In Howards End John Attridge
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The Machine Stops"
PEOPLE’S DEMOCRATIC REPUBLIC OF ALGERIA Ministry of Higher Education and Scientific Research University Center of Ain Temouchent Institute of Letters and Languages Department of Letters and English Language Dehumanization in E.M.Forster’s novella "The Machine Stops" An Extended Essay Submitted in Partial Fulfilment of the Requirement for a Master’s Degree in British Literature Submitted by: Supervised by: Cherif Nour El Houda Belhamidi Selma Board of Examiners President : Hassain Zahira Supervisor : Belhamidi Selma Examiner : Rezigue Fatima Zohra Academic Year: 2016/2017 Dedication First and foremost, I praise the Almighty God for everything and I whole- heartedly dedicate this research paper to my supportive parents, brothers Adel Taki Eddine and Mohamed Amine, my beloved sisters Asmaa and Lina Aya. Acknowledgment My thanks and deep appreciation go to my supervisor Mrs Belhamidi, and to all our professors for their encouragement and guidance. In addition, this dissertation would not have been possible without the unending support of my parents and family. Table of contents Dedication .................................................................................................................................. I Aknowledgment ................................................................................................................ II Abstract .................................................................................................................................. III Introduction............................................................................................................................. -
Will the Machine Stop? E
Master’s Degree in European, American and Postcolonial Languages and Literatures LM - 37 Final Thesis Will the Machine stop? E. M. Forster’s The Machine Stops as posthuman perspective Supervisor Ch. Prof. Shaul Bassi Assistant supervisor Ch. Prof. David John Newbold Graduand Sofia Baldo Matriculation number 851188 Academic Year 2019 / 2020 INDEX INTRODUCTION………………………………………………………………………………..…1 CHAPTER 1: UNDERSTANDING THE MACHINE – A critical insight of a posthuman reality.8 1.1: The posthuman challenge of redesigning humanity……………………………………....9 1.2: Pepperell’s The Posthuman Manifesto……………………………………….…..……..13 1.3: Utopian and dystopian machines between human desires and regrets…………………..14 1.4: Inside E. M. Forster’s The Machine Stops……………………………………………....23 1.5: Under the power of the Machine………………………………………………….……..31 Preliminary conclusion……………………………………...………………………………….….40 CHAPTER 2: DISMANTLING THE MACHINE – Power, hierarchies and oppressions in posthuman times………………………………………………………………………..………..…42 2.1: A cruel machine sentence………………………………………………………………43 2.2: The body of the condemned……………………………………………………………46 2.3: The art of oppressing and being oppressed…………………………………………….52 2.3.1: Power…………………………………………………………………..……..53 2.3.2: Knowledge and discourse…………………………………………….………55 2.3.3: Binary oppositions………………………………………………….………...58 Preliminary conclusion……………………………………………...………………...……….….63 CHAPTER 3: STOPPING THE MACHINE – Viruses, death and the unthinkable…….….…65 3.1: Dangerous viruses and fragile bodies…………………………………………….……67 3.2: Posthumanism -
From Hegel to Hinduism : the Dialectic of E. M. Forster
FROM HEGEL TO HINDUISM: THE DIALECTIC OF E. M. FORSTER By CLARA RISING A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THB DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1969 UNIVERSITY OF FLORIDA 3 1262 08642 712 6 ACKNOWLEDGMENTS I wish to express my appreciation for the help and understanding I have received at the University of Florida from both professors and staff. I especially want to thank Professor John Tyree Fain for his patience and excellent scholarship, and Professors Gordon E. Bigelow and A. L. Lewis, Jr., for their advice and encouragement. I am espe- cially indebted to Mr. Ray Jones and Mr. Sherman L. Butler and their staffs at the Graduate Research Library for obtaining material for me, and to the Harvard Theological School for lending me a rare first volume of McTaggart's Nature of Existence . Without all their help, and the in- exhaustible patience and understanding of my husband, Stanley A. Rising, and of my children, this