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C.I.M. Aalders Netherlands Riikka Aaltonen Finland Riina Aarnio
C.I.M. Aalders Netherlands Riikka Aaltonen Finland Riina Aarnio Sweden Hamid Abboudi United Kingdom Mohamed Abdel-fattah United Kingdom Tamer Abdelrazik United Kingdom Zeelha Abdool South Africa Mohamed AboAly Egypt Yoram Abramov Israel Bob Achila Kenya ALEX ACUÑA Chile Sébastien Adamski Switzerland Amos Adelowo United States Albert Adriaanse Netherlands Nirmala Agarwal India Vera Agterberg Netherlands CARLOS AGUAYO Chile VIVIAN Aguilar United States Oscar Aguirre United States Wael Agur United Kingdom Ali Ahmad United Kingdom Gamal Ahmed Saudi Arabia Thomas Aigmüller Austria ESAT MURAT AKCAYOZ Turkey Riouallon Alain France Seija Ala-Nissilä Finland May Alarab Canada Alexandriah Alas United States AHMED ALBADR Saudi Arabia Lateefa Aldakhyel Saudi Arabia Akeel Alhafidh Netherlands Jassim Al-Hijji Kuwait Selwan Al-Kozai Denmark Annika Allik Estonia Hazem Al-Mandeel Saudi Arabia Sania Almousa Greece Marianna Alperin United States Salwan Al-Salihi Australia Ghadeer Al-Shaikh Saudi Arabia Efstathios Altanis United Kingdom Abdulah Hussein Al-Tayyem Saudi Arabia Sebastian Altuna Argentina Julio Alvarez U. Chile LLUIS AMAT TARDIU Spain Alicia Rita Amato Argentina Segaert An Belgium Lea Laird Andersen Denmark Vasanth Andrews United Kingdom MIHAELA CRISTINA ANTON Romania Beata Antosiak Poland Vanessa Apfel Brazil Catherine Appleby United Kingdom Rogério Araujo Brazil CARLOS ALFONSO ARAUJO ZEMBORAIN Argentina Rajka Argirovic Serbia Edwin Arnold New Zealand Christina Arocker Austria Juan Carlos Arone Chile Makiya Ashraf United Kingdom Kari Askestad -
0-208 Artwork
The North*s Original Free Arts Newspaper + www.artwork.co.uk Number 208 Pick up your own FREE copy and find out what’s really happening in the arts May - June 2019 Shedding Old Coats – one of the haunting works by Karólína Lárusdóttir from a recent exhibition of her work at the Castle Gallery, Inverness. In- side: Denise Wilson tells the story of this Anglo-Icelandic artist. INSIDE: Cultivating Patrick Geddes :: Tapestry Now Victoria Crowe at City Arts :: A northern take on Turner artWORK 208 May/June 2019 Page 2 artWORK 208 May/June 2019 Page 3 CASTLE GALLERY KELSO POTTERY 100 metresmetres behind behind the Kelso Kelso Abbey in the Knowes Car Park. Abbey in The Knowes Car Park. Mugs, jugs, bowls and “TimePorridge Tablets” and Soup fired Bowls, in Piggy theBanks Kelso and Goblets,Pit Kiln. Ovenproof OpenGratin DishesTuesday & Pit-fi to Saturday red Pieces. Open Mon, 10 Braemar Road, 10am-1pm and 2pm-5pm Ballater Thurs, Fri and TelephoneOpen Tues -(01573) Sat 10 to224027 1 - 2 to 5 Sat 10.00 -5.00 AB35 5RL NEWTelephone: SHOP, (01573) DISABLED 224027 ACCESS larksgallery.com facebook/Larks Gallery 013397 55888 CHECK OUT OUR ROBERT GREENHALF OTHER TITLES opening 17th may Jane B. Gibson RMS Wild Wings Over Lonely Shores Scotland’s Premier artWORK kirsty lorenz richard bracken 7th - 29th June www.artwork.co.uk Miniture Portrait Oils and woodcuts inspired by the birds of our jim wright kirstie cohen Painter coast and wetlands by Robert Greenhalf SWLA with hand-carved birds by Michael Lythgoe. West Highland www.resipolestudios.co.uk Open Studio/Gallery Castle Gallery, 43 Castle St, Inverness, IV2 3DU 01463 729512 Wayfarer loch sunart | acharacle | argyll | scotland | ph36 4hx EVERY FRIDAY [email protected] www.westhighlandwayfarer.co.uk or by appointment any www.castlegallery.co.uk THE other time. -
SERP Reactivated 15 March – 22 April 2018
