Miceli’s Turns 70 • Thurston Moore Brings Spirit Counsel to the MASses • 30 Years of Shepard Fairey ®

DECEMBER 6-12, 2019 / VOL. 42 / NO. 3 / LAWEEKLY.COM

FIGHTING FOR WHAT MATTERS From Black Lives Matter to Reform L.A. Jails, Patrisse Cullors’ approach to social justice is artful and powerful BY LINA LECARO 2 WWW.LAWEEKLY.COM | D     - ,  | LA WEEKLY WE NOWDELIVER!! 3 LA WEEKLY | D     - ,  | WWW.LAWEEKLY.COM

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tents December 6-12, 2019 // Vol. 42 // No. 3 // 3 42 // No. // Vol. 2019 6-12, December BY BY LINA LECARO.

BY BY MICHELE STUEVEN. BY WYATT CLOSS. BY WYATT GO LA...5 FEATURE...8 EAT & DRINK...11EAT ARTS...12 FILM...13 Miceli’s, Hollywood’s first pizzeria, turns 70 turns pizzeria, first Hollywood’s Miceli’s, reflect the local on landmark’s owners its as rich history. surveys new exhibition Over the Influence’s iconic Fairey’s decades in Shepard giant three career. CA 90015. Los Angeles, St., 724 S. Spring LP, LA Weekly by weekly published 461-370) is L.A. #0192-1940 & USPS (ISSN WEEKLY Send address Postmaster: & $90 per year. six months $55 for subscriptions: CA. Domestic Los Angeles, at paid postage Periodicals limited County, Los in Angeles charge free of available is CA 90015. LA Weekly Los Angeles, St., 724 S. Spring L.A Weekly, to changes the LAat advance in payable $1, for bepurchased may LA Weekly of issue the current of copies Additional per reader. copy one to LA Weekly’s by only be distributed may $1. LA is Weekly LA Weekly of cost the single-copy County, Los Outside Angeles o ce. Weekly LA of permission written prior without may, person No distributors. authorized LA Weekly’s or contractors independent authorized LA of contents call entire e 310-574-7100. information back-issue For issue. LAeach Weekly of copy one than take more Weekly, electronic including means, any in part by or in whole be reproduced may portion No LP. LA Weekly 2014 by Copyright are Weekly CA 90015. Los Angeles, St., 724 S. Spring LAWeekly, the publisher, of permission written the express without retrieval systems, The 7th Annual Krampus Ball, Giant Robot’s Robot’s Ball, Giant Krampus 7thThe Annual Christmas-inspired Art Show, Post-It do to more and Now, and Here at cocktails see and in L.A. this week. L.A., Reform Jail to Matter Lives Black From social to is justice approach Cullors’ Patrisse artful powerful. and Con

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FREE EVENT! Artisan 75 December 5–8, 2019 December 5–8, Keep itspinningonselect Thursdays withDJHowly.Thursdays Every Thursdaynight DJ SPOTLIGHT SKATE THROUGH starting at7p.m. % THE HOLIDAYS Don’t miss these special events open through January 20, 2020 OFF LEARN TO CURL pro instructors. curling Dec 14andJan11, Learn to curl with tocurl Learn 8:30 a.m. SILENT SKATE PARTY and dancethenightaway! Grab someheadphones Dec 19,7pm.and 8:30 p.m.sessions events/791274634636445. 6, 8p.m.; $20.(800)838-3006,facebook.com/ 540 S.Commonwealth Ave., Westlake; Fri., Dec. tral’s As he proved he took when over- Cen Comedy BiteComedy with andClass COMEDY ported. hypnotizing soundscapes. Prepare trans to be - synthesizers as early as late the 1960sto create imental music, using feedback, electronics and major and inuential force eld inthe of exper Editions and Blank Forms NYC. is a Radigue and Robin Hayward, inapresentation by Black cente-Sandoval, Davies Charles Curtis, Rhodri cityin the of its genesis by musicians Vi Dafne - in 1973,andreceive nally it its will premiere a visit to Natural the History Museum of L.A. that French the composer stumbled on during portraying arange of electromagnetic waves ever-evolving work was inspired by amural and shi ing inwaves like its titular e ocean. ly and at nearly an hour’s length, expanding Éliane Radigue’s unfolds Ocean Occam slow- An Ocean ofHypnosis MUSIC fri Crime: Stories from a South African Childhood kicks. Jon Stewart’s he brought shoes, his own new and class. e Emmy didn’t winner to ll seek culture and politics with his own brand of bite comedysmart with attitude, pop both tackling books (his New Yorkbooks Times to Staples same the the energy Center. From “ the having to be seem ablast and Noah’s show new

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LA e Daily Show, Loud & Clear Tour &Clear Loud 2019”should bring e Daily Show’s live audiences always 12/6 First Congregational Church of L.A., Trevor Noah has mastered FALLING JAMES bestseller, Born a - ) ah-tickets. $39.50-$125. axs.com/events/374751/trevor-no- downtown; Fri., 6,8p.m. Dec. (doors, 6p.m.); matter what. Staples Center, 1111S.Figueroa St., humor ignites thoughts as it incites laughs no Noah Noah’s Podcast specials, ) to TV brand of Trevor ought: e Second (On to podcasts BABAYAN pus Run outside from ballroom the 6-7 p.m., punishes who beast ere’ll kids. bad aKram be - of amusements celebrating goat-ish the demon oersKrampus Ball an overstued stocking bre merriment, Christmas Part costume concert- and maca part all ball, The Krampus IsComing CULTURE sat $5-$140. (323)737-1159,eventbrite.com. Pico Blvd., Arlington Heights; Fri., 6,8p.m.; Dec. his elves waiting for photo ops. Catch One, 4067 merchandise, in addition to a Zombie Santa and and other monster-themedclothing, jewelry and paintings, selling sculpture, mixed media, 100-plus be artists andwill vendors displaying artists themselves. Making evening the darker categories as judged by you, audience the and the compete zombies. for ey’ll full-body prizes in transformtwist to as they Christmas into models makeup add a dark artists will special-eects Show, more than 50amateur, professional and ator of annual the e Pancakes Art &Booze with undead. the Hosted by Tom Kirlin, cre- Exhibit , youArt can get up and close personal Catch One’s Zombie Fashion Show &Creature Pop culture infested is still with zombies and at Zombie Christmas CULTURE Isaura Quartet Isaura 12/7 LINA LECARO The 7thAnnual SIRAN papertickets.com/. Sat., Dec. 7, 7 p.m.; $32.49. krampusball.brown Alpine Village, 833Torrance Blvd., Torrance; bring they’ve unless them... very, naughty. very a er. Not event really a kid either way, don’t so guardian before 10p.m., but it’s an over-18 aair Festmaster Hans. Under 18is OK with an adult asBillygoat, usual by emceed Oktoberfest’s all Band and L.A.’s Rosemary’s metalers theatrical stein, furry, band Hammerstein party polka fun pus-themed Rammstein tribute band Krammp- musician/dancer troupe Tottendanse, Kram- a monster of amusic line-up including Medieval Krampus-inspired vendors, and and food drink, ere are alot of artists today combine who pop The Tooth Hurts ART sun 12/8 free. giantrobot.com. Sawtelle; Sat., 7 &14,11:30a.m.-1:30p.m.; Dec. only buy GR2,2062 Sawtelle in-person. Blvd., starting around breakfast you time, because can a.m. and starting at sales 2p.m. —and queue the Saturday, 7,with apreview at December 11:30 eminently Instagrammable edition 15th opens newcomers, just piece is still but $25.Its every Mark Todd, roster the includes superstars and Nakamura with artists Pearl Esther Watson and few square inches. Curated by Giant Robot’s Eric andstyles mediums but working miracles ina masterpieces on oce these ranging pads, in It Show 400diverse. Over artists create mini dition that is Giant Robot/GR2 Gallery’s Post- outside get longer at- tra classic the gi -season year,Every gets art the more radand lines the BigCrowd Tiny Art, ART LINA LECARO SHANA NYS DAMBROT - com/events/556111351626673. 8,2-4p.m.;Dec. free. (323)666-7667,facebook. de Jesus, 4633Hollywood Blvd., Feliz; Los Sun., with Weekly the artist’s unique book new style. the She discusses bine beauty and strangeness in the parts in equal of Garcia’sin aseries illustrations, com which - appendagesnew inabizarre depicted scenario is mutated being his body and rearranged with from amysterious operation and discovers that to dentist. the A young boy named Alex wakes up greatest horror ofmodern all —atrip scenarios book, by her many imitators. e L.A.artist’s latest distinctive and stands out of paintings inasea but work the Garcia Rose of is instantly Camille surrealism with fantastic and morbid imagery, hatch-opening. ing tour at 4:15 p.m.); free. clockshop.org/event/ Sunday, December 8,3-5p.m. walk (artist-led - tie Project, 2780W. Casitas Ave., Glassell Park; streams have through its passed network. Bow narratives invisible whose but energy powerful representing interconnected, the multivalent radiotower paracordused with web afractal is a site-speci weaving drapes which dis the - If artists ingeneral hada tough inthe time theIronBehind Curtain DANCE artist landscape interventiontrial is awork by ber Bowtie. the Itscalled newest curated post-indus northeast of downtown and L.A. River-adjacent, projectsart on acuriously shaped piece of land administeringhas programs been and public Independent cultural support group Clockshop Weave MeaStory ART e Cabinet of Dr. Deekay, centers on that Jesse Harrod Hatch , whose

