TAMALPAIS HIGH SCHOOL 100Th ANNIVERSARY
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Major Streams and Watersheds of East Marin
Ch ile no t å V S 29 al å le y Rd I D St d Major Streams and WatershedsR of East Marin San Anto o ni i o n R o d t 9å3 S n an A A å nton io Rd n a S Ma rs ha d ll R P s e e ta y lum e a R R d t L P a a k m e lu vi ta lle Pe R d W i lso n H ill Rd SOULAJULE RESERVOIR L 4 a 2 k e v il North Novato le R d 9 48 7 6 3 ay w 0 gh 1 i H e at St r an Ma in S 3 D 7 N r ova U to n B i lv t d 7å3 e å å n d 77 L å S s d t a n v l o t e B m s STAFFORD LAKE d m H i o S o i g A w h th N d w e o e r East Marin Schools v a to a R n to y A d å Bå 55 1 v R lv t G e å d å ra 0 å Blackpoint e n å å å 63 å S t 59 a A 1 1, ADALINE E KENT MIDDLE SCHOOL 34, LYNWOOD ELEM. SCHOOL 67, RING MOUNTAIN DAY SCHOOL å v ve å r m A h D u t r l 7 D o a n å e L b t o 32 ong r å å e å s å Av a il e 2, ALLAIRE SCHOOL 35, MADRONE CONTINUATION HIGH SCHOOLP 68, ROSS ELEM. -
Deepa Mehta (See More on Page 53)
table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region. -
The Rise of Talk Radio and Its Impact on Politics and Public Policy
Mount Rushmore: The Rise of Talk Radio and Its Impact on Politics and Public Policy Brian Asher Rosenwald Wynnewood, PA Master of Arts, University of Virginia, 2009 Bachelor of Arts, University of Pennsylvania, 2006 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia August, 2015 !1 © Copyright 2015 by Brian Asher Rosenwald All Rights Reserved August 2015 !2 Acknowledgements I am deeply indebted to the many people without whom this project would not have been possible. First, a huge thank you to the more than two hundred and twenty five people from the radio and political worlds who graciously took time from their busy schedules to answer my questions. Some of them put up with repeated follow ups and nagging emails as I tried to develop an understanding of the business and its political implications. They allowed me to keep most things on the record, and provided me with an understanding that simply would not have been possible without their participation. When I began this project, I never imagined that I would interview anywhere near this many people, but now, almost five years later, I cannot imagine the project without the information gleaned from these invaluable interviews. I have been fortunate enough to receive fellowships from the Fox Leadership Program at the University of Pennsylvania and the Corcoran Department of History at the University of Virginia, which made it far easier to complete this dissertation. I am grateful to be a part of the Fox family, both because of the great work that the program does, but also because of the terrific people who work at Fox. -
Risks and Rewards of the Anytime-Anywhere Internet Risks and Rewards of the Anytime-Anywhere Internet
Research Collection Monograph ON/OFF: Risks and Rewards of the Anytime-Anywhere Internet Risks and Rewards of the Anytime-Anywhere Internet Author(s): Genner, Sarah Publication Date: 2017 Permanent Link: https://doi.org/10.3929/ethz-a-010805600 Originally published in: http://doi.org/10.3218/3800-2 Rights / License: Creative Commons Attribution-NonCommercial 3.0 Unported This page was generated automatically upon download from the ETH Zurich Research Collection. For more information please consult the Terms of use. ETH Library ON | OFF Risks and Rewards of the Anytime-Anywhere Internet Sarah Genner This work was accepted as a PhD thesis by the Faculty of Arts and Social Sciences, University of Zurich in the spring semester 2016 on the recommendation of the Doctoral Committee: Prof. Dr. Daniel Sü ss (main supervisor, University of Zurich, Switzerland) and Prof. Dr. Urs Gasser (Harvard University, USA). Published with the support of the Swiss National Science Foundation. Bibliographic Information published by Die Deutsche Nationalbibliothek Die Deutsche Nationalbibliothek lists this publication in the Internet at http://dnb.d-nb.de. This work is licensed under Creative Commons license CC BY-NC-SA 3.0. Cover photo: fl ickr.com/photos/zuerichs-strassen © 2017, vdf Hochschulverlag AG an der ETH Zürich ISBN 978-3-7281-3799-9 (Print) ISBN 978-3-7281-3800-2 (Open Access) DOI 10.3218/3800-2 www.vdf.ethz.ch [email protected] Table of Contents Preface ................................................................................................................................... -
Kundalini Yoga in Mexico
