SCHMETZ NEEDLE GUIDE Needle Size Shank Needle Anatomy Butt: the Beveled End Allows Easy Insertion in the Needle Bar

Total Page:16

File Type:pdf, Size:1020Kb

SCHMETZ NEEDLE GUIDE Needle Size Shank Needle Anatomy Butt: the Beveled End Allows Easy Insertion in the Needle Bar $1.95 butt SCHMETZ NEEDLE GUIDE needle size shank Needle Anatomy Butt: The beveled end allows easy insertion in the needle bar. Shank: Household needles have a flat shank, while commercial and industrial needles have round, threaded, notched or other special shanks. Shanks allow perfect positioning of the needle in the sewing machine. Shoulder: The sloping area transitioning between the shank and blade. SCHMETZ color codes appear on the shoulder. Blade: Needle size is determined by the blade diameter (i.e., size 75 is .75mm). shoulder Groove: The groove cradles and guides thread to the eye. The length and size of the groove needle vary according to needle type. type Scarf: The indentation above the eye that allows the bobbin hook to smoothly grab the thread under needle the throat plate to create a stitch. The shape and size of the scarf vary according to needle type. size Eye: The hole through which thread passes. The shape and size of the eye vary according to needle type. Point & Tip: Length, shape and size vary according to needle types. Needle Type: Upper color band indicates needle type (i.e., Stretch). Needle Size: Lower color band indicates size (i.e., 75/11). blade Change Your Needle 130/705 H Damaged or worn needles result in: The needle system used by home sewing machines. Needles have a flat shank and a scarf. • Broken or shredded threads • Skipped or uneven stitches • Puckered or damaged fabrics SCHMETZ Works with All groove • Popping sounds made by sewing machine Sewing Machine Brands! Replace Your Needle How to Read a Needle Package SCHMETZ Chrome Professional Grade Needles It’s the easiest way to improve your Why Chrome? stitch quality. •Less friction on thread needle type passing through eye. needle size •Penetrates fabric with less eye Needle Selection resistance. Choose needle size •Smoother stitch creation. needle type •Resists heat – improved point according to thread durability & performance. thickness and needle needle system type according to needle size indicates select sizes available in tip fabric application. SCHMETZ Chrome. General Purpose Needles Universal Jersey (Ball Point) Stretch Size: 60/8, 65/9, Size: 70/10, 80/12, Size: 65/9, 75/11, 70/10, 75/11, 80/12, 90/14, 100/16, 90/14, Twin 90/14, 100/16, Assorted Color Code: Yellow 110/18, 120/19, Color Code: Orange Feature: Medium ball Assorted, Twin, Triple Feature: Medium ball point. point, special eye and scarf. Color Code: None Fabric Use: Knits and some Fabric Use: Elastic materials Feature: Slightly rounded point. stretch fabrics. Made especially for sewing and highly elastic knitwear. The Fabric Use: Numerous - woven and knits. on knits. The medium ball point does not medium ball point, specially designed eye A great general purpose needle. damage or break knit fibers. and scarf prevent skipped stitches. www.SCHMETZneedles.com Euro-notions, Inc. ©2020 All rights reserved. Euro-notions and SCHMETZ names and logos are trademarks and/or registered trademarks of each respective company. #D-87 Specialty Needles Jeans Embroidery Super NonStick Size: 70/10, 80/12, Size: 75/11, 90/14, Size: 70/10, 80/12, 90/14, 100/16, Assorted, Twin 90/14, 100/16 110/18, Assorted, Color Code: Red Feature: Anti- Twin Feature: Light ball adhesive coating Color Code: Blue point, wide eye and groove. (NIT), extra large eye, Feature: Modified medium Fabric Use: Use with rayon, distinctive scarf, and ball point and reinforced blade. polyester and other specialty embroidery