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Dec. 8, 2-4 p.m.; com/events/556111351626673. - the dis which drapes weaving site-specic a is a fractal web with used paracord radio tower multivalent the interconnected, representing powerful energy but whose invisible narratives Bow network. passed its through have streams Park; Glassell Ave., Casitas 2780 W. tie Project, - (artist-led walk 8, 3-5 p.m. December Sunday, clockshop.org/event/ free. p.m.); 4:15 at tour ing hatch-opening. - SHANA NYS DAMBROT NYS SHANA LINA LECARO LINA sun 12/8 ART Hurts The Tooth pop who combine today artists of a lot are ere ART Art,Tiny Big Crowd the lines rad and more the art gets Every year, gi -season the classic tra- at longer get outside Post- Gallery’s Robot/GR2 Giant is that dition mini create artists . 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Krampus-inspired vendors, food and drink, food and and vendors, Krampus-inspired Medieval including line-up a music of a monster - Kram Tottendanse, troupe musician/dancer - Krammp band tribute Rammstein pus-themed fun polka party Hammerstein band furry, stein, theatrical metalers Rosemary’s L.A.’s and Band all Oktoberfest’s emceedby usual Billygoat, as adult an with OK 18 is Under Hans. Festmaster aair over-18 an it’s but 10 p.m., before guardian so don’t way, either kidreally a event Not a er. very naughty. very, them... unless they’ve bring Torrance; Blvd., 833 Torrance Village, Alpine krampusball.brown $32.49. p.m.; 7 7, Dec. Sat., papertickets.com/. SIRAN The 7th Annual The 7th Annual LINA LECARO LINA 12/7 Isaura Quartet oers an overstued stocking stocking overstued an BallKrampus oers demon the goat-ish celebrating amusements of - be a Kram bad kids. ere’ll beast who punishes 6-7 p.m., the ballroom from outside Run pus sat CULTURE Is Coming The Krampus ball, all part maca and - concert costume Part Christmas merriment, bre CULTURE Christmas Zombie at and zombies with still is infested culture Pop & Creature Show Fashion Zombie One’s Catch personal close and up get can Artyou , Exhibit - cre Kirlin, Tom by Hosted the undead. with & Booze Art Pancakes e the annual of ator and professional 50 amateur, than more Show, special-eects will artists a dark add makeup models into Christmas they as to twist transform in prizes full-body ey’ll for zombies. compete the and the audience you, by judged as categories darker the evening Making themselves. artists displaying vendors will and artists be 100-plus media, mixed sculpture, selling paintings, and jewelryclothing, monster-themed other and and Santa Zombie a to addition in merchandise, 4067 One, Catch ops. photo for waiting elves his Dec. 6, 8 p.m.; Fri., Heights; Arlington Blvd., Pico $5-$140. 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LA GO Crime: Stories from a South African Childhood African South a from Stories Crime: seem to be having a blast and Noah’s new show new show Noah’s and a blast seem be to having the “ From Center. energythe the same Staples to Times books York New (his smart comedy with attitude, tackling both pop attitude, with smartcomedy bite of brand own his with politics and culture seek ll to winner didn’t Emmy e class. and new own his shoes, brought he Stewart’s Jon kicks. Comedy with and Class Bite Comedy Cen - over whentook he proved he As tral’s COMEDY An Ocean of Hypnosis An Ocean - slow Occam Ocean unfolds Radigue’s Éliane expanding length, hour’s an nearly at and ly ocean. e titular its like in waves shi ing and a mural by inspired was work ever-evolving waves electromagnetic of a range portraying during on stumbled composer the French that L.A. of Museum History the Natural to a visit premiere will its it nally in 1973, and receive - Dafne Vi musicians by genesis its of in the city Rhodri Curtis, Charles Davies cente-Sandoval, Black by in a presentation Hayward, Robin and Radigue a is NYC. Forms Blank and Editions exper of in the eld force inuential and major MUSIC fri and electronics feedback, using music, imental create 1960s to the late as early as synthesizers - be to trans Prepare soundscapes. hypnotizing ported. Dec. Fri., Westlake; Ave., 540 S. Commonwealth $20. (800) 838-3006, facebook.com/ 6, 8 p.m.; events/791274634636445. 6 WWW.LAWEEKLY.COM | D     - ,  | LA WEEKLY Mean Girls a little Mean and to Christmas nod both Hanukkah —and last year, features that drinks are seasonal a in downtown’s opened which District, Arts and Now makeover. another merry e bar mas-inspired pop-up Blitzen’s Following its in July Christmas event,- Christ Cocktails for theHoliday Season FOOD&DRINK mon 12/9 8, 3p.m., free. dsdancers.com/. 10808 Culver Blvd., Culver Sun., City; Dec. and archives. history artifacts Wende Museum, War-erato Cold European and Union Soviet now a museum and research facility dedicated what was once aNational Guard and Armory performance and exhibition the are housed in oppressive order. social Ironically, dance the on womenconfronting communism and the aging more subversive artisticcommentary gures like Medea and Cassandra, camou designated as about art being their historical era,some Soviet womentain. the During artists WomenRadical Iron the Behind Artists Cur Museum exhibition e Medea Insurrection: Dancers dancea new work from artists responded is subject the of Iron Women moreeven extreme pressures. How women Union,Soviet women artists o en confronted series highlighting the swankiest, mosthighlighting the lovelyseries rst an become inwhat annual will exhibition Acquisitions 2019:Director’s the is Choice wants to share bounty new the ASAP. Museum institution’sthe purview, much so that so he tor Timothy Potts is proud of sphere this of storied of persona its founder. Museum direc- in its appetites, collecting of one the legacy e Getty Museum is nothing ifnot voracious FlauntGot It It, ART tue SIRAN BABAYAN games and screenings of Elf well as pajama Sundays complete with boards Santa, carolers and aholiday puppy pageant, as festive, more entertainment themed includes latkas. If that’s not enough to make you feel oers asalso poutine and specialties such food dram, aquafaba, lime and bitters). e menu der, Manischewitz, cordial, grapefruit allspice and Put on Your Yarmulke (Monkey Shoul sweet vermouth, lemon, falernum, prosecco) treuse, Mr. Blitzen’d Black), Get (tequila, no, (hot chocolate, Glenn Cocoa Go char rum, Dec. 31.(213)262-9291,hereandnowdtla.com.Dec. 5 p.m.-2 a.m. & Sun., 5 p.m.-mid., through Santa Fe Ave., Suite N,downtown; Mon.-Sat., get cup a offree punch. Here and Now, 300S. donateless), so with toiletries bag and aZiploc nonprot PATH (People Assisting Home the - Christmas Vacation oered inconjunction Wende with the 12/10 , too —with names, too like You . e owners team up with Donna Sternberg & , Home Alone

