Discovering Rag Time Patchwork Quilts Introduction
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Mead Library Listing As of December 2019 MEAD QUILTERS LIBRARY Page 2 of 14
MEAD QUILTERS LIBRARY Page 1 of 14 Surname Forename Title Publisher ISBN Date Adams Pauline Quiltmaking Made Easy Little Hills Press 1-86315-010-2 1990 Alderman Betty Precious Sunbonnet Quilts American Quilters Society 978-1-57432-951-3 2008 Alexander Karla Stack A New Deck Martindale 1-56477-537-2 Anderson Charlotte Warr Faces & Places C & T Publishing 1-57120-000-2 1995 Anderson F. Crewel Embroidery Octopus Books Ltd. 0-7064-0319-3 1974 Asher & Shirley & Beginner's Guide To Feltmaking Search Press 1-84448-004-6 2006 Bateman Jane Austin Mary Leman American Quilts Primedia Publications 1999 Baird Liliana The Liberty Home Contemporary Books 0-80922-988-9 1997 Balchin Judy Greetings Cards to Make & Treasure Search Press 978-1-84448-394-5 2010 Bannister & Barbara & The United States Patchwork Pattern Book Dover Publications Ltd. 0-486-23243-3 1976 Ford Edna Barnes Christine Colour- the Quilters Guide That Patchwork Place 1-56477-164-4 1997 Bell Louise 201 Quilt Blocks, Motifs, Projects & Ideas Cico Books London 0-19069-488-1 2008 Berg & Alice & Little Quilts All Through The House That Patchwork Place 1-56477-033-8 1993 Von Holt Mary Ellen Berlyn Ineke Landscape in Contemporary Quilts Batsford 0-7134-8974-X 2006 Berlyn Ineke Sketchbooks & Journal Quilts Ineke Berlyn 2009 Besley Angela Rose Windows for Quilters Guild of Master Craftsman 1-86108-163-4 2000 Bishop & Robert & Amish Quilts Laurence King 1-85669-012-1 1976 Safandia Elizabeth Bonesteel Georgia Lap Quilting Oxmoor House Inc. 0-8487-0524-6 1982 Mead Library Listing as of December 2019 MEAD QUILTERS LIBRARY Page 2 of 14 Surname Forename Title Publisher ISBN Date Bonesteel Georgia Bright Ideas for Lap Quilting Oxmoor House Inc. -
A Naturalistic Study of the History of Mormon Quilts and Their Influence on Today's Quilters
Brigham Young University BYU ScholarsArchive Theses and Dissertations 1996 A Naturalistic Study of the History of Mormon Quilts and Their Influence on odat y's Quilters Helen-Louise Hancey Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Art and Design Commons, Art Practice Commons, History Commons, and the Mormon Studies Commons BYU ScholarsArchive Citation Hancey, Helen-Louise, "A Naturalistic Study of the History of Mormon Quilts and Their Influence on odat y's Quilters" (1996). Theses and Dissertations. 4748. https://scholarsarchive.byu.edu/etd/4748 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. A naturalistic STUDY OF THE HISTORY OF MORMON QUILTS AND THEIR INFLUENCE ON TODAYS QUILTERS A thesis presented to the department of family sciences brigham young university in partial fulfillment of the requirements for the degree master of science helen louise hancey 1996 by helen louise hancey december 1996 this thesis by helen louise hancey is accepted in its present form by the department of family sciences of brigham young university as satisfying the thesis requirement for the degree of master of science LL uj marinymaxinynaxinfinylewislew17JLJrowley commteecommateeComm teee e chairmanChairman cc william A wilson committee member T -
Free Motion Quilting by Joanna Marsh of Kustom Kwilts and Designs
Tips and Tools of the Trade for Successful Free Motion Quilting By Joanna Marsh of Kustom Kwilts and Designs Are you looking to add some “pizzazz” to your pieced quilting projects? The quilting on a project can add drama and really make a statement in what might otherwise be an ordinary quilt. Let’s take a look at the basic steps to getting started on your journey into free motion quilting! Supplies you’ll want to invest in (or at least research): • Free motion foot-compatible to your machine • Quality machine quilting thread • Scrap batting (no smaller than 10” x 10”) • Scrap fabrics (no smaller than 10” x 10”) • Spray baste or safety pins • Sketchbook