What Is Big History? David Christian
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Historical Concepts, Social Ontology, Macrohistory*
Historical Concepts, Social Ontology, Macrohistory* Daniel Little University of Michigan-Dearborn There is a body of work in history and historical sociology in which it is possible to identify the strands of a new paradigm of historical inquiry—what might be called “meso-history.” This work provides examples of strong, innovative macro-explanations that give more compelling and nuanced expression to this approach to historiography than past macro-history. I characterize this paradigm as “conjunctural contingent meso- history” (CCM), and I argue that this approach allows for a middle way between grand theory and excessively particularistic narrative. The paradigm recognizes historical contingency—at any given juncture there are multiple outcomes which might have occurred. It recognizes the role of agency—leaders, inventors, engineers, activists, and philosophers are able to influence the course of development in particular historical contexts. It recognizes the multiplicity of causes that are at work in almost all historical settings—thereby avoiding the mono-causal assumptions of much previous macro- history. And it recognizes, finally, that there are discernible structures, processes, and constraints that recur in various historical settings and that play a causal role in the direction and pace of change. It is therefore an important part of the historian’s task to identify these structures and trace out the ways in which they constrain and motivate individuals in particular settings, leading to outcomes that can be explained as contingent * Earlier versions of this paper were presented at the Social Science History Association (October 2000) and at the University of Michigan-Dearborn, and the author expresses his gratitude for comments and suggestions extended on those occasions. -
Los Muiscas En Los Textos Escolares. Su Enseñanza En El Grado Sexto
LOS MUISCAS EN LOS TEXTOS ESCOLARES. SU ENSEÑANZA EN EL GRADO SEXTO LUZ ÁNGELA ALONSO MALAVER UNIVERSIDAD DISTRITAL FRANCISCO JOSÉ DE CALDAS MAESTRÍA EN EDUCACIÓN FACULTAD DE CIENCIAS Y EDUCACIÓN BOGOTÁ - OCTUBRE DE 2018 LOS MUISCAS EN LOS TEXTOS ESCOLARES. SU ENSEÑANZA EN EL GRADO SEXTO LUZ ÁNGELA ALONSO MALAVER Trabajo de grado para obtener el título de magíster en Educación Asesor: CARLOS JILMAR DÍAZ SOLER UNIVERSIDAD DISTRITAL FRANCISCO JOSÉ DE CALDAS MAESTRÍA EN EDUCACIÓN FACULTAD DE CIENCIAS Y EDUCACIÓN BOGOTÁ - OCTUBRE DE 2018 AGRADECIMIENTOS Mis más sinceros agradecimientos a los maestros de la Universidad Distrital Francisco José de Caldas, quienes desde su labor me aportaron herramientas valiosas en mi crecimiento personal e intelectual durante el desarrollo de la maestría de Educación. En especial a mi asesor, el doctor Carlos Jilmar Díaz Soler, por su paciencia, dedicación y colaboración en la realización del presente trabajo de grado. A mi familia, por su apoyo y comprensión, pero principalmente a mi madre, doña María Delfina y a mi esposo Luis Ángel, que con su amor me han dado la fuerza necesaria para crecer en mi carrera. A Dios por ser un padre amoroso, un compañero fiel y un amigo incondicional. CONTENIDO Pág. INTRODUCCIÓN 1 JUSTIFICACIÓN 5 OBJETIVOS 8 OBJETIVO GENERAL 8 OBJETIVOS ESPECÍFICOS 8 METODOLOGÍA 9 ANTECEDENTES 12 Sobre los Muiscas, sobre los manuales y sobre la enseñanza de los Muiscas en el currículo colombiano Capítulo 1. LOS PUEBLOS ORIGINARIOS. EL CASO DE LOS MUISCAS 18 1.1. Los pueblos originarios a la llegada de los europeos. Su situación 18 1.2. -
Board Meeting Minutes 3
IBHA Board of Directors Meeting Wednesday, August 6, 2014 Edgehill Mansion Garden Room Agenda 8:30 – 10:30 am 1. Opening the Meeting, Introduction of - Welcome to - New Board Members (Fred Spier, Chair) 2. Approval of 2012 Board Meeting Minutes 3. Presidential Remarks (David Christian) 4. Further Board Changes 5. Election of Officers 11:00 am – 12:30 pm 6. President’s Report (David Christian) 7. Publications Committee Report (Cynthia Brown, Esther Quaedackers) 8. Treasurer’s Report (Craig Benjamin) 9. Secretary’s Report (Lowell Gustafson) 1 – 3 pm 10. Advisory Council Report (Pamela Benjamin) 11. International Coordinator’s Report (Barry Rodrigue) 12. Archive IBHA papers (Barry Rodrigue) 13. Board Communication (Forum) 3:30 – 5 pm 14. Location for 2016 and perhaps 2018 IBHA Conferences (Esther Quaedackers). 15 Policies 16. New Business 17. Recognition and thanks. 18. Adjournment of Meeting Attending: Milly Alvarez, Walter Alvarez, Mojgan Behmand, Craig Benjamin, Pamela Benjamin, Cynthia Brown, David Christian, Lowell Gustafson, Jonathan Markley, Esther Quaedackers, Barry Rodrigue, Fred Spier, Joseph Voros, Sun Yue Absent (notified in advance), Andrey Korotayev 1. Fred Spier opened the meeting at 8:30 a.m. He welcomed the four new board members who will each be serving a three year term: Mojgan Behmand, Esther Quaedackers, Joseph Voros, and Sun Yue. Jonathan Markley was elected by acclamation to fill the seat that was open due to the resignation of Walter Alvarez. 2. Craig Benjamin moved and Esther Quadackers seconded a motion that the 2012 minutes be adopted as a true and accurate record of the 2012 board meeting. The motion was approved unanimously. -
Is There a Future for Italian Microhistory in the Age of Global History?