ANN HASKINS Here gives Here and and - - - - ,

(323) 739-6122, pacicoperaproject.com. p.m.; through Sat., 14,8p.m.; Dec. $15-$180. S. Avenue 57, Highland Park; u., Dec. 12, 8 Highland eeting. too Park Ebell Club, 131 loversthe that realize life is precious and all from moving to lighthearted unexpectedly as and opera’s the tacos, timeless drama shi s and rhapsodize about Highland Park’s churros gambol about Club’s Ebell the intimate stage Van Gay playing her ardent lover, Rodolfo) portraying heroine doomed Mimi, andOrson as cast timewith the (this Janet Todd Szepei alternate title, Hipsters e an incredibly sarcastic libretto new with an punches up Puccini’s and sad lovely arias with tradition. POP director artistic Josh Shaw Park, has something become of an annual located from Paris to modern-day Highland oftomfoolery agang of young artists are re- bohème, Giacomo Puccini’s romantic tragic La opera Project’sPacific Opera riotous send-up of The Tragically Hip OPERA thu 237-2800, redcat.org. downtown; Wed., Dec. 11,8:30p.m.; $22.(213) singer Julia Holter. REDCAT, 631W. Second St., with melodious by vocals charismatic art-pop a song that cycle inventive twines string work miere of AlexTemple’s program culminates with West the pre Coast - “audiovisual potions for transmutation.” e Deyoe’s andna Escobar Sean Alchemies , enacts emerging,” and another world premiere,- Carmi Time a of David Rosenboom’s for Quartet the Beginning point of fan.” an electric e world premiere of —andheard… as seen —from vantage the as “ais described sonic imagining of noir lm Nicole Lizée’s Darkness Is Not Well Lit (2016) (2014) is inspired by a dierent animal, whereas of part Laura Steenberge’sEach String Quartet musicnew under connective the title of Hum Isaura String presents Quartet of aselection as aconnective thread,” ensemble e local “Using vulnerability the of human the voice Alchemical Reaction MUSIC wed 12/11 SHANA NYS DAMBROT getty.edu/visit/exhibitions/future.html; free. Center Brentwood; Drive, through March 1. bragging about. Center, e Getty 1200Getty ings, manuscripts and other treasures worth works, photography, 20th-century plus draw- ropean sculpture, ancient Greek and Roman Agnolo Bronzino” as well Eu as 14th-century - covered masterpiece by Renaissance master notehaul. Ofspecial for 2019,a“recently dis- and most rare items from previous the year’s FALLING JAMES in which the assignations the inwhich and manic invokes “a time collapsing and a time 12/12

FALLING JAMES Behind the Wallpaper, . And yet, even .

7 LA WEEKLY | D     - ,  | WWW.LAWEEKLY.COM 8 WWW.LAWEEKLY.COM | D     - ,  | LA WEEKLY WHAT From Black Lives Matter to Reform L.A.Jails, FIGHTING FOR FIGHTING FOR approach justice and powerful is artful to social BY LINA LECARO MATTERS • PHOTOGRAPHY BY SHANE LOPES Patrisse Cullors’ T asked of a part to changing be things and a be AngelesLos County or loved their ones being weren’t alot of formerly incarcerated in people that to change are systems. trying those ere people closest to pain ones the should the be atactually forefront… the that Ibelieve the er Now and years seven ahalf ago, we were change. When we Dignitystarted and Pow- was one of rst the systems that Iwanted to enough to understand that Ican change it, it a lot of trauma. as Igot as And soon so old in my community and inmy family… and created alot of and destruction decimation andpolice two jails. And institutions those young Not person. not schools, church, but rst institutions that with as Ihadto a deal in South L.A.“In some ways, were those the + Kitchen, ahip cafe on Slauson Boulevard ly ceration and policing,” Cullors tells L.A.Week programs.health alternatives to imprisonment such as mental population and redirect cost the savings into latter would work on aplan to reduce jail the Department. Moreover,by Sheri’s the the powersubpoena to investigate misconduct would grant a civilian oversight commission measure ballot wide inMarch 2020that L.A. Jails, acommittee to support acounty- construction indowntown —and Reform ghting against a proposed $3.5 billion jail coalition of organizations across L.A.County for change as well, including JusticeLA —a ght by forming other, more targeted groups healing justice,” DPN Cullors led to her focus ofgoal “transformative achieving justice and ment. Rooted incommunity power with the movement alternatives seeking to imprison- people by building ablack- and brown-led Department and advocate for incarcerated and mistreatment by L.A. County Sheri’s grassroots group created to on take corruption by law enforcement. DPN is an L.A.-based treatment the speci cally of peopleof color ated an ongoing conversation about race, and ing as controversial viewed by some — gener ultimately into a movement that — despite- be BLM evolved from sentiment to hashtag and Matter women. should ey anyway. be, powerful dothose as they books her inhistory or that one day reading children be about will justice gures,alongside iconic social these Patrisse recognition Khan-Cullors deserves a reach to say that San Fernando Valley native and people their create change. It’s not far too themselves indanger to right wrongs against could not ignored, be ifit even meant putting resistance to oppression they bold was so and fervor their ghts for equality, but their Angela Davis. gures ese were not alone in , as we sip inside beverages Hilltop Coee “I’ve always deeply impacted been by incar Cullors is co-founder the of Black Lives , as well as Dignity and Power Now. Tubman. Parks. Rosa Ida B. Wells. signi cance as Harriet activists. knowall due to bravery their and women of color names we whose here are of ahandful historical - - - 9 LA WEEKLY | D     - ,  | WWW.LAWEEKLY.COM - “It was really clear to me that my community community my that me to clear really was “It surroundings, her of thelimitations Despite along with her sister and two brothers, one of of one brothers, two and sister her with along be diagnosed schizoaf with later would whom fective disorder, contributing to multiple trips multiple to contributing disorder, fective in found was Monte, brother, ( at prison. to been he’d aer morning anksgiving jail on in the currently is He days. two for missing Cullors and hospital View Olive at ward psych under situation his beenhas about tweeting biological Her #loveformonte.) the hashtag old) years 12 at learned (who about she father due system the in prison up alsowas caught Cullors addiction. possession and crack to poor communities, the of crisis rsthand saw saw She specicallyand communities. black and fail to set up marginalized people are how they need the resources given if ever, rarely, When them choices. few succeed, leaving to the validates only it illegalthey to turn activity, the cycle continues. and in place that’s system I went “When says. Cullors attack,” under was blocks Oaks, a few school only in Sherman to ere wasn’t. community that that I saw over, in the performing I was dierence. a stark was very was it white, and arts program magnet I never — and families wealthy middle-class, community.” police in that saw excel led to drive her and intelligence Cullors’ also She in school. experienced discrimination why out gured she but police targeting, and