and pens/pencils • Quilting needles • Disappearing ink pen (optional) • Seam ripper • Supreme slider by Pat LaPierre (smaller size) • Stencils • Chalk pounce pad • Chalk for pounce pad • Various rulers for quilting (1/4” thick) • Ruler foot (if applicable) Tools of the Trade: Drawbacks and Benefits Tool Benefit Drawback Spray Baste Fast and more convenient than safety pins. Can gum up your needles. It needs to be More repositionable. sprayed outside. Disappearing Ink Pen Great for marking. The pens that disappear with heat can reappear in extreme cold. Pens that are “air” soluble will have markings that won’t last long the more humid the air is, but can reappear after washing. Quilting Gloves Provide you with an extra grip for easier Personal preference - they can be hot. movement of quilt sandwich. Supreme Slider Allows for super easy movement of quilt layers, Can be expensive. Needs to be replaced over especially helpful on domestic machines/sit time and use and has to be kept clean. -
Textile Periods in Ancient Peru: Ii Paracas Caverns and the Grand Necropolis
TEXTILE PERIODS IN ANCIENT PERU: II PARACAS CAVERNS AND THE GRAND NECROPOLIS BY LILA M O';EALE- UNRERSITY OF CFORNIA PUBLTICATIONS IN EwasN AROOY AND ETENOLOG#Y Volnme 39, No. 2, pp. 14>202, plates 1-6, 20 figures in text ,, ,, .. vE \ . # :. UNIVERSITY 0t CALIP6RNIA PRESS BERKELEY AND tOS ANGBLES 1942 TEXTILE PERIODS IN ANCIENT PERU: II PARACAS CAVERNS AND THE GRAND NECROPOLIS BY LILA M. O'NEALE UNIVERSITY OF CALIFORNIA PRESS BERKELEY AND LOS ANGELES 1942 UNIVERSITY Or CALIFORNIA PUBLICATIONS IN AMERICAN ARCHAEOGY AND ETHNOLOGY EDITORS: A. L. KRoEBER, R. H. LoWIE, T. D. MCCowN, R. L. OLSON Volume 39, No. 2, pp. 143-202, plates 1-5, 20 figures in text Submitted by editors March 12, 1941 Issued October 23, 1942 Price, 75 cents UNIVESITY OF CALIFORNIA PRESS BERKELEY, CALIFORNIA CAM1BRDGE UNIVERSITY PRESS LONDON, ENGLAND PRINTED IN THE UNITED STATES OF AMERIOA CONTENTS PAGE METHOD AND MATERIAL ..................................................... 143 Revisions . ............................................................... 144 Paracas time periods: Caverns and Necropolis ................................ 145 TRAITS COMMON TO ALL PERIODS .............................................. 148 Paracas yarns . .......................................................... 149 Paracas loom types ....................................................... 151 Technical processes at Paracas ............................................. 152 Warp-weft techniques ................................................... 152 Plain weaves ................. ...................................... -
Sewing Machine Needle Tips
Quilters Corner 518 West State Street Ithaca, New York 14850 Authorized PFAFF & Baby Lock sewing machine dealer 607-266-0850 www.e-quilterscorner.com Sewing Machine Needle Tips Did you know that you should change your machine needle every 6-8 hours of sewing? It's true! Changing your needle is one of the best preventative machine maintenance tasks you can do. You want the tip of the needle to be super sharp to go through your fabric without catching the threads. As you stitch, the tip of your needle will get microscopic nicks. The longer you sew on that same old needle, the more your pretty stitches will start to deteriorate. Why spend time sewing crummy stitches? Don't forget while changing your needle to take off your needle plate and brush your machine's teeth (clean around and in between the feed dogs, etc). If you don't do this, eventually you'll have dense pads of lint collecting and building up and it will effect how your fabric feeds. You should also clean around your bobbin area every time you change your bobbin. Just a quick swipe with a little brush will do the trick. What needle should you use? Quilting Needles are made especially for piecing and machine quilting. The special tapered design allows for easier fabric penetra- tion and helps eliminate skipped stitches. If you are having trouble burying your threads while quilting, try a single hole plate. The smaller hole in the plate helps keep the fabric from pulling through to the bobbin and the bobbin thread from pulling to the top. -
