Mozart & the Golden Age of Music
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The Inspiration Behind Compositions for Clarinetist Frederick Thurston
THE INSPIRATION BEHIND COMPOSITIONS FOR CLARINETIST FREDERICK THURSTON Aileen Marie Razey, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Kimberly Cole Luevano, Major Professor Warren Henry, Committee Member John Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Razey, Aileen Marie. The Inspiration behind Compositions for Clarinetist Frederick Thurston. Doctor of Musical Arts (Performance), August 2018, 86 pp., references, 51 titles. Frederick Thurston was a prominent British clarinet performer and teacher in the first half of the 20th century. Due to the brevity of his life and the impact of two world wars, Thurston’s legacy is often overlooked among clarinetists in the United States. Thurston’s playing inspired 19 composers to write 22 solo and chamber works for him, none of which he personally commissioned. The purpose of this document is to provide a comprehensive biography of Thurston’s career as clarinet performer and teacher with a complete bibliography of compositions written for him. With biographical knowledge and access to the few extant recordings of Thurston’s playing, clarinetists may gain a fuller understanding of Thurston’s ideal clarinet sound and musical ideas. These resources are necessary in order to recognize the qualities about his playing that inspired composers to write for him and to perform these works with the composers’ inspiration in mind. Despite the vast list of works written for and dedicated to Thurston, clarinet players in the United States are not familiar with many of these works, and available resources do not include a complete listing. -
Barbican Appoints Will Gompertz As New Director of Arts and Learning
For immediate release: Friday 19 March 2021 Barbican appoints Will Gompertz as new Director of Arts and Learning The Barbican today announces that Will Gompertz will join the international arts centre in the newly designed role of Director of Arts and Learning. This key role for the Centre brings together the arts and creative learning departments for the first time, and working with the art form and learning leads, Gompertz will lead the creation and delivery of the next phase of the Barbican’s artistic vision. Will Gompertz joins the Barbican from the BBC where he has been Arts Editor since 2009, and prior to that was a Director of the Tate Galleries for seven years. During his tenure in these internationally renowned media and cultural organisations, he brought a focus on driving innovation and change, opening up the arts to the widest public with dynamic and strategic leadership. Gompertz joins the Barbican at a pivotal time as it looks to its 40th anniversary next year and embarks on a major renewal of the building which aims to ensure the Centre will be the creative home for the next generation. He will lead the organisation in renewing its vision and purpose as a civic space for the widest inclusive community, especially in light of the impact of the Covid-19 pandemic. Supporting and collaborating with the team of artistic and organisational leaders across the arts, creative learning, marketing and communications teams, the role will refocus the Barbican’s work in response to the different future we now face. He will take up the position on 1 June 2021. -
BBC Radio in the Digital Era (1982 - ) Professor Jeremy Summerly
