Arquiteturas2016 Rehabnation12-16October I Program

ARQUITETURAS2016 REHABNATION12-16OCTOBER I PROGRAM

THEREʼS NO CINEMA WITHOUT ARCHITECTURE ARQUITETURASFILMFESTIVAL.COM I 1

ABOUT

ARQUITETURAS FILM FESTIVAL is an international showcase of documentary, experimental and fiction films on the theme of architecture. The program that has been developed for this festival, since its creation in 2013, feeds on the infinite possibilities for the communication and promotion of architecture through cinema and audiovisual production in general. The festival seeks to take advantage of the extensive network of contacts that has arisen among other Architecture Film Festivals around the world, to enhance the projection of films highly relevant to the transmission of Portuguese architectural culture, not only in Portugal but also especially internationally.

I 3 4TH EDITION - REHAB NATION

In a broader sense, the word rehabilitation usually has a positive connotation. Especially in the context of architecture or the built environment: it always implies a process of regeneration, the termination of a previous condition of abandonment or destruction and the beginning of a new and improved stage in the life of a certain building or construction. However, when we see this word applied to a moment in a person’s life, we usually associate it with a condition that’s always difficult: it corresponds to an arduous process of recovery from addictions, compulsions or destructive behaviors. In this sense, rehabilitation suggests both a treatment and penitence. When we apply this concept of “rehabilitation” to a whole city, territory or nation, what are the implications that might be attached to it? As eventual citizens of a hypothetical “rehab nation”, might we be condemned to live in a permanent state of recovery? Always adapting to some sort of crisis, adversity or struggle, but never really expecting to definitively overcome it?

For this edition of the program, ARQUITETURAS is presenting films that explore the wide range of connotations that might be associated with the expression “REHAB NATION”. From the rehabilitation of old city centers to the gentrification of touristy neighborhoods; from the dereliction of social housing to the construction of new senses of community; from the privatization of public space to the emergence of news forms of urban intervention. The possibilities are endless and “REHAB NATION” functions as an extensive pretext to think and debate the way we currently live in our spaces and our cities.

The festival will have its presentation on 5th October at 16:00, as part of the public opening program of the new building of the museum MAAT - Museum of Art, Architecture and Technology. As warm up, and in partnership with Roca Lisbon Gallery, ARQUITETURAS will present on 10th and 11th October the premiere of two documentaries about Portuguese architects of relevance: Álvaro Siza and Carvalho Araújo. The official opening night of ARQUITETURAS will take place in LISBON FORUM (formerly Cinema Roma) on October 12th at 19:00, with the screening of the film “Apropos of Leixões”. The film is accompanied by a soundtrack of the live band Torto. ÍNDICE

6 JURY

8 ARCHITECTURE FILM FESTIVAL GUEST - TURKEY

10 PRESENTATION SESSION

11 WARM UP

12 OPENING DAY

FILMS:

13 FÓRUM LISBOA

25 CINEMA CITY ALVALADE

28 CINEMATECA

30 GABINETE

32 RUA DAS GAIVOTAS 6

34 MUSIC BOX

36 CIM - (MOURARIA CREATIVE HUB)

38 PARALLEL ACTIVITIES Exhibition I Round Table I Guided Tour I Talks I Thesis I Children’s Workshop I Film Workshop | Masterclass

42 SCHEDULE

44 FILMS IN COMPETITION

45 ADDITIONAL INFORMATION Venues I Ticket prices I Box Office opening times

I 5 JURY

Throughout this edition of the festival, there will be more than 20 films in Portuguese Premiere, 4 films in European Premiere and 5 films in World Premiere. The period for submission of films to join the competition was open from February to May 2016 and 135 productions from 42 countries were received. This reflects that the intersection between film and architecture is once more a global target of interest and research. The awards ceremony will take place at ARQUITETURAS’s Closing Session - 16th October I Sunday I 21:30 I Forum Lisbon. The films in competition will be evaluated and awarded in the respective categories by the following jury members:

GABRIELA RAPOSO ANTÓNIO BRITO GUTERRES

Gabriela Raposo was born in Lisbon and António Brito Guterres is a researcher graduated in Architecture from Faculty of at the DINAMIA’CET research center on Architecture - Lisbon’s Technical University socioeconomic change and the territory (1998), she did a Master Degree in of the Lisbon University Institute. He has Scenography at Central St. Martins - College experience in various projects of territorial of Arts and Design in London, UK (2001). development, in particular as the Director Since 2013 she is a member investigator of of the Vale da Amoreira Operation of the Art.Critics.Politics at IHA - Institute of History Critical Urban Areas Initiative, and as the of Arts - in Faculty of Social Sciences and coordinator of the Performance Arts Center Humanities (FSCH). Lisbon. Since 1998 in the same neighborhood. He currently she collaborates with architecture offices works for the Aga Khan Foundation Portugal, in Lisbon - Gonçalo Byrne and Falcão de focusing on issues such as participation, Campos Architects Aires Mateus, Fernando governance, education, youth, diversity, Salvador e Margarida Grácio-Nunes; and pluralism. He also works as an adviser, London and Rotterdam - Erick van Egeraat freelancer and volunteer with grassroots Architects (1998-2001). Since 1997 she organizations and informal groups; he has established an individual practice as a often lectures on participation, urban free-lancer in architecture and scenography. regeneration, gentrification, the commons, and about the role of arts and culture in urban development. He is a member of the International Network for Urban Research and Action (INURA).

I 6 NUNO LISBOA FERNANDO BRÍZIO

Nuno Lisboa is director of Doc’s Kingdom Fernando Brízio graduated in Product - International Seminar on Documentary Film Design (1996) from the Faculty of Fine Arts and professor of Sound and Image in the in Lisbon, where he lives and works. He School of Arts and Design of Caldas da has developed products for industry and Rainha. Currently he’s the programmer for small-scale handmade production, along the 63rd Robert Flaherty Film Seminar. He with exhibitions, sets, interior and public was selected to program the 2017 edition spaces for companies and organizations of this American historic seminar founded such as Droog, Schréder, Torino World in 1955 by Frances Flaherty. Design Capital, experimentadesign, Lisbon City Council, Il Coccio, Cor Unum, Fábrica Rafael Bordalo Pinheiro, Galerie Kreo and BÁRBARA SILVA choreographer Rui Horta.

LUÍS FERRO

Bárbara Silva is an architect educated at the University of Coimbra ( FCTUC - DARQ 2003), PhD in Theory and Practice of Project from the Universidad Politécnica Luís Ferro is an architect based in Évora, de Madrid ( UPM- ETSAM 2016) with the where he has practiced since 2012 thesis “Brazil, the reinvention of modernity; (Atelier Luís Ferro, Arquitectos Lda.). He is a Le Corbusier, Lucio Costa, Oscar Niemeyer Researcher at the Center for Art History and “. She lives in Lisbon and Rio de Janeiro, Artistic Research at the University of Évora where she develops her work as a curator, (CHAIA) since 2009, and at the Associacion editor and agent of cultural projects. Since des Amis de Analecta Cartusiana since 2010 she is the director of NOTE www. 2011. He has published several papers and note.org.pt - an independent cultural has presented communications in Portugal, platform dedicated to the dissemination of Spain, France, England, Finland and USA. architecture through exhibitions, conferences In 2013 he founded the group Cinema-fora- and publications. dos Leões which promotes film screenings, meetings and debates on auteur cinema.

