CRANFORD & the CAGE at CRANFORD by ELIZABETH

Total Page：16

File Type：pdf, Size：1020Kb

CRANFORD & THE CAGE AT CRANFORD by ELIZABETH GASKELL 01 - Preface 36:24 02 - Ch. 1 Our Society 26:08 03 - Ch. 2 The Captain 36:10 04 - Ch. 3 A Love Affair of Long Ago 22:30 05 - Ch. 4 A Visit to an Old Bachelor 27:22 06 - Ch. 5 Old Letters 27:45 07 - Ch. 6 Poor Peter 29:44 08 - Ch. 7 Visiting 25:15 09 - Ch. 8 Your Ladyship 32:37 10 - Ch. 9 Signor Brunoni 24:56 11 - Ch. 10 The Panic 35:10 12 - Ch. 11 Samuel Brown 28:43 13 - Ch. 12 Engaged to Be Married 21:06 14 - Ch. 13 Stopped Payment 30:21 15 - Ch. 14 Friends in Need 45:50 16 - Ch. 15 A Happy Return 34:03 17 - Ch. 16 Peace to Cranford 20:37 18 - The Cage at Cranford 30:13 Cranford & The Cage At Cranford At Cranford & The Cage Cranford is set in a small market town populated largely by a number of respectable ladies. It tells of their secrets and foibles, their gossip and their romances as they face the challenges of dealing with new inhabitants to their society and innovations to their settled existence. It was first published between 1851 and 1853 as episodes in Charles Dickens’ Journal Household Words. Appended to this recording is a short sequel, The Cage at Cranford, written ten years beth Gaskell beth All the Year Round later and published in the journal . Eliza In a letter to Mrs. Gaskell, Charlotte Bronte wrote: “Thank you for your letter, it was as pleasant as a quiet chat, as welcome as spring showers, as reviving as a friend’s visit; Cranford in short, it was very like a page of .”... Cranford is a genteel and humorous look at Victorian society by Elizabeth Gaskell, and is quite a change from her more gritty novels like Mary Barton, North and South and Wives and Daughters. Total running time: 08:56:56 This audio book was produced by: Reader: Noel Badrian Elizabeth Gaskell Elizabeth Dedicated Proof-Listener: Laura Victoria Meta-Coordinator/Cataloging: Elizabeth Klett This recording is in the public domain and may be reproduced, distributed, or modified without permission. For more information or to volunteer, visit librivox.org. Cover picture by Hugh Thomson (1860 - 1920). Portrait of Elizabeth Gaskell by George Richmond (1851). Copyright expired in U.S., Canada, EU. and all countries with author’s Cranford & The Cage At Cranford At Cranford & The Cage life +70 yrs laws. Cover design by Noel Badrian. This design is in the public domain. .

Copy Link

Recommended publications

Preservation and Progress in Cranford
Preservation and Progress in Cranford Katherine Leigh Anderson Lund University Department of English ENGK01 Bachelor Level Degree Essay Christina Lupton May 2009 1 Table of Contents I. Introduction and Thesis.................................................. 3 II. Rejection of Radical Change in Cranford...................... 4 III. Traditional Modes of Progress....................................... 11 IV. Historical Transmission Through Literature.................. 14 V. Concluding Remarks....................................................... 18 VI. Works Cited...................................................................... 20 2 Introduction and Thesis Elizabeth Gaskell's Cranford was first published between 1851 and 1853 as a series of episodic stories in Household Words under the the editorship of Charles Dickens; it wasn't until later that Cranford was published in single volume book form. Essentially, Cranford is a collection of stories about a group of elderly single Victorian ladies and the society in which they live. As described in its opening sentence, ”In the first place, Cranford is in possession of the Amazons; all the holders of houses, above certain rent, are women” (1). Cranford is portrayed through the eyes of the first person narrator, Mary Smith, an unmarried woman from Drumble who visits Cranford occasionally to stay with the Misses Deborah and Matilda Jenkyns. Through Mary's observations the reader becomes acquainted with society at Cranford as well as Cranfordian tradition and ways of life. Gaskell's creation of Cranford was based on her own experiences growing up in the small English town of Knutsford. She made two attempts previous to Cranford to document small town life based on her Knutsford experiences: the first a nonfiction piece titled ”The Last Generation” (1849) that captured her personal memories in a kind of historical preservation, the second was a fictional piece,”Mr.