BBC Radio in the Digital Era (1982 - ) Professor Jeremy Summerly 15 April 2021 On Hallowe’en in 1981, Paul Vaughan became the presenter of Radio 3’s Record Review. Vaughan took over from John Lade (the programme’s founder-presenter) who had presented exactly 1,000 editions of the programme. Lade had led his listeners from 78s to LPs and Vaughan ushered in the CD era. Since its very first episode in 1957, ‘Building a Library’ has been at the heart of Record Review (re-named CD Review from 1998 until 2015). For most of its history ‘Building a Library’ has been a pre-recorded monologue punctuated by comparative musical examples, but on 22 March 2014 it was broadcast as a two-way live interview with presenter Andrew McGregor from a pop-up studio in London’s Southbank Centre. Thus, I was the first contributor to deliver ‘Building a Library’ live (having worked as a freelance contributor to the programme since 1992). On that spring morning in 2014, I chose Trevor Pinnock’s 1993 recording of Mozart’s Coronation Mass over the 1971 version by the London Symphony Orchestra under Sir Colin Davis. A group of dedicated CD Review listeners had congregated around the BBC pod to witness the live broadcast of the programme, and during the course of the segment they started to react to my analytical observations with muted applause and/or good-natured hisses of disapproval. That direct contact with the CD Review audience was a wonderful experience, albeit a predictably confirmatory one: Radio 3’s audience has an average age of around 60 years old, and that was borne out that morning in the Royal Festival Hall foyer. -
Front Matter
Cambridge University Press 978-0-521-89611-5 - The Cambridge History of Musical Performance Colin Lawson and Robin Stowell Frontmatter More information THE CAMBRIDGE HISTORY OF MUSICAL PERFORMANCE The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer’s experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians, and, impor- tantly, features contributions from accomplished performers, whose practi- cal experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, the History presents a fresh, integrated and innovative perspec- tive on performance history and practice, from the earliest times to today. COLIN LAWSON is Director of the Royal College of Music, London. He has an international profile as a period clarinettist and has played principal in most of Britain’s leading period orchestras, notably The Hanover Band, the English Concert and the London Classical Players, with whom he has recorded extensively and toured worldwide. He has published widely, and is co-editor, with Robin Stowell, of a series of Cambridge Handbooks to the Historical Performance of Music, for which he co-authored an introductory volume and contributed a book on the early clarinet. -
The Modernisation of Wind Playing in London Orchestras, 1909–1939: A
The modernisation of wind playing in London orchestras, 1909–1939: A study of playing style in early orchestral recordings Emily Claire Worthington PhD University of York Department of Music April 2013 2 3 Abstract This is a study of performing styles among wind players in London orchestras during the period 1909–1939. Existing scholarship relating to orchestral performance in London in the early twentieth century perpetuates the notion that playing standards were, at best, unreliable until the establishment of contracted orchestras in the 1930s. In addition, existing studies of wind playing in orchestral recordings pre-1930 suggest that a plain style prevailed, with little use of vibrato or tonal flexibility, until the French woodwind schools began to influence British practices in the late 1930s. Three London orchestras are considered through a combination of archival research and recording analysis. A case study of the New Symphony Orchestra (1905–1930) challenges the notion that pre-1930 London orchestras were ill-disciplined and lacking in corporate identity. The NSO’s recordings document a hyper-expressive performance style founded on the use of temporal flexibility, which bears relation to styles observed among pianists, singers and string players of the period. Attention then turns to London’s first ‘permanent’ orchestras, the BBC Symphony Orchestra and London Philharmonic Orchestra. Documentary evidence shows that the two ensembles were established to fulfill two very different ideals of orchestral performance and musical aesthetic. Comparison of the orchestras’ recordings is used to establish how this led to the emergence of two contrasting styles of playing in their wind sections, both of which nonetheless represented a move away from the style of the NSO. -