I 7 ARCHITETURE FILM FESTIVAL GUEST ISTANBUL INTERNATIONAL ARCHITECTURE AND URBAN FILMS FESTIVAL (Turkey)

Since its establishment on 1954, the Chamber of Architects of Istanbul has presented a wide range of cultural events regarding the development of architectural culture, preservation of historical heritage, and the improvement of quality of life. To add a new dimension to these efforts, since 2007, it has launched an organization titled “Istanbul International Architecture and Urban Films Festival”. This organization is planned to ensure the participation of all diverse disciplines that are interested in this area, particularly architects.

The festival is programmed within the scope of the “Architecture and Urban Festival”, that is realized by the Istanbul Branch of the Istanbul Chamber of Architects on the occasion of the “World Day of Architecture.” The World Day of Architecture is widely celebrated in the world on the first Monday of the month of October.

The scope of the festival covers documentary films and animation. The films that have participated in the festival from Turkey and abroad, and which have been successful in the preliminary selection, are shown to the audience and a competition is applied among those films. Furthermore, in order to encourage exchange of ideas among the participants, various conversations and activities are organized.

This year we had the pleasure of hosting in Istanbul the films from our sister festival Arquiteturas Film Festival Lisbon with a special Gala opening and the screening of 7 movies in 5 sessions as part of our annual Urban Dreams Workshop parallel events. And now we are growing this relationship here in Lisbon with 4 films selected from our competition for the Lisbon audience:

(Selma Erdem, Istanbul International Architecture and Urban Films Festival)

I 8 HAN I INN Highlighting the significance of heritage protection, Inn successfully investigates property issues through the story of a 17th century commercial building in the Historic Peninsula of Istanbul.

Komşu Komşu Huu! I Hey Neighbour! Hey Neighbour! Hits its audience with its creative characters that associate the conflict of social class struggles triggered by urban transformation.

Koro I The Choir The Choir is a symbol of friendship despite culture differences. One of the oldest churches of the World in South east cosmopolite Turkey in Hatay province represents a genuine example of peace.

Aşağı Yukarı Galata I Up and Down Galata An old bookstore in Galata neighbourhood had witnessed the changes in socio-cultural values that had been represented by places. These places had also been the symbols of cultural diversity in Istanbul. Such a documentation reveals the historical facts and incidents that disrupt such places as well as the common values.

I 9 PRESENTATION’S SESSION MAAT (Projection room, central Tejo)

5TH OCTOBER I WEDNESDAY I 18:00 Festival’s theme and program presentation, followed by the screening of the film BLOCKCHAIN from the collective Space Caviar.

BLOCKCHAIN Space Caviar Joseph Grima and Martina Muzi I 2016 I Italy I 35’

Blockchain is a digital docudrama set in Space Caviar is an architecture the limitless universe of Minecraft. The film and research studio operating at the follows the ghost of Walter Gropius on an intersection of design, technology, politics extended dèrive through ten of the game’s and the public realm. Founded by Joseph worlds, shadowing him as he ponders the Grima and Tamar Shafrir, the office uses social and political fundamentals of creativity. built work, exhibitions, publishing, writing Fragments of conversations with the creators and film to investigate and document of maps and servers, memories from the past, contemporary modes of habitation and observations, speculations and conjectures the spatialisation of social and political of one of the 20th century’s great utopians practice. Space Caviar’s work has been intersect with a transnational digital universe shown at the Venice Architecture Biennale, in which learning, labor and play are all the Victoria and Albert Museum, Biennale mediated by the basic shape of the block. Interieur, Vitra Design Museum and the Presented during the exhibition “The Munich Film Museum, among others. Bauhaus #itsalldesign” at VITRA Design http://www.spacecaviar.net Museum, Weil am Rhein, 2015.

I 10 WARM UP Sponsered by ROCA LISBON GALLERY

10TH OCTOBER I MONDAY I 19:00 11 TH OCTOBER I TUESDAY I 19:00 Having a Cigarette with Álvaro Siza (Re)GNRation Iain Dilthey I 2016 I Germany I 52’ Carvalho Araújo I 2016 I Portugal I 43’

Talking architecture with Álvaro Siza Vieira - (re)GNRation is the first mini-documentary Architect, socialist, passionate smoker. produced by Atelier Carvalho Araújo. (Portuguese Pre-Premiere) Integrated in the Projeto CAdentro, these mini-documentaries aim to build a different look on the dynamics and processes that characterize the natural evolution of any project, running away from pictures that lead us to preconceived ideas, imputing to any building a wrong notion of perfection and infallibility. We want to show that architecture can also (and should) be understood through people and each building works as a living organism, whose beauty lies often in the weaknesses that are revealed over time. Why return to GNRation? GNRation was designed from the beginning as an unfinished project, a building whose characteristics allowed it to evolve over time and whose dynamics should result from more or less spontaneous acts of appropriation. It is important for us to understand how the building has been adapted to the different needs and especially to realize how the whole process of post-occupancy of the building has been conducted. (World Premiere)

I 11 OPENING NIGHT 12TH OCTOBER I WEDNESDAY I FORUM LISBOA

I 19:00 PRESENTATION OF THE 4th EDITION OF ARQUITETURAS BY SOFIA MOURATO I 19:15 PRESENTATION OF THE FESTIVAL THEME REHAB NATION BY ANTÓNIO BRITO GUTERRES I 20:00 COCKTAIL BREAK I 21:00 APROPOS OF LEIXÕES André Valentim Almeida e Paulo Martins I 2016 I Portugal I 35’

With the presence of the Directors and architect Luis Pedro Silva Apropos of Leixões, a commission by APDL and University of Porto, is a glance into Leixões harbor throughout the times -from the moment there are moving images representing the area till today- with a special focus on the construction of the new Cruise Terminal and University of Porto’s Research Center building. Result of an order to mark the inauguration of the new building, the film is divided into two parts: the first, based on a deep file research, looks at the process of construction and expansion of the port and its activity through the ages; the second looks at the construction of the building based on a timelapse (containing 156,000 photographs) in parallel with images of the diverse activities of the port. The film is accompanied by a soundtrack of the live band Torto.

Torto never walked in a straight line - the musical exercise trio which joins Jorge Coelho, Jorge Queijo and Miguel Ramos twists the traditional arrangement with challenging harmonies and melodies that do not stand out for their familiarity. In tension they find solutions, and in dissonance that they sing and delight each other, creating a confusing language that involves and develops on its own terms, but with frequencies that we all share. Torto suspend without falling and they reveal themselves as storytellers as few instrumentalists are: fluent and fluid. loversandlollypops.bandcamp.com/album/escabroso

I 12 FILMS FORÚM LISBOA 13TH OCTOBER I THURSDAY I 19:00 74m2 URBAN ASPIRATIONS Paola Castillo, Tiziana Panizza, Soledad Silva I 2012 I Chile I 68’ Tiago Castela I 2016 I Portugal I 21’

Iselsa and Cathy are chosen, along with 150 This short documentary film provides families, to be part of a social experiment: to a perspective on the plurality of modes be inserted in a middle class neighborhood in of urban life in the present-day Maputo area, Valparaiso. As community leaders and friends challenging the persistent idea that the city they have worked together in the project is divided in two unequal parts, and that the and to be integrated in a neighborhood that former cement corresponds to a normative rejected them because they are considered urbanity that is lacking in the rest of the urban potential delinquents. 74 square meters are.The film was created with a team of 4th observes the struggle to obtain their homes, year students of the Bachelor in Journalism the integration to the neighborhood and the at the School of Communication and Arts challenge to overcome their deep inherited (ECA) of University Eduardo Mondlane disagreements through this process. If they at Maputo, Mozambique. It was produced don’t, the neighborhood they have fought for in the frame of an exploratory research over six years will be put at risk. The project project titled Urban Aspirations in Colonial/ is from Chilean Atelier Elemental. Postcolonial Mozambique: Governing the Unequal Division of Cities, 1945-2010, (Official Selection) funded by the Portuguese state Foundation for Science and Technology. (New Talents Competition)

I 14 DEBATE REHAB NATION #1 — FAMILY: Home is the basic unit Home is the basic unit of the living space around us and how we inhabit and move into it is the expression of who we are. Social housing in Portugal has always been a reaction to an emergency, whether of people moving from the countryside to the city, or of people coming from the Portuguese colonies. With the overwhelming numbers of refugees now looking for a new home, and a new identity, what is the meaning and the role of social housing today?

