MALCOLM Mcgilchrist

Total Page：16

File Type：pdf, Size：1020Kb

MALCOLM McGILCHRIST GRIP/CRANE GRIP BECTU SKILLSET/FT2/CITY & GUILDS NVQ ADVANCED LEVEL 3 QUALIFIED PUBLIC LIABILITY INSURANCE OWN VAN/EQUIPMENT ADDRESS: 308 KINGS ROAD, KINGSTON upon THAMES, SURREY, KT2 5JL CONTACT : WIZZO 0207 437 2055 MOBILE 07973 306842 E-MAIL [email protected] FEATURES ▪ ALADDIN DISNEY GUY RITCHIE ALAN STEWART “A” CAM GRIP MAIN UNIT ▪ STAR WARS – SOLO DISNEY/LUCASFILM RON HOWARD BRADFORD YOUNG “A” CAM GRIP MAIN UNIT ▪ STAR WARS – ROGUE ONE DISNEY/LUCASFILM TONY GILROY GREIG FRASER KEY GRIP – 8wks RESHOOTS ▪ STAR WARS EPISODE 8 DISNEY/LUCASFILM RIAN JOHNSON STEVE YEDLIN “A” CAM GRIP MAIN UNIT ▪ STAR WARS – ROGUE ONE DISNEY/LUCASFILM GARETH EDWARDS GREIG FRASER “A” CAM GRIP MAIN UNIT ▪ SPECTRE EON PRODUCTIONS UK SAM MENDES HOYTE van HOYTEMA “A” CAM GRIP MAIN UNIT ▪ STAR WARS EPISODE 7 DISNEY/LUCASFILM JJ ABRAMS DAN MINDEL “A” CAM GRIP MAIN UNIT ▪ INTO THE WOODS DISNEY STUDIOS ROB MARSHALL DION BEBE “A” CAM GRIP MAIN UNIT ▪ THOR 2-THE DARK WORLD MARVEL STUDIOS ALAN TAYLOR KRAMER MORGENTHAU “B” CAM GRIP MAIN UNIT ▪ SKYFALL (BOND 23) EON PRODUCTIONS UK SAM MENDES ROGER DEAKINS “A” CAM GRIP MAIN UNIT ▪ PROMETHEUS FOX UK PRODUCTIONS RIDLEY SCOTT DARIUSZ WOLSKI “B” CAM GRIP MAIN UNIT ▪ CAPTAIN AMERICA MARVEL STUDIOS JOE JOHNSTON SHELLY JOHNSON “B” CAM GRIP MAIN UNIT ▪ JOHN CARTER OF MARS PIXAR/DISNEY STUDIOS ANDREW STANTON DAN MINDEL “B” CAM GRIP MAIN UNIT ▪ ROBIN HOOD URHA/FOX SEARCHLIGHT RIDLEY SCOTT JOHN MATHIESON ‘B’ CAM GRIP MAIN UNIT ▪ REVOLVER CANAL + GUY RITCHIE TIM MAURICE JONES “B” CAM GRIP MAIN UNIT ▪ CASINO ROYALE EON PRODUCTIONS UK MICHAEL CAMPBELL PHIL MEHEUX CAMERA GRIP MAIN UNIT COMMERCIALS PROD. CO. DIRECTOR D.O.P. POSITION ▪ TWININGS FINKTANK ERIC’N’ERNIE DENNIS MADDEN GRIP ▪ TESCO STINK NEIL HARRIS TAT RADCLIFFE GRIP ▪ ITV ITV CHARLOTTE EVANS NICK SAWYER GRIP ▪ LYNX BARE ELLIOTT LESTER BEN BUTLER GRIP ▪ NORWICH UNION OUTSIDER PEDRO ROMANHYI STUART GRAHAM GRIP ▪ MISSY ELLIOTT FLYNN ALEX HEMMINGS ALEX HEMMINGS GRIP ▪ B & Q BIKINI KATIE BELL STUART GRAHAM GRIP ▪ BIRDS EYE OUTSIDER PEDRO ROMANHYI STUART GRAHAM GRIP ▪ COI EXPOSURE MICHAEL KEILLOR DANNY COHEN GRIP ▪ TESCO PLUNGE POOL SUSIE ROBERSON HOWARD ATHERTON GRIP .