University of California Riverside
UNIVERSITY OF CALIFORNIA RIVERSIDE Elizabeth Maconchy: The Early Years, 1923 - 1939 A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Erica Janice Siegel August 2016 Dissertation Committee: Dr. Byron Adams, Chairperson Dr. Rogerio Budasz Dr. Walter Clark Copyright by Erica Janice Siegel 2016 The Dissertation of Erica Janice Siegel is approved: Committee Chairperson University of California, Riverside Acknowledgements This dissertation would have been impossible to complete without the assistance of several individuals. First and foremost, I would like to thank Dr. Nicola LeFanu for her incredible kindness, generosity, and assistance. I am also indebted to Dr. Jenny Doctor, Dr. Sophie Fuller, and Dr. Rhiannon Mathias, who have all made important contributions to scholarship on Maconchy and women composers in Britain. I would especially like to thank my advisor, Dr. Byron Adams, for his unwavering support, as well as my committee members Dr. Rogerio Budasz, Dr. Walter Clark, and Dr. Leonora Saavedra. Much of this research would have been impossible to complete without the generous funding of an IHR Mellon Dissertation Research Fellowship, and I’d like to thank Dr. Lawrence Goldman and Vanessa Rockel for their support during my year as a Mellon Fellow at the Institute of Historical Research. Several individual also offered their time and assistance over the course of my research in the UK, and I am particularly grateful to Dr. Dan Grimely, Dr. Leanne Langley, and Hugh Cobbe for their advice and guidance. I would also particularly like to thank Clara Colvin for her generous hospitality. -
Press Release
PRESS RELEASE Strictly embargoed until 7.00pm Tuesday 1 December BASCA announces 2009 British Composer Awards winners. New Award for Contemporary Jazz Composition goes to Jason Yarde. Tuesday, December 1, 2009: The winners of the 2009 British Composer Awards were today announced in a ceremony hosted by BASCA (British Academy of Songwriters, Composer and Authors) at the Law Society, London. Now in its seventh year, the Awards are presented by BASCA and sponsored by PRS for Music. In association with BBC Radio 3, the awards will be broadcast in Performance on 3 on Wednesday 2nd December at 7pm.. The key-note comments at the ceremony were given by Sir Nicholas Kenyon, CBE who also presented the winners with their Awards. This year’s event gave special focus to the new Award for Contemporary Jazz Composition which was won by composer and saxophonist, Jason Yarde for his BBC Prom commission, Rhythm and Other Fascinations. The advent of Jazz as a new awards category was also celebrated by Scottish Jazz Quartet, Brass Jaw, whose performances included two new works specially commissioned by BBC Radio 3 from jazz legend John Surman, especially for the occasion. John Surman, who appeared recently at the London Jazz Festival, was at the Awards to acknowledge the two world premieres. Welcoming the new Jazz Award, Roger Wright, Controller, BBC Radio 3, said, “The Awards continue to reflect the immense creativity that flourishes in this field today and we are delighted to support them for the seventh year. That they have expanded their reach to embrace a further area of work where composers earn scant acknowledgement – this time in the Jazz domain – is a sign of the growing importance of the Awards in recognising the breadth of what composers are doing today.” Ellis Rich, Chairman of PRS for Music, sponsors of the Awards, comments ““Yet again we’ve seen that this country has a wealth of contemporary classical music talent and it is right that this is celebrated. -
The Liveryman Review 2017-2018