reinforced blade prevent skipped Fabric Use: Denim and similar fabrics. threads. The special scarf, widened groove stitches and provides a residue-free needle. Advanced point design is a SCHMETZ and enlarged eye protect fragile threads and Fabric Use: Use when sewing with exclusive. For penetrating extra thick woven guard against excess friction allowing trouble- embroidery stabilizer, temporary spray fabrics, denims, or quilts with minimum free embroidery and decorative stitching. adhesive, or self-adhesive hook & loop tape. needle deflection, reduced risk of needle breakage and skipped stitches. Gold Embroidery Hemstitch Size: 75/11, 90/14 Quilting Size: 100, 120, Twin Color Code: None Color Code: None Size: 75/11, 90/14, Feature: Titanium Assorted Feature: A wing on Nitride coating, each side of the needle. Color Code: Green slightly rounded point Feature: Special taper to Fabric Use: Light or medium and enlarged eye. weight loosely woven fabrics. Popular the slightly rounded point. Fabric Use: Coarse Fabric Use: Made especially for heirloom sewing and to create and densely woven materials. Slightly decorative cutwork. for piecing and machine quilting. rounded point and enlarged eye are perfect The special tapered design allows easier for embroidery on most fabrics and with fabric penetration and helps eliminate the most fragile specialty threads. Titanium skipped stitches. coating resists adhesives, improves needle Double Eye wear and penetration of coarse and densely Size: 80/12 woven fabrics. Color Code: None Leather Feature: Universal Size: 70/10, 80/12, needle with two eyes. 90/14, 100/16, Metallic Fabric Use: Numerous — 110/18, Assorted woven and knits. Use two Color Code: Brown Size: 80/12, 90/14, different threads for shading and texturing Feature: Cutting point. Twin effects for embroidery and topstitching. Fabric Use: Leather, artificial Color Code: Pink leather, heavy non-woven synthetics. Feature: Elongated eye. Multiple Needles Do not use on knit or woven fabrics. Fabric Use: Metallic and other specialty threads. A Twin “must have” for sewing with sensitive Double needles are actually two Quick Threading metallic threads. The elongated eye prevents needles mounted on one shaft shredding and breaking of metallic threads. used to create two rows of stitches Size: 80/12, 90/14 simultaneously. Use two spools of Color Code: None thread and one bobbin thread. Feature: Universal Topstitch Universal Twin needle with a slip-in Sizes: 1.6/70, 1.6/80, 2.0/80, threading slot in the eye. Size: 80/12, 90/14, 2.5/80, 3.0/90, 4.0/80, 4.0/90, Fabric Use: Numerous — 100/16 4.0/100, 6.0/100, 8.0/100, Assorted Color Code: Lt. Green woven and knits. A general purpose Double Hemstitch needle for effortless threading. Feature: Extra long eye. Fabric Use: Topstitch, Size: 2.5/100 A hemstitch needle and a universal heavy, multiple or poor needle with a 2.5 mm separation. quality threads. Achieve Microtex (Sharp) perfectly straight stitch lines and even stitches Embroidery Twin Size: 60/8, 70/10, when using a straight Size: 2.0/75, 3.0/75 80/12, 90/14, 100/16, 110/18, Metallic Twin Assorted Size: 2.5/80, 3.0/90 Color Code: Purple Jeans Twin Feature: Very slim acute point. Fabric Use: Micro fibers, polyester, silk, foils, Size: 4.0/100 artificial leather, coated materials. Very thin Stretch Twin acute point creates beautiful topstitching and Size: 2.5/75, 4.0/75 perfectly straight stitches for quilt piecing when precision is paramount. Universal Triple www.SCHMETZneedles.com Size: 2.5/80, 3.0/80 indicates select sizes available in SCHMETZ Chrome. Euro-notions, Inc. ©2020 All rights reserved. Euro-notions and SCHMETZ names and logos are trademarks and/or registered trademarks of each respective company. #D-87.
