2021 edition ARCHITECTURE FOR HERITAGE How to dialogue with the past to design the contemporary Special provisions for the Covid-19 emergency

Due to the pandemic situation, in site of the courses taking place between September 2020 and February 2021, YAC has taken extra- ordinary measures for the best performance of its activities and to facilitate access to its courses, in accordance to safety criteria. As far as the 2021 programs are concerned, it is specified that:

1. based on merit, 5 scholarships are provided for each course (for a total of 30 scholarships in 2021) to fully cover the enrol- lment cost; 2. the course will also be open to students of architecture or simi- lar disciplines who have not graduated yet; 3. although the courses will be held in person, 10 students per course will have the opportunity to participate in the courses virtually, without any limitations in participating in the work- shop and in the placement service at the end of the course.

Cover: Observatory Houses, project by: Giovanni Valioni, Mirko Morra, Angela Spinelli, Serena Caldarelli Summary 04 YACademy

05 Where

06 Main partners

07 Reasons why 08 Lectures 09 Placement 10 Visits 11 Workshops 14 Become the protagonist

15 The course 16 Overview 17 Structure 18 Calendar

19 Program 20 Lessons 25 Lectures 29 Workshop 31 Visits

32 Placement

38 Rules 3

Ghost Town Refuge, project by: Pietro Colonna YACADEMY

The greatest innovation in postgraduate education

YAC is an association which promotes architectural competitions aimed at fostering culture and design research. Over the years, YAC has broadened its experience of work and collaboration with the main architectural firms of contemporary architecture, dealing with diverse and numerous topics of architectural design. Nowadays, YAC’s expertise can serve young designers better, providing them with the creation of high-level educational programs aimed at rein- forcing the skills of the students and offering them a valuable con- nection to the labour market. Thanks to the close relationship with internationally renowned professional and academic actors, YAC is the perfect frame within which complete or specialize one’s skills, and create a significative link with the most internationally-renow- ned architectural firms.

4 Where

Via Borgonuovo, 5 Bologna,

In the heart of Bologna’s historical city center, close to the Two Towers and next to Piazza Santo Stefano, YACademy is located in a prestigious medieval building which has been renovated to wel- come an educational center of excellence which can also count on a library of more than 3.000 books donated by Sapienza University. YACademy is the perfect place where to continue or enrich your ed- ucation, in a prestigious context immersed in the commercial and historical centre of an always-on the-go and lively city located at a short distance from , , and . From Bolo- gna Central Station, it takes just a brief bus ride or a short pleasant walk under the marvellous porticos to get to YACademy’s head- quarters: here, among history, innovation and internationality, the young designers will be able to meet some of the most celebrated personalities of contemporary architecture and build up a network of excellence while laying the foundations of their future careers.

5 Main sponsor Workshop partner

Founded in 1989, Scrigno is a leader in the Manni Group, a historic company founded in Terreal Italia is a company specialized in the Urban Up is the real estate project of Unipol Villa Imperiale is located a few kilometres design, manufacturing and marketing of 1945 in , works in the field of steel pro- production of terracotta building envelope Group aimed at enhancing some of the most away from Pesaro, immersed in the and- exclusive counter frames for disappearing sli- cessing, insulated metal panels, renewable systems, which has been able to transfer important architectures in Italy which are scape of the Natural Park of the mount ding doors and windows, 100% Made in Italy. energies and energy efficiency. Manni Group to an industrial level an ability historically owned by the Group through works of mo- San Bartolo that protects its original rela- The company is based in Sant’Ermete, in the provides innovative systems, products and born on an artisanal level. The firm is part dernization and renovation that combine an tion with nature. municipality of Santarcangelo di Romagna skills for the dry construction industry. It of the multinational Terreal, world leader in innovative drive with the respect for tradition. (Rimini), occupying a site of 50,000 sq.m. promotes new scenarios in order to remove the brick sector with premises all over the An ancient residence of the Sforza in the Its production facilities are located in Savi- energy waste and polluting emissions in the world. From January 2018 we acquired the The Urban Up project, which started from the sixteenth century, it was enlarged and gnano sul Rubicone, only a few kilometres existing estate stock. Thanks to new buildin- Pica brand, an important historical company city of Milan with the redevelopment of some away, with a total covered surface area of gs or new retrofitting architectures, it sup- in the clay building sector, together with the key-buildings of the city, history-wise and po- frescoed at the behest of Della Rovere 30,000 sq.m. With 300 employees, 400,000 ports the real estate fileds or design firms to already well-known brand SanMarco. sition-wise, continues in various Italian cities duchies in the sixteenth century by the ar- counter frames manufactured every year and reach a high value for their projects based on with interventions that both promote their chitect Girolamo Genga, from Urbino. Its exported to over 30 countries, Scrigno boa- the prnciples of sustainability and know how Terreal Italia’s operations are based on the own trophy assets but also regenerate urban splendour faded for a long period, from sted a turnover of about 87 million euro in in construction. key principles of tradition, innovation, resear- suburbs, by declining the value of sustainabili- 1631 to the nineteenth century, when the 2019 - 50% of which recorded abroad - and is ch, quality, safety and sustainability. Terreal ty in the real estate field through the adoption Villa passed to the Albani family, joined positioned as a solid group on the market, as Thanks to its 75-years experience, its com- Italia’s terracotta products - from mediter- of design solutions inspired by environmental with the Castelbarco family. Thanks to well as a benchmark for its sector. Since 27th mitment, its long-term vision and remarkable ranean roof tiles to flat roof tiles, soft mud safeguard. the care and to the restoration of thenew June 2018, the company is part of the fund dedication, the group has dealt with several bricks to wire cut bricks, terracotta flooring owners, it has been possible to return to Clessidra Capital Partners 3, managed by market changes. It was able to wisely adapt to architectural elements, slabs to ventilated urbanupunipol.com the ancient splendour of the residence. Clessidra sgr, the leading manager of Priva- to new international business scenariosand facades - are characterised by extremely te Equity funds exclusively dedicated to the embrace the Circular Economy philosophy. high performance standards and rigorous villaiperialepesaro.com Italian market. The operation opened a new quality control, and are available in a wide path for Scrigno. Thanks to significant finan- mannigroup.com range of shapes, colors and finishes. cial resources devoted to its expansion plan, the Group will pursue its internationalisation terreal.it and diversification strategy with a renewed strength.

scrigno.it 6 Reasons why

7

Art Prison, project by: Agata Jaszczyk, Jędrzej Pawlaczyk, Katarzyna Toczyńska-Kołodziejczak Reasons why | LECTURES

01. Learn from the great masters

YACademy offers training courses in which young people can learn from the experience and testimony of some of the most illustrious names of design. An extensive offer of special lectures, together with numerous moments for informal discussion, will give the stu- dents the opportunity to both enrich themselves with design refe- rences and suggestions, and to get to know and chat personally with the great masters of contemporary architecture.

1. Eduardo Souto de Moura 2. Kazuyo Sejima - SANAA 3. Shigeru Ban - Shigeru Ban Architects 4. Pippo Ciorra and Carlo Ratti 5. Michele De Lucchi 6. Kengo Kuma - KKAA

8 Reasons why | PLACEMENT Oslo 2 Rintala Eggertsson Architects 1 Jensen & Skodvin Tokyo 8 Kengo Kuma and Associates Toronto Dublin 1 Emmanuelle Moureaux Architecture + Design 2 Partisans 2 Mccullough Mulvin Architects London 2 UNStudio 1 3 OMA Architects 2 all Design 02. Work with great firms Paris 2 Jean Nouvel Design Basel Innsbruck 2 HHF Architects At the end of the program, participants are guaranteed a proposal of 3 Snøhetta Merano collaboration or internship to carrying out specific communication 3 Markus Scherer Architekt projects within one of the professional firms of YAC’s network, either Milano important companies or established architectural firms. This stage 2 Edoardo Tresoldi 2 Carlo Ratti Associati of the program is a fundamental distinctive feature of the service 1 Stefano Boeri Architetti Genua offered by YACademy, aimed at guaranteeing students an effective 3 Lombardini 22 1 Atelier Alfonso Femia 6 Architects Milan Bologna career orientation service. 1 Studio Urquiola 13 MCA 10 AMDL CIRCLE Rome 2 Alvisi Kirimoto 1 EMBT Miralles 3 Ateliers Jean Nouvel Tagliabue Madrid 1 Nieto Sobejano Arquitectos Lisbon 4 Aires Mateus 1 Carrilho da Graça Syracuse Bogotà Arquitectos 5 Vincenzo Latina Architetti 2 El Equipo Mazzanti Pune 2 Anupama Kundoo Santiago de Chile 2 Duque Motta & AA 1 Vector Architects

9 Reasons why | VISITS

03. Enjoy a full and exciting experience

Design feeds on perceptions: suggestions and references that only direct experience can offer. For this reason, YACademy courses are also composed of a series of visits and trips aimed at enriching the cultural baggage of the students so they can improve their design approach. Surveys, building-site visits and company visits complete the offer of a program that is based on experience by leading stu- dents to get in touch with some of the most excellent firms on the Italian and international scenario.

