不可兒戲the Importance of Being Earnest
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MERRIE ENGLAND Music by Edward German
Press Information The Finborough Theatre is now fully air conditioned Summer Season | April to July 2012 Part of the Finborough Theatre's Celebrating British Music Theatre series Citric Acid in association with Neil McPherson for the Finborough Theatre presents The first professional London production for 52 years MERRIE ENGLAND Music by Edward German. Libretto by Basil Hood. Directed by Alex Sutton. Musical Direction by Eamonn O’ Dwyer. Designed by Philip Lindley. Lighting by Miguel Vicente. Produced by Luke Holbrook. Costume Design by Sophia Anastasiou. Cast: Sammy Andrews. Alexander Beck. Jamie Birkett. Daniel Cane. Luke Courtier. Stephen Darcy. Virge Gilchrist. Tom Giles. Stuart Hickey. Rachel Holbrook. Nichola Jolley. Christopher Killik. Ruth Leavesley. Brendan Matthew. Michael Riseley. Jody Ellen Robinson. Gemma Sandzer. Rhys Saunders. Originally written for the Savoy Theatre in 1902 and a longtime British musical classic, this rediscovery celebrates both the Queen’s Diamond Jubilee as well as the 150th anniversary of the birth of composer Edward German. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening on Sunday, 27 May 2012 (Press Night: Monday, 28 May 2012 at 7.30pm). Edward German's patriotic pageant deals with love and rivalries at the court of Queen Elizabeth I as the monarch visits the townsfolk of Windsor to celebrate May Day. With a plot that includes such historical personages as Sir Walter Raleigh and the Earl of Essex, murder plots and tales of witchcraft unravel to the background of the May Day revels... An English light opera in the style made famous by Gilbert and Sullivan, Merrie England features a prominent chorus and a range of principal numbers including ballads, patter songs, duets and quintets. -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
IDA MARIE TJALVE Born: 17Th Nov
IDA MARIE TJALVE Born: 17th Nov. 1978, Copenhagen, Denmark Address in UK: 8 Chaucer Close, Arnos Grove, London, N11 1AU Phone: 07528 068569 Address in Denmark: Klosterstræde 12, 4.th, DK-1157 Copenhagen K Phone: +45 51 36 66 41 E-mail address: [email protected] COLLABORATIVE PERFORMANCES THE KEY IN THE SEA – second version (in collaboration with Tratincica Slavicek, Thingy Theatre) tabletop puppets and storytelling) - performed at: Skipton Puppet Festival - Sep. 2009 Bornholms Puppet Festival - Sep. 2009, Denmark The Horse + Bamboo Puppet Festival – July, 2009 Greenbelt festival – Aug. 2008 Buxton Puppet Festival - July 2008 The Bornholms Medieval Centre - July 2008, Denmark The Little Angel Theatre –July 2008 and March 2009 Black & White Theatre Festival – winner of the festival main award - May 2008 Imatra, Finland The Bornholms Medieval Centre – July 2007 Teatrotoc –July 2007 puppet theatre and street theatre festival, Prague, Czech Republic FISHING FOR SHADOWS (dir. Rebekah Wild - Wild Theatre) at Bornholms Puppet Festival - Sep. 2009, Denmark THE MAN IN THE MOON (dir Hannah Pantin) rod puppeteer –The Albany Studio Feb. 2009, Central School of Speech and Drama’s Puppet Theatre Festival March 2009 THE CHRISTMAS CAKE (dir. Tinka Slavicek) rod puppeteer performed in primary schools, nurseries – Dec. 2008 London, England THE BELL BOY @ THE HOTEL FROM HELL (dir. Albi Gravener and Vanessa Faye-Stanley) perfomer/shadow puppeteer at the work-in-progress performed at : The Playground – September 2008 London, England VIDEK’S SHIRT (in collaboration with Tratincica Slavicek, Thingy Theatre) tabletop puppetry and storytelling performed at The Polka, March 2008 THE MAGIC OF CHRISTMAS (dir. Abigail Dooley and Kaveh Rahnama) – UV- rod puppets, Birmingham NEC, Dec. -
An Investigation Into How Engagement with the Context and Processes of Collaborative Devising Affects the Praxis of the Playwright
