV Films 2006 Escaflowne Bandai Entertainment 1996 Fate Stay/Night TBS Animation 2013 FLCL Funimation 2000 Fruits Basket Funimation 2002 Full Metal Achemist: Brotherhood Funimation 2010 Full Metal Alchemist Funimation 2004 Full Metal Panic? ADV Films 2004 G Gundam Bandai Entertainment 1994 Gankutsuou Gnzo Media Factory 2004 Gantz ADV Films 2004 Geneshaft Bandai Entertainment 2001 Getbackers ADV Films 2005 Ghost in the Shell Bandai Entertainment 2002 Ghost Stories ADV Films 2000 Grave of the Fireflies Central Pak Media 1988 GTO Great Teacher Onizuka Tokyo Pop 2004 Gungrave Pioneer 2004 Gunslinger Girl Funimation 2002 Gurren Lagann Bandai Entertainment 2007 Guyver ADV Films 2007 Heat Guy J Pioneer 2002 Hellsing Pioneer 2002 Infinite Ryvius Bandai Entertainment 1999 Jin-Roh Bandai
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Copy of Anime Licensing Information
Title Owner Rating Length ANN .hack//G.U. Trilogy Bandai 13UP Movie 7.58655 .hack//Legend of the Twilight Bandai 13UP 12 ep. 6.43177 .hack//ROOTS Bandai 13UP 26 ep. 6.60439 .hack//SIGN Bandai 13UP 26 ep. 6.9994 0091 Funimation TVMA 10 Tokyo Warriors MediaBlasters 13UP 6 ep. 5.03647 2009 Lost Memories ADV R 2009 Lost Memories/Yesterday ADV R 3 x 3 Eyes Geneon 16UP 801 TTS Airbats ADV 15UP A Tree of Palme ADV TV14 Movie 6.72217 Abarashi Family ADV MA AD Police (TV) ADV 15UP AD Police Files Animeigo 17UP Adventures of the MiniGoddess Geneon 13UP 48 ep/7min each 6.48196 Afro Samurai Funimation TVMA Afro Samurai: Resurrection Funimation TVMA Agent Aika Central Park Media 16UP Ah! My Buddha MediaBlasters 13UP 13 ep. 6.28279 Ah! My Goddess Geneon 13UP 5 ep. 7.52072 Ah! My Goddess MediaBlasters 13UP 26 ep. 7.58773 Ah! My Goddess 2: Flights of Fancy Funimation TVPG 24 ep. 7.76708 Ai Yori Aoshi Geneon 13UP 24 ep. 7.25091 Ai Yori Aoshi ~Enishi~ Geneon 13UP 13 ep. 7.14424 Aika R16 Virgin Mission Bandai 16UP Air Funimation 14UP Movie 7.4069 Air Funimation TV14 13 ep. 7.99849 Air Gear Funimation TVMA Akira Geneon R Alien Nine Central Park Media 13UP 4 ep. 6.85277 All Purpose Cultural Cat Girl Nuku Nuku Dash! ADV 15UP All Purpose Cultural Cat Girl Nuku Nuku TV ADV 12UP 14 ep. 6.23837 Amon Saga Manga Video NA Angel Links Bandai 13UP 13 ep. 5.91024 Angel Sanctuary Central Park Media 16UP Angel Tales Bandai 13UP 14 ep.