Copy Link

Recommended publications

Review of Rogue One: a Star Wars Story
DVD reviews Rogue One: A Star Wars Story (Gareth Edwards US 2016). Walt Disney Studios 2017. Region 1. 2.39:1 widescreen. US$23. Sean Guynes-Vishniac After the release of Revenge of the Sith (Lucas US 2005), the third film in the Star Wars prequel trilogy in 2005, George Lucas and Lucasfilm had no plans to add further feature films to the multi-billion-dollar franchise. This was in part because fans of the original Star Wars trilogy (1977–83) hated the prequels, and because Lucas was now interested in television, starting with the animated series The Clone Wars (2008–14, 2019). When Disney bought Lucasfilm, they announced a new trilogy extending the saga of the Skywalker family, and several standalone non-saga ‘anthology’ films to fill narrative gaps in the universe; Rogue One: A Star Wars Story is the first of these anthology films. Its position raises important questions about the contemporary state of the transmedia sf franchise, while its narrative looks at the limits and possibilities of sf blockbusters’ political work. To provide an easy entry into the franchise’s storyworld, Rogue One offers a cast of new characters that fit (and slightly modify) well-known franchise types: protagonist Jyn Erso (Felicity Jones), for example, pairs the scruffiness of Han Solo with the paternal drama of Luke Skywalker; Chirrut Îmwe (Donnie Yen) takes on the Jedi mystique and mentor role of Obi-Wan Kenobi; K-2SO (Alan Tudyk) is the non-human, comedy-relief sidekick, a cynical update of C-3PO. Cassian Andor (Diego Luna), however, stands out thematically, mixing the scoundrel qualities of Solo with the risky charm of Lando Calrissian, and bringing a moral ambiguity to the normally black-and-white world of Jedi and Sith; perhaps these qualities have led to Andor’s being named as the protagonist of one of the upcoming Star Wars series on the new streaming service Disney+.
[Show full text]
Executive Producer)
PRODUCTION BIOGRAPHIES STEVEN SODERBERGH (Executive Producer) Steven Soderbergh has produced or executive-produced a wide range of projects, most recently Gregory Jacobs' Magic Mike XXL, as well as his own series "The Knick" on Cinemax, and the current Amazon Studios series "Red Oaks." Previously, he produced or executive-produced Jacobs' films Wind Chill and Criminal; Laura Poitras' Citizenfour; Marina Zenovich's Roman Polanski: Odd Man Out, Roman Polanski: Wanted and Desired, and Who Is Bernard Tapie?; Lynne Ramsay's We Need to Talk About Kevin; the HBO documentary His Way, directed by Douglas McGrath; Lodge Kerrigan's Rebecca H. (Return to the Dogs) and Keane; Brian Koppelman and David Levien's Solitary Man; Todd Haynes' I'm Not There and Far From Heaven; Tony Gilroy's Michael Clayton; George Clooney's Good Night and Good Luck and Confessions of a Dangerous Mind; Scott Z. Burns' Pu-239; Richard Linklater's A Scanner Darkly; Rob Reiner's Rumor Has It...; Stephen Gaghan'sSyriana; John Maybury's The Jacket; Christopher Nolan's Insomnia; Godfrey Reggio's Naqoyqatsi; Anthony and Joseph Russo's Welcome to Collinwood; Gary Ross' Pleasantville; and Greg Mottola's The Daytrippers. LODGE KERRIGAN (Co-Creator, Executive Producer, Writer, Director) Co-Creators and Executive Producers Lodge Kerrigan and Amy Seimetz wrote and directed all 13 episodes of “The Girlfriend Experience.” Prior to “The Girlfriend Experience,” Kerrigan wrote and directed the features Rebecca H. (Return to the Dogs), Keane, Claire Dolan and Clean, Shaven. His directorial credits also include episodes of “The Killing” (AMC / Netflix), “The Americans” (FX), “Bates Motel” (A&E) and “Homeland” (Showtime).
