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MOBY COMPOSER MOTION PICTURES WASTE LAND Lucy Walker, dir. Arthouse Films THE TSUNAMI AND THE CHERRY BLOSSOM Goldcrest Films International TELEVISION__________________________________________________________________ CLEMENTINE (pilot) Michael Dinner, dir. ABC MUSIC FEATURED IN MOTION PICTURES THE BOURNE LEGACY Tony Gilroy, dir. Universal Pictures HEAT Michael Mann, dir. Warner Bros. Pictures THE BOURNE ULTIMATUM Paul Greengrass, dir. Universal Pictures CLOVERFIELD Matt Reeves, dir. Paramount Pictures THE DEVIL WEARS PRADA David Frankel, dir. Fox 2000 Pictures SEABISCUIT Gary Ross, dir. Universal Pictures 15233 Ventura Boulevard, Suite 200, Sherman Oaks, California 91403 Tel. 818-380-1918 Fax 818-380-2609 MOBY MUSIC FEATURED IN MOTION PICTURES (continued) THE BOURNE SUPREMACY Paul Greengrass, dir. Universal Pictures ALI Michael Mann, dir. Columbia Pictures DONNIE DARKO Richard Kelly, dir. Pandora Cinema TOMORROW NEVER DIES Roger Spottiswoode, dir. Metro-Goldwyn-Mayer GO Doug Liman, dir. Columbia Pictures THE BOURNE IDENTITY Doug Liman, dir. Universal Pictures 21 Robert Luketic, dir. Columbia Pictures SOUTHLAND TALES Richard Kelly, dir. Universal Pictures MIAMI VICE Michael Mann, dir. Universal Pictures HOLES Andrew Davis, dir. Walt Disney Pictures DAREDEVIL Mark Steven Johnson, dir. Marvel Enterprises XXX Rob Cohen, dir. Revolution Studios BLUE CRUSH John Stockwell, dir. Universal Pictures 24 HOUR PARTY PEOPLE Michael Winterbottom, dir. Revolution Films THE SALTON SEA D.J. Caruso, dir. Castle Rock Entertainment BEHIND ENEMY LINES John Moore, dir. Twentieth Century Fox Film Corporation 15233 Ventura Boulevard, Suite 200, Sherman Oaks, California 91403 Tel. 818-380-1918 Fax 818-380-2609 Moby Page 2 of 4 MOBY MUSIC FEATURED IN MOTION PICTURES (continued) OSMOSIS JONES Bobby Farrelly & Peter Farrelly, dir. Warner Bros. Pictures LARA CROFT: TOMB RAIDER Simon West, dir. Paramount Pictures EXIT WOUNDS Andrzej Bartkowiak, dir. Warner Bros. Pictures GONE IN SIXTY SECONDS Dominic Sena, dir. Touchstone Pictures THE BEACH Danny Boyle, dir. Figment Films PLAY IT TO THE BONE Ron Shelton, dir. Touchstone Pictures SCREAM Wes Craven, dir. Dimension Films COOL WORLD Ralph Bakshi, dir. Paramount Pictures TELEVISION THE VAMPIRE DIARIES CW Television Network 30 ROCK NBC GOSSIP GIRL CW Television Network COLD CASE CBS CSI: NY CBS THE SOPRANOS HBO 15233 Ventura Boulevard, Suite 200, Sherman Oaks, California 91403 Tel. 818-380-1918 Fax 818-380-2609 Moby Page 3 of 4 MOBY MUSIC FEATURED IN TELEVISION (continued) CROSSING JORDAN NBC SMALLVILLE WB Television Network THE SHIELD Fox Television Network THE X-FILES Fox Television Network 15233 Ventura Boulevard, Suite 200, Sherman Oaks, California 91403 Tel. 818-380-1918 Fax 818-380-2609 Moby Page 4 of 4 .