With: Ana Vaz Milheiro (Architect, Professor, Researcher) Isabel Raposo (Architect, Professor, Researcher) Jorge Mealha (Architect, Professor, Researcher) Tiago Mota Saraiva (Architect, Ateliermob)

I 21:00 Architectones by Xavier Veilhan La Cupola François Combin I 2015 I France I 68’ Sattel Volker I 2016 I Germany I 40’

What is the ultimate place where I would With the presence of the Director like to show my work? Echoing his exhibition The portrait of a house without supporting in the Château de Versailles, artist Xavier walls. A bold dome made of concrete, an Veilhan opens the doors of seven modernist open space right in the middle of the bizarre houses, from California to Europe. Through rock formations of a rugged coast made of his contemporary works he creates a dialogue reddish granite.The house belonged to actress with the singular architecture of these places. Monica Vitti and director Michelangelo Architectones by Xavier Veilhan emerges in Antonioni. The emptiness of the cupola and this new adventure and explores the creative the deserted quality of the site are the starting process, the exhibitions and performances. point for speculating, seemingly at random, The artist appropriates the architecture and figures wind up in the image and enter the revives these iconic houses thus offering a new dome, and even today, the utopia of an and ultra-contemporary vision of modernism. alternative concept of living seems to float above its form. (International Competition) (International Competition)

I 15 14TH OCTOBER I FRIDAY I 18:00 THESIS PRESENTATION

1 - Architecture and Cinema: The experience of architectural space through cinema Vera de Matos Beltrão

This research aims to study the influence of cinema in the creative process of architectural work as well as the role of architecture in the viewing of the cinematographic work. Addressed relationships are established based on concepts shared by both disciplines, relating to their conception. The chosen case studies, among a large number of examples that illustrate the evolution of both disciplines throughout the twentieth century, reveal related themes trough their concepts. Thus, - and through the work of Le Corbusier, Vertov; Koolhaas, Antonioni; Nouvel and Wenders -, the studied interaction between the two forms of art proposes, in first place, the statement of its possibilities; secondly, the recognition of concerns through demonstrated occurrences and thirdly, to suggest solutions which promote specific ways of living.

2 - The Influence of Cinema in European Architecture: from 1910s to 1930s Susana Maria Tavares dos Santos Henriques

This research aims to study the influence of European cinema on European architecture in the early twentieth century, between the years 1910s and 1930s. Inherent in their own reason, it is undisputed the relationship of architecture with the great revolutions of the late nineteenth and early twentieth century. If, in one hand, the early twentieth century shows architecture as a consolidated art naturally ever expanding and evolving, on the other hand, it shows the cinema as an emerging art. In order to attend the investigation, proceeded, to the analysis in situ, of specially selected architectural works: Villa Noailles (Hyères), from Robert Mallet-Stevens; Villa Savoye (Poissy) from Le Corbusier; and Villa Müller (Prague) from Adolf Loos. Relationships were established with, the viewing of films related directly to these iconic works, and the readings of reference works and texts written by the architects of the era, including also Robert Mallet-Stevens, Le Corbusier and Adolf Loos.

I 16 I 19:00 Estate, a Reverie Penúmbria Andrea Luka Zimmerman I 2015 I United Kingdom I 83’ Eduardo Brito I 2016 I Portugal I 9’

Estate is a deeply moving portrait of a With the director’s presence community struggling to survive in a boarded- The distopian city of Penúmbria was founded up London public housing project, long slated two hundred years ago, in a distant istmus - for demolition. Multilayered and profound, a place of arid soils, angry seas and violent Andrea Zimmerman’s film masterfully immerses weather. Penúmbria was due its name to the us in a dreamlike lost-world of misfits, outcasts almost permanent shadows and cloudiness. and survivors whom she films with love and One day, its inhabitants decided to leave, aching tenderness. offering the city to time. This is the story of an uninhabitable place. (Official Selection) (Portuguese Competition)

DEBATE REHAB NATION #2 — COMUNITY: Neighborhood as neighborhood relationship The touristic industry is taking over the center of the city, pushing the original inhabitants out of their neighborhood due to the rising prices of housing and services. At the same time, the dynamics generated by tourism are helping to rehabilitate our city centers, taking over where the city halls and the original owners couldn’t or wouldn’t act. What is happening now in Lisbon, and how can we learn from other cities’ experience?

With: Helena Roseta (Architect, President of Lisbon’s Municipal Assembly) Fabiana Pavel (Architect, Researcher) Gonçalo Folgado (Architect) Jorge Silva Macaísta Malheiros (Geógrafo, Professor, Researcher)

I 17 I 21:30 Up and Down Galata Han Cagan Duran, Ali Uluç Kutal I 2015 I Turkey I 80’ Çağrı İşbilir I 2015 I Turkey I 20’

“Librairie de Pera” was one of the oldest Büyük Valide Han is a Ottoman legacy from bookstores of Istanbul. Located in Galata, 17th century situated in Eminonu. the bookstore was reflecting neighborhood’s It was subjected to many interventions leaving true cosmopolitan culture almost throughout damages on its architectural structure. Still a century. In 2013, the bookstore was in our day no special care is given towards closed down as a result of ongoing urban its preservation. The structure is wearing transformation process. Through the story down day after day. How much longer can of the bookstore, we are invited to see how this place survive? demography of Galata is changed in the (Official Selection - Festival’s guest: Turkey) course of time. Locals, artisans, shop owners, and daily workers of “Yüksekkaldırım” make us capture the contemporary nature of this process.

(Official Selection - Festival’s guest: Turkey)

I 18 15TH OCTOBER I SATURDAY I 11:30 GOOD PRACTICES - Stories that have linked clients and architects Round Table and Film screenings

I 15:00 Urban Tides You’ll Soon Be Here Simone Eleveld I 2015 I Holland I 39’ Fábio Petronilli I 2016 I Holland, Portugal I 38’

After the crisis in 2008, it seemed urban With the presence of the Director and development had come to a standstill for introduced by Marc Glaudemans a while. But to some people the empty plots In recent years, Lisbon has become one of of land seemed to beg to be put to good use. the European Cities with the largest tourism Abandoned shipyard De Ceuvel was one growth. In April 2016, Stadslab (Urban of these places. In 2012 a multidisciplinary Design Laboratory of Tilburg University - group took the initiative to turn this empty Amsterdam) and Citizens Academy organized and polluted piece of land into a work- and an international Masterclass on City Making meeting place. Proving that you don’t need & Tourism Gentrification for professionals and money to develop an area, they decided graduates: the urban intervention case-study to use a DIY approach and construct offices was focused on Mouraria, one of the oldest out of a very common Dutch waste product: of Lisbon’s neighborhoods. Originated scrap houseboats. Urban Tides documents as a 13th century Moorish neighborhood the realization of a dream by an odd it remained a marginal, multicultural and collection of visionary urbanites and how poor downtown area; nowadays, parts of its unintended side effects are highlighting Mouraria are already affected by tourism: challenges familiar to cities and communities cheap property prices and proximity to other around the world. tourist destinations raise realistic assumptions that Mouraria will soon face large influx (New Talents Competition) of investment in real estate and tourism infrastructure. Co-produced by Stadslab , Citizen Academy, Largo Residencias and Arquiteturas Film Festival. (International Competition)

I 19 I 17:00 MASTERCLASS: Architecture without Architects Manuel Graça Dias + Edgar Feldman with moderation by João Sequeira “Ver Artes/Arquitectura” was a TV show broadcast by the Portuguese public television channel RTP2 every two weeks from 1992 to 1996. Part of which was a set of programs on illegal architecture authored by architect Manuel Graça Dias and directed by filmmaker Edgar Feldman entitled Architecture without Architects. We invited both to talk about the pioneering experience of audiovisual programs about architecture and the stories of the people they encountered.