study could not have been completed. CR TABLE OF CONTENTS ACKNOWLEDGMENTS ii CHAPTER I THE INNER WAR 1 II GREECE 19 III ITALY 89 IV ENGLAND PAST: THE LONGEST JOURNEY 141 V ENGLAND PRESENT: HOWARDS END 204 VI INDIA 254 Mosque 264 Caves 284 Temple 311 VII BHAKTI IN BLOOMSBURY: THE LEGACY 349 BIBLIOGRAPHY 368 APPENDICES 385 1. The Dialectic 386 2. The Glossary 387 BIOGRAPHICAL SKETCH 399 . CHAPTER I THE INNER WAR born in days when wits were fresh and clear, And life ran gayly as the sparkling Thames; Before this strange disease of modern life, With its sick hurry, its divided aims, Its heads o'ertaxed, its palsied hearts, was rife- Matthew Arnold, The Scholar Gypsy It has become a commonplace in literary criticism to say that most writers have one thing to say and when they have said that they become either repetitive or silent. -
The Machine Stops Forster, E
The Machine Stops Forster, E. M. Published: 1909 Categorie(s): Fiction, Science Fiction, Short Stories Source: http://gutenberg.org 1 About Forster: Edward Morgan Forster, OM (January 1, 1879 – June 7, 1970), was an English novelist, short story writer, and essayist. He is known best for his ironic and well-plotted novels examin- ing class difference and hypocrisy in early 20th-century British society. Forster's humanistic impulse toward understanding and sympathy may be aptly summed up in the epigraph to his 1910 novel Howards End: "Only connect." Forster was gay, but this fact was not made public during his lifetime. His posthum- ously released novel Maurice tells of the coming of age of an explicitly gay male character. Source: Wikipedia Also available on Feedbooks for Forster: • A Room with a View (1908) • Howards End (1910) • The Celestial Omnibus and Other Stories (1911) • Where Angels Fear to Tread (1905) • The Longest Journey (1907) Copyright: This work was published before 1923 and is in the public domain in the USA only. Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Chapter 1 The Air-Ship Imagine, if you can, a small room, hexagonal in shape, like the cell of a bee. It is lighted neither by window nor by lamp, yet it is filled with a soft radiance. There are no apertures for ventila- tion, yet the air is fresh. There are no musical instruments, and yet, at the moment that my meditation opens, this room is throbbing with melodious sounds. -
E.M. Forster's Short Stories
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarWorks at Central Washington University Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses 1968 E.M. Forster’s Short Stories Joan Meredith Kerns Central Washington University Follow this and additional works at: https://digitalcommons.cwu.edu/etd Part of the English Language and Literature Commons Recommended Citation Kerns, Joan Meredith, "E.M. Forster’s Short Stories" (1968). All Master's Theses. 845. https://digitalcommons.cwu.edu/etd/845 This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. , l E. M. FORSTER'S SHORT STORIES A Thesis Presented to the Graduate Faculty Central Washington State College In Partial Fulfillment of the Requirements for the Degree Master of Arts by Joan Meredith Kerns Augu.st 1968 .,. N011331100 1Vt3Y APPROVED FOR THE GRADUATE FACULTY ________________________________ H. L. Anshutz, COMMITTEE CHAIRMAN _________________________________ Anthony Canedo _________________________________ Frank M. Collins TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION .AND REVIEW OF CRITICISM • • • • • • • l Introduction • • • • • • • • • • • • • • • • • • l Review of Criticism • • • • • • • • • • • • • • 2 II. VOLUME ONE OF THE SHORT STORIES 0 • • • • • • • • ll "The Celestial Omnibus" • • • • • • • • • • • • ll 11 "The Story of a Panic • o • • • • • • • • • • • 20 "The Curate's Friend" • • • • 0 • • • • • • • • 28 "Other Kingdom" • • • • • • • • • • • • • • • • 33 "The Other Side of the Hedge" • • • • • • • • • 38 "The Road from Colonus" 0 • • • 0 • • • • • • • 43 III. VOLUME TWO: -THE ETERNAL MOMENT ---------AND OTHER STORIES 49 "The Point of It". -
Adaptation, Inspiration, Dialogue: E.M. Forster and His Oeuvre in Contemporary Culture
