Hackney Today Is Produced by the Communications & Consultation Team at London Borough of Hackney, Maurice Bishop House, 17 Reading Lane, E8 1HH
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HACKNEY SOCIAL RADIO – the Story So Far June 2020 – April 2021
HACKNEY SOCIAL RADIO – The Story So Far June 2020 – April 2021 SUMMARY OF ACHIEVEMENTS During the height of the first COVID-19 lockdown, from June to September 2020, we successfully produced 15 episodes for the first series of Hackney Social Radio – a community radio show created by older people, for older people, specifically aimed at the digitally isolated in the London Borough of Hackney. As the country went into the second lockdown, we re-launched for Series 2 with the intention of supporting our community of makers and listeners for as long as we could. We were fortunate to receive funding from the Henry Smith charity and CAF and will have created 35 episodes for our second series, which ends on 14th July 2021. To date we have produced 41 weekly 59-minute radio show, which broadcast every Wednesday at 11am. Programmes are transmitted through Resonance 104.4FM, played out on their online radio player, and available for ongoing playback through Mixcloud. We enabled 178 local people to participate in the production of the show in the first series and so far, 181 people in the second series – these included the production team, feature makers, feature contributors, editors, and interviewees – local artists and creatives, community activists, volunteers, service users and experts such as representatives from Local Government, GPs, faith leaders, advisors, and community champions. Our contributors have represented the diverse communities of Hackney with features and interviews covering for example Windrush events, Chinese New Year, Jewish and Muslim Festivals. We have covered a wide range of art forms from theatre to photography and music with our 78-year-old DJ playing requests from our listeners. -
Hackney Archives - History Articles in Hackney Today by Subject
Hackney Archives - History Articles in Hackney Today by Subject These articles are published every fortnight in Hackney Today newspaper. They are usually on p.25. They can be downloaded from the Hackney Council website at http://www.hackney.gov.uk/w-hackneytoday.htm. Articles prior to no.158 are not available online. Issue Publication Subject Topic no. date 207 11.05.09 125-130 Shoreditch High Street Architecture: Business 303 25.03.13 4% Industrial Dwellings Company Social Care: Jewish Housing 357 22.06.15 50 years of Hackney Archives Research 183 12.05.08 85 Broadway in Postcards Research Methods 146 06.11.06 Abney Park Cemetery Open Spaces 312 12.08.13 Abney Park Cemetery Registers Local History: Records 236 19.07.10 Abney Park chapel Architecture: Ecclesiastical 349 23.02.15 Activating the Archive Local Activism: Publications 212 20.07.09 Air Flight in Hackney Leisure: Air 158 07.05.07 Alfred Braddock, Photographer Business: Photography 347 26.01.15 Allen's Estate, Bethune Road Architecture: Domestic 288 13.08.12 Amateur sport in Hackney Leisure: Sport 227 08.03.10 Anna Letitia Barbauld, 1743-1825 Literature: Poet 216 21.09.09 Anna Sewell, 1820-1878 Literature: Novelist 294 05.11.12 Anti-Racism March Anti-Racism 366 02.11.15 Anti-University of East London Radicalism: 1960s 265 03.10.11 Asylum for Deaf and Dumb Females, 1851 Social Care 252 21.03.11 Ayah's Home: 1857-1940s Social Care: Immigrants 208 25.05.09 Barber's Barn 1: John Okey, 1650s Commonwealth and Restoration 209 08.06.09 Barber's Barn 2: 16th to early 19th Century Architecture: -
MERRIE ENGLAND Music by Edward German
Press Information The Finborough Theatre is now fully air conditioned Summer Season | April to July 2012 Part of the Finborough Theatre's Celebrating British Music Theatre series Citric Acid in association with Neil McPherson for the Finborough Theatre presents The first professional London production for 52 years MERRIE ENGLAND Music by Edward German. Libretto by Basil Hood. Directed by Alex Sutton. Musical Direction by Eamonn O’ Dwyer. Designed by Philip Lindley. Lighting by Miguel Vicente. Produced by Luke Holbrook. Costume Design by Sophia Anastasiou. Cast: Sammy Andrews. Alexander Beck. Jamie Birkett. Daniel Cane. Luke Courtier. Stephen Darcy. Virge Gilchrist. Tom Giles. Stuart Hickey. Rachel Holbrook. Nichola Jolley. Christopher Killik. Ruth Leavesley. Brendan Matthew. Michael Riseley. Jody Ellen Robinson. Gemma Sandzer. Rhys Saunders. Originally written for the Savoy Theatre in 1902 and a longtime British musical classic, this rediscovery celebrates both the Queen’s Diamond Jubilee as well as the 150th anniversary of the birth of composer Edward German. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening on Sunday, 27 May 2012 (Press Night: Monday, 28 May 2012 at 7.30pm). Edward German's patriotic pageant deals with love and rivalries at the court of Queen Elizabeth I as the monarch visits the townsfolk of Windsor to celebrate May Day. With a plot that includes such historical personages as Sir Walter Raleigh and the Earl of Essex, murder plots and tales of witchcraft unravel to the background of the May Day revels... An English light opera in the style made famous by Gilbert and Sullivan, Merrie England features a prominent chorus and a range of principal numbers including ballads, patter songs, duets and quintets. -
Unitarian Gothic: Rebuilding in Hackney in 1858 Alan Ruston 20
istory• ,, VOLUME ONE In this issue - Pepys and Hackney: how Samuel and Elisabeth Pepys visited Hackney for rest and recreation - two ( or one and the same?) Homerton gardens visited by Pepys and Evelyn - The Tyssen family, Lords of the manor in Hackney since the 17th century-how Victorian nonconformists went shop ping for 'off the peg' church architecture- silk manufactur ers, the mentally afflicted, and Victorian orphans at Hackney Wick-the post-war development ofhigh-rise housing across the borough ... Hackney History is the new annual volume ofthe Friends of Hackney Archives. The Friends were founded in 1985 to act as a focus for local history in Hackney, and to support the work ofHackney Archives Department. As well as the annual volume they receive the Department's regular newsletter, The Hackney Terrier, and are invited to participate in visits, walks and an annual lecture. Hackney History is issued free ofcharge to subscribers to the Friends. In 1995 membership is£6 for the calendar year. For further details, please telephone O171 241 2886. ISSN 1360 3795 £3.00 'r.,,. free to subscribers HACKNEY History volume one About this publication 2 Abbreviations used 2 Pepys and Hackney Richard Luckett 3 The Mystery of Two Hackney Gardens Mike Gray 10 The Tyssens: Lords of Hackney Tim Baker 15 Unitarian Gothic: Rebuilding in Hackney in 1858 Alan Ruston 20 A House at Hackney Wick Isobel Watson 25 The Rise of the High-Rise: Housing in Post-War Hackney Peter Foynes 29 Contributors to this issue 36 Acknowledgements 36 THE FRIENDS OF HACKNEY ARCHIVES 1995 About this publication Hackney History is published by the Friends of Hackney Archives. -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
IDA MARIE TJALVE Born: 17Th Nov
IDA MARIE TJALVE Born: 17th Nov. 1978, Copenhagen, Denmark Address in UK: 8 Chaucer Close, Arnos Grove, London, N11 1AU Phone: 07528 068569 Address in Denmark: Klosterstræde 12, 4.th, DK-1157 Copenhagen K Phone: +45 51 36 66 41 E-mail address: [email protected] COLLABORATIVE PERFORMANCES THE KEY IN THE SEA – second version (in collaboration with Tratincica Slavicek, Thingy Theatre) tabletop puppets and storytelling) - performed at: Skipton Puppet Festival - Sep. 2009 Bornholms Puppet Festival - Sep. 2009, Denmark The Horse + Bamboo Puppet Festival – July, 2009 Greenbelt festival – Aug. 2008 Buxton Puppet Festival - July 2008 The Bornholms Medieval Centre - July 2008, Denmark The Little Angel Theatre –July 2008 and March 2009 Black & White Theatre Festival – winner of the festival main award - May 2008 Imatra, Finland The Bornholms Medieval Centre – July 2007 Teatrotoc –July 2007 puppet theatre and street theatre festival, Prague, Czech Republic FISHING FOR SHADOWS (dir. Rebekah Wild - Wild Theatre) at Bornholms Puppet Festival - Sep. 2009, Denmark THE MAN IN THE MOON (dir Hannah Pantin) rod puppeteer –The Albany Studio Feb. 2009, Central School of Speech and Drama’s Puppet Theatre Festival March 2009 THE CHRISTMAS CAKE (dir. Tinka Slavicek) rod puppeteer performed in primary schools, nurseries – Dec. 2008 London, England THE BELL BOY @ THE HOTEL FROM HELL (dir. Albi Gravener and Vanessa Faye-Stanley) perfomer/shadow puppeteer at the work-in-progress performed at : The Playground – September 2008 London, England VIDEK’S SHIRT (in collaboration with Tratincica Slavicek, Thingy Theatre) tabletop puppetry and storytelling performed at The Polka, March 2008 THE MAGIC OF CHRISTMAS (dir. Abigail Dooley and Kaveh Rahnama) – UV- rod puppets, Birmingham NEC, Dec. -
