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Manchester Visitor Information What to See and Do in Manchester
Manchester Visitor Information What to see and do in Manchester Manchester is a city waiting to be discovered There is more to Manchester than meets the eye; it’s a city just waiting to be discovered. From superb shopping areas and exciting nightlife to a vibrant history and contrasting vistas, Manchester really has everything. It is a modern city that is Throw into the mix an dynamic, welcoming and impressive range of galleries energetic with stunning and museums (the majority architecture, fascinating of which offer free entry) and museums, award winning visitors are guaranteed to be attractions and a burgeoning stimulated and invigorated. restaurant and bar scene. Manchester has a compact Manchester is a hot-bed of and accessible city centre. cultural activity. From the All areas are within walking thriving and dominant music distance, but if you want scene which gave birth to to save energy, hop onto sons as diverse as Oasis and the Metrolink tram or jump the Halle Orchestra; to one of aboard the free Mettroshuttle the many world class festivals bus. and the rich sporting heritage. We hope you have a wonderful visit. Manchester History Manchester has a unique history and heritage from its early beginnings as the Roman Fort of ‘Mamucium’ [meaning breast-shape hill], to today’s reinvented vibrant and cosmopolitan city. Known as ‘King Cotton’ or ‘Cottonopolis’ during the 19th century, Manchester played a unique part in changing the world for future generations. The cotton and textile industry turned Manchester into the powerhouse of the Industrial Revolution. Leaders of commerce, science and technology, like John Dalton and Richard Arkwright, helped create a vibrant and thriving economy. -
Preservation and Progress in Cranford
Preservation and Progress in Cranford Katherine Leigh Anderson Lund University Department of English ENGK01 Bachelor Level Degree Essay Christina Lupton May 2009 1 Table of Contents I. Introduction and Thesis.................................................. 3 II. Rejection of Radical Change in Cranford...................... 4 III. Traditional Modes of Progress....................................... 11 IV. Historical Transmission Through Literature.................. 14 V. Concluding Remarks....................................................... 18 VI. Works Cited...................................................................... 20 2 Introduction and Thesis Elizabeth Gaskell's Cranford was first published between 1851 and 1853 as a series of episodic stories in Household Words under the the editorship of Charles Dickens; it wasn't until later that Cranford was published in single volume book form. Essentially, Cranford is a collection of stories about a group of elderly single Victorian ladies and the society in which they live. As described in its opening sentence, ”In the first place, Cranford is in possession of the Amazons; all the holders of houses, above certain rent, are women” (1). Cranford is portrayed through the eyes of the first person narrator, Mary Smith, an unmarried woman from Drumble who visits Cranford occasionally to stay with the Misses Deborah and Matilda Jenkyns. Through Mary's observations the reader becomes acquainted with society at Cranford as well as Cranfordian tradition and ways of life. Gaskell's creation of Cranford was based on her own experiences growing up in the small English town of Knutsford. She made two attempts previous to Cranford to document small town life based on her Knutsford experiences: the first a nonfiction piece titled ”The Last Generation” (1849) that captured her personal memories in a kind of historical preservation, the second was a fictional piece,”Mr. -
Gaskell Society Newsletter Contents