Recommended publications
  • Free Motion Quilting by Joanna Marsh of Kustom Kwilts and Designs
    Tips and Tools of the Trade for Successful Free Motion Quilting By Joanna Marsh of Kustom Kwilts and Designs Are you looking to add some “pizzazz” to your pieced quilting projects? The quilting on a project can add drama and really make a statement in what might otherwise be an ordinary quilt. Let’s take a look at the basic steps to getting started on your journey into free motion quilting! Supplies you’ll want to invest in (or at least research): • Free motion foot-compatible to your machine • Quality machine quilting thread • Scrap batting (no smaller than 10” x 10”) • Scrap fabrics (no smaller than 10” x 10”) • Spray baste or safety pins • Sketchbook and pens/pencils • Quilting needles • Disappearing ink pen (optional) • Seam ripper • Supreme slider by Pat LaPierre (smaller size) • Stencils • Chalk pounce pad • Chalk for pounce pad • Various rulers for quilting (1/4” thick) • Ruler foot (if applicable) Tools of the Trade: Drawbacks and Benefits Tool Benefit Drawback Spray Baste Fast and more convenient than safety pins. Can gum up your needles. It needs to be More repositionable. sprayed outside. Disappearing Ink Pen Great for marking. The pens that disappear with heat can reappear in extreme cold. Pens that are “air” soluble will have markings that won’t last long the more humid the air is, but can reappear after washing. Quilting Gloves Provide you with an extra grip for easier Personal preference - they can be hot. movement of quilt sandwich. Supreme Slider Allows for super easy movement of quilt layers, Can be expensive. Needs to be replaced over especially helpful on domestic machines/sit time and use and has to be kept clean.
    [Show full text]
  • Sewing Machine Needle Tips
    Quilters Corner 518 West State Street Ithaca, New York 14850 Authorized PFAFF & Baby Lock sewing machine dealer 607-266-0850 www.e-quilterscorner.com Sewing Machine Needle Tips Did you know that you should change your machine needle every 6-8 hours of sewing? It's true! Changing your needle is one of the best preventative machine maintenance tasks you can do. You want the tip of the needle to be super sharp to go through your fabric without catching the threads. As you stitch, the tip of your needle will get microscopic nicks. The longer you sew on that same old needle, the more your pretty stitches will start to deteriorate. Why spend time sewing crummy stitches? Don't forget while changing your needle to take off your needle plate and brush your machine's teeth (clean around and in between the feed dogs, etc). If you don't do this, eventually you'll have dense pads of lint collecting and building up and it will effect how your fabric feeds. You should also clean around your bobbin area every time you change your bobbin. Just a quick swipe with a little brush will do the trick. What needle should you use? Quilting Needles are made especially for piecing and machine quilting. The special tapered design allows for easier fabric penetra- tion and helps eliminate skipped stitches. If you are having trouble burying your threads while quilting, try a single hole plate. The smaller hole in the plate helps keep the fabric from pulling through to the bobbin and the bobbin thread from pulling to the top.
    [Show full text]
  • Business of Machine Quilting Angela Walters, Angela Walters
    Business of Machine Quilting Angela Walters, Angela Walters Creative Commons - BY -- 2012 Acknowledgements A big thanks to the professional machine quilters that have agreed to be interviewed for this blog series. Tia Curtis Lisa Sipes Joanna Peterson Dodie Jacobie Table of Contents Before You Start: 1 Introduction 1 Picking out the right machine. 3 Location, Location, Location 8 Develop a Business Plan 14 Decide how you are going to run your business. 18 Before You Start: Introduction Before You Start: Introduction It’s Monday, so that means that it is time for the first post in the Business of Machine Quilting blog series. I have to admit that I am excited to be doing this. I always thought that it would be great to be a motivational speaker, and this series will let me pretend that I am! So let me tell you what I have in store for you. This blog series is going to last the rest of the year and I plan on delving into most aspects of starting and running a Machine Quilting business. Each month, the blog posts will focus on a different subject. Here is the tentative schedule: August: Before You Start This month’s topics will discuss machines, space, and the other things you might want to consider before deciding to start quilting for others. September: Getting Started Wondering if you are ready to start quilting for others? Or wondering how much you should charge? In September we will dive into those topics as well as other things about getting started. October: Up & Running Running a business is more than just bringing in customers, you need to have a plan.