- consistent in a community grew up Cullors “IT WAS REALLY REALLY WAS “IT THAT ME TO CLEAR COMMUNITYMY WAS WHEN ATTACK. UNDER IN SCHOOL TO WENT I ONLY OAKS, SHERMAN BLOCKS OVER, FEW A THAT THAT I SAW COMMUNITY WASN’T. STARK A WAS THERE DIFFERENCE.” ready to endure the struggle a lifetime.” of endure to ready best-selling book , Times York New her In Lives A Black A Terrorist: You Call ey When recalls a childhood, Cullors Memoir Matter especially strife, in and lled inequity with living and education opportunity, of terms conditions. a sin- raised was by She police. by targeted ly Nuys in Van in Sectiongle mother 8 housing PATRISSE CULLORS PATRISSE - Many of those in attendance and aected by aected and those of in attendance Many - ght of lines been has thefront on “Patrisse lead- many across I come a consultant, “As discrimination in the criminal justice system system in the criminal justice discrimination to attendees galvanizing their stories, shared discus- lively With heard. their voices make food music, plus focused solutions, sion on unexpectedly an was it entertainment, and and life of celebration cause-minded upbeat, that circumstances the dire of in spite hope per spirit this positive Indeed, causes. fuel her everything does. she ough meates Cullors issues tackling weighty to life her devoted has bureaucracy, and government law, concerning from graduated just (she art background her an Arts) in Fine brings a Masters USC with everything soulful to and dynamic expressive does.she Christ- states years,” many for justice for ing L.A. Reform at colleague her Bowers, man who called was someone action to “As Jails. to grown has Patrisse #BlackLivesMatter, by and too, policyblack that matters understand that victories secure helped has countless she for outcomes improved undoubtedly have residents.” vulnerable most L.A. County’s in a dierent is Patrisse “But adds. Bowers ers,” goodness, inspires and teaches She category. and the oppressed protect to uses power her in get and noise some make to afraid isn’t she a leader of attributes ose are good trouble. - DPN’s model is for incarcerated people people incarcerated model for is DPN’s can’t we organizations, community “With in fact, are, wellness health and Mental part of this campaign. So [we] really built that that So really built [we] this campaign. part of infrastructure.” the people in their importantly, as just and, on only focuses it not community; and lives L.A. Jails Reform e actions. on ideas but ago, years fruition two to came ballot measure - Justice from emerging Cullors, to according led to her It jail expansion. against battle LA’s only occurs not change real that understand politics. electoral through but in the streets a [501]c3, you’re “When explains. she lobby,” organizers, As legislation. for lobby can’t you I strategy. a multi-pronged need have we to policy some and folks lawyers with worked the reforming around framework a develop to with people remov[ing] and L.A. jail system incarceration.” of illness out mental a Just platform. Cullor’s of components huge at theme the this central was ago, weeks few - “Re together, activist put the busy event an Party: Mental + Day Summit L.A. Jails form eatre Within A Noise at Matters,” Health to how about panels featured it in Pasadena; decriminalize the mentally illness, how mental how increased and in jails, has ill population ill/homeless/ mentally destigmatize can we lead they pro so might that citizens returning ductive and happy lives. lives. happy and ductive 10 WWW.LAWEEKLY.COM | D     - ,  | LA WEEKLY Her vision and labor have aspark for been movements of era...Black this Lives Matter. what is inarguably one of most the important people were stolen She from has built Africa. that moment the began dom struggle that our Matter. “She picks up mantle the of black- free co-founded L.A.chapter the of Black Lives ers of our time,” Melina asserts Abdullah, who ary, brilliant, courageous and committed- lead brance of murdered. those stereo. out passed She roses also inremem- World (Girls)” played on repeat from car the black trans women” as Beyoncé’s “Run the owers and held that asign read, protect “I will Marie Preston inaconvertible covered with ter, she rode alongside fellow Ashlee activist of Stonewall,legacy as well as Black Lives Mat - intolerance. In solidarity and with activism the murderedtragically due to homophobia and en and black cisgender women have who been Pride parade memorializing black trans wom- meditation. salt andmilk, honey as aform of release and and bath, symbolic incorporating coconut thought-provoking hair washing performance andpolicies sought to address trauma a via deeplyof impacted by harmful those these same time, piece the celebrated resilience the At and them. devalued disenfranchised the current the — especially administration —has of black queer women and how government and improvisation to represent experience the elements of performance, live music, sculpture Space/Gallery’s Anniversary, 30th melding ning of Cleansing at Highways Performance called of sharing her experience. andpowerful provocative ways withgoal the and movementshe imagery uses inuniquely identies as aqueer performance artist,and expressionartful her work fueled as well. She organizing and protesting, her passion for outspeaking and utilizing channels such as on she active and was always focused socially she school attendedhigh Valley. inthe While ership program justice at magnet social the she got involved with through ayouth- lead ing public within the transit system), which (an organization that pushes for more- fund age as spokesperson for Bus the Union Riders employ people, not how dowe people.” jail county’sthe response should is how be dowe of poverty, and what city’s the response and ty much same the are issue —these crimes are] or [these sex, drugs selling pretSelling - in order to themselves feed and family. their are dierent. But peopledowhatcan do they have employment ings or sets?’ teach skill you’ve got an entire city with ability the to you’ve got an entire community of jobs and “And my argument is, ‘what happens when terrible, horrible human being,” she explains. that drugs; of they’re sells who aperson this at ayoung age. “You know, we have idea this “Patrisse Cullors is one of most the vision- Cullors participated also year’s inthis L.A. Just past this summer, she presented a piece Cullors rst madean impact at 18years of Respite, and Reprieve Healing: An Eve - MELINAABDULLAH JUSTICE.” FREEDOM AND DEMAND AND WIN SACRED TO DUTY TO STEP INTO OUR PEOPLE GLOBALLY A SPARK FOR BLACK HAVELABOR BEEN “HER VISION AND ment, having coined now-global the hashtag, ering she known is best the face of move the - remedying here). It was abig omission consid - did not appear on cover the (something we’re not able to attend photo the shoot and hence While she was quoted extensively, she was (she now has apreschool-aged daughter). reston bed due to pregnancy complications MatterBlack Lives in2015,Cullors back was When duty to demand and freedom and win justice.” toblack step people globally into our sacred L.A. Weekly of the leaders pro led

ing BLM’s inuence. By contrast, BLM the werethey about co-opting and- undermin #AllLivesMatter) weren’t about inclusiveness, hashtagthe with others (#BlueLivesMatter or get it. Many don’t. still Attempts to counter onistic, and many white justpeople didn’t ment agencies were defensive, ifnot antag - violence and systemic racism ingeneral. and unforgettable means of protest against had long suered, but provide also afocused on epidemic the of brutality police they which that would not only give black avoice people of makings hadthe anationalthey coalition co-founder Tometi Opal quickly understood it spread, Garza, Cullors and BLM’s third reminder and to many, to action. As acall potent statement that resonated, aheartfelt #BlackLivesMattersection. was asimple yet Cullors turned into ahashtag comments inthe wordage that “black lives matter” which justice on inapost Facebook. She included Garza Alicia activist was lamenting in- the and his subsequent acquittal, Oakland-based Martin by then-ocer George Zimmerman, identities) and its “tactics of disruption.” (with inclusivenesssectionality ofgender all and was driving the force inshaping its inter Of course, it was polarizing. Law enforce- In wake the of 2013killing the Trayvon - wisdom.” ocials and stakeholders on inside the with protest and, necessary, when work with elected push our broken systems on outside the with Notwin. for so Patrisse. She knows how to brace an outside/inside strategy to political donotactivists understand that we must em- Cullors’ all-encompassing approach. “Oen acatalystbe for change,” notes Abdullah of andL.A. arts events studio. atdency e Crenshaw Mart, Cullors’ Dairy dents have will option the to complete aresi - justice andsocial community organizing. Stu coveringcurriculum intersection the of art, Cullors. It’ll nation’s the be rst of its kind, with MFA Practice Arts tal program helmed by and Environmenannounced Social anew - ers too. Prescott inArizona recently College ing, not care.” facility that would again, only prioritize “cag- Men’sthe Jail Central downtown with anew contract with McCarthy Builders to replace voted to dojust that, scrapping a$1.7-billion L.A.County the when of Board Supervisors #CancelMcCarthyContract, scored avictory as awhole. Her most recent hashtag campaign, what resonates and media inmedia on social hertaken far, but has her ability so to sense knowledge, empower and understand, have education and an unwavering desire to ac- Her success is no accident, either. Hard work, — inher smile, her words and inher essence. niably clear. ere is strength but warmth also herin-the-making, resolve for change is unde- fortunate enough to converse legend- with this Cullors to an become and activist, for those own dignity is at core the of what rst drove hy.” t or w o’s h w our lives and our cultural understanding of anti-blackin which racism of has shaped all are prisons. we have So to address ways the imprisonment too. Right? Detention centers it would comes get. “ at out of of idea the would go she viral, just hadno idea how big admitswho she that phrase the hoped while tion centers, for example,” elaborates Cullors, —immigrant people marginalized all deten- challenge violence, police but includes this Lives Matter was of course positioning us to not aboutterrorism, it’s about “Black truth. orideas intentions. As illustrates, her book it’s entirely, or haven’t listened actually to Cullors’ extreme or non-unifying either miss point the toshoes as function outspoken allies. and have attempted to put themselves intheir “awakened” to other human beings’ realities, mistreatmentsocietal or injustice have been woke culture: People not aected directly by to what is one of facetsof best the so-called lence. #BLM (and later #MeToo) arguably led proling,discriminatory harassment or- vio leged enough to have not have experienced most signicantly, lucky of those or privi- movement of eyes the opened many, has also “I’ve impressed truly been by her ability to she’llSoon on set passingto oth her be skill - thatRecognizing is worthy everyone of their Portrayals of BLM as something negative, - 11 LA WEEKLY | D     - ,  | WWW.LAWEEKLY.COM AYCE DINNER $27.99 LOS ANGELES Angeles Robertson Blvd • Los 998 S. 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While bar. in the iconic lm, shot Phantom of the Opera. the of and Phantom Some of the waiters now are right off off right are now the waiters of Some then and rst a singer looking for “I’m - Holly Miceli’s cemented the scene that But - broth two his and father his that says Joe gangsters and stars had Hollywood “We Broadway, including many that were in the in the were that many including Broadway, , Beauty Boys Jersey of cast opening and the Beast singing my of One a waiter. them into turn champagne of tried bottle a open to busboys says sing,” he can boy but a corkscrew, with Joe. immortalized was in the rst wood footprint Terminator in the chase being pursued is Connor Sarah runs and Miceli’s into ducks she sequence, A news is report being the bar. to upstairs anybody asking TV, the bar’s on broadcast call to Connor the Sarah of thewith name phone the pay to Sopolice. goes over she still and (whichthe theymovie installed for she and order of out which is there) lives runs out. - the pizze of days in the early tough were ers up breaking time some theyria. While spent the establishment in the restaurant, brawls at the teens from hangout alsowas a big maa was there yes, And High. Hollywood run-ins the Cheese with well, as King, lore notorious Marino, “Don Anthony Angelo crime family. Jose the San boss of in- the restaurant, Hollywood into come “When Joe. says Cohen,” Mickey cluding making any wasn’t he opened, rst father my to behind payments was in his and money Cali- the California Cheese Company. e by operated was Cheesefornia Company Coast ma- who the was West Marino, Angelo came in 1951, Marino day One a chieain. because the place wanted he up bust in to loaded had the car father So my money. his Chicago to headback home to ready getting to gets He Jim. brother and mom my with there already was Marino and the restaurant and looks around father My boys. his with giving not I’m this place, built look, ‘I says he to face Marino Angelo to goes up He up.’ money? You your want ‘You says face and your get never you’ll and this place up bust money your get you’ll way only e money. him helped So Marino business.’ in stay I if is seven opening ended up father my and out of purchaser the largest was He restaurants. the Cheese California cheese of company Angelo being a pallbearer ended up at and funeral.” Marino’s - -

