State Caucuses to Decide Delegates
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Pop / Rock / Commercial Music Wed, 25 Aug 2021 21:09:33 +0000 Page 1
Pop / Rock / Commercial music www.redmoonrecords.com Artist Title ID Format Label Print Catalog N° Condition Price Note 10000 MANIACS The wishing chair 19160 1xLP Elektra Warner GER 960428-1 EX/EX 10,00 € RE 10CC Look hear? 1413 1xLP Warner USA BSK3442 EX+/VG 7,75 € PRO 10CC Live and let live 6546 2xLP Mercury USA SRM28600 EX/EX 18,00 € GF-CC Phonogram 10CC Good morning judge 8602 1x7" Mercury IT 6008025 VG/VG 2,60 € \Don't squeeze me like… Phonogram 10CC Bloody tourists 8975 1xLP Polydor USA PD-1-6161 EX/EX 7,75 € GF 10CC The original soundtrack 30074 1xLP Mercury Back to EU 0600753129586 M-/M- 15,00 € RE GF 180g black 13 ENGINES A blur to me now 1291 1xCD SBK rec. Capitol USA 7777962072 USED 8,00 € Original sticker attached on the cover 13 ENGINES Perpetual motion 6079 1xCD Atlantic EMI CAN 075678256929 USED 8,00 € machine 1910 FRUITGUM Simon says 2486 1xLP Buddah Helidon YU 6.23167AF EX-/VG+ 10,00 € Verty little woc COMPANY 1910 FRUITGUM Simon says-The best of 3541 1xCD Buddha BMG USA 886972424422 12,90 € COMPANY 1910 Fruitgum co. 2 CELLOS Live at Arena Zagreb 23685 1xDVD Masterworks Sony EU 0888837454193 10,90 € 2 UNLIMITED Edge of heaven (5 vers.) 7995 1xCDs Byte rec. EU 5411585558049 USED 3,00 € 2 UNLIMITED Wanna get up (4 vers.) 12897 1xCDs Byte rec. EU 5411585558001 USED 3,00 € 2K ***K the millennium (3 7873 1xCDs Blast first Mute EU 5016027601460 USED 3,10 € Sample copy tracks) 2PLAY So confused (5 tracks) 15229 1xCDs Sony EU NMI 674801 2 4,00 € Incl."Turn me on" 360 GRADI Ba ba bye (4 tracks) 6151 1xCDs Universal IT 156 762-2 -
WOLE SOYINKA: Politics, Poetics and Postcolonialism
This page intentionally left blank WOLE SOYINKA Politics, Poetics and Postcolonialism Biodun Jeyifo examines the connections between the innovative and influential writings of Wole Soyinka and his radical politi- cal activism. Jeyifo carries out detailed analyses of Soyinka’s most ambitious works, relating them to the controversies generated by Soyinka’s use of literature and theatre for radical political purposes. He gives a fascinating account of the profound but paradoxical affinities and misgivings Soyinka has felt about the significance of the avant-garde movements of the twentieth century. Jeyifo also explores Soyinka’s works with regard to the impact on his artistic sensibilities of the pervasiveness of representational ambiguity and linguistic exuberance in Yoruba culture. The analyses and evalu- ations of this study are presented in the context of Soyinka’s sus- tained engagement with the violence of collective experience in post-independence, postcolonial Africa and the developing world. No existing study of Soyinka’s works and career has attempted such a systematic investigation of their complex relationship to politics. is Professor of English at Cornell University. He is the author of The Popular Travelling Theatre of Nigeria () and The Truthful Lie: Essays in a Radical Sociology of African Drama (). He has written essays and monographs on Anglophone African and Caribbean literatures, Marxist cultural theory and colonial and postcolonial studies and has also edited several volumes on African drama and critical discourse. Series editor: Professor Abiola Irele, Ohio State University Each volume in this unique series of critical studies will offer a comprehensive and in-depth account of the whole œuvre of one individual writer from Africa or the Caribbean, in such a way that the book may be considered a complete coverage of the writer’s expression up to the time the study is undertaken. -
NY Unofficial Archive V5.2 22062018 TW.Pdf