PRESS RELEASE SERP Reactivated 15 March – 22 April 2018 - new project led by Peckham Platform meaningfully addresses the erosion of arts in education today - public programmes at Tate Exchange and Flat Time House draw on significant archives of the radical and influential Southwark Education Research Project (1989-95) - artists Barby Asante and Barbara Steveni collaborate on new work in schools and with the archive Between 1989 and 1995 the Southwark Education Research Project engaged over 1,500 children and teachers by placing artists in fifteen schools across the London borough of Southwark. SERP created interventions in the schools it worked with, encouraging participants to question the education process and providing new ways for them to engage with the arts. The project created a model for replication across the country by involving the local authority, the inspectorate, teachers and pupils – and in doing so gained recognition nationally and internationally. In 2018 Peckham Platform revisits SERP’s significance, at a time when education policy focuses overwhelmingly on measuring attainment through exam results and league tables, and increased bureaucracy coupled with reduced budgets has seen a reduction in the opportunities for young people to engage with culture and the creative process in-school. Peckham Platform’s project has two main strands – securing and reactivating the archive of the original SERP; and public programmes at Tate Exchange and Flat Time House, which present highlights from the archive alongside new material created through collaboration between artists Barbara Steveni and Barby Asante. Barbara Steveni was one of SERP’s original co-founders and the archive of material that she personally collated includes documents, photographs, correspondence, audio, video and artworks. -
Alumni @ Large
Colby Magazine Volume 99 Issue 1 Spring 2010 Article 10 April 2010 Alumni @ Large Follow this and additional works at: https://digitalcommons.colby.edu/colbymagazine Recommended Citation (2010) "Alumni @ Large," Colby Magazine: Vol. 99 : Iss. 1 , Article 10. Available at: https://digitalcommons.colby.edu/colbymagazine/vol99/iss1/10 This Contents is brought to you for free and open access by the Colby College Archives at Digital Commons @ Colby. It has been accepted for inclusion in Colby Magazine by an authorized editor of Digital Commons @ Colby. ALUMNI AT LARGE 1920s-30s 1943 Meg Bernier Boyd Meg Bernier Boyd Colby College [email protected] Office of Alumni Relations Colby’s Oldest Living Alum: Waterville, ME 04901 1944 Leonette Wishard ’23 Josephine Pitts McAlary 1940 [email protected] Ernest C. Marriner Jr. Christmas did bring some communiqués [email protected] from classmates. Nathan Johnson wrote that his mother, Louise Callahan Johnson, 1941 moved to South San Francisco to an assisted Meg Bernier Boyd living community, where she gets out to the [email protected] senior center frequently and spends the John Hawes Sr., 92, lives near his son’s weekends with him. Her son’s e-mail address family in Sacramento, Calif. He enjoys eating is [email protected]. He is happy to be meals with a fellow World War II veterans her secretary. Y Betty Wood Reed lives and going to happy hour on Fridays. He has in Montpelier, Vt., in assisted living. She encountered some health problems but is is in her fourth year of dialysis and doing plugging along and looking forward to 2010! quite well. -
East Central 2020/21 Neighbouroods Fund Award Tables
EAST CENTRAL 2020/21 NEIGHBOUROODS FUND AWARD TABLES PECKHAM WARD Ref: Name of group: Name of project / activity: Awarded [£]: 1315948 Bells Garden Stepping into Wellness £2,000 1314994 Gloucester Grove TRA Summer Youth Scheme £2,300 1315978 Sporting Recovery Women’s Wellness £3,602 Friends of Kelly Avenue Fun Day £1,000 1309520 Park North Peckham & New Beginnings £1,098 1316220 Commercial Way TRA 1315865 Ignite Hubs Peckham Coding Club £2,500 Link Age Southwark New Seated Dance Class for £1,700 1314135 Older People 1315826 Sumner Residents Assoc. Summer Cultural Day Trip £1,800 1314239 Peckham Platform Youth Platform £3,100 1309916 South London Gallery The Big Family Press £900 1316031 Inspiring DJ’s Inspiring DJ’s £2,500 1311774 Salem Music Academy Salem