[Show full text]
Duplicity (2009) Julia Roberts E Clive Owen Sono Spie Amanti in Una "Commedia Svitata" Ad Alta Concentrazione Alcolica
Duplicity (2009) Julia Roberts e Clive Owen sono spie amanti in una "commedia svitata" ad alta concentrazione alcolica. Un film di Tony Gilroy con Julia Roberts, Clive Owen, Paul Giamatti, Tom Wilkinson, Wayne Duvall, Dan Daily, Lisa Roberts Gillan, David Shumbris, Rick Worthy, Oleg Stefan. Genere Thriller durata 129 minuti. Produzione USA 2009. Uscita nelle sale: venerdì 10 aprile 2009 Il film racconta la storia di due spie industriali (nonché ex amanti) che si ritrovano ad essere rivali sul lavoro. Marzia Gandolfi - www.mymovies.it Claire Stenwick è un'avvenente agente della CIA con licenza di sedurre, Ray Koval è un agente dei servizi segreti britannici sedotto (drogato e gabbato) dal fascino della concorrenza. A New York, cinque anni dopo, Claire e Ray si ritrovano loro malgrado occupati per la stessa multinazionale, che vorrebbe entrare in possesso della formula di un prodotto rivoluzionario in anticipo sull'azienda rivale. Innamorati con riserva, diffidenti per mestiere, i due amanti depongono le armi, praticano l'amore, bevono champagne, bruciano di passione e pianificano di imbrogliare i magnati delle industrie concorrenti. Tra Dubai e Miami, tra Cleveland e Roma, tra salti temporali e sentimenti senza fine, Claire e Ray getteranno la maschera e berranno alla salute di una sfida inaugurata con un Margarita e finita "in bollicine". Già dal titolo, 'Duplicity' esplicita la sua doppia natura, la sua appartenenza a regimi discorsivi diversi che cercano di trovare una loro complementarietà. Da un lato l'inequivocabile 'spy story', dall'altro la 'screwball comedy', ovvero la "commedia svitata" del desiderio che si consuma in un'attesa carica di sfide, brividi, azioni e conversazioni seduttive e continuamente rilanciate.
[Show full text]
How to Sell a Boring Action Hero an Analysis of the Success of the Bourne Ultimatum Within the Context of Corporate Hollywood
How to sell a boring action hero An analysis of the success of The Bourne Ultimatum within the context of corporate Hollywood Abstract Jason Bourne is certainly not your typical action hero. He may share his initials with that other undercover icon James Bond, but ultimately, they have very little else in common. Jason Bourne is ordinary looking, has no sparkling personality, and no apparent sense of humor. To make things worse, he suffers from amnesia. Initially, all he knows about himself is that he displays impressive situational awareness, has an astonishing set of fighting skills, and that parties unknown want to kill him. Consequently, he looks confused whenever he is not otherwise engaged in dispatching bad guys. Nor is there any eye candy — no beaches and no babes — to make up for his otherwise rather dull personality. Even the final outcome of the Bourne films to date is far from uplifting. Ultimately, Bourne lays bare the moral bankruptcy of the West and its main political and economic systems. A boring action hero in a politically engaged story? This sounds like a recipe for disaster at the box office and yet the Bourne trilogy is one of the most successful Hollywood franchises in recent years. How did Jason Bourne acquire such a huge audience and critical acclaim? Can a film be both mass entertainment and score high on an artistic scale? How did anti- corporatism and anti-capitalism find its way into mainstream Hollywood? How does all this fit into the marketing strategies of Universal Studios? To summarize: Is there still hope for Hollywood, both aesthetically and ethically? Introduction An unconscious man is picked up by a fishing boat, bullet-riddled and without memory.