10 Reasons why | WORKSHOP

04. Designs for prestigious clients

After the lectures, students will develop a real project under the su- pervision of a renowned architectural firm. Through the workshop, therefore, the students will not only have the opportunity to learn the processes and methodologies used by their tutor, but also to enrich their curriculum with a new design experience (whose outco- me is often realized) for some of the most prestigious clients in the world.

11 Reasons why | WORKSHOP

12 Reasons why | BECOME THE PROTAGONIST

13 Reasons why | BECOME THE PROTAGONIST

05. Build your professional image

The core of the academy is the enhancement of the young people who are part of it, helping them to lay the foundation for a pro- fessional growth and affirmation even beyond the duration of the training program. In this sense, the academy places student at the center of a wide and prestigious media circuit, oriented to tell their design and talent, both through specific communication projects, and through the collaboration with press and various newspapers that report to YAC.

14 The course

15 The course | OVERVIEW

Scolarships Brief 5, full-coverage of the enrollment fee Objectives Architects have always been asked to breathe new life into ancient The “Architecture for Heritage” course aims at training designers architectures inherited from the past or into historical – often mon- Course period skilled in restoration and enhancement of neglected historical archi- umental – artefacts that no longer respond to the customs and September 2021 - November 2021 tectures. Focusing on the different technical possibilities and on the needs of the contemporary society. range of materials on the market, and whilst being exposed to nu- Attendance to lessons merous professional guests and distinguished cultural references, Nevertheless, the ancient architectures tell our story, therefore de- 3 days per week (physically or virtually) the designers will acquire the ability of designing highly-significative serve to be restored with interventions that bring along a hint of projects, both at a formal and at a technical level. The course aims modernity and show the trace of the design activity. The “Architec- at providing the students with skills that are immediately usable ture for Heritage” course has been created on these premises. Its Maximum number of students and grants a focus on the most modern surveying technologies aim is training designers who will be able to understand and en- 25 in presence + 10 online and on historical understanding of architecture. Moreover, through hance the memory of historical architectures and take inspiration their internships in well-renowned professional firms, the students from them to carry out new interventions that both meet the new Language will gain an efficient link to the labor market. needs and are enriched by the link to the past. In a close dialogue Italian between the ancient and the modern, between existing architec- tures and new interventions, it is possible to comprehend what has Professional qualifications been and what is now, redesigning – through architecture – a his- Elements of innovation torical line bound to be continued by future generations. The students will gain and improve their skills regarding surveys, • It is the first course that gathers a ten-year experience in resto- understanding, interpretation, repurposing and enhancement of The students will learn about the most advanced survey strategies ration and enhancement of historical architectures and offers it historical architectures. and redesign of historical architectures; therefore, they will be able as an educational program; to protect the ancient wonders without giving up on a contempo- • within a two-month course, the students are offered a presti- rary approach to the project. They will acquire skills and experience gious range of future job opportunities; Admission in a field of design that is always present and offers continuous and • the course envisages and aligns different educational tools (les- The admission to the course is based on the evaluation of: valuable job opportunities. sons, workshops, internships, company visits); • curriculum vitae, also in European format • the course offers new competences and emerging technologies: • motivational letter (max. 200 words) The students will analyze the technical and compositional strate- laser scanning surveys and drone surveys; • portfolio gies to adopt in contexts that host outstanding existing architec- • the workshop deals with a real design case and offers a great In order to ensure the best quality of teaching and the most effec- tures through the intervention on archaeological and industrial sites opportunity to analyze and realize the outcome design. and focusing mainly on the accommodation and cultural use of tive absorption of the students in the labor market, the course will historical buildings. The course will be made up of 80 hours of les- have a limited number of students (max. 35); it will be delivered sons, a 32-hour workshop and multiple lectures by well-renowned in Italian and addressed to students and graduates who have ob- professional architects. tained a master’s degree in Architectural Sciences or other equiva- lent titles. The commission, in line with the preliminary assessment, At the end of the course, YACademy Placement office will guaran- together with the outcome of a possible interview, may admit stu- tee each student a proposal for an internship / collaboration within dents with different qualifications. the partner studios.

16 The course | STRUCTURE

REGENERATION OF HISTORIC HAMLETS | 4 HOURS BUILDING UPON RUINS: EVORA HISTORICAL CENTRE Lessons The city beyond the surbub João Luís Carrilho da Graça | Carrilho da Graça Arquitectos 80 hours Antonio De Rossi | Politecnico di Torino RUSH LIBRARY: NEW USES FOR SACRED SPACE CASE HISTORY | 8 HOURS HISTORY AND EVENTS OF VILLA IMPERIALE | 4 HOURS Valerie Mulvin | McCullough Mulvin Architects Successful examples of restoration of historical architectures From Sforza to Castelbarco Albani Andrea Zamboni | Zamboni Associati Architettura Alessandra Castelbarco Albani | Villa Imperiale Pesaro HUTONG BUBBLE: CHINESE REGENERATION Andrea D’Antrassi | MADarchitects ART AND RUINS | 8 HOURS TYPOLOGICAL RESEARCH AND RESTORATION | 12 HOURS Artistic languages as the tool to enhance historical architectures Theoretical reflections and possible approaches in restoration FROM THE INDUSTRY TO ART: THE TATE MODERN CASE Gianandrea Gazzola | Artist Sergio Bettini | Studio Bettini architetti Andreas Fries | Herzog & De Meuron

CONCEPT DESIGN | 8 HOURS TECHNOLOGIES AND MATERIALS FOR RECOVERY SEWING UP THE URBAN FABRIC: SANTA CATERINA MARKET The genesis of a design idea Products, solutions and materials for the valorization of the ancient | Miralles Tagliabue EMBT Massimo Alvisi | Alvisi Kirimoto Partner companies

SUBURBAN SCENARIOS | 6 HOURS Workshop Urban reactivation and enhancement of the recent past Lectures 32 hours Matteo Agnoletto | Università di Bologna GHOSTS OF ARCHITECTURE: THE PALEOCHRISTIAN DESIGN OF A PAVILION FOR THE MONUMENTAL COMPLEX THE NEW FRONTIER OF SURVEY | 8 HOURS BASILICA IN SIPONTO OF VILLA IMPERIALE Standard and cutting-edge techniques of architectural survey Edoardo Tresoldi Livia Tani | Ateliers Jean Nouvel Giuseppe Boselli | Geogrà srl MVRDV CRYSTAL HOUSES MULTIMEDIA FOR HERITAGE | 6 HOURS Fokke Moerel | MVRDV Placement New digital languages to serve the enhancement of historical heritage PRESENCES AND ABSENCES: THE CATHOLIC UNIVERSITY OF At the end of the course, YACademy’s Placement office will guaran- Andrea Gion | Drawlight LOUVAIN tee every student an internship or collaboration proposal in one of Jorge P. Silvia | Aires Mateus e associados our partner studios relevant to the course topic, among which: INDUSTRIAL ARCHITECTURES | 6 HOURS From the object to the project: restoration strategies ELEGANCE AND DISCONTINUITY: RIBERA DEL DUERO MVRDV - Carrilho da Graça Arquitectos - Edoardo Currà | Università Sapienza di Roma Alberto Veiga | Barozzi Veiga David Chipperfield Architects Milano - Edo- THE DISCIPLINE AND PROMOTION OF HISTORICAL HERITAGE BEHIND THE SCENES IN VENICE: PROCURATIE VECCHIE ardo Tresoldi - EMBT - Barozzi Veiga | 4 HOURS Giuseppe Zampieri | David Chipperfield Architects Milano Experiences of recovery and repurposing of the Italian historical heritage Francesca Graziani | Agenzia del Demanio INDUSTRIAL ARCHITECTURE AND NEW FUNCTIONS Massimo Carmassi | Carmassi Studio Architettura THE ANCIENT IS SUSTAINABLE | 6 HOURS includes workshop Principles of environmental and energy sustainability for historical includes visit architecture Carmen Spagnoli | Lombardini22 17 The course | CALENDAR

Applications opening 3rd May 2021

Applications deadline 9th July 2021

Publication of the provisional ranking 19th July 2021

Enrollment fee payment deadline 23rd July 2021

Publication of the official ranking 2nd August 2021

Lessons start 6th September 2021

Lessons end 8th October 2021

Workshop start 11th October 2021

Workshop end 12th November 2021

18 Program

19

Art Prison, project by: Jérémiah Mösch, Stephanie Micheloud Program | LESSONS

8 hours 8 hours 8 hours Case history Art and ruins Concept design

Successful examples of restoration of Artistic languages as the tool to enhance historical The genesis of a design idea historical architectures architectures