Music £2,500 1309326 Southwark Youth Advisors Southwark Youth Advisors £1,000 Willowbrook TMO Herb Garden / Pollinator £2,500 1314588 Garden OLD KENT ROAD WARD Ref: Name of group: Name of project / activity: Awarded [£]: 1309326 Avondale Community Picnic on the Green £1,742 Events 1300798 Caroline Gardens TRA Summer Party £1,650 1317179 Civic & Day Learning Mentoring young people £1,000 Centre 1316146 Unwin & Friary TRA Ichon Tae Kwon Do £3,000 1316202 Ladies of Virtue GEM Week £1,000 1314142 Link Age Southwark Harry Lamborne Exercise Group £1,688 1316678 Margaret's Music Adults of Tomorrow - Summer £1,600 Music Project 1314937 Astley Coopers Young Leaders Millwall for All £5,000 Project 1314878 Ledbury – 1st Touch Football Millwall for All £5,000 Project Passion for Reducing Type 1316207 -
Janice Mcnab — Curriculum Vitae
Janice McNab — Curriculum vitae Born in Aberfeldy, Scotland. Lives and works in The Hague. EDUCATION 2019 PhD, Amsterdam School for Cultural Analysis, University of Amsterdam 1997 MFA, Glasgow School of Art. Exchange to Hunter College of the Arts, New York 1986 BA, Edinburgh College of Art EMPLOYMENT 2020–2022 Post-doc researcher, ACPA, University of the Arts, The Hague and Leiden University 2015–ongoing Head, MA Artistic Research, The Royal Academy of Art, The Hague Previous teaching experience includes: 2013–2015 Thesis supervisor, Piet Zwart Masters Institute, Rotterdam 2011–2015 Thesis supervisor, Gerrit Rietveld Academy, Amsterdam 2009–2015 Studio tutor, The Royal Academy of Art, The Hague 2006–2008 Thesis supervisor, Piet Zwart Masters Institute, Rotterdam 1997–1999 Studio tutor, Glasgow School of Art External examiner, visiting artist and guest lecturer at various art schools across Britain and Europe, including, in 2020, lectures for DutchCulture.nl Brexit debates and ASCA, University of Amsterdam 30th anniversary conference. OTHER PROFESSIONAL EXPERIENCE 2018–ongoing Chair, Board of 1646 Experimental Art Space, The Hague 2009–2015 Co-editor, If I Can’t Dance Publications, Amsterdam 2008–2009 Mentor, My Miyagi Young Curator programme, Stichting Mama, Rotterdam 2006–2009 Co-curator, Artis Den Bosch, Art Space, ‘s Hertogenbosch 1/4 SELECTED EXHIBITIONS AND PROJECTS 2020 Slits and a Skull, Bradwolff Projects, Amsterdam A New World, Stroom, The Hague 2016 Hollandaise, The Dutch Embassy and New Art Projects, London 2015 Undone, Bradwolff -
Tilburg University a Pastoral Psychology of Lament Blaine
Tilburg University A pastoral psychology of lament Blaine-Wallace, W. Publication date: 2009 Link to publication in Tilburg University Research Portal Citation for published version (APA): Blaine-Wallace, W. (2009). A pastoral psychology of lament. [s.n.]. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. okt. 2021 A Pastoral Psychology of Lament A PASTORAL PSYCHOLOGY OF LAMENT Pastoral Method-Priestly Act-Prophetic Witness Proefschrift ter verkrijging van de graad van doctor aan de Universiteit van Tilburg, op gezag van de rector magnificus, prof.dr. Ph. Eijlander, in het openbaar te verdedigen ten overstaan van een door het college voor promoties aangewezen commissie in de aula van de Universiteit op maandag 15 juni 2009 om 14.15 uur door William Blaine-Wallace geboren op 22 mei 1951 te Salisbury, North Carolina, USA 2 A Pastoral Psychology of Lament Promotores Prof. -
An Talla Solais