........................................................................................................................................................................................... THE UNOFFICIAL ARCHIVE: NEIL YOUNG’S “UNRELEASED” SONGS ©Robert Broadfoot 2018 • [email protected] Version 5.2 -YT: 22 June 2018 Page 1 of 98 CONTENTS CONTENTS ............................................................................................................................. 2 FOREWORD .......................................................................................................................... 3 A NOTE ON SOURCES ......................................................................................................... 5 KEY .......................................................................................................................................... 6 I. NEIL YOUNG SONGS NOT RELEASED ON OFFICIAL MEDIA PART ONE THE CANADIAN YEARS .............................................................................. 7 PART TWO THE AMERICAN YEARS ........................................................................... 16 PART THREE EARLY COVERS AND INFLUENCES ........................................................ 51 II. NEIL YOUNG PERFORMING ON THE RELEASED MEDIA AND AT CONCERT APPEARANCES, OF OTHER ARTISTS ..................................................... 63 III. UNRELEASED NEIL YOUNG ALBUM PROJECTS PART ONE DOCUMENTED ALBUM PROJECTS ....................................................... 83 PART TWO SPECULATION -
Black Popular Culture
BLACK POPULAR CULTURE THE POPULAR CULTURE STUDIES JOURNAL AFRICOLOGY: A:JPAS THE JOURNAL OF PAN AFRICAN STUDIES Volume 8 | Number 2 | September 2020 Special Issue Editor: Dr. Angela Spence Nelson Cover Art: “Wakanda Forever” Dr. Michelle Ferrier POPULAR CULTURE STUDIES JOURNAL VOLUME 8 NUMBER 2 2020 Editor Lead Copy Editor CARRIELYNN D. REINHARD AMY DREES Dominican University Northwest State Community College Managing Editor Associate Copy Editor JULIA LARGENT AMANDA KONKLE McPherson College Georgia Southern University Associate Editor Associate Copy Editor GARRET L. CASTLEBERRY PETER CULLEN BRYAN Mid-America Christian University The Pennsylvania State University Associate Editor Reviews Editor MALYNNDA JOHNSON CHRISTOPHER J. OLSON Indiana State University University of Wisconsin-Milwaukee Associate Editor Assistant Reviews Editor KATHLEEN TURNER LEDGERWOOD SARAH PAWLAK STANLEY Lincoln University Marquette University Associate Editor Graphics Editor RUTH ANN JONES ETHAN CHITTY Michigan State University Purdue University Please visit the PCSJ at: mpcaaca.org/the-popular-culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular Culture Association and American Culture Association (MPCA/ACA), ISSN 2691-8617. Copyright © 2020 MPCA. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO KATIE WILSON PAUL BOOTH West Virginia University University of Louisville DePaul University AMANDA PICHE CARYN NEUMANN ALLISON R. LEVIN Ryerson University Miami University Webster University ZACHARY MATUSHESKI BRADY SIMENSON CARLOS MORRISON Ohio State University Northern Illinois University Alabama State University KATHLEEN KOLLMAN RAYMOND SCHUCK ROBIN HERSHKOWITZ Bowling Green State Bowling Green State Bowling Green State University University University JUDITH FATHALLAH KATIE FREDRICKS KIT MEDJESKY Solent University Rutgers University University of Findlay JESSE KAVADLO ANGELA M. -
234 MOTION for Permanent Injunction.. Document Filed by Capitol
Arista Records LLC et al v. Lime Wire LLC et al Doc. 237 Att. 12 EXHIBIT 12 Dockets.Justia.com CRAVATH, SWAINE & MOORE LLP WORLDWIDE PLAZA ROBERT O. JOFFE JAMES C. VARDELL, ID WILLIAM J. WHELAN, ffl DAVIDS. FINKELSTEIN ALLEN FIN KELSON ROBERT H. BARON 825 EIGHTH AVENUE SCOTT A. BARSHAY DAVID GREENWALD RONALD S. ROLFE KEVIN J. GREHAN PHILIP J. BOECKMAN RACHEL G. SKAIST1S PAULC. SAUNOERS STEPHEN S. MADSEN NEW YORK, NY IOOI9-7475 ROGER G. BROOKS PAUL H. ZUMBRO DOUGLAS D. BROADWATER C. ALLEN PARKER WILLIAM V. FOGG JOEL F. HEROLD ALAN C. STEPHENSON MARC S. ROSENBERG TELEPHONE: (212)474-1000 FAIZA J. SAEED ERIC W. HILFERS MAX R. SHULMAN SUSAN WEBSTER FACSIMILE: (212)474-3700 RICHARD J. STARK GEORGE F. SCHOEN STUART W. GOLD TIMOTHY G. MASSAD THOMAS E. DUNN ERIK R. TAVZEL JOHN E. BEERBOWER DAVID MERCADO JULIE SPELLMAN SWEET CRAIG F. ARCELLA TEENA-ANN V, SANKOORIKAL EVAN R. CHESLER ROWAN D. WILSON CITYPOINT RONALD CAM I MICHAEL L. SCHLER PETER T. BARBUR ONE ROPEMAKER STREET MARK I. GREENE ANDREW R. THOMPSON RICHARD LEVIN SANDRA C. GOLDSTEIN LONDON EC2Y 9HR SARKIS JEBEJtAN DAMIEN R. ZOUBEK KRIS F. HEINZELMAN PAUL MICHALSKI JAMES C, WOOLERY LAUREN ANGELILLI TELEPHONE: 44-20-7453-1000 TATIANA LAPUSHCHIK B. ROBBINS Kl ESS LING THOMAS G. RAFFERTY FACSIMILE: 44-20-7860-1 IBO DAVID R. MARRIOTT ROGER D. TURNER MICHAELS. GOLDMAN MICHAEL A. PASKIN ERIC L. SCHIELE PHILIP A. GELSTON RICHARD HALL ANDREW J. PITTS RORYO. MILLSON ELIZABETH L. GRAYER WRITER'S DIRECT DIAL NUMBER MICHAEL T. REYNOLDS FRANCIS P. BARRON JULIE A. -