Adaptation, Inspiration, Dialogue: E.M. Forster and His Oeuvre in Contemporary Culture Krzysztof Fordoński University of Warsaw Abstract The article aims at charting the position of Edward Morgan Forster and his works in contemporary English language culture. It presents various forms of adaptations of or responses to the works of Forster, concentrating on those which have been created since the writer’s death in 1970. The discussed material consists of approximately one hundred instances of various works of art related in a number of ways to Forster’s oeuvre and biography: adaptations, works inspired by Forster’s oeuvre or biography, and, finally, works which enter into a dialogue with Forster and his views. Radio plays, operas, plays, movies, musicals, comic books, concept albums, etc. have been included as well. The paper also touches upon Forster’s reception among scholars and in political journal- ism. The paper is supplemented with lists of various adaptations. Keywords: E.M. Forster, culture, literature, opera, musical, television, film, theatre, adaptation, adaptation studies 12 Krzysztof Fordoński The works of E.M. Forster have played an important role in the English-speaking world and beyond it1 ever since his position was first generally recognised after the publication of Howards End in 1910.2 Forster’s presence was originally felt the most clearly through his literary works, namely novels and short stories. Yet, with the passage of time, he began to exert influence also as a reviewer, an essayist, and a radio broadcaster. Artists – at first fellow novelists but gradually also playwrights, composers, graphic artists, and others – found in Forster’s oeuvre and life a greatly various source of creative inspiration which continues to be fruitful fifty years after the writer’s death. -
Embodied Modernism: the Flesh of the World In
EMBODIED MODERNISM: THE FLESH OF THE WORLD IN E.M. FORSTER, VIRGINIA WOOLF, AND W.H. AUDEN by KELLY ELIZABETH SULTZBACH A DISSERTATION Presented to the Department ofEnglish and the Graduate School ofthe University of Oregon in partial fulfillment ofthe requirements for the degree of Doctor ofPhilosophy September 2008 11 University of Oregon Graduate School Confirmation of Approval and Acceptance ofDissertation prepared by: Kelly Sultzbach Title: "Embodied Modernism: The Flesh ofthe World in E.M. Forster, Virginia Woolf: and W.H. Auden" This dissertation has been accepted and approved in partial fulfillment ofthe requirements for the Doctor ofPhilosophy degree in the Department ofEnglish by: Louise Westling, Chairperson, English Paul Peppis, Member, English William Rossi, Member, English Ted Toadvine, Outside Member, Philosophy and Richard Linton, Vice President for Research and Graduate StudieslDean ofthe Graduate School for the University ofOregon. September 6, 2008 Original approval signatures are on file with the Graduate School and the University ofOregon Libraries. III © 2008 Kelly Elizabeth Sultzbach IV An Abstract ofthe Dissertation of Kelly Elizabeth Sultzbach for the degree of Doctor ofPhilosophy in the Department ofEnglish to be taken September 2008 Title: EMBODIED MODERNISM: THE FLESH OF THE WORLD IN E.M. FORSTER, VIRGINIA WOOLF, AND W.H. AUDEN Approved: Dr. Louise Westling Modernism's fragmented literary style has been called "an art ofcities." My project challenges such conventional understandings by exposing a strain within modernism that expresses an awareness ofa broader phenomenological world. In the work ofE.M Forster, Virginia Woolf, and W.H. Auden, non-human presences are often registered through a character or speaker's innate sensory perception oftheir surroundings-what I call embodied modernism. -
Technology and the Fleshly Interface in Forster's “The Machine Stops”
Journal of Ecocriticism 2(1) January 2010 Technology and the Fleshly Interface in Forster’s “The Machine Stops”: An Ecocritical Appraisal of a One-Hundred Year Old Future Alf Seegert (University of Utah)* Abstract As a prescient critique of telepresence technologies like the Internet, “The Machine Stops” satirizes hypermediated contact and in its place valorizes contact made with the fleshly body—so much so, that it fantasizes the removal of all technological mediations between that body and the “real.” This move carries strong ecocritical implications in its suggestion that all authentic connection—whether between people themselves or between people and the earth—must be corporeal. The narrator’s apology on behalf of “beautiful naked man” (122) and his nostalgia for the robust, technology-free body