I 19:00 Tomorrow We Disappear Cosmorama Jim Goldblum, Adam M. Weber I 2014 I USA I 80’ Eren Aksu I 2015 I Germany I 8’

Since the 1970s New Delhi’s magicians, A young couple goes on a day trip to an puppeteers, and circus performers have called island next to Istanbul. They find themselves the Kathputli Colony, their home. Last year the captivated by the never ending cityscape and government issued relocation permits to the sink into a contemplation on urban decay. colony residents; the slum is to be bulldozed, Living in a concrete jungle is their future. cleared for development. Experience the last (International Competition) remnants of a culture born out of folk art and molded by poverty. (Official Selection)

I 20 I 21:30 A Tomb With A View The Infinite Happiness Ryan Noth I 2015 I Canada I 8’ Ila Bêka and Louise Lemoine I 2015 I France, Denmark I 85’

Elevating its departed occupants considerably Inhabiting for about a month the “8 House”, closer to heaven rather than entombing by Bjarke Ingels Group, Ila Bêka and Louise them six feet under, Memorial Necropole Lemoine recount in a diary style their Ecumenica is the world’s tallest cemetery. subjective experience of living inside this Towering proudly alongside its fellow experiment of “vertical village”. As a Lego skyscrapers in the expansive São Paulo game, the film builds up a collection of life skyline, this one-of-a-kind mausoleum and its stories all interconnected by their personal equally unique owner celebrate the high life relation to the building. The film draws the in the afterlife. lines of a human map which allows the viewer (International Competition) to discover the building through an inner and intimate point of view.

(Official Selection)

DEBATE REHAB NATION #3 — SOCIETY: The City as Infrastructure There are territories inside the metropolitan city that have been growing spontaneously and independently, changing use, without proper urban or social planning. The city centers in Europe are now for tourists and what was considered marginal territories inside the metropolitan area are now territories of opportunity for locals. The B-Side of the city is becoming its new energy, generating art, culture, music, social movements and a new idea of belonging? Which are the dynamics that are bringing new life to the city, and how can we learn from these experiences?

With: Teresa Valsassina Heitor (Architect, Professor, Researcher) Inês Lobo (Architect, Professor, Researcher) Brito Guterres (Sociologist, Professor, Researcher) Pedro Campos Costa (Architect)

I 21 16TH OCTOBER I SUNDAY

I 14:00 Presentation of the results of the film workshop – DISASTER MOVIE taught by Christoph Draeger.

I 15:00 Tsunami Architecture Last Acre Heidrun Holzfeind and Christoph Draeger I 2012 I Austria I 60’ Nick Jordan and Jacob Carthright I 2016 I United Kingdom I 11’

With the presence of the Director A documentary portrait centered on a remote The film investigates the current state settlement of self-built shed and cabin homes, of architecture built or reconstructed in the located on the sand dunes of England’s aftermath of the 2004 Indian Ocean Tsunami North West coastline, near Barrow-in-Furness. in the five countries most affected –Thailand, The film explores the social and ecological Aceh/Indonesia, Sri Lanka, Maldives and topography of this off-grid, outlying India. Documenting the long-term effects community. Existing on the margins of a rural, of the disaster through conversations with seaside idyll, and its surrounding industrial survivors, eyewitnesses, aid workers and landscape, this unique place is an example rescue personnel, we also looked at how of a plot land development: the improvised the flood of aid money has transformed the homes built in the early 20th century, affected regions, rebuilt and refashioned on neglected, marginal or squatted sites, local economies and shaped communities. in response to increasing urbanization and financial hardship. (Official Selection) (International Competition)

I 22 Teleférico La Paz I 17:00 Carlos Gomes I 2016 I Bolivia I 32’ Frei Otto: Spanning the Future Joshua V. Hassel I 2016 I USA I 60’

With the presence of the Director La Paz, the capital of Bolivia, merges with the mountain at 3500m. Opened in 2014, With the presence of producer “Cable Car La Paz”, the largest cable car Simon K.Chiu system in the world, crosses the city from one Frei Otto: Spanning the Future is about the end to the other, facilitating the daily life of life and works of Frei Otto, told in his own thousands of citizens, in alternative to a poor words and by those he inspired. Frei Otto’s public transport network and chaotic traffic. understanding of architecture’s fundamental A fascinating engineering work, in between relationship to natural forces is the foundation the earth and the sky, connecting the poorest of today’s architecture. As technology (El Alto) and the richest (La Florida) areas of advances, his methods are now becoming the city. Along the journey between the two more widely adopted, as are his broader ends of the line, the film makes a democratic philosophical concepts about solving the “scanning” of the city. This new opportunity world’s most pressing issues. Featuring of viewing the city from above brings a true Zaha Hadid and Frei Otto in one of the last moment of recreation and renovation of the interviews given before his passing, this film idea that the citizens have of their own city. takes architecture fans on a journey through a history of architecture that inspires the world (National Competition) of tomorrow.

(Official Selection)

Wandenkolk Bruno Firmino I 2015 I Brazil I 18’

With the presence of the Director From silent shades to the lines that pierce through the ideas and work of architect Wandenkolk Tinoco. (New Talents Competition) I 23 DGLR (EP) DEBATE REHAB NATION #1 - Antje Buchholz, Sven Flechsenhar & Maja Weyermann I 2013 I HUMANITY: Territory as Gaia Germany I 12’ The scientist James Lovelock (author of the Gaia theory) indicates a different development of the idea of sustainability, starting from the premise that it’s impossible to save the earth or predict how it will be transformed. The only realistic possibility is for communities to live in climate- The animation film DLRG examines one of controlled and self-regulating cities, where men the outstanding buildings of post-war Berlin. eventually will merge with machine to better Designed by the architect Ludwig Leo, it was function. Can cities and their communities completed in 1973 and served the German really learn from Nature and live organically as Life Saving Association (DLRG) both as a a biological entity, and how will the architect’s base for land and water rescue operations role change? and as winter storage for their boats. With: Ana Filipa Ribeiro Ramalhete The film visualizes the inventive mechanisms (Anthropologist, Professor, Researcher) and complex spatial relationships of this João Santa-Rita unique work of architecture by animating (Architect, President of the Architects Association) parts of Leo’s original drawings. Luís Álvares Rosmaninho (Architect, Professor, Researcher) (New Talents Competition)

I 19:00 Komşu Komşu Huu! / Hey Neighbour! Koro I The Choir Bingol Elmas I 2016 I Turkey I 54’ Ahmet Bikiç and Nagihan Çakar I 2016 I Turkey I 20’

Hey Neighbour! captivates the viewer with One of the oldest churches of the World its creative characters associated with the in South east cosmopolite Turkey in Hatay conflict of social class struggles triggered by province represents a genuine example urban transformation. of peace.