[Show full text]
BAFTA and BFI Screenwriters' Lecture Series, in Association with the JJ
BAFTA and BFI Screenwriters’ Lecture Series, in association with The JJ Charitable Trust Tony Gilroy 29 September 2013 at BFI Southbank Tony Gilroy: Alright, well that’s exciting. All the own process that we so don’t feel like experts writers get up here, they’ve never given every day, that we’re very loath and suspicious speeches before, so this is, you’re seeing a to have you follow us. virginal experience here. We do lots of Q&As, but we never do this. My father is a screenwriter I think anybody who makes it to this thing... and my brother is a screenwriter. Most of my Ronald Harwood doesn’t know anything, father’s friends when I was growing up were Charlie Kaufman doesn’t know anything and screenwriters. I have a great number of Abi Morgan doesn’t know anything, nobody screenwriters who are among my best friends. knows anything. Because if you get here I’m betting that you have a pretty good idea of Other than about a 10 year period of my life the abyss that’s on the other side of your desk where I was deeply harnessed to the service every day, and how often we fail, and how economy, everything I’ve ever had in my life, often it’s just an agony. that I’ve been given or that I’ve given to my family, has been the result of somebody I think that that’s probably true. It is true, for making stuff up that people would play at in every novelist and composer and painter and front of a camera.
[Show full text]
The 2020 Investor Day Programming Fact Sheet
THE 2020 INVESTOR DAY PROGRAMMING FACT SHEET ©Disney Today at The Walt Disney Company’s Investor Day event, Lucasfilm President Kathleen Kennedy announced an impressive number of exciting Disney+ series and new feature films destined to expand theStar Wars galaxy like never before. Introducing the Disney+ slate, Kennedy said, “We have a vast and expansive timeline in the Star Wars mythology spanning over 25,000 years of history in the galaxy—with each era being a rich resource for storytelling. Now with Disney+, we can explore limitless story possibilities like never before and fulfill the promise that there is truly a Star Wars story for everyone.” Among the 10 projects announced for Disney+ is “Obi-Wan Kenobi,” starring Ewan McGregor, with Hayden Christensen returning as Darth Vader, in what Kennedy called, “the rematch of the century.” Also announced are two new series from Jon Favreau and Dave Filoni, off-shoots of the multiple Emmy®-winning “The Mandalorian.” “Rangers of the New Republic” and “Ahsoka,” a series featuring the fan-favorite character Ahsoka Tano, will take place in “The Mandalorian” timeline. Kennedy announced that the next Star Wars feature film, releasing in December 2023, will be “Rogue Squadron,” which will be directed by Patty Jenkins of the “Wonder Woman” franchise. In July 2022, the next installment of the “Indiana Jones” franchise premieres, starring Harrison Ford, who reprises his iconic role. The film is directed by James Mangold. Following are the announced projects, listed in announcement order under the Disney+ and feature film headers: DISNEY+ Ahsoka After making her long-awaited, live-action debut in “The Mandalorian,” Ahsoka Tano’s story, written by Dave Filoni, will continue in a limited series, Ahsoka, starring Rosario Dawson and executive produced by Dave Filoni and Jon Favreau.
[Show full text]
Production Notes International Press Contacts
Production Notes International Press Contacts: Premier PR 91 Berwick Street London W1F 0NE +44 207 292 8330 Jonathan Rutter Annabel Hutton [email protected] [email protected] Focus Features International Oxford House, 4th Floor 76 Oxford Street London, W1D 1BS Tel: +44 207 307 1330 Anna Bohlin Director, International Publicity [email protected] 2 Moonrise Kingdom Synopsis Moonrise Kingdom is the new movie directed by two-time Academy Award- nominated filmmaker Wes Anderson ( The Royal Tenenbaums , Fantastic Mr. Fox , Rushmore ). Set on an island off the coast of New England in the summer of 1965, Moonrise Kingdom tells the story of two 12-year-olds who fall in love, make a secret pact, and run away together into the wilderness. As various authorities try to hunt them down, a violent storm is brewing off-shore – and the peaceful island community is turned upside down in every which way. Bruce Willis plays the local sheriff, Captain Sharp. Edward Norton is a Khaki Scout troop leader, Scout Master Ward. Bill Murray and Frances McDormand portray the young girl’s parents, Mr. and Mrs. Bishop. The cast also includes Tilda Swinton, Jason Schwartzman, and Bob Balaban; and introduces Jared Gilman and Kara Hayward as Sam and Suzy, the boy and girl. A Focus Features and Indian Paintbrush presentation of an American Empirical Picture. Moonrise Kingdom . Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton. With Jason Schwartzman and Bob Balaban. Introducing Jared Gilman and Kara Hayward. Casting by Douglas Aibel. Associate Producer, Octavia Peissel. Co-Producers, Molly Cooper, Lila Yacoub.
