Public History Review ARTICLE (PEER-REVIEWED) Vol. 25, 2018 Popular Imagination vs Historical Reality: HBO’s Rome and the Practice of History Mirela Cufurovic Charles Sturt University, Australia.
[email protected] DOI: https://doi.org/10.5130/phrj.v25i0.6157 Article History: Received 26/06/2018; Accepted 05/09/2018; Published 27/12/2018 Historical films have been subject to controversy and criticism within the discipline of history in recent decades, particularly as film began to influence popular imagination on historical events.1 The release of Ridley Scott’s Gladiator in 2000 instigated a flood of literature and public interest in antiquity and the historical ‘epic’ that had remained dormant for thirty-six © 2019 by the author(s). This years. The last successful historical epic about ancient Rome was Anthony Mann’s The Fall is an Open Access article 2 distributed under the terms of the Roman Empire (1964). Historians noted that the sudden return of the epic began to of the Creative Commons shape conceptions of history whilst debate regarding the usefulness and validity of film in Attribution 4.0 International representing history emerged. Thus, the ability of film to attract a wide range of audiences and (CC BY 4.0) License (https:// influence public perceptions of historical events intimidated most historians, as Gladiator set creativecommons.org/licenses/ 3 by/4.0/), allowing third parties the tone for historical films and shows in the decades following its release. to copy and redistribute the Historians and filmmakers have sparred over the representation of history, with both material in any medium or format and to remix, attempting to defend their way of writing and presenting history to the public.