yoga & health10 DECADES OF SCIENTIFIC RESEARCH MEDICINE DISCOVERS MEDITATION KUNDALINI YOGA HEALS 4 CAPE TOWN WOMEN 5 THINGS TO FORGIVE IN YOUR LIFE HEALING AYURVEDIC CUISINE THE HEALING POWER OF INTENTION PRESORTED S T A N D A R D U S P O S T A G E PAID ESPANOLA, NM PERMIT NO. 934 Volume 5 Number 4 July/August 2006 July.AT.6.indd 1 6/6/06 2:30:28 PM uplifting flavor 7(/,,9(5-!.*!- *OUFSOBUJPOBM,VOEBMJOJ:PHB5FBDIFST"TTPDJBUJPO "OOVBM5FBDIFST4VNNJU %ACHONEOFYOUMUSTRISEUP &ONDJOUAN &RANCE )AMGRATEFULTOHAVEFOUNDTHIS ANDFULlLLYOURROLEINTHESTORY *ULY EXTRAORDINARYFAMILYOFBEAUTIFUL %ACHONEOFYOUISASAINT&ROM SOULS BRINGINGTHETEACHINGSOF YOURSOULSTHISSPIRITUALNATION -EXICO#ITY -EXICO 9OGI"HAJANTOTHEWORLD HASCOME4OMINTTOMORROW .OVEMBER -ELINDA(ESS .EW-EXICOn)+94! ANDGETRIDOFSORROW 9OUALL 4EACHER#ONFERENCE MUSTUNITEASONE 5NLEASHINGOUR#OLLECTIVE 9OGI"HAJAN 7ISDOMAND"UILDINGOUR 'LOBAL#OMMUNITY )MAGINEALLTHE+UNDALINI9OGA 4EACHERSINYOURAREAWORKINGTOGETHER NEWOPPORTUNITIESOPENINGUPFORALL TEAMWORKHASMEGA MULTIPLIEDTHE IMPACTOF+UNDALINI9OGAINYOUR COMMUNITYTEACHERSFEELELEVATEDAND INCLUDED ABLETOSHARETHEIRGIFTSAND SUPPORTEACHOTHERWORLDWIDE!LLTHIS ANDMOREISPOSSIBLE s0RACTICEWITHYOURPEERSANDCOLLECTIVELY VIBRATEINTHESACREDTEACHINGSAS TAUGHTBY9OGI"HAJAN The enchanting Yogi Tea medley of green tea and spearmint, s%NGAGEINAPROCESSOFAUTHENTIC peppermint, and lemongrass will invigorate your body and soul. COMMUNICATIONANDCOLLABORATION &ORREGISTRATIONOR MOREINFORMATION Begin your journey at www.yogitea.com with a FREE SAMPLE. Savor the Journey s#REATEOURFUTURETOGETHERBYCLARIFYING -
The Digital Dilemma 2 Perspectives from Independent Filmmakers, Documentarians and Nonprofi T Audiovisual Archives
Copyright ©2012 Academy of Motion Picture Arts and Sciences. “Oscar,” “Academy Award,” and the Oscar statuette are registered trademarks, and the Oscar statuette the copyrighted property, of the Academy of Motion Picture Arts and Sciences. The accuracy, completeness, and adequacy of the content herein are not guaranteed, and the Academy of Motion Picture Arts and Sciences expressly disclaims all warranties, including warranties of merchantability, fi tness for a particular purpose and non-infringement. Any legal information contained herein is not legal advice, and is not a substitute for advice of an attorney. All rights reserved under international copyright conventions. No part of this document may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without permission in writing from the publisher. Published by the Academy of Motion Picture Arts and Sciences Inquiries should be addressed to: Science and Technology Council Academy of Motion Picture Arts and Sciences 1313 Vine Street, Hollywood, CA 90028 (310) 247-3000 http://www.oscars.org Printed in the United States of America Library of Congress Cataloging-in-Publication Data The Digital Dilemma 2 Perspectives from Independent Filmmakers, Documentarians and Nonprofi t Audiovisual Archives 1. Digital preservation – Case Studies. 2. Film Archives – Technological Innovations 3. Independent Filmmakers 4. Documentary Films 5. Audiovisual I. Academy of Motion Picture Arts and -
Curves Serving with U.8
.7.' i- -I . 1 - * V A Jilt, ./i,. ii.«/ I MONDAY, AUGUST 15, 1955 P ^ i^ T E E N !^nrl|(ater lEti^mng HmUt ATatags Dallf Nat Prasa R ob k s i Tor Mm Weak TMofi . study at Harvard tha othar half. In school ayatesu tha epportmlty to , A o e h I is, 1888 TUr MlM lloan StiicMand. U Oak Internship Plan a seminar each W||isk. tha interna work with eolleget in recruiting r t , la spending the' week at Star UNAM Plans Busy Program wilt discuas their teaching aaperi- and preparing teachera to fill their About T ir a Isle of Shoals. 10 Kilss encea in the light of course work. needs ^ O A l U C O A . 10,823 'B io a t t T out to sea from Ppitsmouth, Aimed to Solve 1410 program has two broad r«(M w Aatit *^^.0«BMliton e( UlMTty N& IT, K. M.. where she Is acting as a For United Nations Week goals, liie first is to> get able eol- ofCTwIaM w ManehtsUr^—A City o f ViUage Charm Wia hold a rocttlw tomUiic counselor for the second week of Thfit Interfirct Ths the Congregational Touth Con Acute Shortage lege graduates Into teaching by of IW iiitrmi sight at 8 o’clock In fering new routes to a teaching Wishes Of The PsEiil7 ference. ___ _ < -* o m ig e Hall. )V>llowiag tho moot- Tha United N.atione Association :wlth plans for U.N. Week., At a career. *17118 la eapecially valuable w Paga U ) PRICE FIVR CENTU | u a soda) hour with rofrooh- Miss Helen MaePheraon of 376 MANCHESTER, CONN„ TUESDAY, AUGUST 16, 1955 Mra Signe Sheekey and Mrs. -