Textile Society of America Newsletter 21:3 — Fall 2009 Textile Society of America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Fall 2009 Textile Society of America Newsletter 21:3 — Fall 2009 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Design Commons Textile Society of America, "Textile Society of America Newsletter 21:3 — Fall 2009" (2009). Textile Society of America Newsletters. 56. https://digitalcommons.unl.edu/tsanews/56 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. T VOLUME 21 NUMBER 3 FALL, 2009 S A Conservation of Three Hawaiian Feather Cloaks by Elizabeth Nunan and Aimée Ducey CONTENTS ACRED GARMENTS ONCE to fully support the cloaks and and the feathers determined the worn by the male mem- provide a culturally appropriate scope of the treatment. 1 Conservation of Three Hawaiian bers of the Hawaiian ali’i, display. The museum plans to The Chapman cloak is Feather Cloaks S or chiefs, feather cloaks and stabilize the entire collection in thought to be the oldest in the 2 Symposium 2010: Activities and capes serve today as iconic order to alternate the exhibition collection, dating to the mid-18th Exhibitions symbols of Hawaiian culture. of the cloaks, therefore shorten- century, and it is also the most 3 From the President During the summer of 2007 ing the display period of any deteriorated. -
Backyard Homesteading Fair 2019
Backyard Homesteading Fair 2019 May 10-11, 2019 Friday at a Glance Time Raspberry Stage Strawberry Stage Blackberry Stage Exhibitor Area 10 Landscaping with Native Budgeting Goat-Hoof Trimming and Plants Vaccination 11 Raising Chickens/ Using Essential Oils Flower Arranging Making Wheat Bread Producing Eggs 12 Pioneer Quilting, History Solar/Off Grid Plant Walk Goat-Hoof Trimming and of Quilting Vaccination 1 Landscaping with Cold Process Soapmak- Spinning - Wool and Fi- Drought Tolerant Plants ing ber Demonstration 2 Raising Rabbits Butchering Making Rolls 3 Aquaponics Simplify Gardening with Quilting Essential Oils for Inflam- T-Tape Drip Irrigation mation and Pain 4 Mosquito Proofing your How to Eat What’s Eat- Sourdough Starters and Homestead ing Your Garden Bread 5 Caring for Fruit Trees Cultured Foods Essential Oils - Immune Support Saturday at a Glance Time Raspberry Stage Strawberry Stage Blackberry Stage Exhibitor Area 10 Getting started with Processing Rabbit Planting and Pruning Using a 3 point Tiller and Goats Trees Box Blade on a Compact Tractor 11 Learn about Canning by Making Tools out of Making Wheat Bread Making Jam! Trash 12 Converting to Solar Midwife Using a 3 point Tiller and Box Blade on a Compact Tractor 1 Backyard Beekeeping Crocheting Gopher Trapping Herb Walk 2 Cultured Foods Soapmaking Making Rolls 3 Growing Cut Flowers Cooking with Garlic Essential Oils for Inflam- mation and Pain 4 Herbal Medicine in Your Make Simple Farm Style Sourdough Starters and Own Backyard Cheese Bread 5 Footznology Sewing Essential Oils - Immune Support Friday Raspberry Stage 10 am – Using Native Plants in residential landscapes – Steve Paulsen, Native Roots LLC Come and learn about what native plants to use and where to use them. -
Copyright Law and Quilted Art, 9 J. Marshall Rev. Intell. Prop. L