are, however, both problematic. Forster appears to conflate nakedness and fleshly connection with unmediated contact or “full presence,” a view that raises many potential criticisms and questions. If the body proves to be but one kind of mediating interface itself, then on what grounds should the mode of fleshly connection be privileged over interactions mediated by motors, buttons, and video screens? If all contact must be mediated somehow, does it even make sense to consider one type of interface as “more authentic” than another? Is it right to equate nakedness with freedom from technology? In this paper I use an ecocritical perspective to explore such questions in the text, focusing in particular on Forster’s depiction of technology as devastating to both the human body and to the experience of space and place. The timeliness of such concerns suggests that “The Machine Stops” might prove even more significant in the hypermediated world of today than it was a hundred years ago for questioning the relationship between corporeality, representation, and nature. -
E.M. Forster's Short Stories
Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses 1968 E.M. Forster’s Short Stories Joan Meredith Kerns Central Washington University Follow this and additional works at: https://digitalcommons.cwu.edu/etd Part of the English Language and Literature Commons Recommended Citation Kerns, Joan Meredith, "E.M. Forster’s Short Stories" (1968). All Master's Theses. 845. https://digitalcommons.cwu.edu/etd/845 This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. , l E. M. FORSTER'S SHORT STORIES A Thesis Presented to the Graduate Faculty Central Washington State College In Partial Fulfillment of the Requirements for the Degree Master of Arts by Joan Meredith Kerns Augu.st 1968 .,. N011331100 1Vt3Y APPROVED FOR THE GRADUATE FACULTY ________________________________ H. L. Anshutz, COMMITTEE CHAIRMAN _________________________________ Anthony Canedo _________________________________ Frank M. Collins TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION .AND REVIEW OF CRITICISM • • • • • • • l Introduction • • • • • • • • • • • • • • • • • • l Review of Criticism • • • • • • • • • • • • • • 2 II. VOLUME ONE OF THE SHORT STORIES 0 • • • • • • • • ll "The Celestial Omnibus" • • • • • • • • • • • • ll 11 "The Story of a Panic • o • • • • • • • • • • • 20 "The Curate's Friend" • • • • 0 • • • • • • • • 28 "Other Kingdom" -
EM Forster in Africa
Language and Literary Studies of Warsaw ROCZNIK NAUKOWY LINGWISTYCZNEJ SZKOŁY WYŻSZEJ W WARSZAWIE Nr 10 Wydawca / Publisher: Lingwistyczna Szkoła Wyższa w Warszawie al. Jerozolimskie 148, Warszawa, 02–326 Redakcja / Editorial Board: Redaktor Naczelny / Editor-in-chief: prof. dr hab. Krzysztof Fordoński Redaktor prowadzący / Executive Editor: dr Paweł Wojtas Redaktor językowy sekcji polskiej/ Polish Language Editor: mgr Klaudia Ciesłowska Redaktor językowy sekcji angielskiej/ English Language Editor: dr Matthew Foley Rada Naukowa / External Board: Przewodniczący Rady Naukowej: Prof. dr hab. Jan Franciszek Nosowicz (Lingwistyczna Szkoła Wyższa w Warszawie) Prof. dr hab. Zofia Jancewicz (Lingwistyczna Szkoła Wyższa w Warszawie) Prof. dr hab. Leonarda Dacewicz (Uniwersytet w Białymstoku) Prof. dr hab. Jacek Fabiszak (Uniwersytet im. A. Mickiewicza w Poznaniu) Prof. dr hab. Stanisław Obirek (Uniwersytet Warszawski) Prof. dr hab. Piotr Urbański (Uniwersytet im. A. Mickiewicza w Poznaniu) Dr Sabina Siebert (Uniwersytet w Glasgow) Projekt okładki / Cover design: Lingwistyczna Szkoła Wyższa w Warszawie Skład i łamanie / Typesetting: Adrian Szatkowski Druk / Print: Sowa – Druk na życzenie www.sowadruk.pl tel. (+48) 22 431 81 40 Wersja papierowa stanowi wersję pierwotną czasopisma. © Copyright by Lingwistyczna Szkoła Wyższa w Warszawie Language and Literary Studies of Warsaw ROCZNIK NAUKOWY LINGWISTYCZNEJ SZKOŁY WYŻSZEJ W WARSZAWIE Nr 10 ISSN 2300–5726 Redaktorzy tomu / Volume Editors Krzysztof Fordoński Anna Kwiatkowska Paweł Wojtas Heiko Zimmermann LINGWISTYCZNA SZKOŁA WYŻSZA W WARSZAWIE Warszawa 2020 Recenzenci / Reviewers: Prof. dr hab. Paulina Ambroży, Prof. Raffaella Antinucci, Prof. dr hab. Silvia Bonacchi, Prof. dr hab. Piotr Briks, Prof. dr hab. Dominika Buchowska-Greaves, Prof. dr hab. Wojciech Charchalis, Prof. dr hab. Agnieszka Chmiel, Prof. Stuart Christie, Prof. dr hab.