Burns Chronicle 1897
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Paisley FM Community Radio Licence Application Form
Paisley FM community radio licence application form 1. Station Name Guidance Notes What is the proposed station name? This is the name you expect to use to identify the station on air. Paisley FM ‘Radio for Renfrewshire’ 2. Community to be served Guidance Notes Define the community or communities you are It is a legislative requirement that a service is intended proposing to serve. Drawing from various sources of primarily to serve one or more communities (whether or data (e.g. from the Office of Population, Census and not it also serves other members of the public) and we Survey) and in relation to your proposed coverage need to understand who comprises that community or area, please determine the size of the population communities. The target community will also be concerned and the make-up of the population as a specified in the licence, if this application is successful. whole, along with any relevant socio-economic The legislation defines a ‘community’ as: people who live information that would support your application. or work or undergo education or training in a particular (Please tell us the sources of the information you area or locality, or people who have one or more provide.) interests or characteristics in common. Answer in fewer than 300 words: Paisley FM intends to serve the communities as published in the invitation to apply, namely: Paisley, Renfrew and Johnstone and surroundings parts of Renfrewshire. It is the intention to serve the entire population of the Renfrewshire Council local government authority area. The 2015 population for Renfrewshire is 174,560 with the main town being Paisley with a total population of 74,640. -
An Application for the West Central Scotland Licence
An application for the West Central Scotland licence: 26th May 2016 1 Section 6 The application General information (a) Name of Applicant, Address, Telephone and E-mail address Original 96 Glasgow Ltd (Registered office) 20 Barnton Street Stirling FK8 1NE Phone 01382 901000 Mobile 07917203633 E-mail [email protected] (b) Main Contact (For Public Purposes) MAIN CONTACT Name Adam Findlay Phone 01382 901000 Mobile 07917203633 Address 11 Buchanan Street, Dundee, DD4 6SD Email [email protected] (c) Station Name (if decided) Original FM 2 (d) Area to be covered Original FM is applying for the Glasgow area licence using the cleared Cathkin Braes transmission site with the proposed specifications set out by Arqiva in the map below, with an anticipated population coverage of 1.3 million (adults 15+). The Arqiva technical specifications were released on 8th April 2016. Subject to final negotiations we would propose to use a full service and maintenance solution from Arqiva. The following technical specifications and subsequent conclusions as set out in the technical proposal: Transmission site: Cathkin Braes NGR: NS 62571 58267 Site height aod: 205m Antenna height: 57.7m agl Frequency: 96.3 MHz FM Total maximum ERP: 4 kW mixed polarisation (2 kW vertical plane + 2 kW horizontal) Anticipated adult (15+) population coverage: 1,328,163 - 1,454,732 3 Section 2 2.5 Applicants may be able to identify alternative transmission sites in the Glasgow area that would achieve similar population coverage. SUBMITTED IN CONFIDENCE - (see appendix section 2) (d) Main Contact (For Ofcom Purposes) MAIN CONTACT Name Adam Findlay Phone 01382 901000 Address 11 Buchanan Street, Dundee, DD4 6SD Email [email protected] Mobile 07917203633 4 Section 105(A): Ability to maintain proposed service 1. -
Proposals for the Launch of a New BBC Scotland TV Channel SUBMISSION to OFCOM
Proposals for the launch of a new BBC Scotland TV channel SUBMISSION TO OFCOM November 2017 Proposals for the launch of a new BBC Scotland TV channel 1 Foreword 1 1.1 Why the BBC is developing a new channel for Scotland .................................................................... 1 1.2 The BBC’s proposals for a new channel for Scotland .......................................................................... 2 1.3 Regulatory approval – the public interest test ....................................................................................... 3 2 Introduction 5 3 Strategic context 8 3.1 Changing audience context .......................................................................................................................... 8 3.2 Changes in the political, social and cultural context ......................................................................... 10 3.3 Growing importance of the creative industries in Scotland............................................................. 11 4 The BBC’s proposals 14 4.1 The BBC’s initial proposals ........................................................................................................................ 14 4.2 Analysis undertaken to inform further development of the channel ........................................... 15 4.3 Final proposals for the new channel....................................................................................................... 28 4.4 Proposed changes to other BBC public services ................................................................................ -
Comparative Data Chartspdf