[Show full text]
Fandom Edits: Rogue One and the New Star Wars Gerry Canavan Marquette University, [email protected]
Marquette University e-Publications@Marquette English Faculty Research and Publications English, Department of 10-19-2017 Fandom Edits: Rogue One and the New Star Wars Gerry Canavan Marquette University, [email protected] Published version. "Fandom Edits: Rogue One and the New Star Wars," in Star Wars and the History of Transmedia Storytelling, edited by Dan Hassler-Forest and Sean Guynes. Amsterdam : Amsterdam University Press, [2018]: 277-288. Publisher link. © 2018 Amsterdam University Press. Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc/3.0). Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). 19. Fandom Edits Rogue One and the New Star Wars Gerry Canavan For the first 35 years of its existence, the Star Wars franchise was branded as the inspired vision of a single auteur-genius, George Lucas, who controlled the franchise both creatively and economically. Among its major competi- tors in science fiction and fantasy, perhaps only Tolkien’s The Lord of the Rings has been so closely identified with the mind of one person—and where Tolkien had his legendarium, the mythopoeic totality of the Middle- earth narrative, Lucas had his saga. In interviews, Lucas typically spoke of the Star Wars saga as a unitary megatext from which the first movie just happened to draw somewhere in the middle.1 Lucas’s self-conscious promotion of Star Wars as a modern myth—intensified by his frequent references to Joseph Campbell’s study of mythic narrative, The Hero with a Thousand Faces—presented the narrative as emerging from a coherent “master plan” Lucas developed in the 1970s and that has slowly unfurled ever since.
[Show full text]
Michael Clayton : Tony Gilroy
Michael Clayton : Tony Gilroy Autor(en): Spiegel, Simon Objekttyp: Article Zeitschrift: Filmbulletin : Zeitschrift für Film und Kino Band (Jahr): 50 (2008) Heft 287 PDF erstellt am: 28.09.2021 Persistenter Link: http://doi.org/10.5169/seals-863867 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch [j] FILMBULLETIN I.OB NEU IM KINO MICHAEL CLAYTON Tony Gilroy Der Anwalt Michael Clayton, Spezialist ger, stammt von ihm doch auch das Drehbuch semble weiss zu gefallen. Tilda Swinton in der für «juristische Aufräumarbeiten», ist zu the devil's advocate, in dem Rolle der Wirtschaftsanwältin, die sich in gerade auf der Heimfahrt, als er relativ Keanu Reeves einen faustischen Handel der Männerwelt hochgekämpft hat und unvermittelt anhält und aussteigt, um Pferde eingeht.
[Show full text]
AM Edgar Allan Poe Production Bios
Press Contact: Natasha Padilla, WNET, 212.560.8824, [email protected] Press Materials: http://pbs.org/pressroom or http://thirteen.org/pressroom Websites: http://pbs.org/americanmasters , http://facebook.com/americanmasters , @PBSAmerMasters , http://pbsamericanmasters.tumblr.com , http://youtube.com/AmericanMastersPBS , http://instagram.com/pbsamericanmasters , #AmericanMastersPBS American Masters – Edgar Allan Poe: Buried Alive Premieres nationwide Monday, October 30 at 9/8c on PBS (check local listings) for Halloween Production Bios Denis O’Hare Actor (Edgar Allan Poe) Denis O’Hare has established a strong presence in the industry as a skillful, in-demand character actor. Most recently, he starred as Jessie in the NBC series This Is Us , alongside Milo Ventimiglia, Mandy Moore and Sterling K. Brown. Additionally, O’Hare recently re-joined the cast of Ryan Murphy’s award-winning FX horror anthology, American Horror Story: Roanoke for its sixth installment. O’Hare also appeared in the ABC mini-series When We Rise , where he stars as Jim Foster, an openly gay Democratic Party organizer, alongside Guy Pearce, Rachel Griffiths and Mary-Louise Parker. Renowned for his work on stage and screen, O’Hare previously starred as Elizabeth Taylor in Ryan Murphy’s award-winning FX horror anthology American Horror Story: Hotel , also starring Lady Gaga, Sarah Paulson, Angela Bassett and Kathy Bates. O’Hare’s performance as Stanley in the fourth season, American Horror Story: Freak Show , garnered him an Emmy nomination for the role. Also under the direction of Ryan Murphy, O’Hare recently starred in the critically acclaimed HBO telefilm The Normal Heart , alongside Mark Ruffalo, Matt Bomer and Julia Roberts.