Andrea Zamboni The renovation of architectural heritage not Gianandrea Gazzola The didactic module is divided into two Massimo Alvisi The aim of the course will be to consolidate ZAMBONI only has to do with preserving historical or ARTST phases of four hours each, divided between ALVISI KIRIMOTO and structure the compositional methodo- ASSOCIATI protected artifacts, but is an opportunity to morning and afternoon of the same day. The logy specific to each student. Through the Gianandrea Gazzola is an Massimo Alvisi was born in ARCHITETTURA express the best contemporary architecture artist whose activity, start- first four hours will be dedicated to the exhi- Barletta in 1967 and gradua- course, students will have the opportunity to and carry out the renovation of whole parts ing from his training, has bition of the teacher’s artistic experience, ted with Honors at the Univer- deepen their own way of synthesis of the va- He studied at the Acad- of a city. The greatest masters of all times a strong interdisciplinary especially with regard to the projects most sity of Florence in 1994 with rious requests that contribute to the project, emy of Architecture in imprint. He is active in sec- a n international dissertation Mendrisio and at the Ferr- have faced this amazing challenge: the tors such as scenography, directly related to different monumental or in collaboration with the École in order todesign an original architectural ara Faculty of Architecture analysis of their action will teach the stu- music and design, but it is in archaeological contexts. In particular, the d’Architecture de La Villette. proposal that responds to the set program. where he graduated with dents how to excellently make the best use the visual arts and installa- Certosa di Padula, Pompeii, the Colosseum, During university, he receives Enhancement of landscape, respect of bud- Peter Zumthor and Vittorio tions that he finds its main a Scholarship to study in Dar- Savi. He did his internship in of their design ability. Therefore, the course means of expression. The the Terme di Tito in Castel Sant’Angelo, the mstadt, , where he gets, functions, fulfillment of regulatory bin- the offices of Guido Cana- will give the students a series of cultural central theme of his work Cisterna di Seggiano, the Botanical Garden studies environmental sustai- dings, response to technical and performan- li in and Nicola di references that may help them develop their is the relationship between of Padua, in connection with works dedica- nability with Thomas Herzog. ce needs, definition of the user experience Battista in Rome. PhD with different aspects of percep- He was a Design Architect for scientific qualification as creativity. Through the analysis of some tion, in particular sound and ted to natural spaces such as those of Ar- Renzo Piano Building Work- and prevision of related perceptions: only by Associate Professor, he has realized architectures (carried out thanks to form, extending the interest te-Sella in Valsugana. A workshop will fol- shop from 1995 to 2002 until responding to each one of these requests, been adjunct professor of the concerning designers), the students will to the relationships between low, during which a topic relating to a work the completion of the Audi- will it be possible for the project proposal to Architectural Design at the natural phenomena, such as torium Parco della Musica in University of Bologna and be given an overview on the main and most water, wind and clouds. This to be included in an archaeological context Rome. In 2002, together with include complex and meaningful architectu- since 2019 he is adjunct famous architectures which sprung from a concept includes the works will be proposed. The topic will be studied Junko Kirimoto, he funds stu- res that do not exhaust their identity in the professor of the Laboratory refined dialogue with history. “lo Stilo” and “Infinitum” cre- and proposed by groups which, in the last dio Alvisi Kirimoto in Rome. generic and arbitrary expression of the ar- of Architectural Design at ated at Artesella from 2013 He works mainly in architectu- the University of Parma. to 2018. Time in its histor- hour of class, will present their work which ral design in the urban and chitect’s aesthetic orientation. Author of many essays and ical sedimentation is also will be discussed in order to highlight the social field. He was a techni- publications, he was part of one of the guiding elements principles of intervention in this type of con- cal counsellor for Casa Italia workshop included the Study Center of Domus of his work. Two installa- and he tutors G124 project of magazine directed by Nicola tions on the theme of water text. architect Renzo Piano aimed Di Battista. Architect, he is were created inside the 16th at repairing suburbs. Since co-founder of ZAA Zam- century Botanical Garden of workshop included 2018, he lectures within the boni Associati Architettura. Padua. Other installations course in “Architecture for Among the other realiza- are located in the Certosa di Heritage” at YACademy in tions is the regeneration of Padula and at the Terme di Bologna and he taught Urban the monumental complex Tito in Castel Sant’Angelo, History at the Faculty of Bu- of Chiostri di San Pietro in with the group “Spazi Con- ilding Engineering and Archi- Reggio Emilia, winner of the sonanti”, with which he has tecture of the University of Tor honorable mention of the worked within monuments Vergata, Rome (2014-2016). Piranesi Award 2019. such as the Colosseum. He He held seminaries, worksho- is currently working with the pe and lecture internationally, same group for the artistic among which “working in the part of a permanent installa- Urban Periphery” at the Royal tion at the ancient Cisterna Academy of Arts in London di Seggiano sull’Amiata, and (2018). 20 for the display system for Raffaello’s house in Urbino. Program | LESSONS

8 hours 8 hours 6 hours Suburban The new frontier Multimedia for heritage scenarios of survey

Urban reactivation and enhancement of Standard and cutting-edge techniques of New digital languages to serve the the recent past architectural survey enhancement of historical heritage

Matteo Agnoletto In the discussion of the relationship betwe- Giuseppe Boselli Historical architectures, more than others, Andrea Gion In a context where the virtual, sensorial UNIVERSITÀ DI en the contemporary designer and the GEOGRÀ SRL present very complex representation and DRAWLIGHT and experiential elements represent a fun- BOLOGNA existing architectural heritage, a particular survey challenges to designers. Thanks damental detail for every designer, gaining He is an expert of survey He graduates in Cultural reflection will have to be conducted not only to this course, the students will gain fami- a solid know-how of immersive strategies Matteo Agnoletto teaches techniques and graphic Heritage Conservation at architectural composition in reference to the historical artefacts (defi- representation of the con- liarity with the most advanced survey and the University Ca’ Foscari in (audio, video, sensors, projection mapping, at Alma Mater Bologna ned as pre-modern architecture), but also in struction and cultural her- digital modeling echniques for prestigious Venice and in Architecture IOT among others) is now more than neces- itage sectors. He has held at IUAV. In 2013, he starts and has worked for Renzo relation to the large most-recent building he- architectural artifacts. Besides a neces- sary, urgent. This applies in particular to the Piano Building Workshop, numerous courses in techni- teaching at IUAV, winning Ateliers Jean Nouvel and ritage. In this sense, a place of extraordinary cal schools and Universities sary overview and introduction on the basic a research scholarship historical heritage which is - by definition Cino Zucchi Architetti As- interest is constituted by the peripheries. and has published various knowledge needed to use such technology, with his dissertation on 3D - immutable and to be passed on to future columns and articles on Mapping for Heritage and sociati. Since 2005, he has This course will focus on a historical and the course will give the students the oppor- generations, but requires constant updating been collaborating with specialized magazines. he later specializes in im- Milano’s Triennale for its theoretical reflection on the role of urban He leads and takes part in tunity to practically carry out a survey thou- mersive strategies for better in the tools of storytelling and diffusion to architectural section: he suburbs, in order to offer an exemplification different Laser Scanning 3D gh laser scanner 3D on a drone, process the usability and enhancement the general public. The module will therefore and photogrammetric sur- of heritage. He is Head of was advisor for the Italian of a methodology that aims at including detected data and create accurate and effi- introduce a series of fundamental aspects Architecture Golden Medal veys activities for Geogrà, Production at Drawlight award and curated sections them in the city perceived as historical. A the society of which he is cient 3D models and has been teaching and strategies for the construction of a of many exhibitions. He generational and functional mix, the intro- an associate, Technical since 2016 in many Italian storytelling for the enhancement of histo- Director, and CEO. Geogrà universities (IUAV, UNIPD, published architectural duction of public and strategic functions, workshop included rical architectures by using the sensorial essays on Casabella, Lotus, specializes in survey in UNIFE). He was a member Domus and numerous other the enhancement of green spaces and slow different fields: architectural, of the scientific committee components that are typical of this design national and international mobility are just some of the strategies that archaeological, structural, and a professor for IUAV’s sector in a technological-immersive key. On infrastructural, installations, MI-HERITAGE master cour- magazines. He is head of will be analyzed to offer students effective the same premises the educational offer of the “Ricerca Emilia” work- bathymetric and topograph- se. Recently, he co-founded shop which was created by tools to turn today’s suburbs into the historic ical. Hybrid Reality, an innovative the course was set, in order to update the the Faculty of Architecture cities of tomorrow. Start-Up which specializes students on the state of the art, but mainly in the use of Virtual Reality following the earthquake of to facilitate them to implement the immersi- 2012: the workshop focuses for training and educational on studying the rural terri- purposes. ve experience in their designing practice. tory and the practices for a conscious environmental re- generation. In 2020, he was appointed Scientifical Head of G124, Senator Renzo Piano working group which deals with the renovation of suburbs.

