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Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
University of Dundee Funeral Poverty in Dundee Bickerton, Ruth; Morelli
University of Dundee Funeral Poverty in Dundee Bickerton, Ruth; Morelli, Carlo DOI: 10.20933/100001153 Publication date: 2019 Document Version Publisher's PDF, also known as Version of record Link to publication in Discovery Research Portal Citation for published version (APA): Bickerton, R., & Morelli, C. (2019). Funeral Poverty in Dundee: Funeral Link Evaluation. University of Dundee. https://doi.org/10.20933/100001153 General rights Copyright and moral rights for the publications made accessible in Discovery Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from Discovery Research Portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain. • You may freely distribute the URL identifying the publication in the public portal. Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 01. Oct. 2021 Funeral Poverty in Dundee Funeral Link Evaluation Ruth Bickerton and Carlo Morelli University of Dundee Final Report July 2019 Project Reference Number SIF-R3-S2-LUPS-017 Lead Applicant Dundee City Council Project Title Tackling Funeral Poverty in Dundee through Social Enterprise Table of Contents -
3 Radio and Audio Content 3 3.1 Recent Developments in Scotland
3 Radio and audio content 3 3.1 Recent developments in Scotland Real Radio Scotland has been rebranded as Heart In February 2014 Capital Scotland was sold to the Irish media holding company, Communicorp. It was sold as part of eight stations divested by Global Radio to satisfy the UK regulatory authorities following the acquisition, two years ago, of GMG Radio from Guardian Media Group. Under a brand licensing agreement, Communicorp has rebranded the 'Real' stations under the 'Heart' franchise and plans to relaunch the 'Smooth' stations following the reintroduction of local programming. Therefore, Real Radio Scotland was rebranded as Heart Scotland in May 2014. XFM Scotland was re-launched by its owners, Global Radio, in March 2014. 3.2 Radio station availability Five new community radio stations are available to listeners in Scotland Scotland’s community radio industry has continued to grow. There are now 23 community stations on air, out of the 31 licences that have been awarded in Scotland. New to air in 2013/14 were East Coast FM, Irvine Beat FM, Crystal Radio, and K107 FM. Irvine Beat FM has received funding from the Lottery Awards for All fund to build a training studio. Nevis Radio, which serves Fort William and the surrounding areas, was originally licensed as a commercial radio service, but having chosen to become a community radio service it was awarded this licence instead, on application. The remaining eight of the most recent round of licence awards are preparing to launch. A licensee has two years from the date of the licence award in which to launch a service. -
Annual Report
Annual Review 2016-2017 his was a transformative year for the SPL with new appointments to the roles of Director, Chair and Company Secretary. Our schools activity, special projects and events programme brought new audiences to poetry, which helped to grow our library collection, number of borrowers and engagement with our online resources. Stewart Conn’s poem ‘The Well-Spring’ (on the back cover) reflects on some of the challenges faced by the SPL as the result of staff departures and retirement. Asif Khan, Director T1 Your support helped us Host 92 events Involving 164 poets Encourage nearly 1 ,000,000 people to visit our website Give 142,000 downloads of free poetry resources Add 2,02 0 Welcome items to our catalogue 447 new borrowers Loan books 2,624 times 2 he Living Voices project, Tengaging residential care homes, delivered to carers and librarians in Aberdeen, South Ayrshire and Perth and Kinross. Development e were a host venue activity also took place wfor the Edinburgh Art with library services in Festival programme. Midlothian, Fife, Borders Librarian Julie Johnstone and East Lothian. curated a display of concrete poetry exploring from April 16 links to abstract art. July - August 16 ur second edition of the Tools of the Trade anthology was presented to nearly n support of the the 900 graduating doctors. 14-18 NOW initiative, we SPL Board member Dr Idelivered ‘Ghosts of War’ Gavin Francis was a guest school classes at Edinburgh selector for the Edinburgh Castle in partnership International Book Festival, with National Museums which included a Tools of the Scotland. -
Hallett Arendt Rajar Topline Results - Wave 3 2019/Last Published Data