[Show full text]
N混WS1LJE うrtje
現邸主 MEETING OF 強 E GASKELL SOCIETY WILL BE lN MAN C'昆 EST 限必 84 乱， YMOUT 聾 GROVE Date: Date: APRIL 26TH T1 箇e: 2. ∞p ・乱 CMmRMpueba4J ke ec 世&+』 ---e ふ GEOF 路島Y SI 強RPS を t1AMW HO 官 1 BECAME A GASKELLIA 琵付wm T錦町主1.00 叩川町 UHH 品世:ミ RSVP: MRS J 脅 LEAC 日- Tel: 0565 4;:¥ 五8 Jt ，、:J C， iγγCCNず~t. 島民.00 鉱 ST. 続 IAP&L 制吋揺蹄.G 制加語、 G師協 PIAN 守1:) F.N>> p、 "~o U1" H CHESHU 2.[ ミ G 時:T VE. 混う J& ふ N WS 1L JE rTJE Comment8 ， contributioDS and suggestions welcomed by the 恕X 宝OR: Mrs J. Lea ch ， Far Yew Tree .House ， OVer OVer Tabley ，Knutsford ，Che~hire 砥晶 16 鑑賞離 AllC 麗 19.' NO.I Telephone: Telephone: 0565 4668 EDITCR'S LETTER 工 have only 工'ecent 工y realised hoVJ many literarγsocieties there are and what exce 工工 ent 工iterature many of them produce~ so 工 am rather nervous about venturing into print as editor of this ，the first Gaskel 工 Society Newsletter 。 The B~cntg Society was founded in 1893 so 工 am sure that their first pub 工ications must now be co 工工 ectors' itemso Our two Societies share a common interest through tt. e 、寸 friendship of Elizabeth Gaskell and Charlotte Bron 七話; in the current Brontg Socie 七y Transactions Mrs Gaskell's name appears on a third of 七he pages 。 As members of The GB_skell Society we have some missionary work to do ，to win better recognition for Eユizabeth Gaske 工工 's varied achievemen 七S 。工t is encouragins to note that her novels are now available in several paper-back series: OaUaPo ，Penguin and Den 七。工was appal 工ed by the inaccuracy of Longman's Outline of English Literature entry for Elizabeth Gaske ユエ which 工
[Show full text]
Gaskell Society Newsletter Contents
GASKELL SOCIETY NEWSLETTER CONTENTS No.1. March 1986. Nussey, John. Inauguration of the Gaskell Society: a Brontë Society Members’ Account. p3-5. Brill, Barbara. Annie A. and Fleeming [Jenkin]. p6-11. [Leach, Joan]. Mrs Gaskell – a Cinderella at Chatsworth. p14-16. No.2. August 1986. Brill, Barbara. Job Legh and the working class naturalists. p3-6. [Keaveney, Jennifer]. Mastermind. p6. Kirkland, Janice. Mrs Gaskell’s country houses, [Boughton House, Worcester; Hulme Walfield, Congleton; The Park, near Manchester]. p10-11. Leach, Joan. Mrs Gaskell’s Cheshire; Summer Outing – June 29th 1986, [Tabley House & chapel. The Mount, Bollington]. [illus.] p12-19. Monnington, Rod. Where can I find Mrs Gaskell? [The Diary of a Hay on Wye Bookseller, by Keith Gowen, 1985]. p23-24. No.3. Spring 1987. Hewerdine, H., F.R.S.H. Cross Street Chapel. p3-5. Marroni, Francesco. Elizabeth Gaskell in Italian translation. p6-8. Leach, Joan. Cleghorn. p9-10. Moon, Richard. Letter on Boughton Park, [Worcester]. p14. Leach, Joan. Thomas Wright, the Good Samaritan [by G.F. Watts]. [illus.] p15-25. No.4. August 1987. Thwaite, Mary. The “Whitfield” Gaskell collection, [Knutsford Library]. p3-5. Brill, Barbara. William Gaskell’s hymns. p6-8. [Leach, Joan]. Green Heys Fields, [Manchester]. [Country rambles and wild flowers by Leo Grindon, 1858]. p11-12. [Heathwaite House, Knutsford]. [illus. of 1832 water colour]. p13. Summer outing to North Wales, [Sunday June 29th 1987]. [gen. table]. p14-21. [Lascelles, Gen. Sir Alan]. A Cranford fan. p23. [Leach, Joan]. The Gaskells and poetry. p24. No.5. March 1988. Jacobi, Elizabeth (later Rye). Mrs. Gaskell, [port. by H.L.