21 Program | LESSONS

6 hours 4 hours 6 hours Industrial architectures The discipline of The ancient is historical heritage sustainable

From the object to the project: restoration Experiences of repurposing of the Italian Principles of environmental and energy strategies historical heritage sustainability for historical architecture

Edoardo Currà Production buildings represent a good por- Francesca Graziani This course will present an initiative called Carmen Spagnoli The course will focus on different strategies UNIVERSITÀ tion of the abandoned historical heritage. AGENZIA DEL Progetti in Rete, whose objective is to com- L22 for sustainability - both passive and active - SAPIENZA DI Industrial architectures – functional to a DEMANIO bine the enhancement of public heritage and to carry out in the specific cases of interven- Graduated in Building ROMA specific economic structure or production the promotion of new cultural tourism activi- tion on existing meaningful historical archi- Francesca Graziani, Engineering UE Architecture chain – are more subject to obsolescence, ties. This approach focused on “networking” at La Sapienza university, tectures. The challenge of the optimization, He is an associate profes- architect - urban planner, although they carry an inestimable historical is currently coordinator at has enabled the development in particular in Rome in 2014, she starts both performative and energetic, becomes sor of Technical Architecture her professional activity at the University “Sapienza” and prestigious value. Several “industrial ar- the Agenzia del Demanio of two lighthouses, towers and coastal bu- very complex when applied to historical ar- of Network Projects, after following the plant design of Rome, and he teaches chaeologies” represented an opportunity to ildings and paths and routes which will be of important works such chitectures which require particular precau- Building Construction and having dealt for a long time create some of the most noble and notable with Valore Paese - DIMO- illustrated and analyzed, reconstructing the as the NATO Airport for the tion and specific technologies that allow to Technical Architecture and Ministry of Defence; she Building Renovation and examples of repurposing of abandoned hi- RE. All these initiatives aim framework of the various aspects - techni- reach high standards of performance whilst at repurposing public herita- deals also with design and Restoration Projects at the storical artifacts. The current practices in- cal, procedural, economic, communicative, architectural redevelopment preserving the integrity and morphological Faculty of Engineering and ge for tourism, cultural and clude the adoption of an integrated strategy social purposes. For over 15 cultural - related to the implementation of interventions. In 2015, in features of the artifacts. Therefore, not only Architecture. He has led Qatar, she follows the reali- many renovation and resto- from the adaptive re-use to the storytelling years, she has been dealing the projects. Some practical cases will also will the course analyse the most appropriate with territorial development zation of the new metro of ration projects and coordi- and they must deal with the macro themes be presented, which narrate the renovation Doha. In 2016, In Belgium, technological solutions present on the mar- nates institutional research and enhancement of public of environmental sustainability and herita- heritage, having worked and reuse of a lighthouse or a canton’s hou- she works as part of the ket, but will also focus on how to enhance projects focusing on different NATO staff in the con- aspects of the recovery of ge promotion. Thanks to suitable cultural - in Italy and - in se. the features inherent to the architectural various services to support struction of the new head- the modern industrial and bu- references and a typological analysis of the quarter in Brusells. Coming heritage in order to respond naturally to the ilding heritage. He is the Pre- local authorities and public historical features of different production administrations. She has back to Italy, she obtained modern requests of environmental sustaina- sident of AIPAI - the Italian a master in power manage- Association for the Industrial plants, the students will have the tools to collaborated with various bility. universities and in the field ment of buildings and infra- Archeological Heritage - properly tackle some of the most recurring structure at the Polytechnic since 2016 and is a member of educational careers. topics of intervention and repurposing. of Milan, the certifications of TICCIH - The International LEED Green associate, LEED Committee for the Conserva- AP, Fitwel Ambassador e Wi- tion of the Industrial Heritage redScore AP. Today she de- - since 2012. Along with the als with environmental and research activities held at the sustainability certifications university “Sapienza” and via at Lamborghini22, that she national networks, he had represents at Lombardia several national and interna- regional Chapter, as advisor tional cooperations over the for GBCI Italy. In her activity years with the Escuela Técn- she gained specific expe- ica Superior de Arquitectura rience in the coordination of and the South East and development of sustai- University of , whe- nable aspects, carrying out re he held training courses, the activity of LEED AP. seminars and workshops on heritage and industrial site recovery. 22 Program | LESSONS

4 hours 4 hours 12 hours Regeneration of historic History and events of Villa Typological Research and hamlets Imperiale restoration

The city beyond the surbub From Sforza to Castelbarco Albani Theoric reflections and possible approach in restoration discipline

Antonio De Rossi The small, inhabited centres of ancient foun- Alessandra The big architectures of the past are often a Sergio Bettini The course aims at increasing the student’s POLITECNICO DI dation represent, not only at European level, Castelbarco Albani catalyst of circumstances, events and illu- STUDIO BETTINI awareness and the ability to interpret the hi- TORINO a portion of historical heritage of extraordi- VILLA IMPERIALE strious frequentations. Villa Imperiale, which ARCHITETTI storical and testimonial value of architectu- nary charm and interest. Often distant from DI PESARO was founded in the mid-fifteenth century, is ral heritage. Thanks to a panoramic view on Antonio De Rossi, archi- Graduated from the Uni- more populated urban context, in their break no exception to this rule. From the emperor the semantic and technological characteri- tect and PhD, is a full pro- Borned in Basilea in 1983, versity of Architecture in Ve- fessor of architectural and with the contemporary city, the small towns Alessandra Castelbarco Federico III (to whom its name is owed) to nice, where he obtained also stics of different historical ages, transmitted urban planning, he is also have found their element of value but also studied at Sorbonne in Paris the Sforza, through Della Rovere, Montefel- the Phd. Visiting Professor by a specific relation based on the typolo- the director of Mountain at the University of Parma, critical issues. The course will describe the and at the Polytechnic in tro, Medici e Castelbarco Albani, the course gical uniqueness of Villa Imperiale – stu- Architecture Institute and of Milan, where she graduated Venice, Urbino and in the “ArchAlp” international ma- historical evolution of these towns, both in with honours in 2009. She will go over the different protagonists who american Indiana University dents will learn to identify and give value, in gazine at Turin Politechnic. terms of economic and social trends, and of has always been dedicated attended the Villa and wrote the history of - Bologna Consortial Studies a complete philological story, to the main From 2005 to 2014 he has Program (BCSP), he lectu- the policies (central or spontaneous) aimed both to design and research, Renaissance in Europe with their actions. marks in the history of architecture. Through been the co-director of Turin and during her studies she red at University of Bologna, Metropolitan Urban Center. to their redevelopment and reactivation. The deals with exhibition and The module aims to offer to participants Roma II, Scuola Normale di a reflection on various design approaches At the moment, he is wor- course will be oriented to the consolidation scenography. Between 2007 an overview about events and personalities , of registered in the reinterpretation of the exi- king for different architectu- New York. From 2014 he is of extended city view, that, from the cen- and 2009 she worked with connected to the Villa over the centuries, to sting architectural heritage, participants ral design and for heritage Marco Ferrari and Marina “associate professor” in the project in the Alpin region. tres, goes through suburbs, reach the most Spreafico for the exhibi- identify and recognize architectural or deco- scientific multi-disciplinary will explore the different methodologies of Antonio De Rossi, therefore, distant areas in a logic of widespread and tion- performance on the rative traces of their passage. The course is sector ICAR /18 – History documental analysis (from the archives to is the curator of the col- of Architecture, Ministry sustainable prosperity. Describing the best story of Arsenale Theatre to be considered propaedeutic to the work- the historical texts), for a more extensive lective book Riabitare l’Italia of Milan, making different of Education, of University (Donzelli 2018) that together practices, tools, and methodologies at the scenography for indepen- shop activity, as it will recreate the historical and Research, Italy. Since comprehension of the reconstruction and with La costruzione delle service of the designer, the module will also dent theatre companies. and cultural context that has brought to the 2012 he is teaching at the investigation process of the events hidden Alpi (Donzelli, 2014 e 2016) Architecture Academy of focus on the rapid evolution, dictated by the During the same period, she modern age one of the most precious ma- between the components of a historical ar- won the Mario Rigoni Stern’s worked for the staging and Mendrisio, University of and Acqui Storia’s awards. global pandemic, that affected and still af- the graphic of two mono- sterpieces of late-Renaissance architecture. Italian Switzerland. Bettini chitecture. fects the small historical towns. graphic exhibitions, in Rome Architects studio works in the monumental restoration, and in Milan, dedicated to visit to Villa Imperiale visits to Bologna historical heritage Roberto Ciaccio e curated of reusing in the building by Remo Bodei and Kurt W. and in the interior design, Foster. From 2015, she deals combining the historical-ar- continuously also with the chitectural research and the curatorship of events, com- professional practise and munication and in the artistic integrating the planning with direction of Villa Imperiale, a continuous updating on Pesaro, historic residence of modern technologies and fifteenth – sixteenth century, materials. built up by Sforza first and by Della Rovere later, from 1777 it becomes property of the family Castelbarco Albani. 23 Program | LESSONS