Il Duce to Give Hitler Free Hand in Dealing with Czech
r'leif- AVEBAOB DAILT OQMJULAnON for the Heath ef AptU, U8S THE WEATHER ForecMt Of D. s. Weather Bmmm. Hartford 6,124 . Btanber ed the Audit Meetly eloady, not much change to temperatare today and tonlgit; Bui'suu «f CbeuMteus " fair Sunday, UtUe change to tem- pesutare. MANCHESTER — A'CITY OF VILLAGE CHARM VOL. LVIL, NO. 186 Advsttwag OB rage u> MANCHESTER^ CONN., SATURDAY, MAY 7, 1938 (FOURTEEN PAGES) PRICE THREE CENTS ^ War Mothers Join Hague Cause JAPS’ SUPPLY BASE IL DUCE TO GIVE HITLER IS THREATENED BY FREE HAND IN DEALING GUERRILU TROOPS ~ ® Sorprise Attack May Cot SPEECH PERMIT WITH CZECH PROBLEMS Lines Serving ' 10,000 Men Further North; Rush IS DENIED TO Parents Must Make Rdnforcements To Area. 2 CON^ESSMEN Into Another Tronblo Life, Death Decision Threatening Sitnation As Shanghai, May 7— (AP) —Three Expect Troable In Jersey thousand Chinese guerrilla troops, Mnssolhu Promises To fighting recklessly In the streets of City Toidglit When Repre- For Stricken Infant Nantungchow, threatened today to annihilate the Japanese garrison of Bring Inflnence To Bear that supply base on the north bank sentadves O’Connell And elftiriA PnlAn lav cr,,...riInIn n u— _,__ ITiey re- Helalne Colon lay gurgling In a hos- celved conflicting advice of the Yangtze river, 60 miles north pital crib today whUe her dis- Physicians generally were agreed On Czechs To Be Reasw- of Shanghai. Bernard Attempt To Talk. traught parents wavered on a deci- that no operation could save toe Japanese reinforcements were sion that medical experts said chUd’s sight and that death would rushed from Shanghai In a desper- meant life or death tor her. -
WOLE SOYINKA: Politics, Poetics and Postcolonialism
This page intentionally left blank WOLE SOYINKA Politics, Poetics and Postcolonialism Biodun Jeyifo examines the connections between the innovative and influential writings of Wole Soyinka and his radical politi- cal activism. Jeyifo carries out detailed analyses of Soyinka’s most ambitious works, relating them to the controversies generated by Soyinka’s use of literature and theatre for radical political purposes. He gives a fascinating account of the profound but paradoxical affinities and misgivings Soyinka has felt about the significance of the avant-garde movements of the twentieth century. Jeyifo also explores Soyinka’s works with regard to the impact on his artistic sensibilities of the pervasiveness of representational ambiguity and linguistic exuberance in Yoruba culture. The analyses and evalu- ations of this study are presented in the context of Soyinka’s sus- tained engagement with the violence of collective experience in post-independence, postcolonial Africa and the developing world. No existing study of Soyinka’s works and career has attempted such a systematic investigation of their complex relationship to politics. is Professor of English at Cornell University. He is the author of The Popular Travelling Theatre of Nigeria () and The Truthful Lie: Essays in a Radical Sociology of African Drama (). He has written essays and monographs on Anglophone African and Caribbean literatures, Marxist cultural theory and colonial and postcolonial studies and has also edited several volumes on African drama and critical discourse. Series editor: Professor Abiola Irele, Ohio State University Each volume in this unique series of critical studies will offer a comprehensive and in-depth account of the whole œuvre of one individual writer from Africa or the Caribbean, in such a way that the book may be considered a complete coverage of the writer’s expression up to the time the study is undertaken. -
Front-Line CD Price Cuts Continue