iceli’s opened in 1949 when iceli’s - Mice Sylvia Carmen and their of the with help li, - Sam and Tony brothers and Angie sisters mie and

ere is history on the walls, history is carved on ere into another wooden e from booths come Frank sons run by business Stilla family my and opera singer an was mother “My worked that sta the ’50s, all the wait “In MICELI’S TURNS 70 TURNS MICELI’S Millie, put their funds together to start a start a to theirfunds together Millie, put came Carmen,Chicagoa native, restaurant. serving aer shortly Losto in World Angeles a and Purple Hearts earned four II. He War being a singing from went and Star, Bronze ultimately and hero a war to boy shoeshine Los in pizzeria theAngeles. rst owning Sicily from brought recipes the family With they opened what Chicago, old of way by rst become Miceli’s, Hollywood’s would pizzeria. every ber of and in the fabric booths, and wine bottles empty of Hundreds inch. square the ceiling from lled hang memories with - sis Carmen’s of glass portrait a stained and in less who made 100 meatballs Angie, ter, the the through ’50s from minutes four than room. the dining ’80s overlooks early ‘n Pig the famous haunt, Hollywood historic the street, across located restaurant Whistle When the Egyptian to door next eatre. in the closed ’50s, Car down restaurant that neighbor. thesalvaged his wood men from has the booths that of in one still can sit You 1927. from a whistle with carved it a pig into - in Uni a Miceli’s also includes that Joe, and 40th anniversary, its celebrating City versal its be for might best known the restaurant aria an out belt who can waiters, singing in between a beat serving missing without car of plateful and chianti a glass of you bonara. so they both had crooner, a club was father , L.A. Weekly tells Joe music,” for love a big over 89 presided age at Sylvia whose mother anniversary partythe month. grand last all the and Italian was restaurants in Italian — Frank Italian the time were at singers big Perry Dean Martin, Vale, Tony Sinatra, to wanted All the waiters Al Martino. Como, along sing would and singer bebig the next my the waiters of A couple the jukebox. with and actual opera singers were hired father we in a capella. When out break just would Bou- Cahuenga on opened the restaurant a requirement.” was being a singer levard, BY MICHELE STUEVEN MICHELE BY ere’s history on the walls, in the fabrics and, of course, in course, of and, the walls, history in the on fabrics ere’s pizzeria rst Hollywood’s the food at

FOOD M 12 WWW.LAWEEKLY.COM | D     - ,  | LA WEEKLY T ARTS BY WYATT CLOSS Fairey’s iconic career exhibitionA new three giant inShepard decades surveys show like one the called really something or new dierent ina to see Jackson Pollock splattered the being paint guy like Yayoi Kusama dot polka lady the or being got introuble for that.” Such reduction, acrude Hopedid the poster for Obama. But he Ithink my kid’s skateboard and over all place the and stickersartist that Obey that did those are on Fairey something goes like “Oh he’s yeah, the of Rubylith stencil cutting. show, evolution the of his work and beauty the opens, weBasel got achance about to talk the at just an school elementary days before Art charismatic way. out to you, telling you inamost truth the darkly times we live in,o en enveloping afacecalling with old clips. news It is a topography of the the Inuencethe inL.A.’s In District. Arts short, of Dissent and New Work”Decades at Over RUBYLITHS BRUSHES AND OF STICKERS, But snobs art even might wonder ifthere’s For most people, knowledge their of Shepard While working on his latest mural inMiami Shepard Fairey at OTI at Fairey Shepard patterns and icons, and slathered ings, festooned with ornamental torn bits, layers, rips and mark- aphorical, characterized with he of art Shepard Fairey is met- “Facing theGiant: 3 dierent locations. OTI has agreat which space wanted shows, in ne small art, to all do several do that frequently. for So 30-year this mark, I lations, we hadaprinting press. You really can’t Fairey tells Weekly the square feet of space. It ambitious,” was very pop-up 20,000 nized in2017) inL.A.,we lled point. of street and art the is ne which exactly art catl Martinez. is on its own ablending signals environmental “Kid activist Warrior” Xiuhtez- mash-up to newerworks of Maya Angelou and Fromlook. an Andre Giant/Jimi the Hendrix there, you begging to crouch up for a closer breadth of work, diversity the of topics, are all more works than 100smaller stuns you. e space, adisplay mainof inthe gallery boom, tions from years of wear and tear. And then, ofall its colorful, nearly camo pattern distor enlarged and on placed canvas resplendent in disintegrated Giant Obey sticker gigantically and framing 15timesits size. And avery then GiantObey sticker enshrined in a background ways,new likeplacement the of atiny vintage yes. Much. at Alook layers the why. reveal will “When Damage Ididthe Show (aself-orga- Right o bat, familiar the the insome we see PHOTO COURTESY OFOVER THEINFLUENCE . “ere were. “ere big instal- - punk beginnings ofpunk beginnings Shepard Fairey and his cur showthe is “a 19-year-old the between dialogue cuts and such,” Fairey says. alot topeople of see process the Rubylith —the in multiple layers of red and black. “I wanted wife Amanda, in a piece Commanda, titled dent, daring and mysterious image of artist’s the deant for true visages. con so the is is also - as mandala-like patterns utter beneath their Davis and Jesse Jackson loom large on canvas, it in. taking all on detailsinaddition the to stepping and back work on display, causing each you to in zoom torted. ere are many impressive sweeps of warehouse over wall and over, rippedand dis- many like so seems wheat paste posters on a buted dynamic collage that almost breathes warthe machine. e layers get deep. A mut - ticle apparently about defense contractors and to that, another pops up, detail anewspaper ar 5 percent of entire the artwork. en adjacent of Liberty’s surfacing head inwhat is only about shows a slightly contrasting image of Statue the against atextured background. But look acloser suit-cued hands shaking together juxtaposed of money on two American politics, we see ences. With on inuence the atheme focused lights layering the and complexity Fairey refer lot to in. take 30x41-inchoriginal paintings as well. It’s a images are shown being for rst the as time rendered with intentionality. this Many of these such multi-layered large canvases mixed media show about adjoining 30 gallery inthe halls with better equipment and approaches.” e nade Girl), of kind like aband revisiting asong proved upon over years the (like 2007’s Gre - thatnot show also seen techniques I’ve im- of ne art,” Fairey says. “ere’s historical work street and inside its to white energy the walls layers,the and complexities, it’s bringing the rather than simply astreet artist.” helped showcase me as amulti-platform artist e gallery’s press statement tell you will that Stark iconic contrasting images of Angela atA look End awork- Corruption high called painting the see people “I and when think studio the in Fairey Shepard - - - December 29;overthein uence.com. downtown; Tue.-Sun., 11a.m.-6p.m., through aton the view Over In uence, 833 E. 3rd St., to other, each nected strip by rip. made upchorus of or voices cry rallying con- remains. Collectively, faceshave the a become notion of facing giants real and metaphorical roar, the wall, outrage, the punk the spirit, the on white or walls a150foot mural on abuilding platform asticker on acrosswalk, ane artwork lovesstill giving out stickers. those But the be community.”the ing that art ts within cultural the context of that he’s on creating focused thought-provok- Dr. Maya Angelou and RFKpublic “is schools, duced ve murals with Fairey including at the Brand of has co-pro rm Branded whose Arts, - “What Idigabout most,” himthe says Warren ing from one medium to another, seamlessly. of we sense In jump get true the aspect, this - was which unveiledSchool, earlier year. this large-scale muralful at Dr. Maya Angelou High was a template for what would a beauti become - er. And there too, layers. we see impressivethis 150-foot display that much- rich building was an Iranian immigrant only made test du sign jour. that e fact owner the of the itself during 2017Women’s the March as apro- image Defend Dignity, iconic became which Olympic indowntown Boulevard L.A.,with the most recently near placed Grand Avenue and dottedthose across including globe, the one with street ere art. are now just over 100 of murals,the place which public on art an axis contentcould be with his impact to date. father (arather one successful at that), and slowed down as even he has that become punk at work, with many things to say, has not who it demonstrates also is that is this aman hard metaphorically both trials and literally.” What father and husband who’s through journeyed rent life as a49-year-old punk, artist, activist, Facing the Giant: 3Decades of Dissent is Even ne bonades, art with these Shepard e Maya Angelou image OTI inthe gallery Outside of ne work this art there are also PHOTO COURTESY OF OVER THEINFLUENCE LA WEEKLY WWW.LAWEEKLY.COM