Technologies and materials for heritage renovation

Products, solutions and materials that enhance ancient heritage

PARTNER The course focuses on what are the ne- COMPANIES cessary aspects to integrate contemporary intervention on historical architectures, through a conscious use of materials. Than- ks to the support of the leading companies in the sector, this course will offer an aesthe- tic, technical and performance description of some materials, together with an in-depth study of methodologies for choosing them according to performance, budget, and characteristics of the specific architectural context. A series of visits to the companies will provide contact with the different appli- cations of materials and understanding the nature of the various building products also in relation to their production phases. The module will be completed with the settling the bases for the workshop project.

visits to Partner companies

24 Program | LECTURES

Edoardo Tresoldi Benedetta Tagliabue Andrea D’Antrassi Miralles Tagliabue EMBT MADarchitects

Ghosts of architecture: the Paleochristian Sewing up the urban fabric: Santa Caterina Hutong Bubble: Chinese regeneration Basilica in Siponto Market

Edoardo Tresoldi explores She studied architecture Italy born architect Andrea the poetics of the dialogue at the Istituto di Architet- D’Antrassi is a registered between human beings and tura di Venezia (IUAV) and architect in Italy and Switzer- the landscape, using the lan- currently acts as director of land. He received his Master’s guage of architecture as an the international architectu- Degree in Architecture from expressive tool and as a key re firm Miralles Tagliabue Accademia di Architettura di to reading space. The artist EMBT, founded in 1994 in Mendrisio, Switzerland. With plays with the transparency collaboration with Enric solid experiences gained of wire mesh to transcend Miralles, based in Barcelona, from overseas projects in the spatiotemporal dimen- , and Paris. Among US, Italy, Australia and Chi- sion and narrate a dialogue her most notable projects na, Andrea adds a valuable between art and the world. built are the Scottish Parlia- global vision to MAD. Sin- Born in Milan, Tresoldi mo- ment in Edinburgh, Diagonal ce he joined MAD in 2010, ved to Rome after art scho- Mar Park, the Santa Caterina he has been involved with ol, working in the fields of market in Barcelona, Cam- Boncompagni Residential sculpture, stage design and pus Universitario de , Development in Rome Italy, the cinema. The sculptor and the Spanish Pavilion at Huangshan Mountain Village recognized the contrasts of the 2010 Shanghai World Development, Nanjing Zendai the contemporary landsca- Expo which was awarded Himalayas Center, and recent pe as his Genius Loci and the prestigious RIBA Inter- Lucas Museum of Narrative identified the cross-fertiliza- national “Best International Art. He also plays a key role tion of ideas and influences Building of 2011” award. Her in MAD’s conceptual design as the founding principle of studio works in the fields competitions. his work. In 2016, in collabo- of architecture, design of ration with the Italian Mini- public spaces, rehabilitation, stry of Culture, he realized a interior, and industrial desi- work for the archaeological gn. Her poetic architecture, site of the Early Christian always attentive to its con- basilica of Siponto, that was text, has won international awarded the Gold Medal awards in the fields of public for Italian Architecture. In space and design. Current 2018 the artist produced studio projects include the “Etherea” for the Coachella Business School of Fudan Valley Music and Arts Festi- University in Shanghai, val in the USA. In 2019 he office towers in Xiamen and presented “Simbiosi” in the Taichung, public spaces prestigious context of Arte of HafenCity in Sella and founded STUDIO Germany. STUDIO STUDIO. In 2020 he inaugurated a permanent installation called “Opera” in Reggio Calabria, Italy. 25 Program | LECTURES

Jorge P. Silva Giuseppe Zampieri Alberto Veiga Aires Mateus e associados DCA Milano Barozzi Veiga

Presences and absences: the Catholic Behind the scenes in Venice: Procuratie Elegance and discontinuity: Ribera del University of Louvain Vecchie Duero

Jorge P Silva was born in After graduating with Alberto Veiga(1973, San- Lisbon, Portugal, in 1976. honours in Architecture at tiago de Compostela, Spain) He graduated in architecture IUAV, he became a member studied architecture at the at the Lusíada University of of the London Studio of Escuela Técnica Superior Lisbon, in 1998 and started David Chipperfield Archi- de Arquitectura de Navarra. his professional activity tects in 1996: he became an After his studies , in 2004 he in 1994, collaborating in Associate in 1999, then as founded the office Barozzi a small studio in Lisbon. a Senior Associate in 2000 Veiga together with Fabrizio He collaborates with Aires and Design Director in 2002. Barozzi. Between 2007 and Mateus since 1998. Jorge In 2006, he founded the Mi- 2010 he has been Professor holds several lectures and lan office of David Chipper- at the International Univer- conferences all over the field, and became a partner sity of in Barce- world representing Aires in 2016. In more than 25 lona and in 2014 Visiting Mateus. He also coordina- years of professional expe- Professor at the Istituto tes nnumber of international rience, Giuseppe Zampieri Universitario di Architettura design competiitons and has led numerous interna- di Venezia. He has taught projects: in 2002 for the tional projects on different and lectured worldwide at international competition for scales. During this period, school of architecture in the Grand Egyptian Museum he has also followed nume- Spain, Italy, Portugal, Swit- (special prize), in 2208 the rous competitions winning zerland, Netherlands, United competition for the reno- lay-out; he has guided the Kingdom, Chile, and United vation of the Bothanical development of the Store States. Garden and Park Mayer area Concept for brands of fa- in Lisbon (winning project), shion like Akris, Bally, Brioni, in 2019 mixed buildings in Furla, Persol and Valentino. Brazza neighbourhood in Moreover, he has directed Bordeaux. projects in the Middle East and in Italy, where the main projects include the reco- very of Procuratie Vecchie in Venice and Ancilotto Palace in Treviso, as well as the conversion of Caserma Piave for the University of Padua.

26 Program | LECTURES

Andreas Fries Valerie Mulvin Massimo Carmassi Herzog & De Meuron McCullough Mulvin Architects Carmassi Studio Architettura

From the industry to art: the Tate Modern Rush Library: new uses for sacred space Industrial architecture and new case functions

Andreas Fries has been She graduated at the Born in Pisa in 1943, Partner at Herzog & University of Dublin in 1981 Massimo Carmassi studies de Meuron since 2011. He and taught in some of the Architecture in Florence and first joined the Basel office main European Universities graduates in 1970. After tea- in 1999 as anintern. Since like the School of Architecture ching Architectural design at 2002, he has been colla- DIT, the Queen University and the Faculty of , Genoa, borating as an architect the Cardiff University. She Turin, Reggio Calabria, at the on various international is a prestigious member of Academy of Architecture in projects, being stationed for the Royal Institute of Briti- Mendrisio, at the Hochschule some time at Herzog & sh Architects and currently der Kunst in and at the de Meuron’s Barcelona directs the Irish McCollough Syracuse University in New office. He is responsible for Mulvin Architects firm. Many York, he is now Architectural projects such as Asklepios of her projects are strongly and Urban Design professor 8 in Basel, Vitra Schaude- valued because of their high at Iuav University of Venice. pot in Weil am Rhein, Ger- socio-cultural importance Today he conducts his pro- many, Feltrinelli Porta Volta and have been awarded with fessional activity in his practi- in Milan, Stadtcasino and numerous prizes and men- ce in Florence in the fields of Helvetia Campus in Basel, tions. Some of them are The restoration and new archi- Hangzhou Factory Transfor- Source Arts Centre & Library tecture. Among the interna- mation, , Iglesia en RIAI Best Public/Cultural tional awards for architectu- Ciudad Juarez, Mexico, or Building of 2007, the Trinity ral excellence, he received SongEun in Seoul. Andreas Long Room Hub RIAI Best the H. Tessenow Gold Medal studied architecture at ETH Educational Building and the in Hanover awarded by the Zürich, Switzerland, from Blackrock Quartet Irish Ge- Schumacher Foundation, the 1996-2002, with student orgian Society Conservation Philippe Rotthier Architectural exchanges at the EPFL Lau- Medal in 2015. Many of her European Prize for the resto- sanne, Switzerland and the works have been exposed in ration of La Pelanda in Rome, Politecnico di Milano, Italy. the most renowned Europe- and the Italian Architectural In 2002, he graduated from an architectural expositions Gold Medal awarded by the ETH with a Master of Archi- namely the Lisbon Triennial Triennale Milano for the re- tecture (1st Class Honors). in 2007, the Venice Biennial storation of Panificio Militare in 2008, the World Architectu- in Verona. re Festival in 2009 and in 2010, the Mies Van der Rohe Awards in 2005 and in 2011.