Tamboosters Membership Application 2015/16
TamBoosters Membership Application 2015/16 Name(s): ____________________________________________________________________________ Email 1: ___________________________________ Email 2: ___________________________________ Phone 1: _________________________________ Phone 2: ___________________________________ Address_____________________________________________________________________________ Student’s Full Name: __________________________________________ Grade: ______ Student’s Full Name: __________________________________________ Grade: ______ My student(s) participates in the following: Track & Field Football Soccer Tennis Swimming Water Polo Lacrosse Golf Baseball Basketball Softball Volleyball Diving Wrestling Cross County Cheerleading Club Sports: Sailing Mtn. Biking Membership Levels (please check ONE ONLY*): _____GENERAL (Individual): $1 - $99: Supports Boosters general membership plus 2 Boosters T decals. $_____________ _____BRONZE $100 - $249: Supports Boosters and includes free admission for 2 individuals to all regular $_____________ season home football/basketball games plus 2 Boosters T decals _____SILVER $250 – $499: Supports Boosters and includes free admission for 4 individuals to all regular $_____________ season home football/basketball games plus 2 Boosters T decals. _____GOLD $500 – $999: includes free admission for up to 8 individuals to all regular season home $____________ football and basketball games PLUS a TAM Spirit Pack, a “Go Hawks” car decal and 2 Boosters members T decals. _____ Hall of Fame $1000+: includes -
2019 Camp Final Concert Program
See You Next Year !!! July 18 – 25, 2020 Only 342 Days Away!! Register Now for Camp 2020 (at 2019 Prices!!) For Information and Camp Attendance next 2019 Camp Final year please come see us at the 2020 Registration Desk or check our website at: Concert Program www.lahondamusiccamp.org July 20-27, 2019 Camp Final Concert Program Camper families will be emailed the link to download the 2019 Hayward La Honda Music Our stay at camp has been an amazing and Camp Concert Performances (Free Download!!) memorable experience thanks to the individual and collective efforts of the awesome YMCA Staff. We especially appreciate the kindness and hard work of our hosts: Carrie Herrera, Colby Wiley, Luke Eberhart, Jim Marshall, Joel Avila, Nick Erwin, Tony Marcelo, Nikki Molova, Yolanda Zepeda, Feliciana Lopez, Mirabelle, Juan Martinez, Alejandro Rodriguez, Luis Lopez, Ivan Lopez, Mike (aka Mikey), Ben, Isabel, Laura, Alan, Ivan Ortega, Josue, Jose Negrete, Jasmine Negrete, Juan Negrete Let your friends and family know that YMCA Camp Jones Gulch is a BEAUTIFUL & AMAZING PLACE to visit!! A MILLION THANKS to Scott Martin for the BRILLIANT redesign of our new website! Check it out at lahondamusiccamp.org or Lahondamusiccamp.com Special thanks to our amazing volunteer logistic staff for large equipment and instrument load in/out: Russell Bowerman, Daniel Marquis, Michael Keating, Christian Gerardo, Frank Casados. Thank you Julia Marquis for the fabulous 2019 Camp T-Shirt Design!! But most importantly, we would like to extend, with a thundering round of applause , our appreciation to YOU (!!!) the Parents and Families of our Campers for Choosing Hayward La Honda Music Camp! We had a fantastic year and look forward to seeing all our amazing campers return for our 59th season of Camp July 18 – 25, 2020 !! We Sincerely Hope You Enjoy the Concert!!! 2019 Concert Program Junior Concert Band Joe Murphy, director Achilles' Wrath Sean O'Loughlin Our Kingsland Spring Samuel R. -
Sikh Kirtan in the Diaspora: Identity, Innovation, and Revivalism
SIKH KIRTAN IN THE DIASPORA: IDENTITY, INNOVATION, AND REVIVALISM Navtej K. Purewal and Harjinder S. Lallie Introduction In 2003 the Dya Singh World Music Group, upon invitation from the Sikh Mayor of a medium-size California town with a considerable Sikh com- munity, arrived from Australia to run a Sikh youth camp for the com- munity in the area. For one week, Dya Singh and his group, comprised of both Sikhs and non-Sikhs, led the camp in teaching the children Gur- mukhi, gurbani kirtan, and translations in accessible language and story- telling styles to the children of the Guru Granth Sahib. The appealing world music style of kirtan was performed by Dya Singh’s group and the children participants on the final day of the camp