engage Scotland – Go & See funding report An Talla Solais An Talla Solais, Ullapool An Talla Solais is a community-led art centre in Ullapool on the northwest coast of Scotland. It hosts a wide range of exhibitions of contemporary art; runs classes, courses and events to enable people to connect with art; and offers studio space to artists and groups. Summary Sara Garnett (Events and Audience Development Coordinator), Sian Curley (Marketing Coordinator), Rachel Grant (Exhibitions Coordinator) and Joanna Wright (Manager) from An Talla Solais, (ATS), used the Go & See Grant to visit four arts organisations in the North East of Scotland: Northlands Glass (Lybster), Timespan (Helmsdale), Scottish Sculpture Workshop and Deveron Arts (Huntly). As An Talla Solais approached its tenth year, the organisation felt that it was important to review its practice relating to issues of access, equality and diversity, and that it would be useful to see how other practitioners in the North of Scotland address these issues. The four places visited have very different remits. Northlands Glass is a centre of excellence for glass making with regular artist residencies, masterclasses and symposia. Timespan is a heritage and arts centre with regular contemporary art exhibitions. The Scottish Sculpture Workshop has a range of sculpture facilities including a bronze foundry, iron foundry, ceramics studio and wood studio. Deveron Arts is a gallery without walls which uses Huntly as a site for a range of socially-engaged art practice. The group visited with the intention of finding out more about how this wide range of organisations deal with practical access issues of language and disabilities, and how interpretational methods engage visitors with exhibitions and events. -
LORRAINE ROBSON Curriculum Vitae Phone
LORRAINE ROBSON Curriculum Vitae Phone: mobile 07939 301721 Email:[email protected] EDUCATION Bachelor of Arts (hons) degree in Sculpture, Heriot Watt, Edinburgh College of Art (1988) AWARDS:- Creative Scotland Bursary towards Creative Development 2014 Vasefinder, awarded 1st prize, Vasefinder 7th International 2012, USA Vasefinder, awarded 3rd prize, Vasefinder 6th International 2011, USA Forth Valley Craft Makers Award towards Professional Development research trip - 2009 Scottish Arts Council Creative Development Grant - 2009 Awarded Arts Council Grant towards commissioned installation - 1991 Selina Goodenough Memorial Prize for Sculpture - 1988 INTERNATIONAL COMPETITIONS: Taiwan Ceramics Biennale, Yingge Ceramics Museum. 2016 4rd International Triennial of Silicate Arts, Hungary. 2014 8th International Biannual of Ceramics Kapfenberg Austria, 2013 Invited artist. The IV International Festival of Postmodern Ceramics, KERAMEIKON, Croatian Ceramic Association, Varazdin , 2012 Taiwan Ceramics Biennale. Yingge Ceramics Museum, Taiwan. 2012 3rd International Triennial of Silicate Arts, Hungary. 2011 7th International Biannual of Ceramics presented by the City of Kapfenberg, Austria. 2011 SELECTION OF EXHIBITIONS 1987 Dunkeld and Birnam Arts Festival 1988 SSWA 64th Annual Exhibition, RSA, Edinburgh. (Awarded Sculpture Prize.) 1989 Fruitmarket Gallery Open Exhibition, Edinburgh 1991 Collective Gallery Festival Exhibition, Edinburgh 1991 SSA Centenary Exhibition, RSA, Edinburgh. Commissioned installation work. 1993 SSA Annual -
National Strategy for Scotland's Museums and Galleries
GOING TheNationalStrategyfor Scotland’sMuseumsandGalleries fURTHER To SUccEEd aNd floURiSH we wILL aLL Need tO pLay Our part ScoTTiSH NaTioNal PoRTRaiT GallERy National Galleries of Scotland TheScottishNationalPortraitGalleryre-opened on1December2011,followingatwoandahalfyear closureandanambitious£17.6mrestorationproject. Asaresult,amuchgreaterproportionofthe collectionwillbeonshow,bringingtolightawealth Theproject–thefirstmajorrefurbishmentinthe ofartworksthathasbeen,untilnow,largelyhidden Gallery’s120-yearhistory–hasrestoredmuchof fromview. thearchitect’soriginalvision,openinguppreviously inaccessiblepartsofthebuildingandincreasing Reviewsandfeedbackhavebeenoverwhelmingly thepublicspacebymorethan60%.Accesstothe positivewithmorethan52,000visitorsgoing exhibitionspacesonallthreelevelshasbeenopened totheGalleryduringthefirstmonthofopening. up,whiletherestorationofthemagnificentsuiteof top-litgalleriesontheupperfloorhascreatedoneof themostimpressivedisplayspacesinScotland. www.nationalgalleries.org TheNationalStrategyfor Scotland’sMuseumsandGalleries Images courtesy of the National Galleries of Scotland © Chris Watt The National Strategy for Scotland’s Museums and Galleries gOINg The National Strategy for Scotland’s Museums and Galleries further Acknowledgements contents The development of this National Strategy for Scotland’s Museums and Galleries would not have 5 FOREWORD 34 AIm fIve -