GASKELL SOCIETY NEWSLETTER CONTENTS No.1. March 1986. Nussey, John. Inauguration of the Gaskell Society: a Brontë Society Members’ Account. p3-5. Brill, Barbara. Annie A. and Fleeming [Jenkin]. p6-11. [Leach, Joan]. Mrs Gaskell – a Cinderella at Chatsworth. p14-16. No.2. August 1986. Brill, Barbara. Job Legh and the working class naturalists. p3-6. [Keaveney, Jennifer]. Mastermind. p6. Kirkland, Janice. Mrs Gaskell’s country houses, [Boughton House, Worcester; Hulme Walfield, Congleton; The Park, near Manchester]. p10-11. Leach, Joan. Mrs Gaskell’s Cheshire; Summer Outing – June 29th 1986, [Tabley House & chapel. The Mount, Bollington]. [illus.] p12-19. Monnington, Rod. Where can I find Mrs Gaskell? [The Diary of a Hay on Wye Bookseller, by Keith Gowen, 1985]. p23-24. No.3. Spring 1987. Hewerdine, H., F.R.S.H. Cross Street Chapel. p3-5. Marroni, Francesco. Elizabeth Gaskell in Italian translation. p6-8. Leach, Joan. Cleghorn. p9-10. Moon, Richard. Letter on Boughton Park, [Worcester]. p14. Leach, Joan. Thomas Wright, the Good Samaritan [by G.F. Watts]. [illus.] p15-25. No.4. August 1987. Thwaite, Mary. The “Whitfield” Gaskell collection, [Knutsford Library]. p3-5. Brill, Barbara. William Gaskell’s hymns. p6-8. [Leach, Joan]. Green Heys Fields, [Manchester]. [Country rambles and wild flowers by Leo Grindon, 1858]. p11-12. [Heathwaite House, Knutsford]. [illus. of 1832 water colour]. p13. Summer outing to North Wales, [Sunday June 29th 1987]. [gen. table]. p14-21. [Lascelles, Gen. Sir Alan]. A Cranford fan. p23. [Leach, Joan]. The Gaskells and poetry. p24. No.5. March 1988. Jacobi, Elizabeth (later Rye). Mrs. Gaskell, [port. by H.L. -
MACFEST MUSLIM Arts and CULTURE FESTIVAL
MACFEST MUSLIM ARTs AND CULTURE FESTIVAL CELEBRATING ARTS AND CONNECTING COMMUNITIES OVER 50 EVENTS JANUARY - MAY 2020 WWW.MACFEST.ORG.UK [email protected] @MACFESTUK FESTIVAL HIGHLIGHTS METALWARE FROM KEYNOTE ADDRESS FAMOUS WRITERS: THE KHALEEQ BY PROF SALIM FIRDAUSI COLLECTION AL-HASSANI CULTURAL HUBS: CREATIVE PAPER CELEBRATING OUR WOMEN OF SCIENCE CUTTING WORLD AND DIVERSE CULTURES MUSICAL FINALE SPANISH AL FIRDAUS WITH SOAS ENSEMBLE AT THE COLLECTIVE LOWRY WELCOME MUSLIM ARTS AND CULTURE FESTIVAL Welcome to our second MACFEST, a ground- Art Gallery). We are delighted to partner with breaking and award-winning Muslim Arts and Rochdale and Huddersfield Literary Festivals, Culture Festival in the North West of the UK. Rossendale Art Trail/Apna Festival, Stretford Its mission: celebrating arts, diversity and Festival and Greater Manchester Walking connecting communities. Festival. We are proud to offer you a rich feast of over 50 In addition, various schools, Colleges and the events in 16 days across Greater Manchester University of Manchester are hosting MACFEST celebrating the rich heritage of the Muslim Days, with arts and cultural activities. We are diaspora communities. There is something delighted to bring you a great line up of local, for the whole family: literature, art, history, national and international speakers, performers music, films, performance, culture, comedy, art and artists including singers and musicians from exhibitions, demonstrations, book launches, Spain and Morocco. debates, workshops, and cultural hubs. MACFEST’s opening ceremony on the 11th Join us! Over 50 events across Greater January 2020 is open to the public. Manchester and the North West are free. The venue for the packed Weekend Festival Enjoy! on 11th and 12th January, is the iconic British Muslim Heritage Centre in Whalley Range. -
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Setting the standard Welcome to The Hallmark Designed by award-winning architects Broadway Malyan, this stunning new building is set over 15 storeys with extensive views out over the city. The 145 luxury one, two and three bedroom apartments include residents-only access to a ground floor terrace with covered seating area, landscaped roof garden, spacious interior designed lobby and concierge facilities. The stylish and contemporary interiors feature high specification finishes that have been carefully selected to complement the eye-catching architecture. With excellent transport connections, The Hallmark stands