An Investigation into How Engagement with the Context and Processes of Collaborative Devising Affects the Praxis of the Playwright: A Practice-as-Research PhD Volume 2 223 Practice-As-Research: The 9.21 to Shrub Hill (Devised Production) Playground (Non-Devised Production) and Accompanying Exegesis 224 Chapter Five Exegesis of the Processes of Creating a Devised Script (The 9.21 to Shrub Hill) and Non-Devised Script (Playground) Introduction The preceding chapters have created a framework for the analysis of my own experiences as a writer-deviser. Without this framework, it would be difficult to situate my practice within a theoretical context, since a similar academic discourse, placing the writer-deviser at the heart of the study, does not exist. As highlighted in the Introduction, the central query of this dissertation is how engagement with devising affects a playwright. This is a query with important ramifications for pedagogical practice and the discourses of devising and playwriting in general, but also represents a significant investigation in the development of my own artistic practice. As previously discussed, my methodological approach encompasses both research-led practice, and practice-led research.1 The preceding chapters have informed the development of the two scripts contained within this volume, and the development of the two scripts directed the focus of my research. As with most PaR investigations, the findings resulting from the practice share equal weighting (if not, in the case of some researchers, more) with those discoveries made from traditional, text-based research methodologies. Whilst I explore the ramifications of devising practice on my writing, I am also placing it within the context of the previous chapters’ revelations, finding resonances with the work of other writer-devisers, and testing out the theories presented of both devising and writing in my own work. -
Foxfinder by Dawn King Directed by Blanche Mcintyre
Press Information New Writing at the Finborough Theatre Season November 2011 to January 2012 Papatango Theatre Company in partnership with the Finborough Theatre present four world premieres The Papatango Playwriting Festival 2011 Foxfinder by Dawn King Directed by Blanche McIntyre. Designed by James Perkins. Lighting by Gary Bowman. Sound by George Dennis. Cast: Kirsty Besterman. Tom Byam Shaw. Becci Gemmell. Gyuri Sarossy. Papatango have teamed up with one of London's leading new writing venues, the Finborough Theatre to present the winning entries in the 2011 Papatango Playwriting Competition 2011, featuring this year's winning play Foxfinder by Dawn King which will play for a four week limited season from 29 November (Press Night: Thursday, 1 December 2011 at 8.30pm). “You, Foxfinder, must be clean in body and mind. Always remember that the smallest fault in your character could become a crack into which the beast may insinuate himself, like water awaiting the freeze that will smash the stone apart.” William Bloor, a Foxfinder, arrives at Sam and Judith Covey’s farm to investigate a suspected contamination. What follows will change the course of all their lives, forever. Foxfinder is a gripping, unsettling and darkly comic exploration of belief, desire and responsibility. Playwright Dawn King was one of ten writers from across the UK chosen for the BBC Writersroom 10 scheme, a prestigious mentoring and support programme. Through this she is developing a new play with West Yorkshire Playhouse. She is also currently writing My One and Only, an afternoon play for BBC radio 4. Her episode of horror series The Man in Black will broadcast on BBC radio 4 Extra later this year. -
Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s -
Hoxton Press
HOXTON PRESS A guide to your new Home and Neighbourhood 2 ANTHOLOGY HOXTON PRESS CONTENTS 3 CONTENTS Welcome to Hoxton Press 04 At a glance 06 Welcome to Hoxton 08 Explore London 10 Highlights tour 12 Eating & drinking 14 Leisure & recreation 16 Arts & culture 18 On your doorstep 20 Out & about 22 Getting around 24 Hoxton’s finest 26 Anthology Hoxton Press 28 The architecture 30 The homes 34 Wake up to London 50 Specification 52 Did you know 56 Our promise 58 This image is for illustrative purposes only Contact 60 ANTHOLOGY HOXTON PRESS WELCOME 5 Welcome to Hoxton Press A note from Anthology’s David Newey Welcome to the next chapter in Anthology’s Galleries, media and design studios story. Here, we focus on Hoxton and an followed and by the turn of the century exciting development of homes that will Hoxton was well on its way to becoming form a key part of the wider regeneration the vibrant and creative hub it is today. of the area. Today Hoxton continues to flourish. A place Designed by renowned architects renowned for starting trends, contemporary Karakusevic Carson and David Chipperfield, bars and shops sit alongside independent Anthology Hoxton Press takes its name makers and artisans echoing the skills from the site’s former printing and crafts of the Mullord Brothers. heritage. Previously home to The Mullord We welcome you to start your story with Brothers, it was here that they produced us here in Hoxton, a place that is Built beautiful and intricate Victorian-era from London. paper work between 1860 and 1920. -