I 21:30 Awards Ceremony AFFL’16

I 24 FILMS CINEMA CITY ALVALADE

I 25 13TH OCTOBER I THURSDAY I 19:30 Flotel Europa Rosel Vladimir Tomic I 2015 I Denmark, Serbia and Montenegro I 70’ Alexane Perrin I 2015 I France I 15’

In 1992 a wave of refugees from the war With the presence of the Director in Bosnia and Herzegovina reached Rosel, it is the name of a neighborhood Denmark. With refugee camps completely near the city of Caen in Normandy but it is full, the Red Cross pulled a giant ship into also a house, family house. This house was the canals of Copenhagen. The ship, Flotel bought at the beginning of the XXth century Europa, became a temporary home for by my great-grandfather and is going to be a thousand people waiting for decisions sold very soon. It is a pity. I try to tell behind on their asylum applications. Among them closed door the link weaved between the was a young 12 year old boy, Vladimir, building and his inhabitants using family who fled Sarajevo together with his mother archives and items of the house. The voice- and older brother. They spent two years in over penetrates the theatrical space of the the limbo of Flotel Europa. Two decades house: a real body, which speaks about his later, Vladimir Tomic takes us on a journey feelings of harmony or rebellion, friendship of growing up on this ship filled with echoes or disenchantment with the human being who of the war — and other things that make up lived there. From a golden age, idealized an adolescence. The coming-of-age story until the fall, right to the abandonment. is juxtaposed with personal VHS archive material shot by refugees who shared the (New Talents Competition) “space-time vacuum” of the Flotel.

(International Competition)

I 26 14TH OCTOBER I FRIDAY 15TH OCTOBER I SATURDAY I 19:30 I 19:30 The House or a Machine for Living In The Destruction of Memory Catarina Romano I 2016 I Portugal I 12’ Tim Slade I 2016 I USA, Australia I 85’

With the presence of the Director With the presence of the Director People meeting and talking, and everyday Over the past century, cultural destruction has situations, telling their small tales that the wrought catastrophic results across the globe. image unravels, multiplies or just exhales: This war against culture is not over — it’s rehearsing worlds that are house-being been steadily increasing. In Syria and Iraq, (or being-house), moored in boxes, bodies, the ‘cradle of civilization’, millennia of culture secrets, desires, glimpses or the ephemeral are being destroyed. The push to protect, materiality. In this flux, we step into unstable salvage and rebuild has moved in step with territories, place of the work-of-being-in- the destruction. Legislation and policy have progress — the inner home of each of us. played a role, but heroic individuals have (Portuguese Competition) fought back, risking and losing their lives to protect not just other human beings, but our cultural identity — to save the record of Ornament and Crime who we are. Based on the book of the same Rodrigo Areias I 2015 I Portugal I 90’ name by Robert Bevan, The Destruction of Memory tells the whole story - looking not just at the ongoing actions of Daesh (ISIS) and at other contemporary situations, but revealing the decisions of the past that allowed the issue to remain hidden in the shadows for so many years. With the presence of the Director Ornament and Crime is a thriller about crime, (International Competition) extortion and corruption. Based on a Noir aesthetic, this film tells the story of a private detective and his partner who engage in extortion schemes. But in a society dominated by the construction mafia, the bet may be too high. Councilors, contractors and femme fatales can hardly be defeated in this table game.

(Portuguese Competition) I 27 FILMS CINEMATECA PORTUGUESA

I 28 13TH OCTOBER I THURSDAY Sponsered by I 19:00 The Films of Charles and Ray Eames I 110’ Introduced by Eames Demetrios (Grandson of Charles and Ray Eames and Director of the Eames Office) and Eric Schuldenfrei (ESKYIU, Author of The Films of Charles and Ray Eames: A Universal Sense of Expectation; Routledge, 2014).

I 21:30 Eventually Everything Connects I 90’ A visual conversation about the Films of Charles and Ray Eames, with Eames Demetrios and Eric Schuldenfrei.

The cycle The Films of Charles and Ray Eames, comprised of two sessions, offers a unique opportunity to see and debate some of the duo’s most singular experiments with the moving image – a medium which they explored as an integral part of their design process, using it not only as a vessel to convey a message but also as a tool to research and develop new ideas. “Make the best, for the most, for the least” is one of Charles and Ray’s most famous mottos, which still remains remarkably pertinent in today’s design and architecture.

The first session, at 19:00, will screen a combination of landmark and rarely seen films, made between the 1950s and the 1970s. The programme ranges from the Eameses’ investigations into visual communication and storytelling to poetic studies of everyday rituals, commissions for corporate clients and seminal explorations and illustrations of the burgeoning ‘Age of Information’.

The second session, at 21:30, will be a visual conversation between Eames Demetrios and Eric Schuldenfrei, chaired by Justin Jaeckle, about the films, philosophy and imaginary of Charles and Ray Eames. Illustrated by clips and images from the Eames and others. The film will explore the Eameses’ pioneering use of film as a means to disseminate and create knowledge, foregrounding the duo’s experimentation with the formal and social possibilities of cinema.

Curated by Justin Jaeckle with Alexandra Areia, The Films of Charles and Ray Eames is a collaboration between Arquiteturas Film Festival, Cinemateca Portuguesa and MAAT - Museum of Art, Architecture and Technology. The events are both part of Arquiteturas Film Festival 2016 and public programme for the MAAT exhibition, The World of Charles and Ray Eames.

The conversation will be held in English. Films will be screened in English with Portuguese subtitles, from brand new digital transfers courtesy of the Library of Congress and the Eames Office, some of which have been kindly created especially for this screening.

The realisation of this cycle would not be possible without the invaluable support of the Cinemateca Portuguesa, The Library of Congress and The Eames Office, and the sponsorship of FAMO Working Together - Office Furniture Solutions. I 29 FILMS GABINETE

I 30 TH Cais 15 OCTOBER I SATURDAY Marta Covita I 2015 I Portugal I 12’ I 19:00 EXPERIMENTALISMS I 83’

Diagonale du Vide Guillaume Ballandras I 2015 I France I 27’ Cais is a contemplative film of everyday situations that take place at Pier of Columns in Lisbon. More than to make clear the urban perception of the space, it interested me to capture its abstraction.

Drifting along the empty diagonal and its Champ des Possibles suburban areas at the end of a hot summer. Cristina Picchi I 2015 I Canada, Italy, Sweden I 14’ Some lucky encounters. Warehouses, roundabouts, colored logos, an exploration into the frozen waters of everyday life.

Mnemonic Gymnastics Effi Weiss I 2015 I Belgium, Bosnia e Herzegovina I 16’ A contemporary city symphony where floating memories blend with urban sounds and the natural elements, where tales of loss and love are mirrored by the demolition and construction of new buildings, where death and birth stand next to each other, like the darkest hour of the night and the first lights Based on classical texts describing the method of the day, and the net of the streets holds of memorizing using “places and images” tight all the possibilities that life might unfold. (loci et images), this film proposes a walk through the spaces and corridors of OBJECT D-0, Tito’s bunker in Konjic, Bosnia. The The Williamsburg Houses method of placing “effective” mental images Tessa Rex and Irene Bartolomé I 2015 I USA I 14’ representing words and notions inside a gallery of various spaces, to be thus engraved in the memory and later retrieved at wish, is put in the context of the cold war bunker - a decor made for a scenario which never took place - in its historical role, as well This film is an anatomical tour of the public as in the present context of turning the bunker housing project, The Williamsburg Houses, into a museum of art. in New York, and the life of its occupants.