The Liveryman Review 2017-2018 Christmas Lunch 2017 in Vintners’ Hall Council 2017-2018 L to R. Hon. Solicitor: Keith Baker - Hon. Secretary: Jane Platt – Senior Vice-President: Dr Trevor Brignall – President: Paul Herbage Junior Vice-President: Adèle Thorpe – Hon. Treasurer: Simon Bentley – Clerk: Liz Wicksteed Officers and Clerk: Elected Members of Council: • President: Paul Herbage MBE CStJ • Alan Cook CStS • Patron: The Rt. Hon. The Lord Mayor • Capt Arthur Creighton FRIN • Senior Vice-President: • Julie Fox Dr Trevor Brignall PhD DBA MA MBA DMS DipM CIOM • Chris Hayward CC • Junior Vice-President: Adèle Thorpe FCIS • Prof Jim Kelly • Hon. Secretary: • Tony Lofts Jane Platt CBE (to 19/01/2018) • Iain Meek Dip Arch RIBA Adèle Thorpe FCIS (from 19/01/2018) • Judith Pleasance CC MA(Hons) • Hon. Treasurer: Simon Bentley FCCA • Nicholas Somers FCIS (Retd) • Hon. Solicitor: Keith Baker LLB FCIL • Dr Christine Rigden BSc PhD FGS Cgeol • Clerk: Liz Wicksteed BA (Hons) • Shai Umradia BSc (Hons) • Dr Keith Williams BSc(Econ) MA PhD Past Presidents With Voting Rights: • Judy Tayler-Smith BA DipEgy FSA SCOT Standing invitation to attend: • Neil G.M.Redcliffe BSc(Econ) MBA FCA • Asst Hon. Treasurer: • Alderman Sir David Wootton MA Graham Lovelock FNZICA B.Com FIoD • John MacCabe ACII • Alderman John Garbutt KFO JP FRSA FCSI FRGS BSc Econ (Immediate Past President) The Liveryman Review 2017-2018 Contents President’s Review ..................................................................................................................2 President’s -
Spring & Summer 2021
Yale Yale Spring & Summer 2021 Yale SPRING & SUMMER 2021 Contents General Interest Highlights 1–22 Paperback Highlights 23–34 Art 4, 35–66 fashion & textile 35, 56 architecture 39, 42, 43, 55–59 design & decorative 36, 42, 43, 48, 54 modern & contemporary 4, 37, 38, 46, 47, 52, 56–58, 62–66 photography 37, 57, 64, 66 18th & 19th century 48, 50, 53–55, 60, 61 baroque & renaissance 41–42, 49–52, 58 Science, Technology & Mathematics 20–22, 26, 67, 79 International Affairs & Political Science 18, 19, 24, 28, 32, 68, 69 Biography & Memoir 2, 4, 15, 25–27, 29–31, 70, 71 History & Jewish Studies 3, 5, 8–17, 25–27, 29–31, 33, 34, 70, 71, 74 Business & Economics 16, 24, 32, 72 Environment & Ecology 72, 73, 83 Religion, Philosophy & Anthropology 6, 33, 34, 74, 75 Literary Studies & Language 2, 7, 18, 22, 24, 28, 33, 76–79, 84 Poetry & Performing Arts 1, 2, 76, 78, 79 American Studies 80–83 Picture Credits & Index 85–87 Sales Contacts 88 Ordering Information 89 Rights, Inspection Copy, Review Copy Information 89 Yale University Press YaleBooks 47 Bedford Square @yalebooks London WC1B 3DP tel 020 7079 4900 yalebooksblog.co.uk general email [email protected] www.yalebooks.co.uk Nicholas Kenyon explores the enduring appeal of the classical canon at a moment when we can access all music – across time and cultures ‘A music guru.’ – Joan Bakewell The Life of Music New Adventures in the Western Classical Tradition Nicholas Kenyon Nicholas Kenyon is Managing Immersed in music for much of his life as writer, broadcaster and concert Director at London’s Barbican presenter, former director of the BBC Proms, Nicholas Kenyon has long Centre. -
New Proms 2004 Press Pack
Contents BBC Proms 2004 Introduction, Overview & Top Stories . 3 Proms Themes And Anniversaries East/West . 6 Back to Bohemia . 8 England at the Crossroads: 1934 . .10 Other Anniversaries . 12 New Music . 14 Royal Albert Hall Organ Restored . 19 Swing to Opera at the Late Proms . 21 Nation’s Favourite Prom . 23 Proms In The Park . 24 Audiences Of The Future Young Composers Competition; Silk Road Tales; Proms Out & About . 27 Proms Extras Proms Chamber Music; Composer Portraits; Pre-Prom Talks, etc . 30 Broadcasting The Proms . 33 Proms Website . .38 Family Events At The Proms . 39 Proms Links To Look Out For Faber Books;Warner CDs; British Library Silk Road Exhibition . 40 Debut Artists . 43 Factsheet . 