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MAD SCIENCE! Ab Science Inc
MAD SCIENCE! aB Science Inc. PROGRAM GUIDEBOOK “Leaders in Industry” WARNING! MAY CONTAIN: Vv Highly Evil Violations of Volatile Sentient :D Space-Time Materials Robots Laws FOOT table of contents 3 Letters from the Co-Chairs 4 Guests of Honor 10 Events 15 Video Programming 18 Panels & Workshops 28 Artists’ Alley 32 Dealers Room 34 Room Directory 35 Maps 41 Where to Eat 48 Tipping Guide 49 Getting Around 50 Rules 55 Volunteering 58 Staff 61 Sponsors 62 Fun & Games 64 Autographs APRIL 2-4, 2O1O 1 IN MEMORY OF TODD MACDONALD “We will miss and love you always, Todd. Thank you so much for being a friend, a staffer, and for the support you’ve always offered, selflessly and without hesitation.” —Andrea Finnin LETTERS FROM THE CO-CHAIRS Anime Boston has given me unique growth Hello everyone, welcome to Anime Boston! opportunities, and I have become closer to people I already knew outside of the convention. I hope you all had a good year, though I know most of us had a pretty bad year, what with the economy, increasing healthcare This strengthening of bonds brought me back each year, but 2010 costs and natural disasters (donate to Haiti!). At Anime Boston, is different. In the summer of 2009, Anime Boston lost a dear I hope we can provide you with at least a little enjoyment. friend and veteran staffer when Todd MacDonald passed away. We’ve been working long and hard to get composer Nobuo When Todd joined staff in 2002, it was only because I begged. Uematsu, most famous for scoring most of the music for the Few on staff imagined that our three-day convention was going Final Fantasy games as well as other Square Enix games such to be such an amazing success.
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Manga Vision: Cultural and Communicative Perspectives / Editors: Sarah Pasfield-Neofitou, Cathy Sell; Queenie Chan, Manga Artist
VISION CULTURAL AND COMMUNICATIVE PERSPECTIVES WITH MANGA ARTIST QUEENIE CHAN EDITED BY SARAH PASFIELD-NEOFITOU AND CATHY SELL MANGA VISION MANGA VISION Cultural and Communicative Perspectives EDITED BY SARAH PASFIELD-NEOFITOU AND CATHY SELL WITH MANGA ARTIST QUEENIE CHAN © Copyright 2016 Copyright of this collection in its entirety is held by Sarah Pasfield-Neofitou and Cathy Sell. Copyright of manga artwork is held by Queenie Chan, unless another artist is explicitly stated as its creator in which case it is held by that artist. Copyright of the individual chapters is held by the respective author(s). All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building 40 Exhibition Walk Monash University Clayton, Victoria 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/mv-9781925377064.html Series: Cultural Studies Design: Les Thomas Cover image: Queenie Chan National Library of Australia Cataloguing-in-Publication entry: Title: Manga vision: cultural and communicative perspectives / editors: Sarah Pasfield-Neofitou, Cathy Sell; Queenie Chan, manga artist. ISBN: 9781925377064 (paperback) 9781925377071 (epdf) 9781925377361 (epub) Subjects: Comic books, strips, etc.--Social aspects--Japan. Comic books, strips, etc.--Social aspects. Comic books, strips, etc., in art. Comic books, strips, etc., in education.
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Spring 2020 Seven Seas
SPRING 2020 SEVEN SEAS This edition of the catalogue was printed on November 12, 2019. To view updates, please see the Spring 2020 Raincoast eCatalogue or visit www.raincoast.com 20S Macm Seven Seas Adachi and Shimamura (Light Novel) Vol. 1 by Hitoma Iruma, illustrated by Non Seven Seas • On Sale: Jun 2/20 • 5 x 7.12 • 320 pages 9781645055358 • $16.99 • pb • Comics & Graphic Novels / Manga / Gay & Lesbian • Adachi and Shimamura (Light Novel) The yuri light novels about a sweet romance between high school girls - soon to be an anime series! Adachi and Shimamura, two young women who attend the same high school, are inseparable friends. Whether playing table tennis, chatting about favorite TV shows, or just relaxing together, they're happy to share their days. When Adachi's friendship turns into romantic attraction, the relationship begins to change, one day at a time. This beloved yuri series has been charming audiences in Japan for years, and now, for the (...) Syrup (Yuri Anthology) by Milk Morinaga, Kodama Naoko and Yoshimurakana Seven Seas • On Sale: Jun 9/20 • 5.88 x 8.25 • 180 pages 9781645055334 • $16.99 • pb • Comics & Graphic Novels / Manga / Gay & Lesbian A beautiful new yuri manga anthology about adult women in love by some of the hottest names in the industry! Beyond the tales of high school girls in the first bloom of love, stories of grown women yearn to be told. The Syrup collection focuses on women navigating love for other women amidst the ups and downs of a working life. Featuring short manga stories by a star-studded line-up - including Milk Morinaga ( Girl Friends ), Kodama Naoko ( I Married My Best Friend to Shut (...) Adachi and Shimamura (Light Novel) Vol.