I 31 FILMS RUA DAS GAIVOTAS 6

I 32 15TH OCTOBER I SATURDAY 16TH OCTOBER I SUNDAY I 21:00 I 17:00 En Construcción Henriqueta, Uma Cartografia Íntima José Luis Guerín I 2001 I Spain I 125’ Susana Mourão, Marta Galvão Lucas I 2008-2012 FILMS RUA DAS GAIVOTAS 6 I Portugal I 34’

The film focuses upon the construction of an upscale apartment block in Barcelona’s Henriqueta’s home will be rehabilitated Barrio Chino district, as swathes of the to have minimum habitability. Around the neighborhood are demolished in the city’s transformation of this house, in Evora, eradication of the physical infrastructure in the architectural design follow-up , of vice as part of an EU funded urban this documented practice is centered on development scheme. The neighborhood’s the emotional rhythm of Henriqueta , the history of migration and flux is reflected way she lives and feels the rhythm of in the film’s depiction of the urban site transformation of her house. By accepting as a continual ‘work in progress.’ this challenge, we documented an emotional This film is integrated in the European experience for its intimate cartography, programs CinEd and Moving Cinema. through the poetics of her house: the place where furniture, utensils, clothes and objects With: José Manuel Martins lose their function and its use, but never their (Dir. of the Philosophy Department of the EU) function of living, remembering and feeling. João Soares (Dir. of the Doctoral Programme in Architecture of the UÉ) With: Susana Mourão (Director) Jorge Branquinho (Cinema-Fora-dos-Leões) Marta Galvão Lucas (Director) José Alberto Ferreira (Dir. of the Writing Festival in Landscape and Colecção B Cultural Programmer) Rui Mendes (Architect - Atelier Rui Mendes - and professor in DA/UAL e DA/UÉ)

Sponsered by

I 33 FILMS MUSIC BOX

I 34 15TH OCTOBER I SATURDAY I 22:00 FILM CONCERT “Teleférico La Paz“ with live band EL Kordi soundtrack Tomás Gomes - Guitar and vocals I Lucas Melo - Drums I Vicente Molder - Bass I João Almeida - Trumpet

Teleférico La Paz Carlos Gomes I 2016 I Bolivia I 32’

With the presence of the Director La Paz, the capital of Bolivia, merges with the mountain at 3500m. Opened in 2014, “Cable Car La Paz”, the largest cable car system in the world, crosses the city from one end to the other, facilitating the daily life of thousands of citizens, in alternative to a poor public transport network and chaotic traffic. A fascinating engineering work, in between the earth and the sky, connecting the poorest (El Alto) and the richest (La Florida) areas of the city. Along the journey between the two ends of the line, the film makes a democratic “scanning” of the city. This new opportunity of viewing the city from above brings a true moment of recreation and renovation of the idea that the citizens have of their own city.

(Portuguese Competition)

I 35 FILMS CIM (MOURARIA CREATIVE HUB)

I 36 16TH OCTOBER I SUNDAY

I 11:00 You’ll Soon Be Here Fábio Petronilli I 2016 I Holland, Portugal I 38’ GUIDED TOUR

Meeting point: Mouraria Creative Hub (CIM)

Guided tour around rehabilitation works of the Mouraria district, headed by architect With presence of the Director and Nuno Simões and film director Fabio Petronilli introduced by Marc Glaudemans In recent years, Lisbon has become one of Registrations for tour-: [email protected] the European Cities with the largest tourism Capacity: 20 people max. growth. In April 2016, Stadslab (Fontys Price per person: 5 € School of Fine and Performing Arts - Tilburg) and Citizens Academy organized an international Masterclass on City Making & Tourism Gentrification for professionals and I 13:00 graduates: the urban intervention case-study BOOK LAUNCH was focused on Mouraria, one of the oldest of Lisbon’s neighborhoods. Originated City-Making & Tourism Gentrification’ book as a 13th century Moorish neighborhood launch followed by a screening of the film it remained a marginal, multicultural and You’ll Soon Be Here at CIM (Mouraria poor downtown area; nowadays, parts of Creative Hub). Mouraria are already affected by tourism: cheap property prices and proximity to other Free entrance (subjected to space capability). tourist destinations raise realistic assumptions that Mouraria will soon face large influx of investment in real estate and tourism infrastructure. Co-produced by Stadslab, Citizen Academy, Largo Residencias and Arquiteturas Film Festival.

(International Competition)

I 37 PARALLEL ACTIVITIES

EXHIBITION 12TH - 16TH OCTOBER I LISBON FORUM BAR REHABIT Handmade structures FITACOLA COLLAGE

Fitacola Collage are a duo who makes collage artworks for illustration, site specifics, advertising and design. They collect and assemble mostly bits and scraps of paper, transforming them in new stories with different purposes.

“Collages of Fitacola Collage play with subversions of old images, whose identity was rescued, reordered, fragmented and simplified. Their geometric - surrealistic character also embodies itself through the “rehabilitation” of the paper and its fragments, in this case, inspired by the architectural representation.“

fitacola.com

ROUND TABLE FILM SCREENINGS 15TH OCTOBER - 11:30 I Lisbon Forum

GOOD PRACTICES - Stories that have linked clients and architects Architecture is full of life, and as such is proposed a round table between various promoters of architecture, where stories and links created around a design and implementation of work are explored. At the same time, we try to discuss how can these experiences be documented and transmitted between those who dream a house and those who design and transform it into a tangible reality.

Guests: Luís Fernandes (Coordenator - Canal 180) Luís Pereira Miguel (Architect) Mário Domingues (Cliente) Tiago Mota (Moderation - Board of OA-SRS)

www.escolha-arquitectura.pt/filmes

I 38 GUIDED TOUR 16TH OCTOBER I 11:00 I Meeting point - Mouraria Creative Hub (CIM)

Guided tour around rehabilitation works of the Mouraria district, headed by architect Nuno Simões and film director Fabio Petronilli, which will end with a book launch of City-Making and Tourism Gentrification followed by the film screening of You’ll Soon Be Here (2016) by Fabio Petronilli, at CIM (Mouraria Creative Hub).

Registrations: [email protected] Capacity: 20 people máx. Participation fee: 7€ Entrance for book and film (at 13:00) is free subjected to space capacity

TALKS 15TH OCTOBER - 21:00 I 16TH OCTOBER - 17:00 I RUA DAS GAIVOTAS 6

In addition to the renovation of the physical built environment, urban regeneration requires a deep and invisible inner transformation. According to Pierre Nora, human memory is anchored to the spaces we inhabit physically and mentally ( Nora, 1989) , and its transformation involves a review of notions of identity and of individual and collective memory, since these places are wires that connect the past to the present. The film En Construcción (2001) and Henriqueta, Uma Cartografia Íntima (2008-2012 ) explores the notions of identity and memory associated with urban renewal and will be discussed by a panel of filmmakers and academics linked to the fields of architecture, Cinema, Philosophy and Sociology. Films integrated in No Pais do Cinema film sessions, a partnership between Os Filhos de Lumière and Cinema Fora dos Leões.

Curator: Luís Ferro Production: Teresa Garcia e Rossana Torres - Os Filhos de Lumière Institutional partnerships: Colecção B e RUA DAS GAIVOTAS 6 (More information in page 33)

THESIS PRESENTATION 14TH OCTOBER I 18:00 I LISBON FORUM

1- Architecture and Cinema: The experience of architectural space through cinema Vera de Matos Beltrão

2 - The Influence of Cinema in European Architecture: from 1910s to 1930s Susana Maria Tavares dos Santos Henriques

(More information on page 16) I 39 CHILDREN WORKSHOP 15TH OCTOBER I 10:30 I LISBON FORUM

Viewing of two short films and arts and crafts workshop. Teachers: Graça Santos e Teresa Moreira

Una Aventura de Miedo - A Terrific Adventure Fres-Boi Cristina Vilches Estella I 2015 I Spain I 10’ Cristina Vilches Estella I 2015 I Spain I 7’

If it anytime happens that you find a monster A lab abandoned in the middle of the Arctic, just by your bed... Don’t let him go!!! a lost Eskimo and a discovery that will Something extraordinary could happen change his life forever ... Fresboi - The story to you... of an unusual friendship, mysteries and some surprises...