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DAN LEIGH Production Designer
(3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES
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Counter-Apocalyptic Play in Richard Kelly's Southland Tales
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Law, Humanities and the Arts 2014 "If you can hold on...": counter-apocalyptic play in Richard Kelly’s Southland Tales Marcus O'Donnell University of Wollongong, [email protected] Publication Details O'Donnell, M. ""If you can hold on...": counter-apocalyptic play in Richard Kelly’s Southland Tales." Journal of Religion and Film 18 .2 (2014): 1-35. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] "If you can hold on...": counter-apocalyptic play in Richard Kelly’s Southland Tales Abstract Richard Kelly’s Southland Tales (2006) presents a dystopic, post-apocalyptic, near-future through an aesthetic, which fuses contemporary postmodern screens with the phantasmagorical of traditional apocalyptic visions. This article argues that Southland Tales is an example of what feminist theologian Catherine Keller calls the “counter-apocalyptic” (Keller 1996:19-20). Through strategies of ironic parody Kelly both describes and questions the apocalyptic and its easy polarities. In situating the film as counter-apocalyptic the paper argues that the film both resists the apocalyptic impulse however it is also located within it. In this sense it produces a unique take on the genre of the post-apocalyptic film and a powerful fluid critique of the post 9/11 security state. Keywords play, apocalyptic, counter, tales, hold, southland, can, you, if, kelly, richard Disciplines Arts and Humanities | Law Publication Details O'Donnell, M. ""If you can hold on...": counter-apocalyptic play in Richard Kelly’s Southland Tales." Journal of Religion and Film 18 .2 (2014): 1-35.
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Pr-Dvd-Holdings-As-Of-September-18
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Review of Rogue One: a Star Wars Story
DVD reviews Rogue One: A Star Wars Story (Gareth Edwards US 2016). Walt Disney Studios 2017. Region 1. 2.39:1 widescreen. US$23. Sean Guynes-Vishniac After the release of Revenge of the Sith (Lucas US 2005), the third film in the Star Wars prequel trilogy in 2005, George Lucas and Lucasfilm had no plans to add further feature films to the multi-billion-dollar franchise. This was in part because fans of the original Star Wars trilogy (1977–83) hated the prequels, and because Lucas was now interested in television, starting with the animated series The Clone Wars (2008–14, 2019). When Disney bought Lucasfilm, they announced a new trilogy extending the saga of the Skywalker family, and several standalone non-saga ‘anthology’ films to fill narrative gaps in the universe; Rogue One: A Star Wars Story is the first of these anthology films. Its position raises important questions about the contemporary state of the transmedia sf franchise, while its narrative looks at the limits and possibilities of sf blockbusters’ political work. To provide an easy entry into the franchise’s storyworld, Rogue One offers a cast of new characters that fit (and slightly modify) well-known franchise types: protagonist Jyn Erso (Felicity Jones), for example, pairs the scruffiness of Han Solo with the paternal drama of Luke Skywalker; Chirrut Îmwe (Donnie Yen) takes on the Jedi mystique and mentor role of Obi-Wan Kenobi; K-2SO (Alan Tudyk) is the non-human, comedy-relief sidekick, a cynical update of C-3PO. Cassian Andor (Diego Luna), however, stands out thematically, mixing the scoundrel qualities of Solo with the risky charm of Lando Calrissian, and bringing a moral ambiguity to the normally black-and-white world of Jedi and Sith; perhaps these qualities have led to Andor’s being named as the protagonist of one of the upcoming Star Wars series on the new streaming service Disney+.
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Donnie Darko: a Film Review -- an Avid Movie Watchers View Point
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Executive Producer)
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Film & Literature
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Top 30 Films
March 2013 Top 30 Films By Eddie Ivermee Top 30 films as chosen by me, they may not be perfect or to everyone’s taste. Like all good art however they inspire debate. Why Do I Love Movies? Eddie Ivermee For that feeling you get when the lights get dim in the cinema Because of getting to see Heath Ledger on the big screen for the final time in The Dark Knight Because of Quentin Tarentino’s knack for rip roaring dialogue Because of the invention of the steadicam For saving me from the drudgery of nightly weekly TV sessions Because of Malik’s ability to make life seem more beautiful than it really is Because of Brando and Pacino together in The Godfather Because of the amazing combination of music and image, e.g. music in Jaws Because of the invention of other worlds, see Avatar, Star Wars, Alien etc. For making us laugh, cry, sad, happy, scared all in equal measure. For the ending of the Shawshank Redemption For allowing Jim Carey lose during the 1990’s For arranging a coffee date on screen of De Niro an Pacino For allowing Righteous Kill to go straight to DVD so I could turn it off For taking me back in time with classics like Psycho, Wizard of Oz ect For making dreams become reality see E.T, The Goonies, Spiderman, Superman For allowing Brad Pitt, Michael Fassbender, Tom Hardy and Joesph Gordon Levitt ply their trade on screen for our amusement. Because of making people Die Hard as Rambo strikes with a Lethal Weapon because he is a Predator who is also Rocky.