    [Show full text]
  • Authors/Editors Subject
    AUTHORS/EDITORS SUBJECT APS VHS video AQS catalogue AQS catalogue DOAK, CAROL paper pieced LARK BOOKS art quilts CAMPBELL-HARDING, VALERIE strip piecing HACKETT, MARY L. landscape HACKETT, MARY L. landscapes FREEMAN, ROLAND quilt history PERRY, ROSILAND & FROLLI, MARY applique SUIT, MARY SUE patchwork ROLFE, MARGARET animal designs SIUDARA, ZYLPHA DVD PORTER, CHRISTINE & DARRA WILLIAMSON small quilts JOHNSTON, ANN dyeing WAGNER, CAROL architectual quilting DONALSDON, JANIE quilting designs BARROW, JODI sq. in a sq. BISHOP, ROBERT patriotic quilts ALDERMAN, BETTY Redwork HECHTLINGER, ALDELAIDE history of quilts MARSTON, G. & CUNNINGHAMJ. flower quilts MARSTON, G. & J. CUNNINGHAM traditional quilts BETTER HOMES & GARDENS collection REGAN, JENNIFER history of quilts GARNAS, VICKI traditional quilts GREEN, MARY (ed) Collection LAWSON, SUZY Amish Quilts JENKINS & GOLDSMITH amish BURNS, ELEANOR Amish Quilts PELLMAN, RACHEL Amish quilts MARSTON, G. & CUNNINGHAM, J. Amish Quilting designs HENNING, BRENDA scrap quilts BUTLER, AMY purse patterns OROYAN, SUSANNA dolls HICKEY, MARY basics BOYCE, ANN applique SIENKIEWICZ, ELLIE applique MERRETT, STEWART applique BUCKLEY, KAREN KAY applique ANDERSON, FAYE applique BASS, CHARLOTTE applique LAURY, JEAN RAY applique TOWNSWICK, JANE hand applique WHITE, TONEE holiday/seasonal WHITE, TONEE applique EICHORN, ROSEMARY art quilts COLLINS, SALLY piecing basics WOLFF, COLETTE manipulating fabric JOYCE, HENRY history of quilts SHAW, ROBERT art quilts JOHNSTON, JACK dolls ROBINSON, CHARLOTTE Collection PIPPEN,
    [Show full text]
  • VSQ Library Books - Author Sort - 060111
    VSQ Library Books - Author Sort - 060111 *_TITLE_* *_AUTHOR_* 101 Full-Size Quilt Blocks & Borders Better Homes & Gardens The Quiltmakers of Gee’s Bend DVD Once Upon a Quilt Aldrich, Margret Sashiko Made Simple Allen, Alice Colorwash Quilts Amsden, Deirdre Pieced Border Collection Arroman, Denvse Saint Patience to Raise the Sun Art Quilts from Haiti Country Quilt Design Baker, M. Jane Creative Quilting with Kids Ball, Maggie Victorian Quilting Ballantine Books Transitions Balosky, Andrea Flower Power Barber, Barbara Foolproof Curves Barber, Barbara Little Quilts Berg/Von Holt/Johnson America’s Heritage Quilts Better Homes & Gardens American Patchwork Quilting Better Homes & Gardens Creative American Quilting Better Homes & Gardens Friendship Quilting Better Homes & Gardens Full Size Quilting Patterns Better Homes & Gardens New Patchwork & Quilting Book Better Homes & Gardens Two Color Quilts Better Homes and Gardens Discovery Beyer, Jinny 24 Floral Blocks to Piece Boerens, Trice Easy Does It Quilts Bonesteel, Georgia That Dorky Homemade Look Boyer, Lisa Star Quilts for Quilters Boyink, Betty Quilts - From Colonial to Contemporary Bullard, Lacy Folmar Quilt in a Day (Log Cabin) Burns, Eleanor Quilter’s Almanac Burns, Eleanor Sampler Burns, Eleanor Applique in a Day Burns, Eleanor Contemporary Quilting Techniques Cairns, Pat Woven Quilted Caplinger, Mary Anne Quilting to Soothe the Soul Carlson, Linda 24 Musical Quilt Blocks Causee, Linda Cross Country Quilting (novel) Chiaverini, Jennifer Elm Creek Quilts Chiaverini, Jennifer Quilter’s
    [Show full text]
