{Dоwnlоаd/Rеаd PDF Bооk} the Rebel Sell: How the Counter
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Privatized Resistance: Adbusters and the Culture of Neoliberalism Max Haiven1
The Review of Education, Pedagogy, and Cultural Studies, 29:85–110, 2007 Copyright # Taylor & Francis Group, LLC ISSN: 1071-4413 print=1556-3022 online DOI: 10.1080/107144106010 90720 Privatized Resistance: AdBusters and the Culture of Neoliberalism Max Haiven1 In their October 2003 issue, Vancouver-based AdBusters Magazine, internationally renown for fourteen years of trenchant anti- consumerist agitation, announced plans to create and sell the Black Spot, a Portuguese-made canvas sneaker with a two-fold agenda: to ‘‘kick [Nike CEO] Phil Knight’s ass,’’ and to ‘‘do no less than rein- vent capitalism.’’2 Skeptical followers of the magazine, especially of the boisterous writings of its founder and editor Kalle Lasn (now also ‘‘CEO of the Blackspot Anticorporation’’), would not be especially surprised at these hyperbolic pronouncements and would be left to wonder about similar past prophesies such as ‘‘culture- jamming will become to our era what civil rights was to the ‘60s, what feminism was to the ‘70s, what environmental activism was to the ‘80s.’’ (Lasn 2000, xi). Despite disappointing those hold- ing their breath for the fulfillment of these pretensions, AdBusters has captured the imagination of a great many activists, educators, and other culture workers, at least in the global North. AdBusters is known not only for their glossy bimonthly publication and web- site but also for increasingly popular and globalized decentralized campaigns including ‘‘Buy Nothing Day’’ and ‘‘TV Turn-off Week’’ as well as their iconic ‘‘brand’’ of cultural resistance, ‘‘cul- ture jamming’’: the remixing of advertisements in an attempt to unmask (rather than ornament) corporate evils. -
Banksy. Urban Art in a Material World
Ulrich Blanché BANKSY Ulrich Blanché Banksy Urban Art in a Material World Translated from German by Rebekah Jonas and Ulrich Blanché Tectum Ulrich Blanché Banksy. Urban Art in a Material World Translated by Rebekah Jonas and Ulrich Blanché Proofread by Rebekah Jonas Tectum Verlag Marburg, 2016 ISBN 978-3-8288-6357-6 (Dieser Titel ist zugleich als gedrucktes Buch unter der ISBN 978-3-8288-3541-2 im Tectum Verlag erschienen.) Umschlagabbildung: Food Art made in 2008 by Prudence Emma Staite. Reprinted by kind permission of Nestlé and Prudence Emma Staite. Besuchen Sie uns im Internet www.tectum-verlag.de www.facebook.com/tectum.verlag Bibliografische Informationen der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Angaben sind im Internet über http://dnb.ddb.de abrufbar. Table of Content 1) Introduction 11 a) How Does Banksy Depict Consumerism? 11 b) How is the Term Consumer Culture Used in this Study? 15 c) Sources 17 2) Terms and Definitions 19 a) Consumerism and Consumption 19 i) The Term Consumption 19 ii) The Concept of Consumerism 20 b) Cultural Critique, Critique of Authority and Environmental Criticism 23 c) Consumer Society 23 i) Narrowing Down »Consumer Society« 24 ii) Emergence of Consumer Societies 25 d) Consumption and Religion 28 e) Consumption in Art History 31 i) Marcel Duchamp 32 ii) Andy Warhol 35 iii) Jeff Koons 39 f) Graffiti, Street Art, and Urban Art 43 i) Graffiti 43 ii) The Term Street Art 44 iii) Definition -
Global Responsibility Through Consumption?