RAJAR DATA RELEASE Quarter 2, 2015 – August 6 th 2015 COMPARATIVE CHARTS 1. National Stations 2. Scottish Stations 3. London Stations 4. Breakfast Shows – National and London stations Source RAJAR / Ipsos MORI / RSMB RAJAR DATA RELEASE Quarter 2, 2015 – August 6 th 2015 NATIONAL STATIONS SAMPLE SIZE: TERMS WEEKLY The number in thousands of the UK/area adult population w ho listen to a station for at least 5 minutes in the Survey period - Q2 2015 REACH: course of an average w eek. SHARE OF Code Q (Quarter): 22,340 Adults 15+ LISTENING: The percentage of total listening time accounted for by a station in the area (TSA) in an average w eek. TOTAL Code H (Half year): 46,216 Adults 15+ HOURS: The overall number of hours of adult listening to a station in the UK/area in an average w eek. TOTAL HOURS (in thousands): ALL BBC Q2 14 546723 Q1 15 553852 Q2 15 554759 TOTAL HOURS (in thousands): ALL COMMERCIAL Q2 14 443326 Q1 15 435496 Q2 15 464053 STATIONS SURVEY REACH REACH REACH % CHANGE % CHANGE SHARE SHARE SHARE PERIOD '000 '000 '000 REACH Y/Y REACH Q/Q % % % Q2 14 Q1 15 Q2 15 Q2 15 vs. Q2 14 Q2 15 vs. Q1 15 Q2 14 Q1 15 Q2 15 ALL RADIO Q 48052 47799 48184 0.3% 0.8% 100.0 100.0 100.0 ALL BBC Q 35227 34872 35016 -0.6% 0.4% 53.3 54.4 53.0 15-44 Q 15258 14583 14687 -3.7% 0.7% 39.6 40.5 38.4 45+ Q 19970 20290 20329 1.8% 0.2% 62.4 63.2 62.4 ALL BBC NETWORK RADIO Q 32255 31671 31926 -1.0% 0.8% 45.5 46.9 45.5 BBC RADIO 1 Q 10795 9699 10436 -3.3% 7.6% 6.8 6.4 6.4 BBC RADIO 2 Q 15496 15087 15141 -2.3% 0.4% 17.7 18.1 17.6 BBC RADIO 3 Q 1884 2084 1894 0.5% -9.1% 1.0 1.2 1.3 BBC RADIO 4 (INCLUDING 4 EXTRA) Q 10786 11265 10965 1.7% -2.7% 12.5 14.0 12.8 BBC RADIO 4 Q 10528 10886 10574 0.4% -2.9% 11.6 12.8 11.7 BBC RADIO 4 EXTRA Q 1570 2172 1954 24.5% -10.0% 0.9 1.2 1.2 BBC RADIO 5 LIVE (INC. -
Celebrating 40 Years of Commercial Radio With
01 Cover_v3_.27/06/1317:08Page1 CELEBRATING 40 YEARS OF COMMERCIAL RADIOWITHRADIOCENTRE OFCOMMERCIAL 40 YEARS CELEBRATING 01 9 776669 776136 03 Contents_v12_. 27/06/13 16:23 Page 1 40 YEARS OF MUSIC AND MIRTH CONTENTS 05. TIMELINE: t would be almost impossible to imagine A HISTORY OF Ia history of modern COMMERCIAL RADIO music without commercial radio - and FROM PRE-1973 TO vice-versa, of course. The impact of TODAY’S VERY privately-funded stations on pop, jazz, classical, soul, dance MODERN BUSINESS and many more genres has been nothing short of revolutionary, ever since the genome of commercial radio - the pirate 14. INTERVIEW: stations - moved in on the BBC’s territory in the 1960s, spurring Auntie to launch RADIOCENTRE’S Radio 1 and Radio 2 in hasty response. ANDREW HARRISON From that moment to this, independent radio in the UK has consistently supported ON THE ARQIVAS and exposed recording artists to the masses, despite a changing landscape for AND THE FUTURE broadcasters’ own businesses. “I’m delighted that Music Week 16. MUSIC: can be involved in celebrating the WHY COMMERCIAL RadioCentre’s Roll Of Honour” RADIO MATTERS Some say that the days of true ‘local-ness’ on the UK’s airwaves - regional radio for regional people, pioneered by 18. CHART: the likes of Les Ross and Alan Robson - are being superseded by all-powerful 40 UK NO.1 SINGLES national brands. If that’s true, support for the record industry remains reassuringly OVER 40 YEARS robust in both corners of the sector. I’m delighted that Music Week can be involved in celebrating the RadioCentre’s 22. -
Performing Right Society Limited Distribution Rules
PERFORMING RIGHT SOCIETY LIMITED DISTRIBUTION RULES PRS distribution policy rules Contents INTRODUCTION...................................................................................... 12 Scope of the PRS Distribution Policy ................................................................................ 12 General distribution policy principles ............................................................................. 12 Policy review and decision-making processes ............................................................. 13 DISTRIBUTION CYCLES AND CONCEPTS ................................................. 15 Standard distribution cycles and frequency .................................................................. 15 Distribution basis ..................................................................................................................... 15 Distribution sections ............................................................................................................... 16 Non-licence revenue ............................................................................................................... 16 Administration recovery rates ............................................................................................ 16 Donation to the PRS Foundation and Members Benevolent Fund ........................ 17 Weightings .................................................................................................................................. 17 Points and point values ......................................................................................................... -
Scottish Government