[Show full text]
Elizabeth Gaskell and the Middle Class
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2009 “The Sort . of People to Which I Belong”: Elizabeth Gaskell and the Middle Class Allison Masters The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Masters, Allison, "“The Sort . of People to Which I Belong”: Elizabeth Gaskell and the Middle Class" (2009). Graduate Student Theses, Dissertations, & Professional Papers. 16. https://scholarworks.umt.edu/etd/16 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. “THE SORT . OF PEOPLE TO WHICH I BELONG”: ELIZABETH GASKELL AND THE MIDDLE CLASS By ALLISON JEAN MASTERS B.A., University of Colorado, Boulder, Colorado, 2006 Thesis presented in partial fulfillment of the requirements for the degree of Masters of Arts in English Literature The University of Montana Missoula, MT May 2009 Approved by: Perry Brown, Associate Provost for Graduate Education Graduate School John Glendening, Chair English Jill Bergman English Ione Crummy French Masters ii Masters, Allison, M.A., May 2009 English “The Sort . of People to Which I Belong”: Elizabeth Gaskell and the Middle Class Chairperson: John Glendening In this thesis, I examine Elizabeth Gaskell’s development as a middle-class author, which is a position that most scholars take for granted.
[Show full text]
Official Town Guide 2019-21
FREE KNUTSFORD OFFICIAL TOWN GUIDE 2019-21 DISCOVER • ENJOY • EXPLORE EEL Knutsford Town Guide Ad2 2019.qxp_A5 14/03/2019 18:10 Page 1 Back to the future boarding.pdf 1 17/01/2019 08:14 The UK’s market leading supplier of electrical products to trade and industry. C 2019 M SEP Y CM MY CY CMY B0B0 ARDARD 1NG1NGk K 77 days daysdaysdadaysys per per peperpper weekrweekweeweek weekweweekek o.uk • Over 350 branches nationwide • Over 120,000 unique items in stock ssignsignign uupupp a ataatt [email protected]@[email protected] .u • Same day delivery service • Professional, friendly and expert advice Terra Nova School in Holmes Chapel now Edmundson Electrical Ltd offers day, flexi and full boarding for pupils. Tatton Street • Knutsford • Cheshire • WA16 6AY Tel: 01565 700100 • Fax: 01565 652649 www.edmundson-electrical.co.uk Date: 23.01.19 Proof level: Acc. Ref: 200194 1 Proof level: Date: 27.03.19 Publication: KNUTSFORD TG 2019 APPROVED 1Size: FLL BLEED* 148mm w x 210mm h Acc. Ref: 200196 AMENDMENTS Position: Facing Inside Front cover REQUIRED Publication: KNUTSFORD TG 2019 Please check this proof carefully APPROVED Size: Full page - trim 148 x 210mm We make every eort to ensure that your proofs are correct. It is your responsibility to ensure errors are spotted before publication. Examples of items your should check are contact details, spelling, grammar, design and layout. AMENDMENTS Inside front cover PDF proofs are for content verication only. Images have been downsampled to allow for transmission via email. PDF proofs are not to be considered as Position: REQUIRED colour-accurate, even on colour-managed screens.
[Show full text]
From Cranford to the Country of the Pointed Firs: Elizabeth Gaskell's American Publication and the Work
From Cranford to The Country of the Pointed Firs: Elizabeth Gaskell’s American Publication and the Work of Sarah Orne Jewetti ALAN SHELSTON In this second of two articles on Elizabeth Gaskell’s American connections I plan first to outline the history of the publication of her work in the United States during her own lifetime, and then to consider the popularity of Cranford in that country in the years following her death. I shall conclude by discussing the work of the New England writer, Sarah Orne Jewett whose story sequences Deephaven (1877) and The Country of the Pointed Firs (1896) clearly reflect the influence of Gaskell’s work. I One of the remarkable things about Gaskell’s career as a novelist is the way in which, after a late start, her career took off. She was in her late thirties when Mary Barton was published, but from then on, and in particular through the 1850s, her output was incessant. This was partly due to the fact that Dickens took her up for Household Words; it is interesting to watch her becoming increasingly independent of his encouragement and influence through the fifties decade. What is also interesting is the extent to which she was taken up abroad, both on the continent and in the USA. To some extent this is because publishers in those countries found it more profitable to publish established English authors - even if, as in the case of the Europeans, they had to translate them - than to develop native talent. It was a period when popular fiction flourished, often published in cheap and sometimes unauthorised popular series.