27 Program | LECTURES

João Luís Carrilho da Graça Fokke Moerel Carrilho da Graça Arquitectos MVRDV

Building upon ruins: Evora historical MVRDV Crystal Houses Centre

João Luís Carrilho da Partner, and Architect, Graça is an architect since Fokke Moerel (NL) directs 1977, living and working in MVRDV’s Studio Public, a Lisbon. He has been awar- unit within the office that ded with various prizes and focuses primarily on projects distinctions such as Pessoa that have a dedicated urban Award, Portugal (2008), Pi- impact. These include public, ranesi Award - Prix De Rome and cultural buildings that (2010), Order of Public In- endeavour to revive their struction of the Portuguese immediate urban context. To Republic (2019). Nominated this end, the office’s interior for the European Union Pri- design team is also within ze for Contemporary Archi- Studio Public, generating a tecture Mies van der Rohe strong relationship between Award on several years. Par- interior and exterior public ticipated in the Portuguese program. A clear example of official representation to the this is the Depot Boijmans 12th,13th and 16th Venice Van Beuningen in Rotterdam, Architecture Biennales and which Moerel is leading. In on the main exhibition of the addition to this, Moerel has 15th Biennale. He lectured led award-winning designs at numerous international such as the Baltyk office top Universities and he is tower in Poznan, Poland, currently visiting professor the Book Mountain Library at the Leon Battista Alberti in Spijkenisse, and the Lloyd Unesco Chair in the Man- Hotel & Cultural Embassy in tova Campus of the Poli- Amsterdam. Coming from tecnico di Milan and at the a family, graduated in archi- Accademia di Architettura di tecture from the Academy Mendrisio. João Luís Car- of Architecture in Rotterdam, rilho da Graça was awarded she completes her work by the degree of Doctor Hono- teaching or by intervening as ris Causa by the Faculty of a guest at academies and Architecture of the Universi- universities around the world. ty of Lisbon.

28 Program | WORKSHOP

32 hours Design of a Pavilion for the monumental complex of Villa Imperiale

Livia Tani The workshop will represent the occasion ATELIERS JEAN of practical synthesis to test all the notions NOUVEL available through the other teaching modu- Livia Tani graduated with les, ensuring strategic answers with respect honors at the University La Sapienza in Rome in 1997. to a real architectural design. The course In 2004 she earned a PhD will be carried out in collaboration with the in Architecture Technology. Castelbarco Albani family, current owners In 1997, she started colla- borating with Ateliers Jean of Villa Imperiale. Place of delight for intel- Nouvel. Then, in 2001, she lectuals and artists in every age, Villa Im- became member of the periale has been, over the last years, at the team AJN in Rome. Over the last ten years, she has been centre of a refined cultural design oriented dealing with different desi- to generate in loco one of the most signifi- gn themes as design and cant centres of artistic experimentation of realization like the Kilometro Rosso, the scientific and the national context. In this sense, various technological park used as concerts, exhibitions, and installations headquarters by Brembo found in the Villa complex their frame, ca- Spa in Bergamo; the Mini- metrò in Perugia, a system talysing thoughts and visions of different in- of public transport with au- terpreters of the contemporary thought. The tomated cars and eight sta- workshop requires the design of a new pa- tions; the new pavilion for the trade fair in Genoa; the vilion, oriented to host different events, in a assembly line of Ferrari in refined and unprecedent relationship betwe- Maranello; the conversion of en modernity and historical architectures. the former cinema Exclesior into a retail space for luxury A picturesque context surrounded by the shopping for Coin Spa. greening of the park, that - slightly East - cra- sh into the sea (San Bartolo mount), Villa Imperiale is the ideal background for design reflections that combine memory, nature, and contemporary interventions. For a bet- ter interiorization of the place, students will have the opportunity to stay and attend the class for three days at the Villa.

visit to Villa Imperiale 29 Program | WORKSHOP

Villa Imperiale

Villa Imperiale is located a few kilometres away from Pesaro, immer- sed in the andscape of the Natural Park of the mount San Bartolo that protects its original relation with nature. An ancient residence of the Sforza in the sixteenth century, it was enlarged and frescoed at the behest of Della Rovere duchies in the sixteenth century by the ar- chitect Girolamo Genga, from Urbino. Its splendour faded for a long period, from 1631 to the nineteenth century, when the Villa passed to the Albani family, joined with the Castelbarco family. Thanks to the care and to the restoration of thenew owners, it has been pos- sible to return to the ancient splendour of the residence. Villa Impe- riale is considered one of the most amazing works of Italian Renais- sance. Composed of two very different buildings, connected by a hanging hall, the old fifteenth century villa and the new wing, entirely of Roveresque construction, it shows itself as a terraced architectu- re leaned to the slopes of the hill and characterized by a sequence of courtyards, gardens and terraces.

30 Program | VISITS

Villa Imperiale The course will open with a three-day visit to Villa Imperiale. To- gether with the owners and some of the professors, students will have the opportunity to deepen their knowledge about and perso- nally experience the Villa, in order to understand its peculiarities and to gain full awareness of the workshop site.

Bologna With the widest medieval city centre of Europe, Bologna is a com- pendium of numerous and different restoring interventions. From the mimetic recovery (Mercanzia Palace) to the philological restora- tion (San Filippo Neri oratory), by visiting the city students can see first-hand results and methodologies of the most different approa- ches to the preservation of historical heritage.

Urbino UNESCO heritage, Urbino is one of the most important and char- ming renaissance historical center. With the immense Ducal Pala- ce and the urban structure perched on the promontory on which it stands, Urbino can be considered the key element to understand the history and origins of Villa Imperiale, as they are both inked to the Montefeltro influence.

* the timing and methods of the visits will be confirmed according to the regulatory evo- lution regarding the containment of the contagion from Covid-19 31 Placement

32

Observatory Houses, project by: Mathieu Nouhen, Léanna Grassies Placement | OVERVIEW

Internships and collaborations: the career orientation service

For each student, the classes and the the worhshop will be followed by a period of collaboration or internship with different partners of YACademy. This stage aims at improving the students’ skills and will offer them the rare opportunity to work and interact with some of the most important firms in the world. By enriching their expe- rience through internships and collaborations, students will have the opportunity to build a solid network of relationships which will be useful to accelerate and imrpove their professional develop- ment. Here follows a list of some of the professional firms, partners of YACademy, that are more relevant in relation to this course’s to- pic.

33 Placement | ALUMNI

Paride, Giulia and Michele De Lucchi

YACademy allows me to discover different designers and humanitar- ian architecture points of view that helped me define what I want to do. Paride Zambelli

I think the academy is a valid space to give useful tools to fill the gaps of university education. A place to meet people that share your thoughts. Giulia Lodetti

Paride Zambelli and Giulia Lodetti attended the course Architecture for Humanity, 2020 edition. Through the course they have been se- lected by Michele De Lucchi for the participation in INoltre, the proj- ect of Unipol Group for the rehabilitation of Milan suburbs. BUM, the project of Giulia, Paride and David Villegas is currently in phase of realization and will lead, in summer 2021, to the inauguration of a new urban market at Milan City Hall 9.

more info on: www.yacademy.it/alumni

34 Placement | ALUMNI

Carmelo, Alessia, Tiziana and David Chipper- field Architects

I was impressed by the academy’s openness to dialogue and the versa- tility of the course based on the specific needs of individual students. Tiziana Tasca

YACademy allowd me to realize a dream: to work at David Chipper- field Architects has always represented my main aspiration. Carmelo Legato

During the course we had the opportunity to face and to personally collaborate with those architects at whome we usually look in awe and admiration and that we study on books and magazines. Alessia Ianiri

Carmelo Legato, Alessia Ianiri and Tiziana Tasca attended the cour- se Architecture for Exhibition, 2020 edition. For the workshop they developed an exhibition project in collaboration with Automobili Lamborghini. At the end of the course, they have been selected for a collaboration with David Chipperfield Architect Milan.

more info on: www.yacademy.it/alumni

35 Placement | PARTNER FIRMS

Rome Lisbon Barcelona Lisbon

Alvisi Kirimoto is an international studio which wor- The brothers Mateus deal mainly with the topic of the Barozzi Veiga was founded in Barcelona by Fabrizio Carrilho da Graça Arquitectos was founded by archi- ks with architecture, urban planning and design. It was detached houses with refinement and mastery aiming Barozzi and Alberto Veiga in 2004. The practice has sin- tect João Luís Carrilho da Graça who graduated from founded by Massimo Alvisi and junko Kirimoto in 2002: the lightness of the masses by digging the matter. Their ce worked internationally in public and private projects Esbal (Lisbon higher-education school of fine arts) in it is renowned for its tailored approach to design, for the intense and award-winning activity includes the Santa and it work has received several prestigious distinctions. 1977, the year he initiated his professional activity. He “sensitive” use of technology and control of the space Marta Lighthouse Museum at Cascais (finalist project for Its body of work includes cultural, educational and resi- headed the architecture department of Technical Univer- thanks to the manipulation of “paper sheets” - The Hands the Mies van der Rohe Award 2009 and awarded with the dential buildings as well as civic projects. Barozzi Veiga sity of Lisbon and the autonomous University of Lisbon Work. The dialogue with nature and its interest in social special Mention Award Fad 2008), the cultural Center at have been distinguished with the Ajac Young Catalan until 2010 and has been invited to lecture in seminars topics have made their projects unique in the interna- Sines (winner of the Enor Award 2006 and the Contract Architect Award (2007), the Barbara Cappochin Interna- and conferences at several international universities and tional architectural scenario. Alvisi Kirimoto has won World Award 2007) and the House of Azeitão (winner of tional Architecture Award (2011), and especially with the institutions. His awards include: the title of “chevalier des numerous international competitions and awards and the first prize Residencia Singular 2004). Gold Medal for Italian Architecture for the Best Debut arts et des lettres” by the French republic in 2010, the the studio’s projects have been widely spread by many Work (2012) for its project Ribera del Duero Headquar- “luzboa-schréder” award in 2004 at Lisbon’s first inter- international publications. ters. national light art biennal and the order for merit of the Portuguese republic in 1999.