Is There a Future for Italian Microhistory in the Age of Global History? Francesca Trivellato In the late 1970s and 80s, particularly after the appearance of Carlo Ginzburg’s The Cheese and the Worms (1976) and Giovanni Levi’s Inheriting Power (1985), Italian microhistory shook the ground of established historiographical paradigms and practices. Since then, as Anthony Grafton put it, “Microhistories have captivated readers, won places on syllabi, been translated into many languages – and enraged and delighted their [the authors’] fellow professionals” (2006, 62). Are the questions that propelled Italian microhistory still significant or have they lost impetus? How has the meaning of microhistory changed over the past thirty years? And what can this approach contribute nowadays, when ‘globalization’ and ‘global’ are the dominant keywords in the humanities and the social sciences – keywords that we hardly associate with anything micro? In what follows, I wish to put forth two arguments. I suggest that the potential of a microhistorical approach for global history remains underexploited. Since the 1980s, the encounter between Italian microhistory and global history has been confined primarily to the narrative form. A host of studies of individuals whose lives traversed multiple linguistic, political, and religious boundaries has enjoyed considerable success among scholars and the broad public alike. These are predicated on the idea that a micro- and biographical scale can best portray the entanglement of cultural traditions produced by the growing contacts and clashes between different societies that followed the sixteenth- century European geographical expansion. They also reflect a greater comfort among historians and the general reader, perhaps most pronounced in Anglophone countries, with narration rather than social scientific analysis. -
El Arte Y La Memoria Muisca En El Municipio De Suesca
1 El arte y la memoria muisca en el municipio de Suesca Trabajo de grado presentado para optar el título de Especialista en el Arte en los procesos de aprendizaje Facultad de Ciencias Humanas y Sociales Fundación Universitaria Los Libertadores Directora: Olga Soledad Niño Murcia Magistra en Comunicación Clara Josefina Vela López Noviembre de 2020 2 Copyright © 2020 por Clara Josefina Vela López. Todos los derechos reservados 3 Dedicatoria A todos mis ancestros, al Gran Espíritu creador a las cuatro direcciones, al agua, la tierra, el viento y el fuego, . A las abuelas presentes en Suehyca y a toda la comunidad que mantiene vivo el territorio. A todos los maestros e investigadores que me han apoyado en este proceso pedagógico. Gracias. 4 Resumen Son muchos los vestigios dejados por las poblaciones antiguas que permanecen en museos y en espacios naturales que dan pistas para reconocer una cultura ancestral en el territorio de Cundinamarca. Suesca – Suehyca, Roca de las Aves, Roca del Sol o Cola de Guacamaya, se convierte en el objeto de estudio y de reflexión pedagógica sobre el patrimonio cultural, la identidad y el arte precolombino. Desde un enfoque cualitativo se llevará a cabo una investigación acción que busca recopilar información sobre los saberes, tradiciones culturales y materiales dispuestos en el territorio que servirá de base para plantear dinámicas desde el aprendizaje significativo y así fomentar en los estudiantes de grado sexto y séptimo de la I.E.D. Gonzalo Jiménez de Quesada la valoración y reconocimiento de la memoria Muisca que hace parte del patrimonio histórico del municipio. -
THE COLOMBIAN ROCK ART SPIRAL- a SHAMANIC TUNNEL? by Harry Andrew Marriner B.A
THE COLOMBIAN ROCK ART SPIRAL- A SHAMANIC TUNNEL? By Harry Andrew Marriner B.A. Pyschology San Diego State University Coordinator Western Cundinamarca Rock Art Investigations GIPRI Colombia February 2003 In the center of any spiral is the calm core through which man passes to eternity. Jill Purce The Mystic Spiral INTRODUCTION Spirals have been found in the form of pictographs or petroglyphs in most countries and cultures throughout the world. A simple design, it’s possibly the most common rock art motif in Colombia, appearing more times in the form of a petroglyph than a pictograph. Colombian petroglyph spirals tend to be curvilinear while pictograph spirals are generally angular and painted in red, however there are many exceptions (Marriner 2002:5). Easy to engrave or paint, they may have been used for both exoteric (for the general public) and esoteric (only for the initiated) purposes in pre-historic Colombian rock art. Identification of the Colombian rock artist and the interpretation of rock art motifs has been the theme of much controversy during the past decade. The computer age and the internet have enabled researchers to disseminate their studies and documentation of rock art sites to a wider audience of interested persons. This has created a much larger and easier-to-access data base of rock art investigations than has been previously possible. As a result, it’s now apparent that more rock art specialists accept the idea that shamans, the religious leaders of most hunter-gatherer societies, were responsible for making most rock art either directly or indirectly. This study examines spirals and their identified uses in different cultures. -