[Show full text]
AND ELIZABETH GASKELL's CRANFORD by Meryem A. Udden
Playacting happiness: tragicomedy in Jane Austen's Mansfield Park and Elizabeth Gaskell's Cranford Item Type Thesis Authors Udden, Meryem A. Download date 01/10/2021 08:14:04 Link to Item http://hdl.handle.net/11122/11295 PLAYACTING HAPPINESS: TRAGICOMEDY IN JANE AUSTEN'S MANSFIELD PARK AND ELIZABETH GASKELL'S CRANFORD By Meryem A. Udden, B.A. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in English University of Alaska Fairbanks May 2020 APPROVED: Rich Carr, Committee Chair Eric Heyne, Committee Member Terence Reilly, Committee Member Rich Carr, Department Chair Department of English Todd Sherman, Dean College of Liberal Arts Michael Castellini, Dean of the Graduate School Abstract This thesis examines tragicomedy in two 19th Century British novels, Jane Austen's Mansfield Park and Elizabeth Gaskell's Cranford. Both narratives have perceived happy endings; however, tragedy lies underneath the surface. With Shakespeare's play A Midsummer Night's Dream as a starting point, playacting becomes the vehicle through which tragedy can be discovered by the reader. Throughout, I find examples in which playacting begins as a comedic act, but acquires tragic potential when parents enter the scene. Here, I define tragedy not as a dramatic experience, but rather seemingly small injustices that, over time, cause more harm than good. In Mansfield Park, the tragedy is parental neglect and control. In Cranford, the tragedy is parental abuse. For both narratives, characters are unable to experience life fully, and past parental injuries cannot be redeemed. While all the children in the narratives experience some form of parental neglect, the marginalized children are harmed more than the others.
[Show full text]
What Kind of Book Isc( Cr Anfora"?
What Kind of Book is C( Cr anfora"? GEORGE V. GRIFFITH "That a book is a novel means anything or nothing; the practical question relates to its character and contents."1 -LOR SO SLIGHT a thing Cranford is a problematic book. Every• one loves it, although no one is quite sure how it works or what it is. A glance at its printing history and the history of its critical reception confirms the problem. Whereas Mrs. GaskelPs other novels have seen no more than five or six editions, Cranford has appeared in no fewer than one hundred and seventy editions since 1853.2 Yet through the critical assessment and revaluation two troubling questions persist. The first is a generic question (is it a novel?), the second a question of narrative technique (what is the manner of its telling?). Cranford has been alternately labelled a novel or a collection of sketches. Generic labellers have consistently hedged, carefully tendering their descriptions with oddly hyphenated terms and a liberal sprinkling of the words "although" and "perhaps." Thus to a biographer what begins as a "story-article" became what "might be called a novel."3 To an eminent historian of the novel Cranford "happily perhaps is not a novel."* To a chronicler of the short story form Cranford "though it has far more unity than a mere collection of stories about a single locale, is after all episodic and more truly belongs to the history of short fiction than some of her shorter pieces."5 A similar confusion characterizes the discussion of Cranford's narrative technique.
[Show full text]
Taste and Morality at Plymouth Grove: Elizabeth Gaskell's Home and Its
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Lincoln Institutional Repository Taste and Morality at Plymouth Grove: Elizabeth Gaskell’s Home and its Decoration E JIM CHESHIRE AND MICHAEL CRICK SMITH Abstract: In 2010 Manchester Historic Buildings Trust appointed Crick Smith Conservation to analyse the paint and decorative finishes of the Gaskell’s House at 84 Plymouth Grove, Ardwick, Manchester. The purpose of this commission was to inform the Trust of the way that decorative surfaces were treated during the period of the Gaskell family occupancy and to make recommendations for the reinstate- ment of the decorative scheme. This article will examine Elizabeth Gaskell’s attitude towards taste and interior decoration and then explain how the techniques of architectural paint research can be used to establish an authoritative account of the decorative scheme implemented at Plymouth Grove during her lifetime. We will argue that this enhanced understanding of how Gaskell handled the decora- tion and furnishing of her home can contribute towards our understanding of the author’s life and work. One of my mes is, I do believe, a true Christian – (only people call her socialist and communist), another of my mes is a wife and mother, and highly delighted at the delight of everyone else in the house […]. Now that’s my ‘social’ self I suppose. Then again I’ve another self with a full taste for beauty and convenience whh is pleased on its own account. How am I to reconcile all these warring members? (Letters, p.