An Investigation Into How Engagement with the Context and Processes of Collaborative Devising Affects the Praxis of the Playwright
An Investigation into How Engagement with the Context and Processes of Collaborative Devising Affects the Praxis of the Playwright: A Practice-as-Research PhD Volume 2 223 Practice-As-Research: The 9.21 to Shrub Hill (Devised Production) Playground (Non-Devised Production) and Accompanying Exegesis 224 Chapter Five Exegesis of the Processes of Creating a Devised Script (The 9.21 to Shrub Hill) and Non-Devised Script (Playground) Introduction The preceding chapters have created a framework for the analysis of my own experiences as a writer-deviser. Without this framework, it would be difficult to situate my practice within a theoretical context, since a similar academic discourse, placing the writer-deviser at the heart of the study, does not exist. As highlighted in the Introduction, the central query of this dissertation is how engagement with devising affects a playwright. This is a query with important ramifications for pedagogical practice and the discourses of devising and playwriting in general, but also represents a significant investigation in the development of my own artistic practice. As previously discussed, my methodological approach encompasses both research-led practice, and practice-led research.1 The preceding chapters have informed the development of the two scripts contained within this volume, and the development of the two scripts directed the focus of my research. As with most PaR investigations, the findings resulting from the practice share equal weighting (if not, in the case of some researchers, more) with those discoveries made from traditional, text-based research methodologies. Whilst I explore the ramifications of devising practice on my writing, I am also placing it within the context of the previous chapters’ revelations, finding resonances with the work of other writer-devisers, and testing out the theories presented of both devising and writing in my own work. -
Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s -
Traffic Noise in London's Parks
Traffic noise in London's parks a A REPORT BY CPRE LONDON MAY 2018 Traffic Noise in London’s Parks: CPRE London May 2018 Contents 1. Foreword p2 2. Summary and recommendations p3 3. Why research traffic noise in parks? P5 Notes on legislation and policy p8 4. Methodology p9 5. Findings p12 6. Solutions to traffic noise in parks p14 Permanent traffic re-routing p14 Regular temporary street closures p15 Noise mitigation measures like natural or man-made barriers p15 7. ‘Good’ parks, Green Flags and traffic noise p18 8. Tables and Graphs p21 9. References p30 Graph 1 – ‘Good parks’ scores compared to ‘noisy parks’ scores p18 Table 1 – Main categorisation p21 Table 2 – Parks severely impacted by noise (by borough, best to worst) p22 Table 3 – Parks with no noise (by borough, best to worst) p23 Table 4 – Parks completely impacted by noise (by borough, best to worst) p24 Table 5 – Parks impacted by particularly loud noise (by borough, best to worst) p25 Graph 2 – of data in Table 2 p26 Graph 3 – of data in Table 3 p27 Graph 4 – of data in Table 4 p28 Graph 5 – of data in Table 5 p29 1 Traffic Noise in London’s Parks: CPRE London May 2018 1. Foreword The London Mayor’s draft Environment Strategy says: “All Londoners should be able to enjoy the very best parks, trees and wildlife.”i We agree. But our new research shows that many of London’s parks, and our enjoyment of them, are marred by traffic noise. Though 44% of the 885 London parks we surveyed are completely free from the sound of traffic, almost a third (29%) are severely impacted by noise from nearby roads. -
Hoxton Press