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BY BRETTCALLWOOD three-CD opus on tour andAn energized uplied urston Moore his takes MUSIC not entirely —it’s idea anew of kind the always a lot of been expansion going on. It’s solo and with Youth Sonic anyway — there’s was incorporated into sound the that Idid iswhich something that I always thought guitarwrite compositions,extended electric getI didreally into of space the wanting to audience. It’s positive. very generally been response the really curious to see from the come out and play one 60-minute piece, it’s for most of my professional life,” he says. “To more traditional song I have which sets, done where nine out of 10bands the are playing MASSES COUNSEL TO THE BRINGING SPIRIT Thuston Thuston Moore getting lost inlike 20minutes of feedback says. “I say that, andmyself Ifind then regards to whole composition,” the Moore into play. But of Ithink it as fairly minor in of pieces both where improvisation comes as a whole, but there are sections certainly anaturalthere has been evolution. don’t veer away from song the as recorded, bum? through set?) Box 2019and, they while ing music the from album this (Triple- al music Iplayed late inthe ’80sand early ’90s.” “ ere’s not much improvisation involved Moore and his group have perform- been PHOTO COURTESY OFTHEARTIST Sunday, December 15at Zebulon. to addtoneed it.” on planet the energy right now that Idon’t and uplied. there’s Ithink enough nihilist ago. We leave energized all stage the very dierent to way the we played it amonth e way we play record the now is quite and sometimes weather’sin L.A. the OK. there back inthe scene weather’s ifthe OK, bulon is our joint. ere’s hangout agood venues Angeles Los inthe area. Spirit Counsel to Zebulon, one of his favorite whatever you do.” it out be there. not about Do think money, Use it Give as agi. it to peopleand have a competitive product marketplace. inthe it as something that you’re going to as use make physical this product. Don’t of think Whatever you want to do. But just make it, money you have, make acassette or aCD. me it’s like, just all make records. Whatever can Iget people to notice what I’m doing.’ To things, and ask me they questions like, ‘How arethem pretty young and doing interesting cians that are Ithink wonderful and most of to what I’m doing. Iknow many so musi- ception. I appreciate listens anybody who really have any anxiety about its re critical - to it. Ihadalot of condence Idon’t init, so I thought that was nice, that people listened waswhich but eeting really surprising and independent inthe ed charts U.K., inthe rsthe says. week it “ e was out, it chart- oftraditional independent aspects music,” thatjournals primarily more with the deal that it got as much publicity as it got, and the musicianthe for takes granted. wherever it at’s them. takes not something adventure join himfor ride, the and they’ll they’re comfortable of with his sense musical freedom that is rare. His fans know him, myself from my language or musical DNA.” forward from it without complete divorcing able to Ican really move clear so decks the with for last the four years. In away I’ve been inspiration this All that I’ve dealing been CD box was about set putting it out all there. 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Idon’t feel like it’s Youth.with Sonic Now it when happens, it to some extent accomplished over years the is something that was really investigated and of improvisation free into composition the much,so incorporation the Iguess because ofthink it as improvisation with dealing free of parts pieces. the Butspecic Idon’t really improvisation on any given night during urston Moore Group play at 8p.m. on Never word atruer spoken. “I like playing there alot,” he says.- “Ze is week, Moore and his group bring will “I Iput when was reallysurprised it out At point the inhis career, Moore has a LA WEEKLY WWW.LAWEEKLY.COM 15 | D     - ,  | At the point in his career, Moore has a a has Moore career, in his the point At out it really surprised was when I put “I will bring group his and Moore week, is “Ze- says. he a lot,” there playing like “I spoken. a truer word Never on 8 p.m. at play Group Moore urston improvisation on any given night during during night given any on improvisation really I don’t specic But the pieces. parts of free dealing with improvisation as it think of because I guess the incorporation so much, the composition into free improvisation of and investigated really was that something is the years over accomplished extent some to it happens, when it Now Sonic with Youth. it’s like feel I don’t established. it’s like feels me for the record a new of idea.such A lot I’ve that tropes certain classic expressing is during time, a long been for dealing with this like making. I feel music this Western there. all out it putting set about was CD box been dealing I’ve that All this inspiration been I’ve a way In years. four the last for with the decks so clear move really I can to able divorcing complete without it from forward DNA.” musical or language my from myself him, know fans His rare. is that freedom musical sensehis with of comfortable they’re they’ll and the ride, him for join adventure something not takes them. at’s it wherever granted. takes for the musician the and got, it as publicity much as got it that deal the with more primarily journals that music,” aspectsindependent traditional of - chart it out, was “ e it week says. he rst the in U.K., charts ed in the independent and surprising really eeting but which was listened people that nice, was that I thought so in it, I don’t condence of I had a lot it. to - critical re its about anxiety any really have who anybody listens appreciate I ception. - musi somany I know doing. I’m what to of most and wonderful I think are that cians interesting doing and young pretty themare ‘How like, questions they me ask and things, To doing.’ I’m what notice to people I get can Whatever records. make all just like, it’s me a CD. or a cassette make have, you money it, make just But do. to want you Whatever think of Don’t product. this make physical use as to going you’re that something as it in the marketplace. product a competitive have people and to it a gi. as Give it Use money, think Do about not there. be out it do.” you whatever favorite his of one Zebulon, to Counsel Spirit area. in the Los Angeles venues a good hangout ere’s joint. our is bulon OK, if thescene weather’s in the back there OK. theL.A. in weather’s sometimes and quite is now the record play we way e a month it played we the way to dierent very the stage all energized leave We ago. nihilist enough I think there’s uplied. and I don’t that now right energy the planet on it.” need add to to Zebulon. 15 at December Sunday, PHOTO COURTESY OF THE ARTIST COURTESY PHOTO Moore and his group have been- perform have group his and Moore involved improvisation much not “ ere’s music I played in the late ’80s and early ’90s.” early ’80s and in the late I played music al - (Triple this album from the music ing while they 2019 and, Box set?) through bum? recorded, as the song from away veer don’t evolution. been has there a natural certainlysections are there but a whole, as comes improvisation both where pieces of in minor fairly as it I think of But play. into Moore the composition,” whole to regards then I find and myself that, say “I says. feedback of 20 minutes in like lost getting Thuston MooreThuston BRINGING SPIRIT BRINGING THE TO COUNSEL MASSES where nine out of the 10 bands are playing playing are the 10 bands of out nine where done sets, which have I song traditional more “To says. he life,” professional my of most for it’s piece, 60-minute one play and out come the from see to really curious the response beengenerally very positive. It’s audience. to wanting the space of into I did really get electric extended compositions, write guitar thought always I that something which is I did that the sound into incorporated was there’s — anyway Sonic Youth with solo and It’s on. going expansion been of lot a always the kind of a new idea — it’s entirely not An energized and uplied urston Moore takes his Moore urston uplied energizedAn and tour on opus three-CD BRETT CALLWOOD BY MUSIC

(1990) and Dirty (1990) and nyone at all - been who has at fol nyone career Moore’s urston lowing - at even a casualwith of level that now willby know tention the easy route. go to one not he’s at’s a microcosm of Moore. e man man e Moore. of a microcosm at’s where environment, a band of out Taken though. Each disc features baby a huge It’s - the lis experience for ambitious an it’s If the three of two least at the music, play “We been has pleased the with Moore said, at bills festival on playing interesting “It’s . Because he’s done that, that, done . Because he’s Nation Daydream When his former band, the much-loved Sonic the much-loved band, former his When break started to signed and Geen to Youth, the decidedly with ground mainstream some Goo albums un-mainstream