Nim *************3- IGI T 908 000817973 4401 8814 MAR90WHZ MONTY GREENLY APT A 3740 ELM LONG BEACH CA 9GqO7 I Follows page 60 April 9, 1988/$3.95 (U.S.), $5 (CAN.) VOLUME 100 NO. 15 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT Many In Video See Danger Discount Programs From MCA, WEA In Stressing Depth Of Copy Front-Line CD Price Cuts Continue distributor to reduce front- This story was prepared by Ken pull "inventory dollars away from B the CD -cost front, introducing a the first BY GEOFF MAYFIELD since CBS caught the Terry and Al Stewart. titles." three -month discount program, cut- line CD prices The risk of focusing on the hits to NEW YORK Music merchandisers ting the price for most of its front- industry's attention with its front- Assn. of The push to sell more the exclusion of the secondary ti- will see still more of the price cuts line CDs by 11 %, and launching a line slashes at the National NEW YORK Merchandisers conven- copies of hit video titles appears to tles, says Balner, echoing the con- on compact disks that they have new midline series that will move 43 Recording March 26). of a double -edged cern of many dealers and suppliers, been seeking as a result of MCA's titles to a price between the cost of tion (Billboard, be something has kicked off a As major is that people will no longer be lured and WEA's new plans to reduce its budget -line and its front -line Meanwhile, WEA sword for video retailers. -
J O:2 Cd Volume Xiii, No. 18
OD 17.4 CD CD CC CC LiJ OD _J 0 CO -, CO CD CD LW , ^*- 0: CO CD -J CD C CD CI -J O:2 CD e CC LU (0 nr Cl (0 _J CLI-- OC u2 _J (..:1 CE Li CO CD CC CL 0: 'ID 2: VOLUME XIII, NO. 18 MAY 20, 1988 $5.00 NEWSPAPER The new single from the stunning No. 1 Platinum LP, "INTRODUCING THE HARDLINE ACCORDING TO TERENCE TRENT D'ARBY." C 40a6a L J On Columbia Records, Cassettes and Compact Discs. COLUMBIA RECORDS -RADIO'S BEST FRIEND! Management: P.<. _.C. "Columbia;" se are trndemorks of CBS Inc. © 1988 CBS Records Inc. PUBLISHER'S PAGE THE YBPC PASSING THE TORCH Terri Avery James Alexander Step Johnson few weeks ago, we were the sixth time this weekend in Dallas. communications and the music indus- pleased to publish a news item While colleagues gather to pay tribute try. Information is power and music- on the presentation of a scho- to outstanding peers from radio and the particularly Black music-is one of the arship check from the Young record industry-this year James Alex- most marketable resources in the world. Black Programmers Coalition to Jackson ander, Program/Operations Manager at If we do not have able successors State University, whose communica- WJLB-FM in Detroit and Step Johnson, waiting in the wings, the major decision - tions students have received nearly Vice President/General Manager, making positions in broadcasting and $10,000 from the organization over the Capitol Records-the affair takes on the record industry held today by the past few years. -
Afrocentric Testifying in the Discourse of Teena Marie
Appropriation as Appreciation: Afrocentric Testifying in the Discourse of Teena Marie CARLOS D. MORRISON AND JACQUELINE ALLEN TRIMBLE One of the major debates or controversies in the Black1 popular sphere concerns the role of White artists in Black culture. Some Black scholars, artists, journalists and writers argue that white recording stars such as Taylor Swift, Macklemore, Robin Thicke, Miley Cyrus, Justin Timberlake, and others appropriate Black idioms, practices, and nuances. The thinking is that these White artists have little understanding of or appreciation for Black history, political struggle, or condition but mimic various aspects of Black popular culture in their music and videos for profit and street credibility within the Black community. Moreover, many have suggested that radio stations and record companies are the real culprits behind the rise of White artists: “The gatekeepers of the radio stations and record companies who have less investment in Black people and culture are more likely to elevate an Iggy Azalea over an Azealia Banks” (qtd. in Thompson 99). The current debate has roots in a long history of cultural appropriation extending from minstrelsy to Pat Boone’s making millions singing covers of Little Richard’s “Tutti Fruitti” and Fat’s Domino’s “Ain’t That a Shame” to Taylor Swift’s recent rendition of Earth Wind and Fire’s “September.” Undergirding each of these examples are artists and record 1 The terms “African American” and “Black” are used interchangeably throughout the article. CARLOS D. MORRISON is Professor of Communication in the Department of Communication at Alabama State University. He received a Ph.D.