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Who Freed Athens? J
Ancient Greek Democracy: Readings and Sources Edited by Eric W. Robinson Copyright © 2004 by Blackwell Publishing Ltd The Beginnings of the Athenian Democracv: Who Freed Athens? J Introduction Though the very earliest democracies lildy took shape elsewhere in Greece, Athens embraced it relatively early and would ultimately become the most famous and powerful democracy the ancient world ever hew. Democracy is usually thought to have taken hold among the Athenians with the constitutional reforms of Cleisthenes, ca. 508/7 BC. The tyrant Peisistratus and later his sons had ruled Athens for decades before they were overthrown; Cleisthenes, rallying the people to his cause, made sweeping changes. These included the creation of a representative council (bode)chosen from among the citizens, new public organizations that more closely tied citizens throughout Attica to the Athenian state, and the populist ostracism law that enabled citizens to exile danger- ous or undesirable politicians by vote. Beginning with these measures, and for the next two centuries or so with only the briefest of interruptions, democracy held sway at Athens. Such is the most common interpretation. But there is, in fact, much room for disagree- ment about when and how democracy came to Athens. Ancient authors sometimes refer to Solon, a lawgiver and mediator of the early sixth century, as the founder of the Athenian constitution. It was also a popular belief among the Athenians that two famous “tyrant-slayers,” Harmodius and Aristogeiton, inaugurated Athenian freedom by assas- sinating one of the sons of Peisistratus a few years before Cleisthenes’ reforms - though ancient writers take pains to point out that only the military intervention of Sparta truly ended the tyranny. -
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• ,.....-,-, ..........-- .... r(, n f / 1i' \) I '1 Cl -~-;:, .,-" ( 11 ,,/ 1C ( je: r.,'T J ! 1 ')(1' 1;) r I' , /. ,,' t ,r (' ~" , TI )' T Beiträge zur Alten Geschichte, Papyrologie und Epigraphik TYCHE Beiträge zur Alten Geschichte, Papyrologie und Epigraphik Band 19 2004 HOL % HAU 5 E N Herausgegeben von: Gerhard Dobesch, Bemhard Palme, Peter Siewert und Ekkehard Weber Gemeinsam mit: Wolfgang Hameter und Hans Taeuber Unter Beteiligung von: Reinhold Bichler, Herbert Graßl, Sigrid Jalkotzy und Ingomar Weiler Redaktion: Franziska Beutler, Sandra Hodecek, Georg Rehrenböck und Patrick Sänger Zuschriften und Manuskripte erbeten an: Redaktion TYCHE, c/o Institut für Alte Geschichte und Altertumskunde, Papyrologie und Epigraphik, Universität Wien, Dr. Karl Lueger-Ring 1, A-lOlO Wien. Beiträge in deutscher, englischer, französischer, italienischer und lateinischer Sprache werden angenommen. Bei der Redaktion einlangende wissenschaftliche Werke werden angezeigt. Auslieferung: Holzhausen Verlag GmbH, Holzhausenplatz ], A-] 140 Wien maggoschitz@holzhausen .at Gedruckt auf holz- und säurefreiem Papier. Umschlag: IG U2 2127 (Ausschnitt) mit freundlicher Genehmigung des Epigraphischen Museums in Athen, Inv.-Nr. 8490, und P.Vindob.Barbara 8. © 2005 by Holzhausen Verlag GmbH, Wien Bibliografische Information Der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Intemet über http://clnb.dclb.de abrufbar Eigentümer und Verleger: Holzhausen Verlag GmbH, Holzhausenplatz ], A-1140 Wien Herausgeber: Gerhard Dobesch, Bernhard Palme, Peter Siewert und Ekkehard Weber, c/o Institut für Alte Geschichte und Altertumskunde, Papyrologie und Epigraphik, Universität Wien, Dr. Kar! Lueger-Ring 1, A-lOIO Wien. e-mail: [email protected]@univie.ac.at Hersteller: Holzhausen Druck & Medien GmbH, Holzhausenplatz 1, A-1140 Wien Verlagsort: Wien. -
Marathon 2,500 Years Edited by Christopher Carey & Michael Edwards