  • A Guide to Finishing Your Group Quilt
    A guide to finishing your group quilt Group quilts are a great way to be creative, sociable and learn new skills from each other. Use this easy step-by-step guide to help you put your group quilt together. Please contact the Quilt Museum’s Education Officer ([email protected] ) if you need further advice. What do I need to finish the quilt? • Your finished (sewn together) quilt top. This may be a series of patchwork blocks arranged in a chosen formation, usually a rectangular shape. • Wadding for the middle of your quilt – a cotton or cotton/polyester mix is easier to quilt with but if you can only get polyester, get a reasonable quality one, around 4oz heavy. You may not be able to get wadding in the complete quilt size but can always sew pieces together to fit your quilt top. • Backing fabric – a sheet is always good if you can’t find enough fabric. Make sure the backing fabric is at least an inch larger than the quilt top and wadding all the way around. • Pins for the tacking and binding stages • Spray-on adhesive (e.g. 505 spray) or brightly coloured thread and a needle for tacking • A sewing machine for quilting or wool/thick embroidery thread and a good embroidery needle for knot-quilting (quilting with a machine will make your quilt stronger but knot quilting is easy and students can help with this). How do I prepare? 1. Layer your quilt like a sandwich. Start by placing the backing fabric, face down on the floor or a large table.
    [Show full text]
  • Natalia Bonner Lecture and Class Visual Guide to Creative Straight Line Quilting
    San Joaquin Valley Quilters Guild Presents Natalia Bonner Lecture and Class Lecture Thursday April 11, 2019 7:00 PM Hope Lutheran Church, 364 E Barstow Ave, Fresno, CA 93710 Class Friday April 12, 2019 10:00 AM to 4:00 PM Class Saturday April 13, 2019 10:00 AM to 4:00 PM Second Chance Fabrics, 5322 W Spruce Ave #110, Fresno, CA 93722 Class $65, Nonmember Fee $5 lecture, $15 class Visual Guide to Creative Straight Line Quilting Are feathers and swirls your fallback? Learn how satisfying it is to quilt with only straight lines! Quilting expert Natalia Bonner shares sixty new straight-line motifs to fill in trian- gles, square blocks, and borders, plus allover designs. Teach your walking foot some new tricks or practice controlled free-motion quilting with rulers. Domestic or longarm machine… the choice is yours! Each pattern comes with step-by-step photos, so quilters of all levels can conquer their fears of straight-line quilting, and learn to rock it! • Natalia Bonner fans, unite! Learn forty-eight straight-line quilting ideas and thirteen fun variations • Find freedom in the constraints of straight-line quilting and shine a spotlight on every intriguing angle • Use a longarm or home sewing machine to create geometric perfection, step-by-step Call Gerri Fisher 559-575-1368 or 559-681-9809 Natalia's upcoming book, Visual Guide to Free-Motion Quilting is where all of the designs that we'll be learning are published, the book will be in stores in August 2019. *Thread – I recommend high quality machine quilting thread, So Fine! & Bottom Line are my favorite combination, but you know your machines, so whatever works best on your machine is fabulous.