Tuesday 26 May 2020 SCOTTISH GOVERNMENT Constitution and External Affairs Mark Griffin (Central Scotland) (Scottish Labour): To ask the Scottish Government how many times the Cabinet has met since the World Health Organization declared the COVID-19 outbreak as a pandemic on 11 March 2020; on what dates these meetings took place, and how many were held in a (a) partly- and (b) fully-remote manner. (S5W-28945) Michael Russell: Since the World Health Organization declared the COVID-19 outbreak as a pandemic on 11 March 2020, the Scottish Cabinet has met 11 times, up to and including 19 May. The dates of these 11 meetings are as follows. From 24 March onwards, all of these meetings have been held by teleconference, with a minimum number of Ministers and supporting officials attending in person, while observing the required strict physical distancing and hygiene requirements. Cabinet meetings held between 11 March and 19 May: 17 March 24 March 31 March 7 April 14 April 21 April 28 April 5 May 10 May 12 May 19 May Finlay Carson (Galloway and West Dumfries) (Scottish Conservative and Unionist Party): To ask the Scottish Government what the monthly expenditure has been by publishing companies acting on its behalf on COVID-19 advertising since March 2020 in each Parliamentary region, also broken down by (a) newspaper advertising and (b) broadcasting outlets, including (i) radio and (ii) television. (S5W-29009) Kate Forbes: Month Media Folio Name Supplier Full Name March April May Name ITV DIGITAL 9,385 35,806 37,598 82,788 ASTUS UK LTD 9,385 35,806 -
Taste, Standards and the BBC -Quantitative Research
Taste, Standards and the BBC - Quantitative Research Research study conducted by Ipsos MORI June 2009 Contents Introduction .....................................................................................1 Structure of the report ................................................................................ 1 Presentation and interpretation of results................................................... 2 Executive Summary ........................................................................4 Concerns about broadcast media – the context......................................... 4 Public satisfaction with broadcast standards.............................................. 6 ‘Offensive’ content on TV and radio ........................................................... 9 Who finds broadcast content ‘offensive’?................................................... 9 What people find objectionable in broadcast content............................... 10 Supporting creative licence and freedom of choice.................................. 12 Overview of Survey Methodology................................................16 Methodology............................................................................................. 16 Main Findings ................................................................................19 Section 1 – Public values on taste and standards.................................... 19 Section 2 – Public perceptions of standards ............................................ 28 Section 3 – The public’s rating of broadcasting -
Global-GMG Merger Inquiry: Appendices and Glossary
APPENDIX A Terms of reference and conduct of the inquiry 1. On 11 October 2012, the OFT sent the following reference to the CC: 1. In exercise of its duty under section 22(1) of the Enterprise Act (‘the Act’) to make a reference to the Competition Commission (‘the CC’) in relation to a completed merger, the Office of Fair Trading (‘the OFT’) believes that it is or may be the case that: (a) a relevant merger situation has been created in that: (i) enterprises carried on by or under the control of Global Radio Holdings Limited have ceased to be distinct from enterprises previously carried on by or under the control of GMG Radio Holdings Limited; and (ii) as a result, the conditions specified in section 23(4) of the Act will prevail, or will prevail to a greater extent, with respect to the supply of commercial radio based on listening hours in the UK and the supply of radio advertising services in London, the West Midlands, the East Midlands, the North West, Yorkshire, the North East, Central Scotland, South Wales and North Wales; and (b) the creation of that situation has resulted or may be expected to result in a substantial lessening of competition within any market or markets in the UK for goods or services, including the supply of non-contracted radio advertising services in North Wales, the East Midlands, South Yorkshire and Cardiff. 2. Therefore, in exercise of its duty under section 22(1) of the Act, the OFT hereby refers to the CC, for investigation and report within a period ending on 27 March 2013, on the following questions in accordance with section 35(1) of the Act: (a) whether a relevant merger situation has been created; and (b) if so, whether the creation of that situation has resulted or may be expected to result in a substantial lessening of competition within any market or markets in the UK for goods and services. -
Making Music Radio