[Show full text]
The Bourne Ultimatum Kindle
THE BOURNE ULTIMATUM PDF, EPUB, EBOOK Robert Ludlum | 736 pages | 04 Feb 2010 | Orion Publishing Co | 9781409117711 | English | London, United Kingdom The Bourne Ultimatum PDF Book Idaho Statesman. The Bourne Ultimatum - Behind the scenes Bathroom. October 17, Retrieved March 3, Jason Bourne Julia Stiles The New Yorker. Best Editing. Retrieved June 18, January 22, Archived from the original on June 13, Plot Keywords. Wikiquote has quotations related to: The Bourne Ultimatum. Vosen's team, reluctantly assisted by Landy, analyzes Ross's notes and identifies his source as Neal Daniels, a CIA station chief involved with Treadstone and Blackbriar. Retrieved October 30, Retrieved July 6, Albert Hirsch. Q: Any recommendations for movies similar to "The Bourne Ultimatum"? We're going to show you the bigger picture, the bigger canvas Retrieved August 3, Empire Award for Best Film. In the audio commentary for the current DVD release of The Bourne Ultimatum , director Paul Greengrass confirmed the following scenes were deliberate allusions to scenes from the previous installments of the Bourne film franchise:. The Bourne Ultimatum is a spy film directed by Paul Greengrass and loosely based [1] on the Robert Ludlum novel of the same name. Awards for The Bourne Ultimatum. When extraterrestrials attempt to steal Earth's gravity, only the gift-giving spirit of Christmas -- and a small alien named X -- can save the world. Parents Guide. Views Read Edit View history. Best Sound Editing [38]. Jason Bourne. Bourne is shown swimming away in the East River. When he realizes that he has been tricked, Vosen sends Paz after Bourne, but the resulting car chase ends with Bourne forcing Paz's car to crash into a concrete barrier.
[Show full text]
CLIVE OWEN Academy Award Nominee and Golden Globe Winner
J. WALTER THOMPSON=italy CLIVE OWEN Academy Award nominee and Golden Globe winner Clive Owen is celebrated by audiences in the U.K., the United States and around the world. His diverse choice of film credits proves him to be one of the most versatile actors of our day. With his captivating performance in the title role of Mike Hodges’ sleeper hit Croupier, critics have compared him to the likes of Bogart, Mitchum, and Connery! In 2005 that he proved himself a screen star by winning a Golden Globe and picking up an Academy Award nomination for his role as Larry in Mike Nichols’ Closer. The film also starred Julia Roberts, Jude Law and Natalie Portman. Clive, a British actor, first came onto the scene in several British and American telefilms. In 1991 he starred in his first big hit, the UK television series CHANCER. Other UK telefilm credits included the BBC's SECOND SIGHT, which aired on PBS's MYSTERY! Clive made his film debut in Beeban Kidron’s Vroom in 1988, in which he restores a classic-American car to take off on the road with costar David Thewlis. Then, in 1991, he went on to play a brother who acts upon his incestuous feelings in Stephen Poliakoff’s Close My Eyes. Later, he continued to play complex characters as he stars as a reckless homosexual in corrupt pre-war Germany who finds unconditional love while in a NaZi war camp in Sean Mathias’ Bent. In 2001 and 2002 respectively, he went on to star in Joel Hershman’s of beat British comedy, Greenfingers, Mike Hodges’ Croupier and Robert Altman’s star studded Gosford Park.
[Show full text]