MARATHON 2,500 YEARS EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON MARATHON – 2,500 YEARS BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES SUPPLEMENT 124 DIRECTOR & GENERAL EDITOR: JOHN NORTH DIRECTOR OF PUBLICATIONS: RICHARD SIMPSON MARATHON – 2,500 YEARS PROCEEDINGS OF THE MARATHON CONFERENCE 2010 EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON 2013 The cover image shows Persian warriors at Ishtar Gate, from before the fourth century BC. Pergamon Museum/Vorderasiatisches Museum, Berlin. Photo Mohammed Shamma (2003). Used under CC‐BY terms. All rights reserved. This PDF edition published in 2019 First published in print in 2013 This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at http://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN: 978-1-905670-81-9 (2019 PDF edition) DOI: 10.14296/1019.9781905670819 ISBN: 978-1-905670-52-9 (2013 paperback edition) ©2013 Institute of Classical Studies, University of London The right of contributors to be identified as the authors of the work published here has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Designed and typeset at the Institute of Classical Studies TABLE OF CONTENTS Introductory note 1 P. J. Rhodes The battle of Marathon and modern scholarship 3 Christopher Pelling Herodotus’ Marathon 23 Peter Krentz Marathon and the development of the exclusive hoplite phalanx 35 Andrej Petrovic The battle of Marathon in pre-Herodotean sources: on Marathon verse-inscriptions (IG I3 503/504; Seg Lvi 430) 45 V. -
The Erotics of Imperialism: 5Th Century Literary Representations of Helen & Alcibiades
The Erotics of Imperialism: 5th Century Literary Representations of Helen & Alcibiades Sarah Elizabeth Gonzalez Submitted in Partial Fulfillment of the Prerequisite for Honors in The Classical Studies Department under the advisement of Kate Gilhuly May 2020 © 2020 Sarah Elizabeth Gonzalez Contents Acknowledgements………………………………………………………………………………..3 Introduction………………………………………………………………………………………..5 Eros Unleashed Translation Note………………………………………………………………………………….10 Chapter 1…………………………………………………………………………………………11 The Literary History of Helen Chapter 2…………………………………………………………………………………………40 Imperialistic Intent and Genre Play in Euripides’ Helen Chapter 3…………………………………………………………………………………………80 Political Eroticism in Book 6 of The History of the Peloponnesian War Conclusion……………………………………………………………………………………...121 Eros Interrupted Bibliography……………………………………………………………………………………135 2 Acknowledgements This thesis was a labor of love -- and not the chaotic love I discuss in this thesis! While I was piloting this thesis ship, there were numerous crew mates behind the scenes helping me keep this project afloat. Without you, this ship would not have reached the harbor with as much ease or grace. First, to my thesis committee: Kate Gilhuly, Carol Dougherty and William Cain. To my thesis advisor and volunteer life coach, Kate Gilhuly: Thank you for taking on this project with me, and for having faith in the final product from the very beginning. Under your supervision, I have grown as both an academic and an adult. I cannot envision my time at Wellesley without your guidance and friendship. To my second reader, Carol Dougherty: Thank you for your helpful insight and encouragement throughout the composition of this thesis. As a result of your mentorship over the years, I have learned to think boldly and challenge myself to proudly vocalize my thoughts. If I had not enrolled in your Beginning Greek course my first year, this thesis might have been very different. -
Punishments and the Conclusion of Herodotus' Histories
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by MURAL - Maynooth University Research Archive Library Punishments and the Conclusion of Herodotus’ Histories William Desmond NE MUST CONSIDER the end of every affair, how it will turn out.”1 Solon’s advice to Croesus has often been Oapplied to Herodotus’ Histories themselves: Is the con- clusion of Herodotus’ work a fitting and satisfying one? Older interpretations tended to criticize the final stories about Ar- tayctes and Artembares as anticlimactic or inappropriate: Did Herodotus forget himself here, or were the stories intended as interludes, preludes to further narrative?2 Entirely opposite is the praise accorded Herodotus in a recent commentary on Book 9: “The brilliance of Herodotus as a writer and thinker is mani- fest here, as the conclusion of the Histories both brings together those themes which have permeated the entire work and, at the same time, alludes to the new themes of the post-war world.” 