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Stirling Online Research Repository MAKING MUSIC RADIO THE RECORD INDUSTRY AND POPULAR MUSIC PRODUCTION IN THE UK James Mark Percival A thesis submitted for the degree of Doctor of Philosophy Department of Film and Media Studies University of Stirling July 2007 J Mark Percival - Making music radio: the record industry and popular music production in the UK For my mother, Elizabeth Ann Percival (née Murphy) (1937-2004) and my father, Stanley Thomas Percival. J Mark Percival - Making music radio: the record industry and popular music production in the UK i ABSTRACT Music radio is the most listened to form of radio, and one of the least researched by academic ethnographers. This research project addresses industry structure and agency in an investigation into the relationship between music radio and the record industry in the UK, how that relationship works to produce music radio and to shape the production of popular music. The underlying context for this research is Peterson's production of culture perspective. The research is in three parts: a model of music radio production and consumption, an ethnographic investigation focusing on music radio programmers and record industry pluggers, and an ethnographic investigation into the use of specialist music radio programming by alternative pop and rock artists in Glasgow, Scotland. The research has four main conclusions: music radio continues to be central to the record industry's promotional strategy for new commercial recordings; music radio is increasing able to mediate the production practices of the popular music industry; that mediation is focused through the social relationship between music radio programmers and record industry pluggers; cultural practices of musicians are developed and mediated by consumption of specialist music radio, as they become part of specialist music radio. -
Self-Registration Service for Unidentified Unpaid Carers
Scottish Government Self-registration Service for unidentified unpaid carers Strategic Communications, Vaccines Strategy Division 3-1-2021 Contents Overview – Self-registration for unidentified unpaid carers ......................................... 2 Process for unpaid carers to be offered an appointment online following self- registration ONLINE .......................................................................................................... 3 Process for unpaid carers to be offered an appointment off-line because they are not able to complete the process of self-registration ONLINE ..................................... 5 Process flow diagram ....................................................................................................... 6 Communications Plan: ..................................................................................................... 7 ANNEX 1 – Sample of creative campaign ....................................................................... 9 Overview – Self-registration for unidentified unpaid carers The self-registration process for unidentified unpaid carers will open on 15 March and take a once for Scotland approach. The NVSS will be used by all Boards for this group in cohort 6. People who self-identify as unpaid carers will be able to access self-registration either online (at https://register.vacs.nhs.scot) or via the Covid vaccination helpline. Carers are eligible for vaccination at this stage and should register if all of the following statements apply to them: You are 16 to 64 -
University of Strathclyde Department of History 'An Outsider Wherever I Am?' Transmission of Jewish Identity Through Five G
University of Strathclyde Department of History ‘An Outsider Wherever I Am?’ Transmission of Jewish Identity through Five Generations of a Scottish Jewish Family Fiona Frank A thesis presented in fulfillment of the requirements for the degree of Doctor of Philosophy 2012 i Abstract This thesis casts new light on the immigrant experience, focusing on one extended Scottish Jewish family, the descendents of Rabbi Zvi David Hoppenstein and his wife Sophia, who arrived in Scotland in the early 1880s. Going further than other studies by exploring connections and difference through five generations and across five branches of the family, it uses grounded theory and a feminist perspective and draws on secondary sources like census data and contemporary newspaper reports with the early immigrant generations, oral testimony with the third and fourth generations and an innovative use of social networking platforms to engage with the younger generation. It explores Bourdieu’s theories relating to cultural and economic capital and the main themes are examined through the triple lens of generational change, gender and class. The thesis draws out links between food and memory and examines outmarriage and ‘return inmarriage’. It explores the fact that anti-Semitic and negative reactions from the host community, changing in nature through the generations but always present, have had an effect on people’s sense of their Jewish identity just as much as has the transmission of Jewish identity at home, in the synagogue, in Hebrew classes and in Jewish political, educational, leisure and welfare organisations. It makes an important link between gendered educational opportunities and consequent gendered intergenerational class shift, challenges other studies which view Jewish identity as static and illustrates how the boundary between ‘insider’ and ‘outsider’ is blurred: the Hoppenstein family offers us a context where we can see clearly how insider and outsider status can be self- assigned, ascribed by others, or mediated by internal gatekeepers.