HOXTON PRESS A guide to your new Home and Neighbourhood 2 ANTHOLOGY HOXTON PRESS CONTENTS 3 CONTENTS Welcome to Hoxton Press 04 At a glance 06 Welcome to Hoxton 08 Explore London 10 Highlights tour 12 Eating & drinking 14 Leisure & recreation 16 Arts & culture 18 On your doorstep 20 Out & about 22 Getting around 24 Hoxton’s finest 26 Anthology Hoxton Press 28 The architecture 30 The homes 34 Wake up to London 50 Specification 52 Did you know 56 Our promise 58 This image is for illustrative purposes only Contact 60 ANTHOLOGY HOXTON PRESS WELCOME 5 Welcome to Hoxton Press A note from Anthology’s David Newey Welcome to the next chapter in Anthology’s Galleries, media and design studios story. Here, we focus on Hoxton and an followed and by the turn of the century exciting development of homes that will Hoxton was well on its way to becoming form a key part of the wider regeneration the vibrant and creative hub it is today. of the area. Today Hoxton continues to flourish. A place Designed by renowned architects renowned for starting trends, contemporary Karakusevic Carson and David Chipperfield, bars and shops sit alongside independent Anthology Hoxton Press takes its name makers and artisans echoing the skills from the site’s former printing and crafts of the Mullord Brothers. heritage. Previously home to The Mullord We welcome you to start your story with Brothers, it was here that they produced us here in Hoxton, a place that is Built beautiful and intricate Victorian-era from London. paper work between 1860 and 1920. -
Asha Reid Photo: Michael Shelford
191 Wardour Street London W1F 8ZE Phone: 020 7439 3270 Email: [email protected] Website: www.olivia-bell.co.uk Asha Reid Photo: Michael Shelford "Asha Reid does an excellent job as Alex. She has a natural warmth, strength and sensitivity that sees her flicker from pain to love in a heartbeat. It’s a sophisticated and intelligent performance. Her closing scene in Ibiza where she is a little worse for wear is brilliant and one of the plays highlights." Attitude Magazine for One Jewish Boy Appearance: White, Mediterranean, Mixed Race Greater London, England, Location: Other: Equity United Kingdom Eye Colour: Brown Height: 5'7" (170cm) Hair Colour: Blond(e)-Dark Playing Age: 18 - 30 years Hair Length: Mid Length Stage 2019, Stage, Various, Kensington Palace 2019, Les Enfants Terribles 2019, Stage, Anne, PUFFERFISH, Vaults Festival, Ng Choon Ping 2019, Stage, Alex, ONE JEWISH BOY, Old Red Lion, Sarah Meadows 2018, Stage, Inner Rhonda, GRACEFUL, Rosemary Branch Theatre, Mike Cottrell 2018, Stage, Inner Rhonda, GRACEFUL, RADA Studios, Mike Cottrell 2018, Stage, Girl, PLAY X, Wonderfields Festival, Stephen Hallam 2018, Stage, Dee, THE BIGGEST TARANTINO FAN IN THE WORLD, Vaults Festival, Scott Le Crass 2017, Stage, Multiple Roles, INSIDE PUSSY RIOT, Les Enfants Terribles, Christa Harris 2017, Stage, Dee, THE BIGGEST TARANTINO FAN IN THE WORLD, Miniaturists; Arcola Theatre, Scott Le Crass 2017, Stage, Alice, THE EDINBURGH TEST, Old Red Lion, Lilach Yosiphon 2017, Stage, Girl, PLAY X, Drift Shop Theatre, Stephen Hallam 2017, Stage, Farrah, STAY -
Lucy Wilkinson MA Theatre Design Illustration 07799 761773
Lucy Wilkinson MA Theatre Design Illustration 07799 761773 [email protected] www.jerichohouse.org.uk www.lucywilkinson.co.uk Design 2012-13 De Gabay Site-specific for The National Theatre of Wales 2012 Old Earth A Beckett premier, Jericho House/The Sixteen choir/Spitlefields music festival The Great Gatsby Adapted for Wilton's by Peter Joucla, Wilton's Music Hall An Ideal Husband Rosemary Branch Theatre, Muckle Roe Productions 2011 The Tempest St Giles Church/ international tour, Jericho House/The Barbican Into Thy Hands A new play by Jonathan Holmes, Jericho House/Wilton's Music Hall Love Freed; A Masque Wilton's Music Hall, Jericho House/The Royal Ballet The Games Greater London fringe theatres, Attic Theatre Company Rapunzel Spiegel tent, Oxford, Creation Theatre Company 2010 Romeo and Juliet Said Business School Amphitheatre, Creation Theatre Company Wedding dress design and creation privately commissioned Romeo and Juliet Yvonne Arnaud, Guildford Shakespeare Company The Firebird Event design commissioned by Champion Employment 2009 Katrina A new play by Jonathan Holmes, Oxo Tower Wharf, Jericho House/Young Vic Taming of the Shrew Yvonne Arnaud, Guildford Shakespeare Company 1936 Greater London fringe theatres, Attic Theatre Company Frozen Fresh Glory Productions, Riverside Studios and tour 2008 Colchester Mercury Fresh Festival Colchester Mercury Theatre production Measure for Measure The North Wall Theatre, Oxford, Creation Theatre Company Journey’s End Assistant designer, Colchester Mercury Wedding Day at the Cro-Magnons