THE JOHN MARSHALL REVIEW OF INTELLECTUAL PROPERTY LAW PATCHWORK PROTECTION: COPYRIGHT LAW AND QUILTED ART MAUREEN B. COLLINS ABSTRACT Historically, quilts have been denied the same copyright protection available to any other expression in a fixed medium. When quilts have been considered protectable, the protectable elements in a pattern have been limited, or the application of the substantial similarity test has varied widely. One possible explanation for this unequal treatment is that quilting is viewed as 'women's work.' Another is that quilts are primarily functional. However, quilts have evolved over time and may now be expensive collectible pieces of art; art that deserves copyright protection. This article traces the history of quilt making, addresses the varying standards of protection afforded to quilts and concludes that consistent and comprehensive protection is needed for this art form. Copyright © 2010 The John Marshall Law School Cite as Maureen B. Collins, Patchwork Protection: Copyright Law and QuiltedArt, 9 J. MARSHALL REV. INTELL. PROP. L. 855 (2010). PATCHWORK PROTECTION: COPYRIGHT LAW AND QUILTED ART MAUREEN B. COLLINS * INTRODUCTION When is a quilt a blanket and when is it art? This question takes on greater importance as the universe of quilted art expands and changes. Once relegated to attics and church craft bazaars, the quilt has come out of the closet. Today, quilts are found in museums 2 and corporate headquarters. 3 They are considered to be among the most collectible "new" forms of art. 4 Quilting is a multi-million dollar industry. 5 Handmade quilts fetch asking prices in the tens of thousands of dollars. -
Business of Machine Quilting Angela Walters, Angela Walters
Business of Machine Quilting Angela Walters, Angela Walters Creative Commons - BY -- 2012 Acknowledgements A big thanks to the professional machine quilters that have agreed to be interviewed for this blog series. Tia Curtis Lisa Sipes Joanna Peterson Dodie Jacobie Table of Contents Before You Start: 1 Introduction 1 Picking out the right machine. 3 Location, Location, Location 8 Develop a Business Plan 14 Decide how you are going to run your business. 18 Before You Start: Introduction Before You Start: Introduction It’s Monday, so that means that it is time for the first post in the Business of Machine Quilting blog series. I have to admit that I am excited to be doing this. I always thought that it would be great to be a motivational speaker, and this series will let me pretend that I am! So let me tell you what I have in store for you. This blog series is going to last the rest of the year and I plan on delving into most aspects of starting and running a Machine Quilting business. Each month, the blog posts will focus on a different subject. Here is the tentative schedule: August: Before You Start This month’s topics will discuss machines, space, and the other things you might want to consider before deciding to start quilting for others. September: Getting Started Wondering if you are ready to start quilting for others? Or wondering how much you should charge? In September we will dive into those topics as well as other things about getting started. October: Up & Running Running a business is more than just bringing in customers, you need to have a plan. -
Quilts As Visual Texts Marcia Inzer Bost Kennesaw State University
Kennesaw State University DigitalCommons@Kennesaw State University Dissertations, Theses and Capstone Projects Fall 12-2010 Quilts as Visual Texts Marcia Inzer Bost Kennesaw State University Follow this and additional works at: http://digitalcommons.kennesaw.edu/etd Part of the Art and Design Commons, and the Communication Commons Recommended Citation Bost, Marcia Inzer, "Quilts as Visual Texts" (2010). Dissertations, Theses and Capstone Projects. Paper 418. This Thesis is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Dissertations, Theses and Capstone Projects by an authorized administrator of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Quilts as Visual Texts By Marcia Inzer Bost A capstone project submitted in partial fulfillment of the Requirements for the degree of Master of Arts in Professional Writing in the Department of English In the College of Humanities and Social Sciences of Kennesaw State University Kennesaw, Georgia 2010 Dedication The capstone project is dedicated to those who gave me the quilts and the knowledge of quilts that I have used for this