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In Its Complaint, Plaintiff Names Defendants As Revolution Studios
UNITED STATES DISTRICT COURT DISTRICT OF CONNECTICUT A Slice of Pie Productions, LLC, : Plaintiff, : : v. : Case No. 3:04cv1034 (JBA) : Wayans Brothers Entertainment, : et al., : Defendants. : RULING ON MOTIONS FOR SUMMARY JUDGMENT [DOCS. ## 96, 107] The Fifth Amended Complaint of plaintiff A Slice of Pie Productions, LLC (“Slice of Pie”) asserts a claim of copyright infringement under the federal Copyright Act against defendants Revolution Studios, LLC (“Revolution”) and Sony Pictures Entertainment, Inc. (“Sony”) and a claim of breach of implied contract against defendants Wayans Brothers Productions (“WBP”) and Gold/Miller Company (“Gold”). See Fifth Am. Compl. [Doc. # 76].1 Familiarity with the Court’s previous rulings on motions to dismiss, see [Docs. ## 61, 87], is presumed. Defendants now move for summary judgment, contending, inter alia, that with respect to the Copyright Act claim, there is no evidence supporting an inference that defendants copied plaintiff’s screenplay or of unlawful appropriation (shown by substantial 1 In its complaint, plaintiff names defendants as Revolution Studios, Inc., Sony Pictures Entertainment, Wayans Brothers Entertainment, and the Gold/Miller Agency, respectively. Defendants have identified themselves as the parties named above. 1 similarity between plaintiff’s screenplay and defendants’ film) and, with respect to the implied contract claim, that it is preempted by the Copyright Act, that there is no evidence of a shared understanding of payment for use, and that there is no evidence of actual use. See Revolution/Sony/WBP Mot. [Doc. # 96]; Gold Mot. [Doc. # 107]. For the reasons that follow, defendants’ Motions will be granted. I. Factual Background The facts relevant to this ruling are as follows, and are undisputed unless otherwise noted.
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PDF of Credits
ALANA DA FONSECA EXECUTIVE MUSIC PRODUCER – SONGWRITER MOTION PICTURES EUROVISION (Music Producer, Vocal Arranger) David Dobkin, dir. Netflix THE ADDAMS FAMILY (Music Producer) Greg Tiernan, Conrad Vernon, dirs. MGM GOOD BOYS (Executive Music Producer) Gene Stupnitsky, dir. Universal Pictures PITCH PERFECT 3 (Executive Music Producer) Trish Sie, dir. Universal Pictures POMS (Executive Music Producer) Zara Hayes, dir. STX ISN’T IT ROMANTIC (Music Producer) Todd Strauss-Schulson, dir. Warner Bros. THE SECRET LIFE OF PETS (Producer “We Go Together”) Chris Renaud, dir. Universal Pictures PITCH PERFECT 2 (Arranger/Vocal Arranger) Elizabeth Banks, dir. Universal Pictures ALVIN AND THE CHIPMUNKS: THE ROAD CHIP (Executive Music Producer) Walt Becker, dir. Fox 2000 PITCH PERFECT (Additional Vocal Arranger) Jason Moore, dir. Universal Pictures HANNAH MONTANA: THE MOVIE (Producer “Let’s Do This”) Peter Chelsom dir. Walt Disney Studios 3349 Cahuenga Blvd. West Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 ALANA DA FONSECA EXECUTIVE MUSIC PRODUCER – SONGWRITER TELEVISION JULIE AND THE PHANTOMS (Vocal Arranger/Vocal Producer, Songwriter) Kenny Ortega, dir. Netflix TROLLS: THE BEAT GOES ON (Executive Music Producer, Songwriter) Hannah Friedman, creator Netflix DWA UNNANOUNCED SHOW (Executive Music Producer, Songwriter) DreamWorks Animation ALVINNN!!! AND THE CHIPMUNKS (Executive Music Producer, Songwriter) Janice Karman, creator Nickelodeon LIVE SHOW TROLLS LIVE TOURING SHOW (Music Producer) SONGWRITER NAKED (Writer “Nobody But You”) Michael Tiddes, dir. Netflix STAR (TV) (Writer “Honeysuckle”) Lee Daniels, Tom Donaghy, creators Fox ALVIN AND THE CHIPMUNKS: THE ROAD CHIP (Writer “Home”) Walt Becker, dir. Fox 2000 POWER (TV) (Writer “Old Flame”) Courtney A. Kemp, creator Starz FIFTY SHADES OF GREY (Writer “Awakening”) Sam Taylor-Johnson, dir.
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