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Seven Seas Is Publishing the Two Sarazanmai Novels and the Spin-Off Manga Sarazanmai: Reo and Mabu
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CHARACTER VOICE in ANIME SUBTITLES Peter Howell, Hiroshima Prefectural University, Japan [email protected]
292 CHARACTER VOICE IN ANIME SUBTITLES Peter Howell, Hiroshima Prefectural University, Japan [email protected] Abstract One of the main functions of dialogue in film narrative is the construction of character voice, which is partly realized through the skillful use of the sociolinguistic and pragmatic resources of language. In the English subtitling of Japanese animation, there are however two barriers to recreating this function. The first barrier is the major pragmatic and sociolinguistic difference between Japanese and English, and the second consists of the technical constraints of subtitling as a mode of translation. The article describes from a textual point of view how subtitlers have addressed the stylistic problem of character voice, focusing on the work of Neil Nadelman in the film Grave of the Fireflies (“Hotaru no Haka”) and in single episodes from two TV series, Revolutionary Girl Utena (“Shōjo Kakumei Utena”) and Slayers Try (“Sureiyāzu Torai”), and on the work of David Fleming in the film Akira (“Akira”). For all four works, another commercially available subtitled version, either in English or French, is considered for purposes of comparison. Comparison suggests that strategies vary with regard to character voice, but that the decimation of stylistic function is not inevitable in subtitling as a mode of translation. Key words: Anime subtitles; character voice; compensatory procedures. Introduction Sarah Kozloff’s study, Overhearing Film Dialogue (Kozloff 2000), indicates in its title the dual-layered pragmatic context of dialogue in film. Within the inner pragmatic layer of the film, dialogue is addressed primarily to other characters, but in the context of the outer layer it is addressed to an “overhearing” audience to fulfill narrative functions within the overall semiotic design of film as a work of art.
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JPNS5003 Understanding Manga and Anime (Semester 2)
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Recommended for Ages 13 &
would like to thank the following Hanami Anime Festival participants: 2004 Bandai www.bandai.com AnimEigo RECOMMENDED www.animeigo.com ADV Films FOR AGES www.advfi lms.com 13 & UP. TOKYOPOP www.tokyopop.com FUNimation www.funimation.com Synch-Point www.synch-point.com DreamWorks www.dreamworks.com Media Blasters www.media-blasters.com Manga Entertainment www.manga.com The Right Stuf International Inc. www.rightstuf.com Hirameki International Group Inc. www.hirameki-int.com FFP Staff: Victor Eisenberg, Event Director Emma Rivera, Special Events Director Mel Villafuerte, Programming Director Ingrid Cruz, Communications Director Carmen Cruz, Art Director Chris Ross, Web Director and Production Coordinator Kurt Rocourt, Event and Volunteer Coordinator Program design and cover photo by Carmen Cruz Mascot Concept and Illustrations by Michelle T. Lehman Visit FFP at: www.geocities.com/fi fthfl oorproduction All screenings in Japanese with English subtitles. Screenings His & Her Circumstances Fruits Basket (Furuba) (Kareshi Kanojo no Jijou) The Sohma Family is For Yukino success and cursed, and 16-year-old popularity is everything, Tohru must keep their but when Arima arrives her pedestal is tumbled. In Act secret: or else. In epi- 8: Her Day/More Beauti- sode 8, Tohru is asked ful than Peach Blossoms A to see Hatori, the family Welcome to Hanami Anime Festival, Fifth Floor Production’s fi rst event in romantic surprise reveals doctor, where he reveals collaboration with the BBG’s 23rd annual Sakura Matsuri. Arima’s true feelings, as he the tragic story of a man recalls fi rst falling in love who dreamt of spring.
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