3 More recent appreciation for Herodotus’ “brilliance,” then, is often inspired by the tightly-woven texture of Herodotus’ narrative. Touching upon passion, revenge, noble primitivism, 1 Hdt. 1.32: skop°ein d¢ xrØ pantÚw xrÆmatow tØn teleutÆn, kª épobÆsetai (text C. Hude, OCT). 2 For summaries of earlier assessments (Wilamowitz, Jacoby, Pohlenz, et al.) see H. R. Immerwahr, Form and Thought in Herodotus (Cleveland 1966) 146 n.19; D. Boedeker, “Protesilaos and the End of Herodotus’ Histories,” ClAnt 7 (1988) 30–48, at 30–31; C. Dewald, “Wanton Kings, Picked Heroes, and Gnomic Founding Fathers: Strategies of Meaning at the End of Herodotus’ Histories,” in D. -
Problems in Athenian Democracy 510-480 BC Exiles
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1971 Problems in Athenian Democracy 510-480 B. C. Exiles: A Case of Political Irrationality Peter Karavites Loyola University Chicago Recommended Citation Karavites, Peter, "Problems in Athenian Democracy 510-480 B. C. Exiles: A Case of Political Irrationality" (1971). Dissertations. Paper 1192. http://ecommons.luc.edu/luc_diss/1192 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1971 Peter. Karavites PROBLEMS IN ATHENIAN DEMOCRACY 510-480 B.C. EXILES A Case of Political Irrationality A DISSERTATION Submitted to the Faculty o! the Department of History of Loyola University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy b;y Peter Karavites ?ROBLEt'.n IN ATP.EHIA:rT n:s::ocRACY 5'10-480 n.c. EXIL:ffi: A case in Politioal Irrationality Peter·KARAVIT~ Ph.D. Loyola UniVGl'Sity, Chicago, 1971 This thesis is m attempt to ev"aluate the attitude of the Athenian demos during the tormative years of the Cleisthenian democracy. The dissertation tries to trace the events of the period from the mpul sion of Hippian to the ~ttle of Sal.amis. Ma.tural.ly no strict chronological sequence can be foll.amtd.. The events are known to us only f'ragmen~. some additional archaeological Wormation has trickled dcmn to us 1n the last tro decad.all 11h1ch shed light on the edating historical data prO\Tided ma:1nly by Herodotus md Arletotle. -
The Regime of Demetrius of Phalerum in Athens, 317–307
Th e Regime of Demetrius of Phalerum in Athens, 317–307 BCE Mnemosyne Supplements History and Archaeology of Classical Antiquity Edited by Susan E. Alcock, Brown University Th omas Harrison, Liverpool Willem M. Jongman, Groningen H.S. Versnel, Leiden VOLUME 318 Th e Regime of Demetrius of Phalerum in Athens, 317–307 BCE A Philosopher in Politics By Lara O’Sullivan LEIDEN • BOSTON 2009 On the cover: Detail of the Parthenon. Photo: Author. Th is book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data O’Sullivan, Lara. Th e rule of Demetrius of Phalerum in Athens, 317-307 B.C. : a philosopher in politics / by Lara O’Sullivan. p. cm. — (Mnemosyne supplements. History and archaeology of classical antiquity, ISSN 0169-8958 ; v. 318) Includes bibliographical references and index. ISBN 978-90-04-17888-5 (hbk. : alk. paper) 1. Demetrius, of Phaleron, b. ca. 350 B.C. 2. Demetrius, of Phaleron, b. ca. 350 B.C.—Political and social views. 3. Governors—Greece—Athens—Biography. 4. Statesmen—Greece—Athens— Biography. 5. Orators—Greece—Athens—Biography. 6. Philosophers, Ancient— Biography. 7. Athens (Greece)—Politics and government. 8. Philosophy, Ancient. 9. Athens (Greece)—Relations—Macedonia. 10. Macedonia—Relations—Greece— Athens. I. Title. II. Series. DF235.48.D455O87 2009 938’.508092—dc22 [B] 2009033560 ISSN 0169-8958 ISBN 978 90 04 17888 5 Copyright 2009 by Koninklijke Brill NV, Leiden, Th e Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. -
The Development of Tragedy in Ancient Greece Marsha D. Wiese