Relationship Between Muisca Rock Art and the Lexicon
PAPERS XXIV Valcamonica Symposium 2011 RELATIONSHIP BETWEEN MUISCA ROCK ART AND THE LEXICON Federmán Contreras Diaz* Abstract - Relationship between Muisca rock art and lexicon Pre-Columbian Muisca culture was localized on the central Colombian plateau, in the mountainous departments of Cun- dinamarca and Boyacá. Muisca culture was one of the most developed in the American continent, with multiple means of communication and forms of expressions such as rock art, basketwork, and goldsmithing. In pre-Columbian times, fine gold work made in the same territory has been dated up to fifteen centuries before Central and North American cultures started equivalent works. This research on Muisca rock art gives more importance to the image itself, than to the fact of it being art on a rock surface or board. The images are related to its meaning in Muisca language, in the intent of finding a clear and logical relationship between the native spoken words and artistic forms as a written language. Artistic forms and spoken words in Muisca are related to topographical and spatial references, being toponymycal references some of the most found in the Muisca lexicon. Riassunto - La relazione fra lessico e arte rupestre presso i Muisca La cultura pre-colombiana dei Muisca si sviluppò sugli altopiani centrali della Colombia, nelle regioni montana di Cundi- namarca e Boyacá. La cultura Muisca, una fra le più sviluppate del continente americano, ha svilippato numerose forme di arte ed espressione: l’arte rupestre, l’oreficeria, gli intrecci di vimini. I lavori di oreficeria Muisca stupisco per la loro realiz- zazione antecedente di 15 secoli le produzioni nord e centro americane. -
The Unity of Knowledge: History As Science and Art
AFRREV IJAH, Vol.2 (3) July, 2013 AFRREV IJAH An International Journal of Arts and Humanities Bahir Dar, Ethiopia Vol. 2 (3), S/No 7, July, 2013: 1-19 ISSN: 2225-8590 (Print) ISSN 2227-5452 (Online) The Unity of Knowledge: History as Science and Art Ajaegbo, D. I., Ph.D. Department of History & Strategic Studies Federal University, Ndufu-Alike Ikwo, PMB 1010, Abakaliki, Ebonyi State of Nigeria E-mail: [email protected]; [email protected] Abstract The study of history dates back to the classical times and its contributions to the development of human society have generated a lot of scholarly debate. The spectacular inventions which scientists had made by the late 18th century had not only contributed significantly to man’s knowledge of the universe and natural phenomena but also to the improvement of the material lot of humanity. Scientific and technological advances fired the imagination of historians to such a high degree that they began to question whether the scientific method would not be applied to better understand the human past. The attempt by historians to assert the scientific status of their discipline was the genesis of the heated debate as to whether history is a science, an art or both. This paper argued that scientific method is not peculiar to the sciences; it is also applicable to history. Scientific and historical methods are systematic, sequential, logical and progress in clearly defined steps. Copyright © IAARR 2013: www.afrrevjo.net/ijah 1 AFRREV IJAH, Vol.2 (3) July, 2013 As a humanistic and literary activity, however, history is both science and art. -
Mentalités, Identities, and Practices Daniel Little University of Michigan-Dearborn
Mentalités, Identities, and Practices Daniel Little University of Michigan-Dearborn What role do socially shared ideas and identities play in historical causation? Large-scale historical causation commonly involves objective factors such as climate, demography, and natural resources; it involves as well reference to social structural factors such as political institutions, cities, or transportation networks. Is there a rigorous meaning to be assigned to the notion of “mentalité”—a broadly shared set of ideas and values within a given people? Do subjective factors such as paradigms, practices, or moral systems influence historical change? Are social identities among the “furniture” of history? The paper will provide a contemporary account of the nature of “mentalité.” It will explore the question of how mentalités and identities are embodied in an individual and a population. In what do identities consist? How are they created and sustained? How do identities and mentalités influence history—what are some of the causal pathways (microfoundations) through which such a formation can influence historical outcomes? And the paper will examine several important examples of historical explanation that turns on reference to socially shared ideas, norms, and practices. The practice of insightful historians in their treatment of factors such as these can go a long ways towards providing illuminating answers to these foundational questions. The perspective I will adopt here takes up one of the challenges that Satya Mohanty, Paula Moya, and others present within the context of the “post-positivist realism” approach to minority studies and literary theory (Moya and Hames-Garcia 2000): to be realist about social identities. These authors proposed that we should pay close attention to the social and historical mechanisms through which identities are transmitted and embodied. -