Critical perspectives on international business Global responsibility through consumption?: Resistance and assimilation in the anti- brand movement Isleide Arruda Fontenelle Article information: To cite this document: Isleide Arruda Fontenelle, (2010),"Global responsibility through consumption?", Critical perspectives on international business, Vol. 6 Iss 4 pp. 256 - 272 Permanent link to this document: http://dx.doi.org/10.1108/17422041011086841 Downloaded on: 15 February 2016, At: 12:53 (PT) References: this document contains references to 61 other documents. To copy this document: [email protected] The fulltext of this document has been downloaded 1334 times since 2010* Users who downloaded this article also downloaded: Marylyn Carrigan, Ahmad Attalla, (2001),"The myth of the ethical consumer – do ethics matter in purchase behaviour?", Journal of Consumer Marketing, Vol. 18 Iss 7 pp. 560-578 http:// dx.doi.org/10.1108/07363760110410263 Mike Lee, Dominique Roux, Helene Cherrier, Bernard Cova, (2011),"Anti-consumption and consumer resistance: concepts, concerns, conflicts and convergence", European Journal of Marketing, Vol. 45 Iss 11/12 pp. - http://dx.doi.org/10.1108/ejm.2011.00745kaa.001 Helene Cherrier, Iain R. Black, Mike Lee, (2011),"Intentional non-consumption for sustainability: Consumer resistance and/or anti-consumption?", European Journal of Marketing, Vol. 45 Iss 11/12 pp. 1757-1767 http://dx.doi.org/10.1108/03090561111167397 Downloaded by FGV At 12:53 15 February 2016 (PT) Access to this document was granted through an Emerald subscription provided by emerald-srm:478443 [] For Authors If you would like to write for this, or any other Emerald publication, then please use our Emerald for Authors service information about how to choose which publication to write for and submission guidelines are available for all. -
The Rebel Sell: How the Counter Culture Became Consumer Culture Pdf
FREE THE REBEL SELL: HOW THE COUNTER CULTURE BECAME CONSUMER CULTURE PDF Joseph Heath,Andrew Potter | 376 pages | 17 Feb 2006 | John Wiley and Sons Ltd | 9781841126555 | English | Oxford, United Kingdom The selling of the counterculture | Unknown | The Economist Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Nation of Rebels by Joseph Heath. Andrew Potter. In this wide-ranging and perceptive work of cultural criticism, Joseph Heath and Andrew Potter shatter the most important myth that dominates much of radical political, economic, and cultural thinking. The idea of a counterculture -- a world outside of the consumer-dominated world that encompasses us -- pervades everything from the antiglobalization movement to feminism an In this wide-ranging and perceptive work of cultural criticism, Joseph Heath and Andrew Potter shatter the most important myth that dominates much of radical political, economic, and cultural thinking. The idea of a counterculture -- a world outside of the consumer-dominated world that encompasses us -- pervades everything from the antiglobalization movement to feminism and environmentalism. And the idea that mocking or simply hoping the "system" will collapse, the authors argue, is not only counterproductive but has helped to create the very consumer society radicals oppose. In a lively blend of pop culture, history, and philosophical analysis, Heath and Potter offer a startlingly clear picture of what a concern for social justice might look like without the confusion of the counterculture obsession with being different. -
On the Case of Adbusters and Harry Potter Fans
Syracuse University SURFACE Dissertations - ALL SURFACE May 2014 Politics of popular creativity and popular knowledge: on the case of adbusters and Harry Potter fans Stephanie Schreven Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Schreven, Stephanie, "Politics of popular creativity and popular knowledge: on the case of adbusters and Harry Potter fans" (2014). Dissertations - ALL. 95. https://surface.syr.edu/etd/95 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract My research looks at and investigates popular creativity and the politics involved in two different cases. I situate popular creativity and the politics involved in the context of cultural studies. My first case looks at advertisements that are placed under attack, or busted. I investigate the different politics of defamiliarization between two specific busted ads. The politics of defamiliarization create moving images based on the Freudian uncanny and Brechtian Verfremdung. My second case involves Harry Potter fans and fan fiction writing. Specifically, I investigate the politics of closure or stereotyping involved in a copyright dispute over the publication of the so-called Harry Potter Lexicon. Methodologically speaking, I am ‘on the case’. In being ‘on the case’, politics happen too, which concern the production of knowledge over equality. I situate equality in the context of Jacques Rancière’s understanding of it, alongside his understanding of people, politics, and what he refers to as police. -
Maturation, Consumerism and Young Adult Literature: the Perpetual Adolescent in Fiction by M.T. Anderson and Scott Westerfeld
Maturation, Consumerism and Young Adult Literature: The Perpetual Adolescent in Fiction by M.T. Anderson and Scott Westerfeld Emma Kate Wortley A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of English, Media and Performing Arts The University of New South Wales August 2010 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: WORTLEY First name: EMMA Other name/s: KATE Abbreviation for degree as given in the University calendar: PhD School: EMPA Faculty: FASS Title: Maturation, Consumerism and Young Adult Literature: The Perpetual Adolescent in Fiction by M.T. Anderson and Scott Westerfeld Abstract 350 words maximum: (PLEASE TYPE) This thesis argues that the scholarly conception of young adult literature as an aid to maturation is problematised by a strong cultural association between consumerism and juvenilisation, and that such tensions are most evident in contemporary young adult books with an ‘anti-consumerism’ gloss. Scholarship centres on the idea that young adult literature functions primarily as an aid in the adolescent reader’s quest for maturity, underpinned by a conceptualisation of adolescence as a tumultuous period of identity formation requiring adult guidance. However, the young adult novel is also a profit-driven consumer product aimed at a particular marketing demographic, the teenager. The ways young adult literature ‘sells’ itself and an ideology of consumerism to the teenager have begun to receive critical attention in the past couple of decades. This period has also seen the emergence of young adult books in which the implied rhetorical purpose is to interrogate consumerism.