[Show full text]
Performance and Performativity in Elizabeth Gaskell’S Cranford and Ruth
PERFORMANCE AND PERFORMATIVITY IN ELIZABETH GASKELL’S CRANFORD AND RUTH BY Copyright 2008 Eta Farmacelia Nurulhady Submitted to the graduate degree program in English and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master’s of Arts Dorice Williams Elliott Ann Wierda Rowland Iris Smith Fischer Date defended: 22 April 2008 The Thesis Committee for Eta Farmacelia Nurulhady certifies that this is the approved version of the following thesis: PERFORMANCE AND PERFORMATIVITY IN ELIZABETH GASKELL’S CRANFORD AND RUTH Committee: Dorice Williams Elliott Ann Wierda Rowland Iris Smith Fischer Date approved: 29 April 2008 ii Abstract This thesis analyzes the aspects of performance and performativity in Elizabeth Gaskell’s Cranford and Ruth. Gaskell shows through her characters how gender and class intertwine, involving the notions of cultural, social, and economic capital. Although contested concepts, performance and performativity can be significant tools in analyzing how Victorian narratives such as Cranford and Ruth could subvert dominant assumptions about gender and gender roles. The first chapter discusses Elizabeth Gaskell, the concepts of performance and performativity, and Victorian doctrine of separate spheres. The second chapter analyzes how the Cranford ladies in Cranford perform stylized repetition of certain acts to maintain their identity. The third chapter shows performances in Ruth and how the heroine acquires her gender by accreting its behavior, strengthening the understanding of Ruth by using the notion of performativity. The fourth chapter consolidates the main points that performance and performativity help to show: how Cranford challenges the stereotype of a “redundant woman,” and Ruth challenges the stereotype of a “fallen woman.” iii Acknowledgement I thank God the Almighty, Allah SWT for every single blessing granted to me.
[Show full text]
Manchester Heritage Buildings Network Elizabeth Gaskell's House
Manchester Heritage Buildings Network Elizabeth Gaskell’s House The Interior Fit-Out Thursday 16th February 2017 First some background to the project ..... “We’ve got a house. Yes we really have. It certainly is a beauty” “I must try and make the house give as much pleasure to others as I can” Elizabeth Gaskell writing to Tottie Fox in April 1850 Elizabeth’s words express our own feelings about the house and our hope that it will much pleasure to others 84 (formerly 42) Plymouth Grove, c 1890 An early photograph of the house showing the original conservatory Mary Barton was published in 1848. After the move to Plymouth Grove Elizabeth wrote all her other books, including Cranford, Ruth, North and South, the Life of Charlotte Bronte, Sylvia’s Lovers and her last (unfinished) novel, Wives and Daughters, as well as many shorter works Charles Halle Charlotte Bronte Harriet Beecher Stowe Charles Dickens Ruskin William Gaskell & Beatrix Potter Visitors to the house included Charlotte Bronte, Charles Dickens, Ruskin, Harriet Beecher Stowe and Charles Halle. Beatrix Potter visited William shortly before his death in 1884 1838: Approximate date of construction Some key dates...... 1850: The Gaskell Family occupy the property 1865: The death of Elizabeth Gaskell 1884: The death of William Gaskell 1913: The death of Meta Gaskell (the last family member to live at Plymouth Grove) The house was built in about 1838 and was designed by the Manchester architect Richard Lane. This late Regency suburban villa is typical of many that were built south of the city to escape the smoke! In September 2009, after a period of fundraising, and with a grant from English Heritage, works began to restore the house.
[Show full text]
Hierarchy, Gentility and Humanity in Elizabeth Gaskell´S Cranford
Linköping University Department of Culture and Communication English Hierarchy, Gentility and Humanity in Elizabeth Gaskell´s Cranford Ingrid Lundquist C Course: Literary Specialization Spring term 2013 Supervisor: Helena Granlund Contents Introduction ……………………………………………………………………………………3 Chapter 1: Hierarchy and Gentility: The Backbone and Face of Cranford Society …………...7 Chapter 2: Gentility Revised …………………………….…………………………………...16 Chapter 3: Hierarchy Overruled ……………………………………………………………...23 Conclusion …………………………………………………………………………………...32 Works Cited ………………………………………………………………………….………35 Introduction The Victorian author Elizabeth Gaskell published several novels and short stories between 1848 and 1865, and her writing reflects her time. She lived in the aftermath of the industrial revolution, which brought not only benefits, but also misery, to the people. As a Unitarian minister´s wife in Manchester, Gaskell was exposed to the hardships of her husband´s parishioners on a day-to-day basis. Gaskell took a keen interest in her husband´s work and assisted in his mission, by teaching working-class girls at Sunday school and inviting them to the Gaskell home. John McVeagh argues that Gaskell´s novels “reflect the moods and problems of her society, or that part of society which she knew well, with the minimum of distortion or exaggeration. .” (1). Gaskell´s social criticism is particularly apparent in her industrial novels Mary Barton and North and South, where she realistically depicts “the industrial and moral problems of her age . with accurate knowledge and with an urgent concern for the sufferer and the outcast which never degenerates into mere sentimentality” (2). The novels reflect the conditions for women, which is also the case in Ruth, where the main character is an unmarried mother.
[Show full text]