WORKSHOP - ATELIER COLLAGE

Learn the joys of mixed media collage! The objective of the workshop is to explore new mixed media techniques creating a collage incorporating fabric. We’ll use simple construction techniques, and everyday objects to create some unusual outcomes.

Teachers:

Graça Santos studied fine arts at FBAUL and ESAD in Caldas da Rainha between 2002 and 2007. She is part of the Fitacola Collage project along with Carlos Quitério.

Teresa Moreira studied Graphic design at ESAD in Caldas da Rainha (2001-2006). Today works as a digital nomad in the areas of illustration and graphic design in countries like Korea, Japan, New Zeland, Malasia and England.

Registrations: [email protected] until 10th October Capacity: 10 children máx. (from 6 to 12 years) Participation fee: 5€ Duration: 2h

I 40 FILM WORKSHOP Sponsered by with Christoph Draeger 13TH - 16TH OCTOBER I LISBON FORUM

DISASTER MOVIE

Morbid events such as catastrophes are, of course, intrinsically medial: faithful to the journalistic motto that only bad news is good news, natural catastrophes (earthquakes, erupting volcanoes, etc.) and human ones (atomic bombs, car accidents, murder, riots, etc.) generate much higher ratings and greater coverage than any other issues. In addition, catastrophes are unforeseen negative events, which take place very quickly and therefore do not accommodate the gradual emergence of visuals. There are pictures before and after a catastrophe, but the event itself is elusive.

In this workshop, the mechanics of medial construction and reception will be examined from a rather detached documentary and/or experimental perspective. Lisbon had suffered one of the greatest disasters in history - the great earthquake and tsunami from 1755 - yet few tourists are even aware due to the temporal distance. We will discuss various possibilities of how to approach the subject of “shooting disaster”. Each participant is invited to document/cover/experiment with a catastrophe.

Various strategies that deviate from the classic documentary like the remake or even by simulating one will be examined. Footage can be found “Live” in the city, on DVD’s, collected on the internet or from parts of my own digital archive that I will open to the participants. The aim is to produce small pieces that differ dramatically from the daily media coverage of calamities that we are so used to, while having an engaged discussion within the group about the mediatisation of catastrophe.

Christoph Draeger has been working on themes of disaster and destruction for the past twenty years. His conceptual projects take form in installation, video, and photo-based media. Draeger received the Swiss National Art Award in 1994. In 1994 and 1995 he was awarded the Kiefer Hab-litzel grant and in 2004 the Bessie Award of the New York Performance Arts Association for best stage design on Miguel Guettierez’ Damnation Roat at the Kitchen in New York. Since 2015, Draeger is a full professor at Umeå Academy of Fine Arts in Sweden. He lives and works in Umeå and New York.

13TH - 14TH OCTOBER I THURSDAY - FRIDAY I 9:00 - 17:00 - Shooting and discussion with participants 15TH OCTOBER I SATURDAY I 9:00 - 17:00 - Editing and discussion with participants 16TH OCTOBER I SUNDAY I 14:00 - Presentation of the results in Fórum Lisboa

Registrations: [email protected] until 10th October Capacity: 10 people max. Participation fee: 40€ All participants must have their own equipment (camera and computer with editing program).

I 41 I 10:30 Childrenʼs Workshop with film screening: FÓRUM LISBOA FRES BOI I 7 I PP MAAT (Proeio room Cer Teo) GABINETE A Terrific Adventure I 10 I PP 12TH OCTOBER I WEDNESDAY 5TH OCTOBER I WEDNESDAY 15TH OCTOBER I SATURDAY I 19:00 Presentation of the theme I 11:30 Round Table and Film Screening I 18:00 Presentation of the festival’s program I 19:00 Competition Session: Experimentalisms REHAB NATION by Sofia Good Practices - Stories that have linked with screening of the film Mourato and António Guterres clients and architects Blockchain I 35ʼ I PP I 20:00 COCKTAIL I 15:00 Urban Tides I 39 I PP CINEMA CITY ALVALADE Youʼll Soon Be Here I 38 I WP I 21:00 Opening Film Aprops ROCA LISBOA GALLERY 13TH OCTOBER I THURSDAY of Leixões with live soundtrack I 17:00 MASTERCLASS: Architecture without by the band Torto 10TH OCTOBER I MONDAY I 19:30 Flotel Europa I 70 Architects Manuel Graça Dias Edgar Rosel I 15 I PP Feldman with moderation of João Sequeira I 19:00 Having a Cigarette TH with Álvaro Siza I 52 I PP 13 OCTOBER I THURSDAY TH I 19:00 Tomorrow We Disappear I 80 I PP 14 OCTOBER I FRIDAY I 9:00 - 17:00 Film Workshop Cosmorama I 38 I PP TH I 19:30 Ornament and Crime I 90 with Christoph Draeger Debate curated by La Mipa 11 OCTOBER I TUESDAY - Disaster Movie The House or a Machine for Living In I 12 I 19:00 (re)GNRation I 43 I WP

2 I 21:30 The Infinite Happiness I 85 I PP I 19:00 74m I 68 I PP 15TH OCTOBER I SATURDAY Urban Aspirations I 21 I WP A Tomb With A View I 8 I EP Debate curated by La Mipa I 19:30 The Destruction of Memory I 85 I PP I 22:00 Film Concert Teleférico La Paz CINEMATECA I 21:30 Architectones I 68 I PP at Galeria Zé dos Bois with live soundtrack TH La Cupola I 40 I PP of the band El Kordi 13 OCTOBER I THURSDAY I 19:00 The Films of Charles CIM (Mourri Creie Hu) 14TH OCTOBER I FRIDAY 16TH OCTOBER I SUNDAY and Ray Eames 16TH OCTOBER I SUNDAY I 21:30 Eventually Everything Connects I 9:00 - 17:00 Film Workshop I 14:00 Presentation of the results I 11:00 Guided Tour with Christoph Draeger of the Film Workshop - Disaster Movie - Disaster Movie I 13:00 Book Launch and Film Screening: I 15:00 Tsunami Architecture I 60 I PP I 18:00 Thesis Presentation Youʼll Soon Be Here I 38 Last Acre I 12 I PP RUA DAS GAIVOTAS 6 I 19:00 Estate, A Reverie I 83 I PP Teleférico La Paz I 30 15TH OCTOBER I SATURDAY Penumbria I 9 I 17:00 I 21:00 Debate curated by La Mipa Frei Otto: Spanning the Future I 60 I PP Talks - En Construcción I 125ʼ (FÓRUM LISBOA) Wandenkolk I 18 I EP BOOK STORE I 21:30 Up And Down Galata I 80 I PP DGLR I 13 I PP TH AA Po-u ook sore ih sei Han I 20 I PP Debate curated by La Mipa 16 OCTOBER I SUNDAY I 17:00 Talks - Henriqueta I 34ʼ seeios or AFFL16 I 19:00 Hey Neighbour I 54 I PP TH 15 OCTOBER I SATURDAY The Choir I 20 I PP I 9:00 - 17:00 Film Workshop I 21:00 Festival Awards with Christoph Draeger FÓRUM LISBOA BAR PP - PRE-PREMIERE and Closing Ceremony - Disaster Movie PP - PORTUGUESE PREMIERE Ehiiio Rehi y Coeie Fi-Co EE - EUROPEAN PREMIERE WP - WORLD PREMIERE I 10:30 Childrenʼs Workshop with film screening: FÓRUM LISBOA FRES BOI I 7 I PP MAAT (Proeio room Cer Teo) GABINETE A Terrific Adventure I 10 I PP 12TH OCTOBER I WEDNESDAY 5TH OCTOBER I WEDNESDAY 15TH OCTOBER I SATURDAY I 19:00 Presentation of the theme I 11:30 Round Table and Film Screening I 18:00 Presentation of the festival’s program I 19:00 Competition Session: Experimentalisms REHAB NATION by Sofia Good Practices - Stories that have linked with screening of the film Mourato and António Guterres clients and architects Blockchain I 35ʼ I PP I 20:00 COCKTAIL I 15:00 Urban Tides I 39 I PP CINEMA CITY ALVALADE Youʼll Soon Be Here I 38 I WP I 21:00 Opening Film Aprops ROCA LISBOA GALLERY 13TH OCTOBER I THURSDAY of Leixões with live soundtrack I 17:00 MASTERCLASS: Architecture without by the band Torto 10TH OCTOBER I MONDAY I 19:30 Flotel Europa I 70 Architects Manuel Graça Dias Edgar Rosel I 15 I PP Feldman with moderation of João Sequeira I 19:00 Having a Cigarette TH with Álvaro Siza I 52 I PP 13 OCTOBER I THURSDAY TH I 19:00 Tomorrow We Disappear I 80 I PP 14 OCTOBER I FRIDAY I 9:00 - 17:00 Film Workshop Cosmorama I 38 I PP TH I 19:30 Ornament and Crime I 90 with Christoph Draeger Debate curated by La Mipa 11 OCTOBER I TUESDAY - Disaster Movie The House or a Machine for Living In I 12 I 19:00 (re)GNRation I 43 I WP