alvisikirimoto.it airesmateus.com carrilhodagraca.ptbarozziveiga.com

Milan Milan Barcelona Mantua

From its foundation in 1985, David Chipperfield Ar- Edoardo Tresoldi plays with the transparency of mesh Miralles Tagliabue EMBT is an international acknowle- Geogrà is a Service Company specialized in metric chitects collected numerous cultural, urbanistic, com- and with industrial materials to transcend the time-spa- dged architecture studio formed by Enric Miralles (1955- survey in architecture, archeology, infrastructures, sy- mercial, recreational and civic projects. The Studios in ce dimension and narrate the dialogue between Art 2000) and Benedetta Tagliabue in 1994. stems, bathymetry, topography. They work with the most London, Berlin, Milan and Shanghai give a contribute to and World, a visual summary which reveals itself in the The studio has experience in public spaces and buildings modern tools on the market and has been using Laser the wide variety of projects typologies. David Chipperfield fade-out of physical limitations. Mixing classical and in both Europe and China working for State and Local Scanner 3D since 2003. Geogrà is SOA certified (OS20), Architects has been awarded of more than 100 interna- modern language, he generates a strongly contemporary Governments as well as Corporate and private clients. it is an ASSORESTAURO associate, ONU MIMOS asso- tional and excellence awards for designing. third language. Born in 1987, he grew up in Milan where, EMBT’s mature approach to architecture, interior design, ciate and API associate. They founded a Consortium for at the age of 9, he experimented different languages and facility planning includes experience with educational, survey activities in the systems sector: the Consortium is techniques under the guidance of painter Mario Strafo- commercial, industrial and residential buildings, resto- ISO 9001 certified. rini. In 2018, he has won the “Golden Medal for Italian ration of buildings as well as special purpose landscape Architecture” and he has been included by Forbes among architecture. the 30 most influential under-30 European artists.

davidchipperfield.com edoardotresoldi.com mirallestagliabue.com geogra.it

36 Placement | PARTNER FIRMS

Paris Milan Beijing Dublin

Jean Nouvel Design is a multidisciplinary team enga- Reliable project management, a 360° service (a single Founded by Chinese architect Ma Yansong in 2004, Based in Dublin, McCullough Mulvin is an architectu- ged in furnishing design, interior design, scenography point of contact for architecture, interior design, M&E, MAD Architects is a global architecture firm committed ral practice experienced in every kind of award-winning and multimedia graphic communication. Jean Nouvel’s cost control, branding, marketing and communication) to developing futuristic, organic, technologically advan- project at large and small scale. Its particularity is based oeuvre follows the tradition of philosophical architects and the ability to create value by expanding design per- ced designs that embody a contemporary interpretation on a wide reach - a will to make original and interesting who consider design as a holistic practice to be practi- spective - this is what the Lombardini22 Group has to of the Eastern affinity for nature. With a vision for the architecture, singular works of their place and time. ced at every stage. Urbanist and architect, Jean Nouvel offer. Lombardini22 is a dynamic and creative workplace, city of the future based in the spiritual and emotional There is no issue of scale and no house style, more a is also a designer and does not like to be labeled. His a laboratory that brings together over 220 professionals needs of residents – MAD endeavors to create a balance consistency of exploration. The practice is collaborative, professional work does not see any difference between – a diverse team of highly skilled experts who specialise between humanity, the city, and the environment. experimental and open. Their approach is founded on an the design of a chair and the design of a building. in different disciplines, all working in harmony. Lombar- investigation of the idea of place. Whether this is a city, a dini22 is a community, a place for self-expression. Diffe- site, a history, or a story - using that germ like a landsca- rent personalities coming together to offer collaborative, pe to make timeless contemporary structures which play one-of-a-kind, client-focused architecture. with forms in nature.

jeannouveldesign.fr lombardini22.com i-mad.com mcculloughmulvin.com

www.zamboniassociati.it

Rotterdam Milan - Pesaro Reggio Emilia

MVRDV was founded in 1993 by Winy Maas, Jacob PLUS ULTRA is a design studio based in Milan and Zamboni Associati Architettura is an Italy based ar- van Rijs and Nathalie de Vries. Based in Rotterdam, the Pesaro that was born from the desire to go beyond the chitecture office. ZAA deals with design of public and Netherlands, they have a global scope, providing solu- disciplinary boundaries of architecture by interpreting private works at various architectural scales, the resto- tions to contemporary architectural and urban issues in the project as a creative process applicable to different ration of historic and twentieth-century complexes, the all regions of the world. Their highly collaborative, resear- areas: from architecture, to set-up, to graphics and cura- territorial and urban scales, urban planning, landscape, ch-based design method involves clients, stakeholders, torship. of cultural projects. development of masterplans and redevelopment of and experts from a wide range of fields from early on public spaces. Participation in national and international in the creative process. The results are exemplary, out- design competitions is another area of research at an spoken projects that enable our cities and landscapes to architectural, urban, territorial scale. develop towards a better future.

mvrdv.nl plusultra-studio.com zamboniassociati.it

37 Rules

Ghost Town Refuge, project by: Marco Papagni Rules

I. General indications are reported at par. V. II. Prerequisites 8. the matching of the students to the professional bodies for the (both for physical and virtual training period is under the total and complete discretion of YA- Cademy’s scientific committee, which will keep the host firms’ 1. Being fluent in Italian or English (pre-intermediate fluency, at attendance) availabilities into account; least level B1); 9. the students can refuse the training period/collaboration op- 2. being students or graduates from one of the following courses: portunity they receive from YACademy’s Placement office; 1. The courses will be taught in Italian (in case there are foreign • Landscape Architecture students, a simultaneous translation service from Italian into 10. the training period/collaboration will start within 3 months from • Architecture and architectural engineering English will be activated); the course’s end, which corresponds to the conclusion of the • Preservation of environmental and architectural heritage 2. the admission to the courses is limited (max. 35 students per exam session for online students as specified at p. 8.b, par. V; • Preservation and renovation of cultural heritage • Design course: 25 in presence and 10 online) and the admission is ba- 11. at the end of the courses, participants will be given a certificate

sed on a selection whose criteria are reported in section III; of attendance; The selection board can admit applicants who hold a diffe- 3. the courses will be held at YACademy’s headquarters in via Bor- 12. to receive the certificate of attendance, it is fundamental to: rent certificate after examining their CV, portfolio, motivatio- gonuovo, 5, Bologna, Italy; nal letter and, possibly, interviewing them; • have completed the workshop activity (certificated by the 4. YACademy reserves the right to modify the calendar and the workshop course professor) 3. completing the application procedure as reported in par. IV; program for a better operation of the courses. Possible modifi- • have attended at least 75% of the classroom lessons cations will be previously communicated to the students; 4. paying the administration and enrollment fees. 5. the course is made up of two parts: These conditions apply to students who will attend the cour- se physically. For the online students, the relevant conditions • lessons are reported at par. V. • a 32-hour workshop III. Admission 13. to have more information on the courses, it is possible to con- 6. at the end of the course, YACademy’s Placement office will tact the course tutor at [email protected]; guarantee to each student an internship or collaboration propo- 1. The applications will be assessed by a selection board which sal whose duration and conditions will depend on the hosting 14. it is necessary that the applicants who come from extra-EU will assign a score from 60 to 100 to each applicant; countries and want to attend the course physically verify the firm; 2. the selection board’s members are appointed by the executive terms and conditions for visa release prior to the publication board of YAC srl; 7. in order for the student to activate a training period, as descri- of the provisional ranking, so as to be able to start the courses bed at p. 6, they must: according to the set schedule. YACademy’s staff is available to 3. the selection board’s verdict is unquestionable; release any document - within the area of its competence - that • have completed the workshop activity (certified by the work- 4. each applicant’s final score will be composed by: shop course professor) may be necessary for visa applications and release. • have attended at least 75% of the classroom lessons • CV (max 30 points) • motivational letter (max 20 points) These conditions apply to students who will attend the cour- • portfolio (max 50 points) se physically. For the online students, the relevant conditions 5. besides any other information that the applicant deems intere-