    [Show full text]
  • Glossary for Machine Quilting
    Glossary of Frequently used Terms Terms relating to the components of the quilt top Block, a square section of the quilt top, which could be appliqué, patchwork or plain fabric. Border, long strips of fabric used to frame the center layout of a quilt. Focus fabric, medium to large-scale print fabric, dictating all color choices. Layout, the quilt composition, a plan for the placement of the blocks, borders and quilting designs. Quilt bundle, the basted layers of a quilt, the top, batting and backing fabrics. Setting triangles, triangular pieces of fabric used to fill the side and corner spaces created when blocks are set on point. Terms relating to Quilting Designs Continuous Object Designs, a term coined by Joanie to refer a quilting design with connected rows of stylized quilting motifs stitched with a continuous thread. Continuous Outline Designs, a term coined by Joanie to refer a quilting designs consisting of a puffy channel of space, with or without motifs attached, stitched with a continuous thread. Corner block, a square quilting design set in the corners of the borders Fill patterns, repeated patterns that are used to fill background space. Formal, a style of quilting pattern, straight or curved line that is structured and meant to be precise. Free-form, a style of background fill pattern that is hand guided following a pattern imprinted on your brain which have repeated forms but may be random size. May also guide the machine without marking the pattern. Grids, straight lines stitched in patterns forming squares or diamond Long arm, a large quilting machine head mounted on a rack that moves across a quilt top attached to rollers.
    [Show full text]
  • The Art & Craft of Quilting Your Quilt
    The Art & Craft of Quilting Your Quilt 1) Quilting Makes the Quilt: a) A Quilt is a blank canvas: A beautiful quilt top deserves beautiful quilting. b) Utilitarian vs. Art quilting: What kind of quilting to choose and how much quilting is appropriate? i) Allover meandering is fine for a utilitarian quilt but does not celebrate a beautiful quilt. ii) Use beautiful ‘custom quilting’ (where the stitching design varies from place to place based on the quilt top design) for art and heirloom quilts. iii) With any quilting, the closer the stitching, the less cuddly the quilt becomes. 2) Thread: Type & Color: a) High contrast: Quilting stands out becomes a graphic line drawing, requires confidence and skill. Hard to hide mistakes but easy to see previous quilting to render intricate designs. b) Medium-Low contrast: Quilting still graphic but more subtle than high contrast, mistakes are less visible. Moderately easy to see previous stitching. c) No contrast: Quilting creates texture with light and shadow but no graphic design. Beginner friendly as mistakes are fairly well hidden but previous stitching can be hard to see making it difficult to coordinate designs. d) Color Combinations: Can be very effective especially if a high contrast is used for motifs combined with a low or no contrast for textured backgrounds. e) Decorative threads: Rayon, metallic, sliver and polyester embroidery thread (isocord) – beautiful but may require additional skill and the correct needles to use. 3) Machine vs. Hand Quilting: a) Machine Quilting i) Pros: Fast, durable if thread tails are secured properly, easier to render denser stitching patterns than by hand.
    [Show full text]
  • Machine-Quilting Guide
    FREE Machine-Quilting Basics machine-quilting Machine quilting is the action of sewing together all three layers of a quilt, the guide top, batting & backing, with a sewing machine. This can be done several different ways. The quilter can use a standard home sewing machine, a quilting sewing machine or long-arm sewing machine. Creating a Quilt Design • Quilt Stencils offer good options for border & large block designs. Designs are available in quilting magazines, quilting books & online websites. • Select a design to complement the look & feel of the quilt. Transfer the design onto the quilt top with preferred marking method. Creative Ideas from Jo-Ann more projects, tips & techniques at Joann.com® Quilter’s View Film is a transparent film that can be Stitching Techniques marked on & placed over quilt blocks to see how the finished design will look before stitching. Trace the Stitch-in-the-Ditch is quilting a straight line, directly in the design on the film & lay over block or quilt. It will show seam or ditch between 2 pieces of fabric. Use the Acrylic exactly where stitching lines will fall. Stitch Tool with a 1/4” presser foot on a standard machine or with 1/4" between the needle & edge of the foot. Align the 2 legs on the Stitch-In-The-Ditch side with the seam line. Press the machine foot up against the indented edge between legs, then stitch to the opposite end. Stop the machine, slide tool to next section; stitch. Repeat until stitching is completed. Micro-Tip Applicator This small plastic bottle can be filled with a multitude of liquids to make the sewing experience easier.