project: My mother, Julia Layman Inzer, whose quilts I am finishing; Her mother, Alma Lewis Layman, who quilted my early quilts and whose eccentric color choices inspired me to study quilt design; Her mother, Molly Belle Lewis, who left a masterpiece quilt to whose standards I aspire; My father’s sister, Barbara Inzer Smith, who always has the quilting advice I need; Her mother and my grandmother, Grace Carruth Inzer, whose corduroy quilt provides warmth on a cold day; and Her mother, Bertha Carroll Carruth, whose example of a strong, independent woman still inspires me and whose quilts still grace family beds. -
Regional and Historical Variations in Suburban Poverty in the United States
PATCHWORK PLACES: REGIONAL AND HISTORICAL VARIATIONS IN SUBURBAN POVERTY IN THE UNITED STATES by Christa Rachel Lee-Chuvala B.A., Taylor University (1999) M.U.P., Harvard University (2005) Submitted to the Department of Urban Studies and Planning in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Urban and Regional Studies MASSACHUSETTS INSTITUTE OF TECHNOLOGY September 2015 © 2015 Massachusetts Institute of Technology. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of author: …………………………………………………………………………….. Department of Urban Studies and Planning August 26, 2015 Certified by: ………………………………………………………………………………………. Amy Glasmeier Professor of Economic Geography and Regional Planning, Thesis Supervisor Accepted by: …………………………………………………………………………………….. Lawrence Vale Ford Professor of Urban Chair, Ph.D. Program in Urban Studies and Planning 2 Patchwork Places: Regional and Historical Variations in Suburban Poverty in the United States by Christa Lee-Chuvala Submitted to the Department of Urban Studies and Planning on August 26, 2015 in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Urban and Regional Studies. Abstract The majority share of metropolitan poverty in the United States has shifted from cities to suburbs through the effects of employment losses and the movement of lower-income populations. However, varied histories of suburban development, class and racial/ethnic divisions within and among suburbs, and widening suburban inequality all suggest that understanding suburban poverty requires moving beyond a simplified view of low- income suburbs as a uniform set. -
Quilt Documentation Projects 1980-1989: Exploring the Roots of a National Phenomenon
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Public Access Theses and Dissertations from Education and Human Sciences, College of the College of Education and Human Sciences (CEHS) 7-2010 Quilt Documentation Projects 1980-1989: Exploring the Roots of a National Phenomenon Christine Humphrey University of Nebraska at Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/cehsdiss Part of the Education Commons Humphrey, Christine, "Quilt Documentation Projects 1980-1989: Exploring the Roots of a National Phenomenon" (2010). Public Access Theses and Dissertations from the College of Education and Human Sciences. 84. https://digitalcommons.unl.edu/cehsdiss/84 This Article is brought to you for free and open access by the Education and Human Sciences, College of (CEHS) at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Public Access Theses and Dissertations from the College of Education and Human Sciences by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. QUILT DOCUMENTATION PROJECTS 1980-1989: EXPLORING THE ROOTS OF A NATIONAL PHENOMENON by Christine Humphrey A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: Textiles, Clothing, & Design Under the Supervision of Professor Patricia Crews Lincoln, Nebraska July, 2010 QUILT DOCUMENTATION PROJECTS 1980-1989: EXPLORING THE ROOTS OF A NATIONAL PHENOMENON Christine Elizabeth Humphrey, M.A. University of Nebraska, 2010 Adviser: Patricia Crews The documenting of thousands of quilts by small groups throughout the United States was one of the most notable parts of the 1980s surge of interest in quilt history.