proudly on the doorstep of one of Manchester’s most vibrant districts. Setting the standard Reaching new heights Setting a new standard for contemporary design in Manchester, The Hallmark is an architectural landmark for the area. It features a prominent building, with a sophisticated bronze coloured façade with terraces and balconies, a residents’ garden and a grand entrance lobby leading to your luxury apartment. Computer Generated Image of The Hallmark, indicative only. An impressive arrival The Hallmark gives you the feeling The five-star lobby offers the warmest of welcomes at any time, day or night. With a front desk and exclusive concierge, this of a boutique hotel the moment you elegant communal space is the focal point for The Hallmark walk through the doors. and the perfect place to greet your guests. 06 07 Computer Generated Image of The Hallmark lobby, indicative only. Computer Generated Image of The Hallmark lobby, Stylish surroundings Bright and airy design-led interiors at Luxury specifications enhance each of the generously proportioned rooms, while the expansive windows flood The Hallmark are finished to the most these spaces with natural light – offering you the ideal exacting standards. -
Elizabeth Gaskell and the Middle Class
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2009 “The Sort . of People to Which I Belong”: Elizabeth Gaskell and the Middle Class Allison Masters The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Masters, Allison, "“The Sort . of People to Which I Belong”: Elizabeth Gaskell and the Middle Class" (2009). Graduate Student Theses, Dissertations, & Professional Papers. 16. https://scholarworks.umt.edu/etd/16 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. “THE SORT . OF PEOPLE TO WHICH I BELONG”: ELIZABETH GASKELL AND THE MIDDLE CLASS By ALLISON JEAN MASTERS B.A., University of Colorado, Boulder, Colorado, 2006 Thesis presented in partial fulfillment of the requirements for the degree of Masters of Arts in English Literature The University of Montana Missoula, MT May 2009 Approved by: Perry Brown, Associate Provost for Graduate Education Graduate School John Glendening, Chair English Jill Bergman English Ione Crummy French Masters ii Masters, Allison, M.A., May 2009 English “The Sort . of People to Which I Belong”: Elizabeth Gaskell and the Middle Class Chairperson: John Glendening In this thesis, I examine Elizabeth Gaskell’s development as a middle-class author, which is a position that most scholars take for granted. -
Official Town Guide 2019-21
FREE KNUTSFORD OFFICIAL TOWN GUIDE 2019-21 DISCOVER • ENJOY • EXPLORE EEL Knutsford Town Guide Ad2 2019.qxp_A5 14/03/2019 18:10 Page 1 Back to the future boarding.pdf 1 17/01/2019 08:14 The UK’s market leading supplier of electrical products to trade and industry. C 2019 M SEP Y CM MY CY CMY B0B0 ARDARD 1NG1NGk K 77 days daysdaysdadaysys per per peperpper weekrweekweeweek weekweweekek o.uk • Over 350 branches nationwide • Over 120,000 unique items in stock ssignsignign uupupp a ataatt [email protected]@[email protected] .u • Same day delivery service • Professional, friendly and expert advice Terra Nova School in Holmes Chapel now Edmundson Electrical Ltd offers day, flexi and full boarding for pupils. Tatton Street • Knutsford • Cheshire • WA16 6AY Tel: 01565 700100 • Fax: 01565 652649 www.edmundson-electrical.co.uk Date: 23.01.19 Proof level: Acc. Ref: 200194 1 Proof level: Date: 27.03.19 Publication: KNUTSFORD TG 2019 APPROVED 1Size: FLL BLEED* 148mm w x 210mm h Acc. Ref: 200196 AMENDMENTS Position: Facing Inside Front cover REQUIRED Publication: KNUTSFORD TG 2019 Please check this proof carefully APPROVED Size: Full page - trim 148 x 210mm We make every eort to ensure that your proofs are correct. It is your responsibility to ensure errors are spotted before publication. Examples of items your should check are contact details, spelling, grammar, design and layout. AMENDMENTS Inside front cover PDF proofs are for content verication only. Images have been downsampled to allow for transmission via email. PDF proofs are not to be considered as Position: REQUIRED colour-accurate, even on colour-managed screens. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF LAW, ARTS AND SOCIAL SCIENCES School of Humanities A biographical study of the early beneficiaries: The Jewish Education Aid Society. by Micheline Ann Stevens Thesis for the degree of Doctor of Philosophy June 2016 Abstract In Britain, during the latter years of the nineteenth and into the twentieth century, there was a plethora of philanthropic organisations introduced and managed by members of the established Anglo-Jewish community. The purpose of these organisations was, in part, to demonstrate that the influx of Eastern European Jewish immigrants was not a burden on Britain as a whole. In other words the aim was to show that Jews were prepared to care for their own people, financially and morally. Much has been written about the larger organisations but little, if anything, is recorded about some of the smaller societies which usually pursued a narrow and defined purpose. -
Arts Research School of Arts, Languages and Cultures
ISSUE #4 | JANUARY 2015 ARTS RESEARCH SCHOOL OF ARTS, LANGUAGES AND CULTURES OUTPUTS IN FOCUS: WHEN POETRY MET THE INTERNET Dr Heather Inwood (Chinese Studies) examines the changing situation of modern poetry in the People’s Republic of China since the turn of the millennium. PAGE 5 > IN THIS ISSUE: PAGE FROM THE EDITOR: PROFESSOR STEVE HUTCHINGS 2 RESEARCH AT LARGE: ERECTING THE GREAT DOLMEN OF PROJECTS OF THE MOMENT: BRITAIN AND IRELAND 8 EVOLUTION OF THE MAMMALS: A HISTORICAL PERSPECTIVE 3 NEW GENERATION THINKERS: INVESTIGATING INFANT INTERACTIONS LEARNING THROUGH RESEARCH IN ACROSS CULTURES 4 LINGUISTICS & ENGLISH LANGUAGE 9 POETRY AND POPULARITY IN THE VICTORIAN ERA 10 OUTPUTS IN FOCUS: WHEN POETRY MET THE INTERNET 5 CIDRAL: BRECHT: A LITERARY LIFE 6 PARTING WORDS: JACKIE STACEY 11 THE INCOMING CIDRAL DIRECTOR LOOKS AHEAD… 11 RESEARCH AT LARGE: ELIZABETH GASKELL’S HOUSE 7 RECENT PUBLICATIONS 12 ARTS RESEARCH SCHOOL OF ARTS, LANGUAGES AND CULTURES FROM THE EDITOR FROM THE EDITOR We do not set out to achieve a single focus for each fundamental issues issue of ArtsResearch. Nonetheless, it struck me when underpinning science’s editing the features you are about to read that they relationship with the each, in some way, locate themselves at one or more humanities? To take just of the multiple interfaces between science and the a few examples from humanities. Several adopt humanities perspectives on the pages that follow, scientific or technological knowledge (Chris Manias; it would be interesting Colin Richards). Others explore encounters between to know the extent to the arts and technological advances (Heather Inwood; which archaeologists, Clara Dawson). -
From Cranford to the Country of the Pointed Firs: Elizabeth Gaskell's American Publication and the Work
From Cranford to The Country of the Pointed Firs: Elizabeth Gaskell’s American Publication and the Work of Sarah Orne Jewetti ALAN SHELSTON In this second of two articles on Elizabeth Gaskell’s American connections I plan first to outline the history of the publication of her work in the United States during her own lifetime, and then to consider the popularity of Cranford in that country in the years following her death. I shall conclude by discussing the work of the New England writer, Sarah Orne Jewett whose story sequences Deephaven (1877) and The Country of the Pointed Firs (1896) clearly reflect the influence of Gaskell’s work. I One of the remarkable things about Gaskell’s career as a novelist is the way in which, after a late start, her career took off. She was in her late thirties when Mary Barton was published, but from then on, and in particular through the 1850s, her output was incessant. This was partly due to the fact that Dickens took her up for Household Words; it is interesting to watch her becoming increasingly independent of his encouragement and influence through the fifties decade. What is also interesting is the extent to which she was taken up abroad, both on the continent and in the USA. To some extent this is because publishers in those countries found it more profitable to publish established English authors - even if, as in the case of the Europeans, they had to translate them - than to develop native talent. It was a period when popular fiction flourished, often published in cheap and sometimes unauthorised popular series. -