45 www.bbc.co.uk/proms BBC Proms 2004 Introduction Great traditions, great innovations at the 110th season of BBC Proms Friday 16 July – Saturday 11 September 2004 The 2004 BBC Proms season features the More Proms on TV than ever before The traditional mixture of great music, great artists BBC Proms concerts are available to more and great occasions – including this year the people in more ways than ever before in 2004. biggest ever celebration of Proms in the Park BBC Four, which has broadcast the first two around the United Kingdom on the Last Night. weeks of the season since its launch, now adds It also introduces new music, new outreach the final week of concerts; BBC One and BBC events, new interactive elements and more Tw o broadcast 10 concerts between them. Proms on television than ever before, creating Thirty of the 74 main evening Proms are a renewed commitment to the audience of televised on BBC One,Two and Four, and all the future. -
Music of Exile
Saturday 13 January 2018 7.30–9.35pm Barbican Hall MUSIC OF EXILE Schoenberg, Shilkret, Tansman, Milhaud, Castelnuovo-Tedesco, Toch & Stravinsky Genesis Suite (UK premiere) Interval BartÓk Concerto for Orchestra Sir Simon Rattle conductor Gerard McBurney creative director MUSIC OF Mike Tutaj projection design Simon Callow, Rodney Earl Clarke, Sara Kestelman, Helen McCrory narrators London Symphony Chorus Simon Halsey chorus director Produced by the LSO and the Barbican. Part of the LSO’s 2017/18 Season, Barbican EXILE Presents and the Barbican’s 2018 season, The Art of Change, which explores how artists respond to, reflect and can potentially effect change in the social and political landscape. Welcome Kathryn McDowell & Sir Nicholas Kenyon elcome to tonight’s LSO concert at We are joined by a stellar cast of narrators WELCOME TO TONIGHT’S GROUPS the Barbican, part of the Barbican’s for the Genesis Suite: Simon Callow, 2018 season, The Art of Change. Rodney Earl Clarke, Sara Kestelman and We are delighted to welcome Continuing his first season as Music Director Helen McCrory. A warm welcome also Mr & Mrs Nisbet & Friends of the Orchestra and Artist-in-Association to the London Symphony Chorus, who join with the Barbican and Guildhall School, the Orchestra on-stage, led by the LSO’s Sir Simon Rattle explores music written during Choral Director Simon Halsey. the 1940s by composers who fled wartime Europe to take refuge in the US. He conducts This evening’s concert, following opera the Genesis Suite, a rarely heard collaboration performances in 2015 and 2016, is presented by seven of the leading composers of the day, in partnership by the LSO and the Barbican. -
12 December 2008 Page 1 of 20
Radio 3 Listings for 6 – 12 December 2008 Page 1 of 20 SATURDAY 06 DECEMBER 2008 5.36am 07:42 Prokofiev, Sergei (1891-1953): Symphony No 1 in D SAT 01:00 Through the Night (b00fr7fd) (Classical) BACH, C.P.E. With Susan Sharpe. Royal Concertgebouw Orchestra Orchestra-Symphony No.1 in D (Wq. 183/1) Karel Ancerl (conductor) The English Concert 1.02am Andrew Manze (director) Donizetti, Gaetano (1797-1848): La Favorita (The Favoured 5.50am HARMONIA MUNDI HMU 807403 Tr 1-3 One) - opera in 4 acts Pejacevic, Dora (1885-1923): Barkarola; Song without words, (Libretto by Alphonse Royer and Gustave Vaez, with the Italian Op 5; Butterfly, Op 6; Impromptu, Op 9 07:54 traduction by Francesco Janetti) Ida Gamulin (piano) Leonora di Gusman ...... Fiorenza Cossotto (mezzo-soprano) Aram KHACHATURIAN Fernando ...... Alfredo Kraus (tenor) 6.01am Lezhginka Alfonso XI ...... Sesto Bruscantini (baritone) Reinecke, Carl (1824-1910): Flute Concerto in D minor, Op Taraf de Haidouks Baldassare ..... Ivo Vinco (bass) 283 CRAMMED CRAW 40 Tr 2 Don Gasparo ...... Italo Pasini (tenor) Matej Zupan (flute) Inez ...... Africa De Retes (soprano) Slovenian National Radio Symphony Orchestra 08:03 Teatro Colon Chorus David de Villiers (conductor) Tulio Boni (director) BACH Teatro Colon Orchestra 6.22am “Bourree I/II” from Suite for ‘cello No.3 in C major, BWV Bruno Bartoletti (conductor) Bach, Johann Sebastian (1685-1750): Italian Concerto in F, 1009 BWV 971 Anner Bylsma, ‘cello 3.20am Sietze de Vries (organ) SONY CLASSICAL S2K 48047 CD1 Tr 17 Haydn, Joseph (1732-1809): Sonata