La Cupola (PP) (Re)GNRation (WP) Sattel Volker I 2016 I Germany I 40’ Carvalho Araújo I 2016 I Portugal I 43’

Cosmorama (PP) Penúmbria Eren Aksu I 2015 I Germany I 8’ Eduardo Brito I 2016 I Portugal I 9’

Em Breve Estarás Aqui (WP) Ornamento e Crime Fábio Petronilli I 2016 I Hollana, Portugal I 38’ Rodrigo Areias I 2015 I Portugal I 90’

Architectones by Xavier Veilhan (PP) Teleférico La Paz (WP) François Combin I 2015 I France I 68’ Carlos Gomes I 2016 I Bolivia I 32’ Flotel Europa Vladimir Tomic I 2015 I Denmark, Serbia and Montenegro I 70’ NEW TALENTS COMPETITION Destruction of Memory (PP) Tim Slade I 2016 I USA, Australia I 85’ Wandenkolk (PP) Bruno Firmino I 2015 I Brazil I 18’ Last Acre (PP) Nick Jordan I 2016 I United Kingdom I 11’ Aspirações Urbanas (WP) Tiago Castela I 2016 I Portugal I 21’

Rosel (PP) EXPERIMENTALISMS COMPETITION Alexane Perrin I 2015 I France I 15’

Champ des Possibles (PP) Urban Tides (PP) Cristina Picchi I 2015 I Canada, Italy, Sweden I 14’ Simone Eleveld I 2015 I Hollana I 39’ Mnemonic Gymnastics (PP) Effi Weiss I 2015 I Belgium , Bosnia and Herzegovina I 16’ DGLR (PP) Antje Buchholz, Sven Flechsenhar & Maja Weyermann I 2013 I Diagonale du Vide (PP) Germany I 12’ Guillaume Ballandras I 2015 I France I 27’ The Williamsburg Houses (EP) Tessa, Irene Rex, Bartolome I 2015 I USA I 14’ AUDIENCE AWARD Chosen by the audience votes. Cais (WP) Marta Covita I 2015 I Portugal I 12’

I 44 ADDITIONAL INFORMATION

I Venues Lisbon Forum Av. de Roma, 14 P, 1000-265 Lisboa Metro & Train: Roma and Areeiro (Green Line) I Bus: 767, 735

Cinema City Alvalade Av. de Roma, 100, 1700-352 Lisboa Metro: Alvalade (Green Line) I Bus: 767, 735

Cinemateca Portuguesa – Film Museum R. Barata Salgueiro 39, 1269-059, Lisboa Metro: Avenida (Blue Line), Rato (Yellow Line)

Rua das Gaivotas 6 Rua das Gaivotas 6, 1200-202, Lisboa Metro & Train: Cais do Sodré I Bus: 28, 201, 706, 714, 727, 732 Tram: E15, E18, E25

MAAT -- Museum of Art, Architecture and Technology Av. Brasília, Central Tejo, 1300-598, Lisboa Bus: 728, 714, 727, 729, 751 I Tram: 15 | Train: Cascais Line, Belém Station Boat: Belém Boat Station

ROCA Lisbon Gallery Praça dos Restauradores 46, Lisboa Metro: Restauradores (Green and Blue Line)

CIM- Mouraria Creative Hub Rua dos Lagares, 23, Travessa dos Lagares, 1 - 1100-022 Lisboa Car: Up to Rua dos Cavaleiros, turn left at Largo das Olarias then right, and CIM will be on your right at Rua dos Lagares, 23. Metro: Green Line, Martim Moniz station, go up to Rua dos Cavaleiros and turn left at Largo do Terreirinho to Travessa dos Lagares, 1.

GABINETE Rua Ruben A. Leitão 2, 1200 -165 Lisboa (Príncipe Real) Bus: 773

I 45 TICKET PRICES I FILM SCREENINGS

Lisbon Forum Public: 3.50€ Youth discount, students, unemployed, seniors, groups of over 10 people and partnerships: 3.00€ Forum Free Pass: 25.00€

Cinema City Alvalade Public: 4.50€ Youth discount, students, unemployed, seniors, groups of over 10 people and partnerships: 4.00€

Cinemateca Portuguesa – Museu do Cinema Public: 3.20€ Friends of Cinemateca, cinema students, unemployed: 1.35€ Students, Cartão Jovem, seniors older than 65 years and pensioners: 2.15€

TICKET PRICES I PARALLEL ACTIVITIES

Film Workshop with Christoph Draeger 40€ (max.10 participants)

Guided Tour Children Workshop 5€ (max.20 participants) 5€ (max.10 participants)

CINEMA’S SCHEDULE Lisbon Forum Cinema City Alvalade 11th October: 18h30 - 20h30 From13h00 until the beginning 12th October until 14th October: 18h00 - 21h00 of the last screening. Tickets are 15th October: 14h30 - 22h00 on sale from 1st October 16th October: 14h30 - 19h30 Tickets are on sale from 11th October

Cinemateca Portuguesa – Film Museum From 14h30 to 15h30 and from 18h00 to 22h00 The Cinemateca Portuguesa only sells tickets on the day of the screening.

I 46 TEAM

ORGANIZATION Do You Mean Architecture

DIRECTION E PROGRAMING Sofia Mourato

PRODUCTION MANAGEMENT Vera Beltrão

PROGRAM CURATORS LaMipa (Projecto Associado), António Brito Guterres, Inês Monteiro, Alexandra Areia, Justin Jaeckle, Luis Ferro

FINANCIAL MANAGEMENT Isabel Andrade

COMMUNICATION AND PRESS OFFICE João Nunes

SPONSORSHIP Sofia Machado e Veronica Baraldi

DESIGN Teresa Moreira

ILLUSTRATION AND VIDEO DESIGN Fita Cola, Gonçalo Santos e Miguel Marques

WEB DEVELOPMENT Jorge Rocha

FILM COPIES MANAGEMENT Sofia Mourato

VOLUNTEER COORDENATOR Joana Matos

ITINERANT CIRCUIT COORDENATOR Maria João Barcelos

I 47 I 48