in front of parents and the community, surprising many in how much the children had learnt in only one week. The immediate reaction from the Gurdwara Committee members ignited an opposition to what had gone on that week. As alleg- edly commented by one committee member: He turned Darbar Sahib into an entertainment center. He even made every- one laugh with some jokes! Religion is serious business . He is blasphe- mous! We should never pay him or invite him here again.1 Not only does Dya Singh’s group use the harmonium and tabla in its ren- ditions of shabad kirtan, but also the aboriginal didgeridoo, the European gypsy violin, the electric guitar and other instruments in their recordings and performance, stretching the imagination and boundaries of kirtan into the realm of world music. -
EXODUS to BERLIN IS a STORY of Especially to Germany.” Klinik Am Randgebiet Von Berlin Im REDEMPTION, HOPE and RENEWAL
EXODUST0 berlin PETER L AUFER & JEFF KAMEN 1 RWÄGEN SIE DIESE SEITEN als Begleitung zu dem 2001 gedrehten Dokumentarfilm Exodus nach Berlin. Der Film, ausgezeichnet mit dem David Wolper Documentary Film Prize im Wine Country Film E Festival,wurde von Jonathan Laurence am Ginzberg Center for European Studies an der Harvard University lobend erwähnt mit „starken Bildern, ausgezeichnetem Elite-Interviewmaterial, dass die Mehrdeutigkeiten einfängt”, und wurde „ausdrucksvoll und mitfühlend” genannt von dem WNBC TV-Filmkritiker Jeffrey Lyons in New York, der sagte, es sei „eine wenig bekannte Geschichte von Mut, die erzählt werden muss.” ONSIDER THESE PAGES a companion to the 2001 documentary film, Exodus to Berlin. The film, winner of the David Wolper Documentary Film Prize at the Wine C Country Film Festival, was cited with “powerful imagery, excellent elite interview material that captures the ambiguities” by Jonathan Laurence at the Ginzburg Center for European Studies at Harvard University, and was called “powerful and compassionate” by WNBC TV film critic Jeffrey Lyons in New York, who said it “tells a little-known story of courage which has to be told.” 2 Veränderung Heutzutage erkennt Deutschland die Tatsache an, dass es Change Today, Germany is acknowl- ein Einwandererland ist, und Juden erkennen die Tatsache an, dass edging the fact that it is a nation of Deutschland eine Zufluchtsstätte ist immigrants, and Jews are acknowledging vor politischen und ökonomischen Germany as a haven from political and Krisen. economic crises. Diese krassen These stark changes in past behavior Veränderungen often translate von früheren to social con- Handlungsweisen flicts for native drücken sich oft in Germans and sozialen Konflikten their new fellow aus für Deutsche citizens. -
The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA)
Recordings at Risk Sample Proposal (Fourth Call) Applicant: The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project: Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Portions of this successful proposal have been provided for the benefit of future Recordings at Risk applicants. Members of CLIR’s independent review panel were particularly impressed by these aspects of the proposal: • The broad scholarly and public appeal of the included filmmakers; • Well-articulated statements of significance and impact; • Strong letters of support from scholars; and, • A plan to interpret rights in a way to maximize access. Please direct any questions to program staff at [email protected] Application: 0000000148 Recordings at Risk Summary ID: 0000000148 Last submitted: Jun 28 2018 05:14 PM (EDT) Application Form Completed - Jun 28 2018 Form for "Application Form" Section 1: Project Summary Applicant Institution (Legal Name) The Regents of the University of California, Berkeley Applicant Institution (Colloquial Name) UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project Title (max. 50 words) Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Project Summary (max. 150 words) In conjunction with its world-renowned film exhibition program established in 1971, the UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) began regularly recording guest speakers in its film theater in 1976. The first ten years of these recordings (1976-86) document what has become a hallmark of BAMPFA’s programming: in-person presentations by acclaimed directors, including luminaries of global cinema, groundbreaking independent filmmakers, documentarians, avant-garde artists, and leaders in academic and popular film criticism.