Fiske Hall Graduate Paper Award What's All the Drama About?: The Development of Tragedy in Ancient Greece Marsha D. Wiese The art of storytelling is only a step away from the art of performance. Yet it took centuries to develop into the form we easily recognize today. Theatre, a gift of ancient Greece, pulled threads from many facets of Greek society -religion, festival, poetry, and competition. And yet, as much as historians know about the Greek theatre, they are still theorizing about its origins and how it suddenly developed and flourished within the confines of the 5th century B.C. Fascination concerning the origin of the theatre developed as quickly as the 4'h century B.C. and remains a topic of speculation even today. Many simply state that drama and tragedy developed out of the cult of Dionysus and the dithyramb, certainly ignoring other important factors of its development. As this paper will argue, during the 7•h and 6th centuries B.C. epic poetry and hero worship intersected with the cult of Dionysus and the dithyramb. This collision of cult worship and poetic art created the high drama of the tragedy found in the late 6th century B.C. and throughout the 5•h century B.C. Therefore, the cult of Dionysus and the dithyramb merely served as catalysts in creating tragic drama and were not its origin. It was during this collision of poetry and religion that tragedy flourished; however, by the 4th century B.C., theatre had moved away from its original religious context to a more political context, shifting the theatre away from tragedy and towards comedy. -
Focusing on the 'Margins' of Sophocles' Ajax
Focusing on the “Margins” of Sophocles’ Ajax and Philoctetes Associate Professor Christy Stanlake United States Naval Academy Adjusting Our Lenses: When we read the classic plays of 5th Century B.C. Athens, we have to shift our contemporary notions of what a play is and how theatre functioned in Attica. We notice that the structure of these plays is different. There are choral odes in which a group of characters sing and dance in unison (kind of like today’s musical theatre numbers) and episodes in which the central characters speak or sing to one another, to the chorus, to the gods, and to the audience. The odes are broken into strophes, “turning,” and antistrophes, “turning back,” that rhythmically mirror one another. The parallel structure allowed for viewers to understand the agon, the “struggle” or “contest,” between opposing views through three physical senses: sight (as the chorus danced one direction and then literally turned the opposite direction); sound (the equally balanced measures of music that supported each view); and touch (the rhythm the dancers’ feet made as they stepped in rhythm with the odes’ poetry. [Incidentally, the way we describe lines of poetry as being comprised of “feet” comes from the Greek tradition of literally stomping out the odes’ rhythm upon the ground with one’s feet.] Aristotle’s Poetics (335 B.C.), the first work of theatrical criticism, sought to describe the substance and nature of theatre. His thesis that classical tragedy was intended to influence catharsis, a purging of emotions such as pity and fear, forever shaped how people view western drama. -
What Was the Law of Leptines' Really About? Reflections on Athenian
Const Polit Econ https://doi.org/10.1007/s10602-018-9260-7 ORIGINAL PAPER What was the law of Leptines’ really about? Refections on Athenian public economy and legislation in the fourth century BCE Mirko Canevaro1 © The Author(s) 2018 Abstract The article investigates a case study of fscal policy formation in fourth century BCE Athens: that of the law of Leptines. The law was enacted but later challenged through a procedure of constitutional judicial review (graphe nomon me epitedeion theinai). Through a detailed analysis of the arguments at the trial, the article reconstructs the fnancial issues that the law was meant to solve, regarding the liturgical system and its wider implications. Recent scholarship has highlighted the complexity and sophistication of Athenian public fnances and economic pol- icy. The article fnds a window into the debates from which the relevant institutions originated. Keywords Public fnances · Athens · Trade · Taxation · Ancient economy JEL Classifcation F13 · H2 · H3 · K4 · N43 1 Introduction: war, fnancial problems and trade in mid‑fourth‑century Athens Scholarship on the ancient Greek city-states has abandoned in recent years primi- tivist assumptions to acknowledge the extraordinary level of economic and fscal All references to ancient sources are according to the abbreviations of the Oxford Classical Dictionary: http://classics.oxfordre.com/staticfles/images/ORECLA/OCD.ABBREVIATIONS.pdf. All references to Classical journals follow the abbreviations of L’Année philologique: http://www. annee-philologique.com/fles/sigles_fr.pdf. * Mirko Canevaro [email protected] 1 The University of Edinburgh, Edinburgh, Scotland, UK 1 3 M. -