(‘92), they responded with the gloriously lo- the with gloriously (‘92), they responded Set, Jet Experimental anti-commercial  but in ‘94. Star No and Trash himself, repeating not of willa point make such albums popular to making sequels of a new. do something to wants he and a say, have voices distinct of a number the that freedom been has enjoying Moore his the fullest. to For aords a solo career Counsel, the Spirit three-CD release, latest Moore the urston as the project billing he’s Deb bassist by joined currently he’s Group; electronic Sedwards, James Googe,guitarist Sonic Youth fellow and Leidecker, wiz Jon that clear still, it’s But Shelley. Steve alumn baby. Moore’s this is (“Alice the three of two with song, one just in clocking “Galaxies”) and Jayne” Moki — disc one other e mark. the hour around It’s long. hour half is an Street” “8 Spring 2’s the listener, undertakinga challenging for songs also instrumental thrill. a epic e but song traditional are — there “noise” aren’t - a stan if not Melodies, in there. structures can So thing. you verse-chorus-verse dard want, you if you over wash let it back and lay can Moore of fans studious the more but soak all and also a geek-sponge. in like it sit involved. the musicians think about tener, pretty it performing they’re that says Moore im- for room little with recorded, as much provisation. because interesting “It’s says. he live,” CDs a playing about concerned bit a little I was a set, part as not of music of piece 60-minute think - musicians the other for but myself for music of piece the same play to theying have playing like it’s every in a way But evening. just every songs the same they’re evening, music. of piece a longer into incorporated being a kind as of the pieces I think about a into ideas put song galvanized collection of It’s song. a as it thinkI of piece. uniedsong or a piece as it think of you and 60 minutes here neither is the lexicon But composition. a song do with can you what It’s there. nor the experimentation structurally where is So in a way, so anything. than in, more comes consider do you ‘How of extension an it’s a song?’” what’s so far. crowds from been getting he’s reaction A 16 WWW.LAWEEKLY.COM | D     - ,  | LA WEEKLY THURSDAY, DEC5 & BRIE DARLING BRIE & CHERIE CURRIE CURRIE CHERIE West Hollywood, CA 90069 THE WHISKY 8901 W. SunsetBlvd TH , 2019

and Cabello. Camila Over.” could highlights come Other from Halsey ry’s recent singles “Small Talk” and “Never Really ments and clichéd holding lyrics Katy back Per slipoccasionally from free generic the arrange- pop. Moment of genuine romantic poignancy subversive than escapist typically mainstream umental work that’s much darker and far more her brother Finneas O’Connell, is another mon- Where We Do , produced Go? and co-written by Eilish’sfeelings?”). When We All Fall Asleep, with deant (“What lyrics fuckare the fucking feisty blend of pop, R&Band hip-hop spiked 2019 album, Cuz ILove You, is an energetic and pop music today, and Eilish. Lizzo’s Lizzo Billie features two of most the provocative in vocalists nas Brothers. e version that lands at Forum the have othersSwi , while will to for settle e Jo - such as London and New York, get Taylor will one touring lineup of Jingle cities, Some Ball. Harem the Like Globetrotters, there’s more than KIIS FM’s JingleBall fri MUSIC performed asperformed Mount since 2003.A er Eerie Microphones,the has recorded Elverum and sublime.the Formerly releasing his music as about memories, myths, natural the world and isElverum awriter of deeply songs personal town on an island Puget in the — Sound Phil A native of Anacortes, Washington —asmall Mount Eerie and Neighborhood the Brats play. also should aclassic.gig e be e Zeros, Crowd greatthis band down, and thisGarden Grove comrade Stevefallen Soto. But you can’t keep duster Adolescents that one this song —2018’s Crop his band D.I. Ofcourse, there’s way more to the Royer hasCasey madeit astaple of with set the mad jam that former Adolescent and co-writer punkgreat albums. SoCal Amoeba” is such a debut from it which came is one of all-time the thatfact, iconic blue-and-red 1981 self-titled anthems than Adolescents’ the “Amoeba.” In Simply punk put, there few better are SoCal very The Adolescents CALLWOOD @ @ @ HEAR GO

MASONIC LODGE AT HOLLYWOOD FOREVER GARDEN GROVE AMPHITHEATRE THE FORUM was ninth their album and last the with 12/6

FALLING JAMES

BRETT - - of same the here. more excellent, expect was unexpectedly so ber he said. e show inSeptem- at Observatory the but alot then of skater come types to support me,” music the because intersects with skateboarding, people. Alot of skateboarders come out, rst bandthe is playing again. Afew bucket list type old punker that school types are just excited that are coming Black are to Flag in 2019. “ere see wind up, and he told us that a great mix of people of start the current the tour, is which about to band’sthe proud. legacy We spoke to Vallely at current singer Mike Vallely is to determined do wasFlag inany who of classic the lineups, but Greg Ginn is only the current member of Black Black Flag tent) “Purple Velvet.” curio, jangling the (but rhythmically insis still - emerges a relatively straightforward garage-rock rett Out oddness. of storm the of dizzying guitars “Dark Sorcerer,” betrays which hints of Syd Bar ofgrunge “Cobwebs” and indie-rock the drive of lic attack. tracks range Other from sludgy the at apunk tempo, but it’s powered- with ametal rambling wreck that hurtles along highway the opuses. e title track is an eight-minute-plus experimentationjazzy into guitar-heavy their chedelic territory, mixing hard-rock thunder and up sonic range their into far more expansive psy- and retro quartet garage-rock open local the rut, While many other bands get stuck inaformalist Zam Frankie Witch &the Fingers’ record, full-length Frankie &theWitch Fingers sat Elverum tonight.Elverum Julieand friend close Doiron, plays who with pt. features 2,which his frequent collaborator canon. Elverum’s latest album is Lost Wisdom of loss and as any grief popular inthe music Crow Looked at Me —as eloquent an expression Castrée, wrote in2016,Elverum Geneviève A deaththe of his wife, artist and visual musician @ @

THE ROXY ZEBULON Fingers Witcj &the Frankie , was one releases of of freakier 2019. the 12/7

BRETT CALLWOOD DAVID COTNER FALLING JAMES - sets per night. Mann per sets has long asucker been for to expanded three nights,been with two separate Show at Largo has proved that successful so it’s e annual Aimee Mann & Ted Christmas Leo Aimee Mann&Ted Leo mon 12/9 MasterDevil and Creeping play. Death also surely soundand huge they’ll live. Power Trip, Witch and Christ” the are intense, particularly treatment. Songs such as title the track and “e recently given stunning the picture vinyl disc releases ofof metal best 2018,and the it was MessiahElectric album, eighth, their was one Metallica, Exodus, Testament, etc. year’s Last of blossoming the that thrash scene brought us to have burst out days of Bay the since glory the contemporary best the might be they band metal ic, brutal music since forming in1998.In fact, On Fire have creating been gloriously monolith- sludge/stoner/doomOakland troupe metal High High OnFire and and albums such as ’81debut, the Cool Kids , could reallyplay. Substance came before style, in essence a shit-kicking hard rock band that package bills with that of But sort act. Kix was ’80scrowdmetal can o en —they found be on derstandably generally lumped hair inwith the with Atlantic and nding feet. ey’re their un- Aerosmith and AC/DC, before landing adeal would cover tracks by likes of the Zeppelin, band Maryland Kix was formed in 1977and Kix sun 12/8 play. play. ronment. e Hard Way and Aviators the also to day, this deliver andstill live inthe they envi- Poison, but retain they arespectable following tunes. didn’t ey break like Mötley or Crüe BRETT CALLWOOD @ @ @

LARGO AT THE CORONET THE OBSERVATORY WHISKEY A GO GO

Midnite Dynamite BRETT CALLWOOD

were packed with killer were packed with killer PHOTO BY DAVID FEARN

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@ @ CALLWOOD DJ and producer Illenium, also known as also as Illenium, known producer and DJ fans EDM over won has Miller, D. Nicholas - orig standout his with the world all around Beyond remixes. memorable inal and beats feel-good and the emotion it’s records, the re with. resonate audiences that brings he aura instruments, a slew of include shows live His the only drum keyboards to pads and from recently, Most lighting. illuminating greatest titled As album studio unleashedhe third his the Billboard on placement become rst his chart, peaking on Albums Dance/Electronic the Fall ings singles “Good performexplosive to “Takeaway” Bellion and Jon featuring Apart” Chainsmokers. e with Illenium cend Raquel Rodriguez Raquel Los Raquel Rodriguez a Mexican-American is R&B/soul authentic who sings native Angeles Prince, cites She beautifully. does it and music, Chaka Wonder, Khan, Stevie Jackson, Michael inuences. as Mars Bruno and Winehouse Amy the very learn from not best and all, why Aer - Accord times? acts R&B recent in popular most with stage a shared she’s bio, online her to ing opened and .Paak, Anderson and Stefani Gwen Dogg, Snoop Moonchild Cole, PJ Morton, J. for a resume quite at’s others. Lizzo among and full- her on working currently she’s and already, while she’s now her Catch album. debut length rooms. intimate relatively still playing thu heartfelt and beautiful songs that marry that beautiful songs the and heartfelt with Richman Jonathan of whimsical spirit rarely Monolators e art rock. and garage punk, but theirEastside these lair days, from emerge spectacle and a fantastic always it’s when they do, reunited when as the group such onstage, circus Polartropica’s set at energetic a momentous, for Early the Bootlegresidency at this year. earlier “Strawberry anthem pop the surging like classics - spectral such Vel alongside in right and t Roan” Be in Space,” Best Friends “Let’s as passages vets-y titled collection aptly Monolators’ e from . Tears of Years FALLING JAMES FALLING . She has also proved also has proved She . FALLING JAMES FALLING , a record that largely favored blue and and blue favored largely that , a record 12/10