    [Show full text]
  • The Best of BERNINA
    The Best of BERNINA Expand your creative options using the decorative stitches of your machine. Make unique combinations to create embellishments for any project! These BERNINA Stitch Recipes originally appeared as articles in various issues of Through the Needle magazine. Although the articles may reference retired machine models and specific stitch numbers, most of the stitches shown are available on current machines. There is a graphic stitch index in the back of most BERNINA machine manuals to help you find the same or similar stitches when creating your own stitch recipes. References to websites within this document are out of date and cannot be guaranteed operational. © 2014 BERNINA of America Visit bernina.com: Projects ● Webinars ● Promotions DOUBLE DIAMONDS This design works well on wide wale corduroy. The wales of the corduroy are used as stitching guidelines. • Insert a 2.5mm or 3.0mm double needle. • Thread the machine using a combination of threads in contrasting colors or perhaps in shades of the same color. Use both the hori- zontal and vertical spool pins. • Select a preprogrammed smocking stitch (shown is #710 of the artista 180) • Use the programmed stitch settings for Stitch Length. • Adjust stitch width by engaging the Double Needle Limitation function. Touch the function until it reads • Reduce needle tension if needed. Sew a test“3”. to determine the proper adjustment. • A light-weight tear-away stabilizer may be necessary in addition RUNNING AWAY to the interfacing. Since there are no This all-over embellishment stitch is perfect for adding color don’t worry if the “official” rules for embellishing; and subtle texture to flat, smooth fabrics such as wool flannel.
    [Show full text]
  • OUR STORY Use: Recommended for Use on Serger Loopers on Medium to Heavy Fabrics
    HomeDec™ TM 30wt, 40wt, 60wt Enhanced Multi- DECOBOB Filament Polyester ® Sizes: 30wt - 229m (250yd), 40wt - CONNECT WITH US PREWOUND BOBBINS 274m (300yd), 60wt - 320m (350yd). *Recommend HomeDec™ 60wt in the bobbin when any weight HomeDec™ used in the top. Use: Heavy duty stitching for leather, vinyl, cork, upholstery fabric, canvas. WonderFil WOUND WITH 80WT Needle Size: Machine: 30wt: 90/14 or THREAD LINES 100/16 topstitch or super non-stick, 40wt COTTONIZED POLYESTER & 60wt: 90/14 or 80/12 topstitch or super non-stick. wonderfilspecialtythread Our bobbins only come prewound with one thread line: DecoBob™, simply because we believe it’s SoftLoc™ WonderFilThreads the very best thread you can put in your bobbin. Tex 35 Wooly Poly Totally lintless with zero glue or residue holding Soft & low lint finish it together, DecoBob™ keeps your machine happy Sizes: 1005m (1100yd) by preventing lint build up. Use: Recommended for use on serger loopers on light to medium knitted and woven fabrics. Rolled hems, swim suits, dance & fitness wear, stretch fabric. Follow WonderFil® online for hints & tips, This super fine 80wt thread is perfect in the upcoming events, and new products. bobbin because it greatly reduces the bulk in all your stitches, leaving seams laying flat and crisp. ElasTex™ Share your creations with us: Each bobbin comes factory wound completely uniformly, providing consistent tension that is Tex 24 Wooly Nylon Soft & low lint finish #wonderfil especially noticeable when doing embroidery. Sizes: 1097m (1200yd) They also come wound with a higher density of OUR STORY Use: Recommended for use on serger loopers on medium to heavy fabrics.
    [Show full text]