HALLETT ARENDT RAJAR TOPLINE RESULTS - WAVE 3 2019/LAST PUBLISHED DATA Population 15+ Change Weekly Reach 000's Change Weekly Reach % Total Hours 000's Change Average Hours Market Share STATION/GROUP Last Pub W3 2019 000's % Last Pub W3 2019 000's % Last Pub W3 2019 Last Pub W3 2019 000's % Last Pub W3 2019 Last Pub W3 2019 Bauer Radio - Total 55032 55032 0 0% 18083 18371 288 2% 33% 33% 156216 158995 2779 2% 8.6 8.7 15.3% 15.9% Absolute Radio Network 55032 55032 0 0% 4743 4921 178 4% 9% 9% 35474 35522 48 0% 7.5 7.2 3.5% 3.6% Absolute Radio 55032 55032 0 0% 2151 2447 296 14% 4% 4% 16402 17626 1224 7% 7.6 7.2 1.6% 1.8% Absolute Radio (London) 12260 12260 0 0% 729 821 92 13% 6% 7% 4279 4370 91 2% 5.9 5.3 2.1% 2.2% Absolute Radio 60s n/p 55032 n/a n/a n/p 125 n/a n/a n/p *% n/p 298 n/a n/a n/p 2.4 n/p *% Absolute Radio 70s 55032 55032 0 0% 206 208 2 1% *% *% 699 712 13 2% 3.4 3.4 0.1% 0.1% Absolute 80s 55032 55032 0 0% 1779 1824 45 3% 3% 3% 9294 9435 141 2% 5.2 5.2 0.9% 1.0% Absolute Radio 90s 55032 55032 0 0% 907 856 -51 -6% 2% 2% 4008 3661 -347 -9% 4.4 4.3 0.4% 0.4% Absolute Radio 00s n/p 55032 n/a n/a n/p 209 n/a n/a n/p *% n/p 540 n/a n/a n/p 2.6 n/p 0.1% Absolute Radio Classic Rock 55032 55032 0 0% 741 721 -20 -3% 1% 1% 3438 3703 265 8% 4.6 5.1 0.3% 0.4% Hits Radio Brand 55032 55032 0 0% 6491 6684 193 3% 12% 12% 53184 54489 1305 2% 8.2 8.2 5.2% 5.5% Greatest Hits Network 55032 55032 0 0% 1103 1209 106 10% 2% 2% 8070 8435 365 5% 7.3 7.0 0.8% 0.8% Greatest Hits Radio 55032 55032 0 0% 715 818 103 14% 1% 1% 5281 5870 589 11% 7.4 7.2 0.5% -
An Application for the West Central Scotland Licence
An application for the West Central Scotland licence: 26th May 2016 1 Section 6 The application General information (a) Name of Applicant, Address, Telephone and E-mail address Original 96 Glasgow Ltd (Registered office) 20 Barnton Street Stirling FK8 1NE Phone 01382 901000 Mobile 07917203633 E-mail [email protected] (b) Main Contact (For Public Purposes) MAIN CONTACT Name Adam Findlay Phone 01382 901000 Mobile 07917203633 Address 11 Buchanan Street, Dundee, DD4 6SD Email [email protected] (c) Station Name (if decided) Original FM 2 (d) Area to be covered Original FM is applying for the Glasgow area licence using the cleared Cathkin Braes transmission site with the proposed specifications set out by Arqiva in the map below, with an anticipated population coverage of 1.3 million (adults 15+). The Arqiva technical specifications were released on 8th April 2016. Subject to final negotiations we would propose to use a full service and maintenance solution from Arqiva. The following technical specifications and subsequent conclusions as set out in the technical proposal: Transmission site: Cathkin Braes NGR: NS 62571 58267 Site height aod: 205m Antenna height: 57.7m agl Frequency: 96.3 MHz FM Total maximum ERP: 4 kW mixed polarisation (2 kW vertical plane + 2 kW horizontal) Anticipated adult (15+) population coverage: 1,328,163 - 1,454,732 3 Section 2 2.5 Applicants may be able to identify alternative transmission sites in the Glasgow area that would achieve similar population coverage. SUBMITTED IN CONFIDENCE - (see appendix section 2) (d) Main Contact (For Ofcom Purposes) MAIN CONTACT Name Adam Findlay Phone 01382 901000 Address 11 Buchanan Street, Dundee, DD4 6SD Email [email protected] Mobile 07917203633 4 Section 105(A): Ability to maintain proposed service 1. -
Media Nations 2020: Scotland Report
Media Nations 2020 Scotland report Published 5 August 2020 Contents Section Overview............................................................................................................ 3 The impact of Covid-19 on audiences and broadcasters .................................... 5 TV services and devices.................................................................................... 12 Broadcast TV viewing ....................................................................................... 16 TV programming for and from Scotland ........................................................... 26 Radio and audio ............................................................................................... 34 2 Overview This Media Nations: Scotland report reviews key trends in the television and audio-visual sector as well as in the radio and audio industry in Scotland. The majority of the research relates to 2019 and early 2020 but, given the extraordinary events that surround the Covid-19 pandemic, Ofcom has undertaken research into how our viewing and news consumption habits have changed during this period. This is explored in the Impact of Covid-19 on audiences and broadcasters section. The report provides updates on several datasets, including bespoke data collected directly from licensed television and radio broadcasters (for output, spend and revenue in 2019), Ofcom’s proprietary consumer research (for audience opinions), and BARB and RAJAR (for audience consumption). In addition to this Scotland report, there are separate -