AND ELIZABETH GASKELL's CRANFORD by Meryem A. Udden
Playacting happiness: tragicomedy in Jane Austen's Mansfield Park and Elizabeth Gaskell's Cranford Item Type Thesis Authors Udden, Meryem A. Download date 01/10/2021 08:14:04 Link to Item http://hdl.handle.net/11122/11295 PLAYACTING HAPPINESS: TRAGICOMEDY IN JANE AUSTEN'S MANSFIELD PARK AND ELIZABETH GASKELL'S CRANFORD By Meryem A. Udden, B.A. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in English University of Alaska Fairbanks May 2020 APPROVED: Rich Carr, Committee Chair Eric Heyne, Committee Member Terence Reilly, Committee Member Rich Carr, Department Chair Department of English Todd Sherman, Dean College of Liberal Arts Michael Castellini, Dean of the Graduate School Abstract This thesis examines tragicomedy in two 19th Century British novels, Jane Austen's Mansfield Park and Elizabeth Gaskell's Cranford. Both narratives have perceived happy endings; however, tragedy lies underneath the surface. With Shakespeare's play A Midsummer Night's Dream as a starting point, playacting becomes the vehicle through which tragedy can be discovered by the reader. Throughout, I find examples in which playacting begins as a comedic act, but acquires tragic potential when parents enter the scene. Here, I define tragedy not as a dramatic experience, but rather seemingly small injustices that, over time, cause more harm than good. In Mansfield Park, the tragedy is parental neglect and control. In Cranford, the tragedy is parental abuse. For both narratives, characters are unable to experience life fully, and past parental injuries cannot be redeemed. While all the children in the narratives experience some form of parental neglect, the marginalized children are harmed more than the others. -
The Victorian Society in Manchester Registered Charity No
The Victorian Society in Manchester Registered Charity No. 1081435 Summer Newsletter 2010 Introducing David Harwood to start looking at the man-made civilisations, Mediaeval Europe, Chair of the Manchester Group world around me. As a result I the Renaissance and on to our became engaged in an untutored friends the Hanoverians. Perhaps, Through my life I have migrated sense with buildings and architecture. too, the Victorians were the last to North: born in the illustrious town of understand this historical context. Watford (actually once an ordinary One of our book recommendations We must not lose sight of the fact but pleasant place before developers, at school aimed at us Philistine that the most satisfactory towns planners, and councils dismembered scientists was Pevsner’s -’An Outline and cities are those that have a it in the Sixties), lived in Oxford as of European Architecture’. That delicious mix of all or most of these student and research assistant, helped, and I still have it. The sense historical, and hence architectural, and thence to Manchester where I of Victorian times has always been periods. I believe that the work of the Society, by saving and conserving our Victorian and Edwardian fabric, inevitably aids the preservation of older buildings. In thinking along these lines, I feel that the Society, where appropriate, should more frequently join forces with other conservation bodies to preserve the collective historical fabric. Why not assist the Georgian Society in saving a Georgian building - there is sure to be a Victorian one nearby? I am pleased to take the reins of your local group, and I would like to point out that you have an able and committed group of volunteers on your committee.