Church of St. John the Baptist at Sutatausa: Indoctrination and Resistance
Church of St. John the Baptist at Sutatausa: Indoctrination and Resistance by Yessica Porras Honors faculty adviser: Professor Todd Olson Second reader: Lisa Trever Undergraduate Honors Thesis for the Department of History of Art University of California, Berkeley 2014 AFFIRMATION OF INDEPENDENT WORK This thesis represents my own work in accordance with University regulations. __________________________________________________________________ Porras i Table of Contents Introduction ................................................................................................................................................................. 1 Architectural Setting of the Church of Sutatausa ........................................................................................ 5 Passion of Christ ........................................................................................................................................................ 8 The Last Judgment Mural Scene ...................................................................................................................... 10 Donor Portraits ....................................................................................................................................................... 14 Cacique Portraits ............................................................................................................................................... 15 The Cacica ....................................................................................................................................................... -
The Legend of Bogota by Mariordo (Mario Robertoby Mariordo Durán Ortiz)Via Wikimedia (Own Work) Commons
The Legend of Bogota By Mariordo (Mario RobertoBy Mariordo Durán Ortiz)via Wikimedia (Own work) Commons A golden Muisca raft The Muisca people of Colombia had an unusual line of succession for its zipas, or rulers. The zipa’s oldest sister’s oldest son always became the next zipa. Tisquesusa became zipa of the southern Muisca Confederation in 1514 after his uncle died. The Muisca Confederation was one nation of people that was ruled by different people in the north and south. Tisquesusa was as ready as he’d ever be. His family had just come out of mourning for his uncle. They had mummified him and buried him only a few short days before. Beside him in his royal tomb, they placed pottery, food, golden ornaments, and other necessities for the afterlife. Tisquesusa had spent the last days fasting and felt weak but purified. The ceremony was about to start. Tisquesusa solemnly boarded the raft with his attendants and the village holy men by the shores of Lake Guatavita. 1 © 2018 Reading Is Fundamental • Content created by Simone Ribke The Legend of Bogota When the water was about chest-deep, Tisquesusa dropped his ceremonial robe. He let the priests cover his body in a sticky sap. Then they covered him from head to toe in gold dust until he shone and sparkled like the Sun god himself. Tisquesusa submerged himself in the water, purifying himself for his people, for the quality of his reign, and for the goddess of the lake. The people on the shore and those on the raft began to throw gifts of gold and of emeralds into the lake. -
Reviews and Information
REVIEWS AND INFORMATION A CONSTRUCTIVE PROOF OF THE POSSIBILITY OF HISTORIOSOPHY (Review of Leonid Grinin, Macrohistory and Globalization, Volgograd 2012; ‘Uchitel’, Publishing House) Waldemar Czajkowski Let us first make a few remarks on the philosophy of history (= historiosophy). In the eighteenth and nineteenth centuries it flourished which is evidenced by the works of Vi- co, Condorcet, Kant, Hegel, and Marx… Then, in the beginning of the previous century, it was Oswald Spengler and Arnold Toynbee who presented their vast visions of Histo- ry. Meanwhile, the postwar period was dominated by various forms of criticism ad- dressed to historiosophy. Interestingly, this criticism was developed in very different traditions: on the one hand, Karl R. Popper's The Open Society and Its Enemies and The Poverty of Historicism are to be mentioned in this context, on the other: Jean- Francois Lyotard's Condition postmoderne – to mention but two names. (Let us note that some connections seem to exist between this criticism of historiosophy and Ray- mond Aron's and Daniel Bell's ‘end-of-ideology’ thesis.) The core element of this criti- cism could be formulated very briefly in the following way: (non-trivial) historiosophy is impossible. These remarks are necessary to formulate my general opinion about the value of the reviewed here book by Leonid Grinin (and Andrey Korotayev– who co- authored three sections of it). This book offers a proof of possibility of historiosophy; a proof which is of great value due to its constructive character (the notion is taken from mathematics, and is to preserve the connotations related to the opposition of constructive and non-constructive proofs) since it presents a non-trivial and empirically well-grounded historiosophy.