Proposals for the Launch of a New BBC Scotland TV Channel SUBMISSION to OFCOM
Proposals for the launch of a new BBC Scotland TV channel SUBMISSION TO OFCOM November 2017 Proposals for the launch of a new BBC Scotland TV channel 1 Foreword 1 1.1 Why the BBC is developing a new channel for Scotland .................................................................... 1 1.2 The BBC’s proposals for a new channel for Scotland .......................................................................... 2 1.3 Regulatory approval – the public interest test ....................................................................................... 3 2 Introduction 5 3 Strategic context 8 3.1 Changing audience context .......................................................................................................................... 8 3.2 Changes in the political, social and cultural context ......................................................................... 10 3.3 Growing importance of the creative industries in Scotland............................................................. 11 4 The BBC’s proposals 14 4.1 The BBC’s initial proposals ........................................................................................................................ 14 4.2 Analysis undertaken to inform further development of the channel ........................................... 15 4.3 Final proposals for the new channel....................................................................................................... 28 4.4 Proposed changes to other BBC public services ................................................................................ -
Rachel Maclean Born 1987, Edinburgh
Rachel Maclean Born 1987, Edinburgh. Lives and works in Glasgow. www.rachelmaclean.com Education: 2005 to 09 BA Honours Drawing and Painting, Edinburgh College of Art, Scotland 2008 School of the Museum of Fine Arts Boston, USA Video still from Make Me Up (2018) 1 Recent Press coverage: 2019 Guardian: https://www.theguardian.com/artanddesign/2019/jan/25/too-cute-review-birmingham 2018 Guardian: https://www.theguardian.com/artanddesign/2018/aug/05/rachel-maclean-artists-in- residence-channel-4-birmingham-bullring 2018 Financial Times: https://www.ft.com/content/a6cb6d0a-bfee-11e8-95b1-d36dfef1b89a 2018 BFI: https://www.bfi.org.uk/news-opinion/sight-sound-magazine/reviews- recommendations/make-me-up-rachel-maclean-digital-suffragette-satire-art-history 2018 BBC: https://www.bbc.co.uk/programmes/articles/VH2tVhVH0qnRXxLpTGYjvV/day-glo- dystopia-rachel-macleans-techno-fable-make-me-up 2017 The Scotsman: https://www.scotsman.com/lifestyle/culture/art/art-review-rachel-maclean-spite- your-face-1-4447789 2016 Frieze: https://frieze.com/article/focus-rachel-maclean VR still from I’m Terribly Sorry (2018) 2 Solo Exhibitions: Upcoming November 2019 Solo exhibition at Tel Aviv Museum of Art, Israel Upcoming September 2019 Solo exhibition at Arsenal Contemporary NYC, USA 2019 Tales of Disunion, Solo exhibition at Nassauischer Kunstverein, Wiesbaden, Germany 2019 Make Me Up, Solo exhibition at Kunsthalle Winterthur, Winterthur, Switzerland 2018 Please, Sir…, Solo exhibition at Gus Fisher Gallery, University of Auckland, New Zealand 2018/19 The Lion and The Unicorn, The National Gallery, London, England 2018/19 Rachel Maclean: Solo Exhibition, KWM Arts Centre, Beijing, China 2018 Spite Your Face, Rachel Maclean, Chapter, Cardiff, Wales 2018 Rachel Maclean: Solo Exhibition, Zabludowicz Collection, London, England 2018 Just B Yourself, Rachel Maclean, Dublin City Art Gallery, Dublin 2018 New Worlds, State of Concept, Athens, Greece 2018 Rachel Maclean: Solo Exhibition. -
Comparative Data Chartspdf