Asha Reid Photo: Michael Shelford
191 Wardour Street London W1F 8ZE Phone: 020 7439 3270 Email: [email protected] Website: www.olivia-bell.co.uk Asha Reid Photo: Michael Shelford "Asha Reid does an excellent job as Alex. She has a natural warmth, strength and sensitivity that sees her flicker from pain to love in a heartbeat. It’s a sophisticated and intelligent performance. Her closing scene in Ibiza where she is a little worse for wear is brilliant and one of the plays highlights." Attitude Magazine for One Jewish Boy Appearance: White, Mediterranean, Mixed Race Greater London, England, Location: Other: Equity United Kingdom Eye Colour: Brown Height: 5'7" (170cm) Hair Colour: Blond(e)-Dark Playing Age: 18 - 30 years Hair Length: Mid Length Stage 2019, Stage, Various, Kensington Palace 2019, Les Enfants Terribles 2019, Stage, Anne, PUFFERFISH, Vaults Festival, Ng Choon Ping 2019, Stage, Alex, ONE JEWISH BOY, Old Red Lion, Sarah Meadows 2018, Stage, Inner Rhonda, GRACEFUL, Rosemary Branch Theatre, Mike Cottrell 2018, Stage, Inner Rhonda, GRACEFUL, RADA Studios, Mike Cottrell 2018, Stage, Girl, PLAY X, Wonderfields Festival, Stephen Hallam 2018, Stage, Dee, THE BIGGEST TARANTINO FAN IN THE WORLD, Vaults Festival, Scott Le Crass 2017, Stage, Multiple Roles, INSIDE PUSSY RIOT, Les Enfants Terribles, Christa Harris 2017, Stage, Dee, THE BIGGEST TARANTINO FAN IN THE WORLD, Miniaturists; Arcola Theatre, Scott Le Crass 2017, Stage, Alice, THE EDINBURGH TEST, Old Red Lion, Lilach Yosiphon 2017, Stage, Girl, PLAY X, Drift Shop Theatre, Stephen Hallam 2017, Stage, Farrah, STAY -
Lucy Wilkinson MA Theatre Design Illustration 07799 761773
Lucy Wilkinson MA Theatre Design Illustration 07799 761773 [email protected] www.jerichohouse.org.uk www.lucywilkinson.co.uk Design 2012-13 De Gabay Site-specific for The National Theatre of Wales 2012 Old Earth A Beckett premier, Jericho House/The Sixteen choir/Spitlefields music festival The Great Gatsby Adapted for Wilton's by Peter Joucla, Wilton's Music Hall An Ideal Husband Rosemary Branch Theatre, Muckle Roe Productions 2011 The Tempest St Giles Church/ international tour, Jericho House/The Barbican Into Thy Hands A new play by Jonathan Holmes, Jericho House/Wilton's Music Hall Love Freed; A Masque Wilton's Music Hall, Jericho House/The Royal Ballet The Games Greater London fringe theatres, Attic Theatre Company Rapunzel Spiegel tent, Oxford, Creation Theatre Company 2010 Romeo and Juliet Said Business School Amphitheatre, Creation Theatre Company Wedding dress design and creation privately commissioned Romeo and Juliet Yvonne Arnaud, Guildford Shakespeare Company The Firebird Event design commissioned by Champion Employment 2009 Katrina A new play by Jonathan Holmes, Oxo Tower Wharf, Jericho House/Young Vic Taming of the Shrew Yvonne Arnaud, Guildford Shakespeare Company 1936 Greater London fringe theatres, Attic Theatre Company Frozen Fresh Glory Productions, Riverside Studios and tour 2008 Colchester Mercury Fresh Festival Colchester Mercury Theatre production Measure for Measure The North Wall Theatre, Oxford, Creation Theatre Company Journey’s End Assistant designer, Colchester Mercury Wedding Day at the Cro-Magnons -
Production Credits Oct 19
Name date venue company role type A Real Princess December 2003 The Blue Elephant Stonecrabs Composer Children's Sotoba Komachi and the Damask Drum Mar - Dec 04 Greenwich Picture Playhouse Stonecrabs Composer International theatre The Brockley Jack. New End A Servant of Two Masters November 2004 Theatre Stonecrabs Composer Theatre Miss Julie February 2005 Greenwich Picture Playhouse Stonecrabs Composer Theatre Runners - the return August 2005 Edinburgh Festival - Underbelly Merco Productions Composer Theatre Josephine the singer April 2005 The Diorama Stonecrabs Composer Caberet/Performance Waltz no. 6 June 2005 Greenwich Picture Playhouse Stonecrabs Composer International Theatre Our Lady of the Drowned June 2006 Southwark Playhouse Stonecrabs Composer International Theatre Composer/Sound Basic April 2007 Hackney Empire studio Stonecrabs designer New