Allocation of Local CIL Southwark - Phase 2
Item No. Classification: Date: Meeting Name: 13. Open 19 January 2021 Cabinet Report title: Community Investment Plans – Allocation of local CIL Southwark - Phase 2 Ward(s) or groups Camberwell Green, Champion Hill, Dulwich Hill, affected: Dulwich Village, Faraday, Goose Green Newington, Old Kent Road, Peckham, Rye Lane, South Bermondsey, and St Giles. Cabinet Member: Councillor Alice Macdonald, Communities & Equalities FOREWORD - COUNCILLOR ALICE MACDONALD, CABINET MEMBER FOR COMMUNITIES & EQUALITIES In Southwark we are committed to ensure that regeneration works for all and that our neighbourhoods thrive. The Community Infrastructure Levy, a levy raised on development schemes, is just one of the ways in which developments can benefit the local community and one of the ways in which developers can give-back to the community - especially to those who've been impacted by the building works. Southwark has raised roughly £23m in CIL since 2015. 25 per cent of this - almost £6m - has been designated as local. Following the Cabinet report approved on 8 December 2020, I am pleased to bring forward this second set of community investment plans for approval which have been shaped by our communities. In March we launched an online consultation which generated over 1000 project suggestions from residents. These were then considered by ward councillors. Projects selected by ward councillors are those which are considered to have the most strategic benefit for the whole ward, or alternatively which meet a specific ward issue which councillors for that ward identified as a priority. The proposals presented in these plans range from improvements to parks, the public realm and community buildings and I am sure will bring significant benefits to our residents. -
Creative Southwark 2017 to 2022' Mid-Term Review July 2019 PDF 221 KB
APPENDIX 2 Creative Southwark Mid-term review July 2019 1 Summary 1. The paper outlines the progress made in the implementation of the creative economy and growth area of Creative Southwark, our cultural strategy. This series of ambitious programmes built on strong, innovative, internal and external partnerships have and will continue to evolve over the life of the strategy leaving a lasting legacy for residents and businesses. Background 2. The creative industries are the fastest growing part of the UK’s economy, and play a significant role in unlocking innovation and growth in other sectors too. This success is fuelled by established international brands all the way through to micro-businesses, self-employed workers and freelancers. At the time of writing this paper, one in 11 of all UK jobs is in the creative economy. 3. The creative industries have long stimulated the transformation of key areas of London but paradoxically, as the city evolves, space to support these activities is being lost. 4. Southwark has always been a centre for creative excellence with a vast cultural footprint that sets it on an international stage. The people living, working and studying in Southwark and our growing visitor numbers all contribute to this diverse unrivalled cultural landscape. 5. To ensure Southwark’s reputation as a borough of creativity, innovation, and opportunity, the council approved Creative Southwark in March 2017, This strategic approach to the development of cultural and creative industries over the next five years recognises the significant part that cultural access and the creative industries plays and will increasingly play to residents.