RAJAR DATA RELEASE Quarter 2, 2015 – August 6 th 2015 COMPARATIVE CHARTS 1. National Stations 2. Scottish Stations 3. London Stations 4. Breakfast Shows – National and London stations Source RAJAR / Ipsos MORI / RSMB RAJAR DATA RELEASE Quarter 2, 2015 – August 6 th 2015 NATIONAL STATIONS SAMPLE SIZE: TERMS WEEKLY The number in thousands of the UK/area adult population w ho listen to a station for at least 5 minutes in the Survey period - Q2 2015 REACH: course of an average w eek. SHARE OF Code Q (Quarter): 22,340 Adults 15+ LISTENING: The percentage of total listening time accounted for by a station in the area (TSA) in an average w eek. TOTAL Code H (Half year): 46,216 Adults 15+ HOURS: The overall number of hours of adult listening to a station in the UK/area in an average w eek. TOTAL HOURS (in thousands): ALL BBC Q2 14 546723 Q1 15 553852 Q2 15 554759 TOTAL HOURS (in thousands): ALL COMMERCIAL Q2 14 443326 Q1 15 435496 Q2 15 464053 STATIONS SURVEY REACH REACH REACH % CHANGE % CHANGE SHARE SHARE SHARE PERIOD '000 '000 '000 REACH Y/Y REACH Q/Q % % % Q2 14 Q1 15 Q2 15 Q2 15 vs. Q2 14 Q2 15 vs. Q1 15 Q2 14 Q1 15 Q2 15 ALL RADIO Q 48052 47799 48184 0.3% 0.8% 100.0 100.0 100.0 ALL BBC Q 35227 34872 35016 -0.6% 0.4% 53.3 54.4 53.0 15-44 Q 15258 14583 14687 -3.7% 0.7% 39.6 40.5 38.4 45+ Q 19970 20290 20329 1.8% 0.2% 62.4 63.2 62.4 ALL BBC NETWORK RADIO Q 32255 31671 31926 -1.0% 0.8% 45.5 46.9 45.5 BBC RADIO 1 Q 10795 9699 10436 -3.3% 7.6% 6.8 6.4 6.4 BBC RADIO 2 Q 15496 15087 15141 -2.3% 0.4% 17.7 18.1 17.6 BBC RADIO 3 Q 1884 2084 1894 0.5% -9.1% 1.0 1.2 1.3 BBC RADIO 4 (INCLUDING 4 EXTRA) Q 10786 11265 10965 1.7% -2.7% 12.5 14.0 12.8 BBC RADIO 4 Q 10528 10886 10574 0.4% -2.9% 11.6 12.8 11.7 BBC RADIO 4 EXTRA Q 1570 2172 1954 24.5% -10.0% 0.9 1.2 1.2 BBC RADIO 5 LIVE (INC. -
Celebrating 40 Years of Commercial Radio With
01 Cover_v3_.27/06/1317:08Page1 CELEBRATING 40 YEARS OF COMMERCIAL RADIOWITHRADIOCENTRE OFCOMMERCIAL 40 YEARS CELEBRATING 01 9 776669 776136 03 Contents_v12_. 27/06/13 16:23 Page 1 40 YEARS OF MUSIC AND MIRTH CONTENTS 05. TIMELINE: t would be almost impossible to imagine A HISTORY OF Ia history of modern COMMERCIAL RADIO music without commercial radio - and FROM PRE-1973 TO vice-versa, of course. The impact of TODAY’S VERY privately-funded stations on pop, jazz, classical, soul, dance MODERN BUSINESS and many more genres has been nothing short of revolutionary, ever since the genome of commercial radio - the pirate 14. INTERVIEW: stations - moved in on the BBC’s territory in the 1960s, spurring Auntie to launch RADIOCENTRE’S Radio 1 and Radio 2 in hasty response. ANDREW HARRISON From that moment to this, independent radio in the UK has consistently supported ON THE ARQIVAS and exposed recording artists to the masses, despite a changing landscape for AND THE FUTURE broadcasters’ own businesses. “I’m delighted that Music Week 16. MUSIC: can be involved in celebrating the WHY COMMERCIAL RadioCentre’s Roll Of Honour” RADIO MATTERS Some say that the days of true ‘local-ness’ on the UK’s airwaves - regional radio for regional people, pioneered by 18. CHART: the likes of Les Ross and Alan Robson - are being superseded by all-powerful 40 UK NO.1 SINGLES national brands. If that’s true, support for the record industry remains reassuringly OVER 40 YEARS robust in both corners of the sector. I’m delighted that Music Week can be involved in celebrating the RadioCentre’s 22. -
Performing Right Society Limited Distribution Rules
PERFORMING RIGHT SOCIETY LIMITED DISTRIBUTION RULES PRS distribution policy rules Contents INTRODUCTION...................................................................................... 12 Scope of the PRS Distribution Policy ................................................................................ 12 General distribution policy principles ............................................................................. 12 Policy review and decision-making processes ............................................................. 13 DISTRIBUTION CYCLES AND CONCEPTS ................................................. 15 Standard distribution cycles and frequency .................................................................. 15 Distribution basis ..................................................................................................................... 15 Distribution sections ............................................................................................................... 16 Non-licence revenue ............................................................................................................... 16 Administration recovery rates ............................................................................................ 16 Donation to the PRS Foundation and Members Benevolent Fund ........................ 17 Weightings .................................................................................................................................. 17 Points and point values .........................................................................................................