39 Rules

sting, in order to be complete, the CV must also contain: 12. in case two or more applicants obtain the same score, priority will be given to the applicant who has received the highest sco- The uploaded files shall be in .jpg or .pdf format and of a ma- • the year of graduation and degree mark, for those who have re for their portfolio, and in case of an additional ex aequo, the ximum size of 10MB; already graduated; non-graduated applicants should speci- priority will be given to the applicant who has made the admini- fy the presumed date of graduation and presumed degree stration fee payment earlier as specified at p. 5 of par. IV; 6. the application will be evaluated by YACademy staff, once the mark. administration fee payment has been made and all the required • indication of the level of English proficiency according to the 13. the selection board may require a motivational interview for documents have been uploaded; CEFR standards. some applicants; 7. at the end of the revision of the applications, on the day of pu- 14. the date of the motivational interview will be agreed upon with 6. on the basis of the scores, a provisional ranking will be formed blication of the provisional ranking, the applicants will be infor- the applicant and the interview will be carried out via video call; and published in each applicant’s online private area. The best med of their status in their online private area: 35 applicants for each course will be admitted according to the 15. if an applicant does not show up for the interview, they will be • ADMITTED WITH SCHOLARSHIP scores described at point 4 in this section; automatically excluded from the admission. • ADMITTED (an additional field will be activated in order to 7. a scholarship (full coverage of the enrollment fee) will be gran- upload the bank wire receipt for the enrollment fee) ted to the applicants ranking 1st to 5th; the first 5 ranking appli- • NOT ADMITTED cants – regardless of their chosen type of attendance, online or IV. Enrollment in presence– are assigned the scholarships univocally: in case The applicants shall be aware of the status of their applica- one of them refuses the scholarship, this cannot be assigned tion in order to act accordingly in case of admitted applican- to any other applicant; 1. Access www.yacademy.it; ts’ retirement; 8. the applicants ranking 6th to 35th (included) will be admitted to 2. fill in all the required fields in the personal details form; 8. in case of admission without a scholarship, the applicant must the course after the enrollment fee payment (3249€ for physi- 3. at the end of the registration procedure, the applicant will recei- pay the enrollment fee of cal attendance and 2198€ for virtual attendance); ve an email (check the spam folder in case this email is not in • 3294 € (2700 € + VAT) for those who will participate physi- 9. the applicants ranking from 36th on will not be admitted to the the inbox) with username, password, and a confirmation link: cally course, but may be admitted following the retirement of some click on the link to confirm the registration; • 2196 € (1800 € + VAT) for those who will participate virtually of the admitted applicants. In this case, the course tutor will get 4. log in to the online private area with the activated username in contact with the applicants within 10 days from the publica- and password and choose the course to which you want to with a single payment and upload the bank wire receipt on tion of the provisional ranking; apply; their online private area within five days from the publication 10. according to enrollments and retirements, after 14 days from of the provisional ranking; 5. for the application, the following documents are required: the publication of the provisional ranking, the official ranking will be published in the online private area of each applicant; • a copy of a valid identity document 9. not paying the enrollment fee will exclude the applicant from • motivational letter (max 200 words) the course; 11. all the admitted applicants, who have either received a scho- • CV (also in Europass format) larship or not, will be contacted by the course tutor in the days 10. the enrollment fee (3294 € for physical attendan- • portfolio (free format) following the publication of the provisional ranking to confirm ce and 2196 € for virtual attendance) must be paid by • administration fee payment of 73,20€ which can be sent their enrollment and the type of attendance of the course (phy- bank wire to the following IBAN (Solution Bank S.p.A.) through PayPal or bank wire (following the instructions on sical or online); IT45X0327302400000600103285 indicating the following re- the private account area); ason for payment: “name and surname of the student; course

40 Rules

title; enrollment” (e.g. for student John Smith’s enrollment in a scholarship or without - they will decide how to join the cour- 12. the assessment interview will focus on the contents of the les- the Architecture for Exhibition course: “John Smith; Architectu- se (i.e. physically or virtually); sons section of the course; re for Exhibition; enrollment”). As for the upload of the receipt 4. the interpretation service from Italian into English will be gua- 13. the assessment interview will take place within 4 weeks after of payment, please, follow the instructions on your online priva- ranteed to the students who participate in the course online; the end of the classes (which corresponds to the conclusion te area. of the workshop) on a date that will be communicated with at 5. the course enrollment fee for students who will be admitted wi- least a 7-day notice; thout a scholarship and participate in the online mode is redu- ced to € 1,800 +VAT; 14. if a student is unable to take part in this assessment interview, V. Virtual attendance a second date will be set within 21 days after the first schedu- The students who will take part in the course in the online mode: From 2020 YACademy offers the opportunity to participate in its led date; courses with virtual attendance. The online participation in YACa- 6. will be able to attend all lessons, except for the parts of the 15. if a student is not available on any of the two dates, they will demy’s courses can take place in two different modes: lessons which involve a visit or a workshop (as described in the not have the right to access the post-course Placement service chapter “Program” of the course brochure); provided by YACademy. 1. live streaming; the lessons will be accessible through an onli- ne platform, therefore it is necessary that the students have a 7. will be able to participate in the workshop activities without any computer with internet access; the students who take part in limitations (by carrying out their project revision via video call the live streaming of the lessons will be given the opportunity with the workshop tutor) to ask questions and interact with the teachers according to 8. will have access to the post-course Placement service and will the lesson delivery mode and with moderation carried out by be granted a collaboration/internship proposal with the part- YACademy staff; ners of the course, provided that: 2. deferred streaming: the lessons will be recorded and made • they have completed the workshop activity (certificated by available to students within 3 working days from their delivery the workshop tutor) so as to allow attendance to students who live in different • they have passed a final assessment interview (certified by a time zones that are not compatible with the Italian classroom commission made up of at least 3 professors appointed by timetable. The lessons will be uploaded on a specific web por- the whole teaching staff and whose final judgment is unque- tal with access reserved to YACademy students. Therefore, it stionable); is necessary that the students have a computer with internet access. The students who attend deferred-streamed lessons With regard to the interview mentioned at point 8.b, it is specified can send their questions to YACademy staff who will proceed that: to forward them to the teachers. For the students who will participate in the course virtually, either in 9. the interview will take place via video call; live-streaming or deferred-streaming mode, it is confirmed that: 10. the interview will take place in Italian or English, according to the student’s choice; 3. there are no different registration/evaluation procedures or different rankings: all applicants who wish to participate in the 11. the evaluation commission will be composed of at least 3 course physically or virtually are considered equally in the se- members of the teaching staff; lection and, once they are admitted to the course – either with

41 Rules

10. maintaining the firms listed in the course brochure, a complete VI. Notes list of hosting firms will for the training periods will be given to the students at the beginning of the course; 11. The result of the educational program (hereafter named 1. This whole document constitutes an integral part of the Terms “project”), including any (available) intellectual and/or indu- and Conditions of the service; strial property rights on the project, it is held definitively by YAC 2. the applicants agree to the Terms and Conditions when they srl, which therefore acquires the exclusive right to economic register; exploitation, as well as reproduction, in any way or form, inclu- ding the rights to use, execute, adapt, modify, publish on any 3. administration fees and enrollment fees are not refundable; media channel, exhibit, reproduce and distribute the project 4. if an applicant retires from the course after paying the enrol- - also for marketing and advertising purposes -, carry out edi- lment fee, the enrollment fee will not be refunded; torial reviews, create derivative works based on it, and license the project - or some of its parts - to third parties, in any form, 5. the administration fees and enrollment fees can be paid by a mode or technology including the “right of panorama” without third party, provided that the reason for payment correctly re- any limitation of time or place. fers to the applicant as indicated at point 10 of section IV. 6. YACademy declines all liability for missing communications depending on incorrect information given by the applicant or missing/late communication of address change (compared to the one indicated during the online registration), and for mista- kes attributable to third parties, chance or force majeure; 7. in case an applicant declares false or untrue statements regar- ding details necessary to the course enrollment, in addition to the sanctions envisaged by Article 76 of the Italian Presidential Decree 445/2000, the applicant’s paid fees will not be refunded. False or untrue statements declared by the applicant may bring to an action for damages carried out by those affected; 8. applicants will be held accountable for the personal data they provide and the promoter does not assume any responsibility for wrong data provided. The promoter, according to privacy policies, has the right to verify the applicants’ data by reque- sting a copy of an identity document regarding the data of the registration; 9. the access to the courses and to the training periods can be suspended for disciplinary reasons or force majeure;

42 Main sponsor Workshop partner

Sponsor

Headquarters Contacts

YACademy Antonella Grifa Via Borgonuovo, 5 - 40125 Bologna Tel: 051 3510739 www.yacademy.it e-mail: [email protected] facebook: yacademy2018 ig: yacademy_bologna