ATINER's Conference Paper Proceedings Series LIT2017-0021
ATINER CONFERENCE PRESENTATION SERIES No: LIT2017-0021 ATINER’s Conference Paper Proceedings Series LIT2017-0021 Athens, 22 August 2017 Themistocles' Hetairai in a Fragment of Idomeneus of Lampsacus: A Small Commentary Marina Pelluci Duarte Mortoza Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10683 Athens, Greece ATINER’s conference paper proceedings series are circulated to promote dialogue among academic scholars. All papers of this series have been blind reviewed and accepted for presentation at one of ATINER’s annual conferences according to its acceptance policies (http://www.atiner.gr/acceptance). © All rights reserved by authors. 1 ATINER CONFERENCE PRESENTATION SERIES No: LIT2017-0021 ATINER’s Conference Paper Proceedings Series LIT2017-0021 Athens, 24 August 2017 ISSN: 2529-167X Marina Pelluci Duarte Mortoza, Independent Researcher, Federal University of Minas Gerais, Brazil Themistocles' Hetairai in a Fragment of Idomeneus of Lampsacus: A Small Commentary1 ABSTRACT This paper aims to be a small commentary on a fragment cited by Athenaeus of Naucratis (2nd-3rd AD) in his Deipnosophistai. This is his only surviving work, which was composed in 15 books, and verses on many different subjects. It is an enormous amount of information of all kinds, mostly linked to dining, but also on music, dance, games, and all sorts of activities. On Book 13, Athenaeus puts the guests of the banquet talking about erotic matters, and one of them cites this fragment in which Idomeneus of Lampsacus (ca. 325-270 BCE) talks about the entrance of the great Themistocles in the Agora of Athens: in a car full of hetairai. Not much is known about Idomeneus, only that he wrote books on historical and philosophical matters, and that nothing he wrote survived. -
Aeschylus' Geographic Imagination
Classica (Brasil) 22.2, 270-280, 2009 Aeschylus’ geographic imagination Peter w . Rose Miami University of Ohio EUA Abstract . After reviewing various scholars’ accounts of geographical references in Aeschylus’ plays, some seeing exoticism, some serious geographic knowledge reflecting Ionian science, some focused exclusively on the opposition of Greek and barbarian, I argue that regardless of what one might posit as Aeschylus’ intentions, the sheer quantity of geographic allusions are best understood as contributing to the formation of an imperialist consciousness by representing the non-Athenian Mediter- ranean world, some of it already under the control of Athens, as inherently fascinating. kEywords . Geography; barbarian; orientalism; map; imperialism. Any reader of Homer’s catalogue of the ships is confronted with a particularly Greek love of the poetry of places – evocative names enriched with specifying epithets and occasionally other details to summon up familiar or vividly imagined places. Sam Lee Greenwood’s dissertation, while eschewing any overarching principle that could comprehend all the uses of geographical language even in a single dramatist, much less all three tragedians, refers repeatedly to ‘geographical ornament’ 1. This is the dominant assumption informing his brief survey (68 pages). I would like to explore what sorts of functions this ‘ornament’ may play in the Athenian world of Aeschylus after the onslaught of Persia. More recently Helen Bacon2 and Edith Hall3 have examined the three tragedians within the framework of a fundamental differentiation of Greeks and barbarians. In the case of Bacon, the primary focus was on determining the extent and relative accuracy of the poets’ knowledge of the non-Greek world.