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Forcomplete Minorities/ Women/Vets/ Equal OpportunityEmployer– tions notpresently known. May workatotherU.S.loca- work remotely from home. side anywhere intheU.S.and ce inLosAngeles,CAorre- work from thecompany’s of- domestic travelrequired. May and dataintegrity. Upto50% business processes, security, ing systemsoperations, relates toFinancial/Account- systems optimizationasit involving strategyandOracle responsibility forprojects LLP; LosAngeles,CA):Hold Associate Manager(Accenture & IntegrationArch Computer/IT: Business EMP LOYMEN [email protected]. exp. req’d. EmailCV: HR, Psychorrtd.+1yr. of policies andrelations. BSin Specialist tomanageemploy. Inc. inWilmington seeksHR Gold PointTransportation, spnsrshp. EOE auth toworkintheUSw/o #LAMAN. Mustbelegally Los Angeles,CA90071;Ref 555 S.FlowerSt,18thFl, resume toAttn:I.Markaryan, VP, SrSalesforce Admin.Mail oppty inLosAngeles,CAfora City NationalBankhasan COMPUTER CA): Produce HTML/CSS/JavaS (Accenture LLP;CulverCity, Consultant (MultiplePositions) Front EndDevelopment en/Vets/Disabled. Employer –Minorities/Wom- 00761530). EqualOpportunity com/us-en/careers (Job# apply, goto:www.accenture. list ofrequirements, andto complete jobdescription, to meetclientneeds.For proximately 80%ofthetime to traveldomesticallyap- have willingnessandability and webapplications.Must desktop andmobilewebsites mentation forintegrationinto cript codefrom designdocu- 90058, attn.CEO E. 46thSt.,LosAngeles,CA mail toCrestone LLC,1852 Fashion Designer:Applyby #726, Glendale,CA91203 Oliva, 121WLexingtonDr Lex andOtisLLC,Attn.Jay related required. Resumeto in EntertainmentDesignor 40hrs/wk, Bachelor’s degree ture, shadow&transparency. manipulating light,color, tex- characters appearlifelikeby programs. Makeobjectsor puter animationormodeling ing aprocess, usingcom- objects inmotionorillustrat- 2D/3D imagesdepicting computer equipment.Create judgment, creativity, and animation, usingindependent Design complexgraphics& Concept Artist(Glendale,CA) Attn: HRDept. theoncologyinstitute.com r TOI Management,LLC.Send Job location:Cerritos, CA., of cer orGeneralCounsel. experience asCompliance review. JDorLLB&24months budget forthemanagement a compliancedepartment Conduct audits.Develop necessary trainingprograms. legal documents.Developany compliance programs. Review the Oncology’s Practice’s op, implement,andmaintain Compliance of cer todevel- esume to:marnigonzalez@ T &EDU - CA CA 91203. Brand Blvd,8thFl,Glendale Age ofLearning Inc.,101N. submit resume toSr. Counsel, Quali ed applicantsplease 8th Floor, Glendale,CA91203. out of101N.BrandBlvd., or equiv. Positionisbased mobile gameengine,Unity and deployingapplicationsin or Ruby;and6mosbuilding ming inPython,Golang,Perl, must possess3yrsprogram- formation orterraform). Also management tools(e.g.cloud or CI)andcon guration CI tools(e.g.Jenkins,Gitlab, automation processes using and managingCICD maintaining CIenvironments tions tocloudenvironments; and highly-scalableapplica- load-balanced, highly-available to deployproduction-ready, tration tool(e.g.Kubernetes) (e.g. docker, LXC)ororches- paradigm; usingcontainers services inamicroservices building anddeployingweb in anAgileenvironment; and tags, andhooks;developers GIT, workows,branches, ment; workingin/with:AWS; customer-facing environ- services inahigh-volume public andprivatecloud infrastructure andsupporting exp. managingLinux-based Sci. orrelated and36mos’ Bachelor’s orequiv. inComp. Age ofLearning, Inc.Req’d: Sr DevOpsEngineersoughtby Principals only. [email protected]. at resume to:ReachLocal,Inc. Auth. req’d ifhired. Send site: Woodland Hills,CA.Work pay perclickcampaigns.Job- & exp.withdigitalmkt,inclu. SEM products &bus.models, procedures, knowledgeof edge inSAASmktprocess & related. Alsoreq tech.knowl- Mgr. forSearch Eng.,Mkt.or in joboffered, orasanAss. Sci., orrelated, plus2yrs.exp. MBA inGlobalMgmt,Comp. process &techniques.Req: to developdigitaladmgmt. looking foraProduct Mgr. Internet ad.&mkting.co.is Dr., SantaClarita,CA91355 Cruises, 24303Town Center Resumes: C.Wong, Princess odologies, tools&processes. knowl of:software QAmeth- works. Musthavestrong command executionframe- (Shell, Perl,Ruby, orPython)& stack, scriptinglanguages dvlpmt, J2EEtechnology technology, Javaapplication ing tools,GIT, containerization JMeter, applicationmonitor- Java, TestNG &RESTAssured & Selenium WebDriver, Appium, test scriptsusingCucumber, Must haveexpwith:writing QA automationframework. exp architecting &dvlpg Exp mustincl:Min.of2yrs DevOps technologiesposition. of 5yrsexpinjoborrltd Engg, CompSciorrltd.Min. deg, orforeign equiv, inIT platform. Reqmts:Bachelor’s & ef cient webapplication Dsgn, build&maintainsecure ing usingscripts&CICDtools. build, deployment&monitor- for automatingapplication Santa Clarita,CA,Responsible Princess Cruise Lines,Ltd., Automation Engineering), (DevOps, Performance & Sr. Programmer Analyst L T ION

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Computer/IT: Principal Computer/IT: LLP; (Accenture Consultant in a CA): Act Angeles, Los and be capacity lead projects for responsible Oracle & strategy involving it as optimization systems nancial/accounting to relates business operations, systems & data security, processes, domestic to 75% Up integrity. Making a false or fraudulent claim is a felony subject up to 5 years in prison or a fine up to Making a false or fraudulent claim is a felony subject up to 5 years in prison or a fine up ACCOUNTING External Assurance Manager, Audit (Multiple Positions), LLP, PricewaterhouseCoopers Los Angeles, CA. Assist clnts to solve complex bus. issues strategy to execution. from digiti- clnts value thru Provide zation, automtion & increased Applying bus. ef ciencies. advice of tech. acct & n. Req in equiv deg or foreign Bach’s + 5 Acct, Fin, Bus Admin or rel rel progressive yrs post bach’s deg work exp; OR a Master’s equiv in Acct, Fin, or foreign + 3 yrs rel Bus Admin or rel work exp. Must have a valid equiva- license or foreign CPA req. up to 60% lent. Travel Job Apply by mail, referencing Code CA2194, Attn: HR SSC/ 4040 Management, Talent Boy Scout Boulevard, West FL 33607. Tampa, Sr. Prosthetics & Orthotic Sr. Consultant in San Dimas, CA. Manage ac- tivities pertaining to the fab- rication, tting, adjustment, and training of patients on the use of orthotic and pros- thetic devices. Req: Assoc. & Orthotics or in prosthetic Exp & ABC equivalent & 5 Year Mail resume in Prosthetics. to: Manoj Parida, President, Advance Rehab Services, Inc, #10 San E. Bonita Ave 451 W. Dimas, CA 91773 Senior Paralegal, in Law Degree Master’s F/T, Logos or J.D., Mail resume: 3435 Law Corp. Professional 1810, Los Blvd. Suite Wilshire Angeles, CA 90010.

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