Writing Composer/Sound Charity wars September 2007 The Pleasance Stonecrabs designer International Theatre Composer/Sound Dogs Sep - Oct 07 Oval House / UK tour Yellow Earth designer Theatre The Story of the Eye June 2008 Central St Martins Degree show Sound design Degree show Name date venue company role type Stonecrabs Young 00:13:00 March 2009 The Albany Directors Showcase Composer New Writing Vivid Dreams Composer/Sound The Doorbells of Florence May 2009 The Rosemary Branch theatre productions designer New Writing Hanjo and Hellscreen double Composer/Sound bill June 2009 Oval House Stonecrabs designer International Theatre Churchill Bromley, Hampstead Ambassador Composer/Sound Heartbreak -
• Almeida Theatre Associate Director Robert Icke Will Adapt and Direct A
PRESS RELEASE 8 July 2016 Almeida Theatre Associate Director Robert Icke will adapt and direct a production of Friedrich Schiller’s MARY STUART at the Almeida this autumn Juliet Stevenson and Lia Williams trade the play’s central roles, decided at each performance by the toss of a coin Laura Marling joins the creative team to compose original music for the production As rehearsals begin, full casting is announced for THEY DRINK IT IN THE CONGO Fiona Button plays Stef in a cast which includes Kirsty Besterman, Richie Campbell, Sidney Cole, Tosin Cole, Roger Evans, Richard Goulding, Joan Iyiola, Anna-Maria Nabirye, Pamela Nomvete, Richard Pepple and Sule Rimi Nabil Elouahabi and Sam Swann join the previously announced Anne-Marie Duff and Yolanda Kettle in OIL The Almeida Young Company present FROM THE GROUND UP at Shoreditch Town Hall from 4 – 6 August MARY STUART by Friedrich Schiller adapted and directed by Robert Icke Friday 2 December 2016 – Saturday 21 January 2017 Press Night: Friday 9 December at 7pm Following his critically acclaimed productions of Uncle Vanya and Oresteia, Associate Director Robert Icke will adapt and direct Friedrich Schiller’s MARY STUART. Playing both Elizabeth I and Mary Stuart, Juliet Stevenson and Lia Williams trade the play’s central roles, decided at each performance by the toss of a coin. Two queens. One in power. One in prison. It’s all in the execution. Schiller’s political tragedy takes us behind the scenes of some of British history's most crucial days. Mary Stuart will be designed by Hildegard Bechtler, with lighting by Jackie Shemesh, video by Tim Reid, and original composition by Laura Marling. -
Press Information
Press Information New Writing at the Finborough Theatre Season November 2011 to January 2012 Papatango Theatre Company in partnership with the Finborough Theatre present four world premieres The Papatango Playwriting Festival 2011 Foxfinder by Dawn King Through The Night by Matt Morrison Rigor Mortis by Carol Vine Crush by Rob Young Papatango have teamed up with one of London's leading new writing venues, the Finborough Theatre to present the winning entries in the 2011 Papatango Playwriting Competition 2011, featuring this year's winning play Foxfinder by Dawn King which will play for a four week limited season from 29 November (Press Night: Thursday, 1 December 2011 at 8.30pm) and three runners up who will each receive a one week run – Through The Night by Matt Morrison (Press Night: Wednesday, 7 December 2011 at 6.30pm), Rigor Mortis by Carol Vine (Press Night: Wednesday, 14 December 2011 at 6.30pm) and Crush by Rob Young (Press Night: Tuesday, 20 December 2011 at 6.30pm). Papatango was founded by Matt Roberts, George Turvey and Sam Donovan in 2007. The company's mission is to find the best and brightest new talent in the UK with an absolute commitment to bring their work to the stage. Since then, Papatango have produced eight pieces of new writing in such venues as the Tristan Bates Theatre, the Old Red Lion Theatre and the Pleasance London. 2009 saw the launch of their first Papatango New Writing Competition, which each year has gone from strength to strength. Winners of previous competitions have won much acclaim from the press and profession including – for Angel by Matt Grinter at the Pleasance London – “Riveting performances….powerfully directed” (Jeremy Kingston, The Times critic), and “A great piece of theatre” (Steven Berkoff) and, for Potentials by Dominic Mitchell at the Tristan Bates Theatre, which was awarded four stars byWhatsOnStage, “Potentials was beautifully observed, conceived and the performances strong, witty and true.