Blackwork Patterns Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Blackwork Patterns Pdf Blackwork patterns pdf Continue Most of us have a knitted sweater that we pull out of the vault every winter. But there's a lot more you can do with needles and yarn. From the top of your head to the tip of your nose, you can learn how to knit the perfect clothes. Consider these free patterns to create lovely, handmade clothes. All you need is knitting needles, yarns, and some basic knitting techniques. Read on to see how you can put clothes on your own back. Advertising Free socks knitting patterns don't get cold feet. Use these patterns to make socks that are comfortable and attract attention. The free Ribby Juice knitting pattern ribbing pattern of these socks is simple, but the flashy appearance makes it look like a complex project. Free Bulky Boot Socks knitting pattern to protect your feet from both elements and stern rub your winter boots with these thick socks. Free Mitten knitting templates you'll have knitting well in hand when you're trying one of these projects. They will keep your hands busy while you work out and warm up when you're done. Free mittens and headband knitting pattern woollen mittens are a classic knitting project, and the matching headband makes this ideal for winter. Free Fun Felt Mittens knitting pattern with felt look and fancy fringe, these mittens will warm you up on the coldest days. Free hat knitting patterns These designs come right from the top of the head. Free Baby Daisy-top hat knitting pattern Baby is just part of a beautiful garden with a floral topper on this hat. Free Baby Penguin Pal Hat knitting pattern just as penguins sit on eggs to keep them warm, this charming hat sits right on top of your baby's head to keep it beautiful and toasty. Free Mohair-watch hat knitting pattern with this pattern, you can knit a hat with a kind of much more expensive, manufactured hats. Free seagull stitch Toque knitting pattern classic knitted hat is always in style, and easy to make even to start knitting. Free scarf knitting patterns to keep yourself warm or just spice up the outfit, scarves will do the trick. The templates in this article will give you some great ideas. Free simple spark scarf knitting pattern with shiny yarn, you'll fend off the cold and make a bold fashion statement at the same time. Free confetti scarf knitting pattern be the star of your own parade with this colorful scarf. Free popcorn scarf knitting pattern This scarf pattern stands out with bright color cores. The free striped scarf knitting pattern of the traditional school scarf lives on again using this pattern of alternating colors. Free braided scarf knitting pattern You can create the illusion of two scarves woven together with this unique weaving pattern. Free Seven-Eleven scarf knitting pattern This Looks complicated, thanks to the clever use of two different sizes of knitting needle. Free scarf tube knitting Larger than a scarf, this pattern can also serve as a trendy bonnet or warm hood. Free Loosely Lovely Scarf knitting pattern thanks to large needles and a wide stitch, this pattern sits loosely around the neck. Free Fabulous Fringe scarf knitting pattern you can stay warm and still have some flair with this flashy scarf pattern. Free floral finger scarf knitting pattern be your own bouquet with adorable flowers on this scarf. A complimentary herringbone scarf with Pom-pom Fringe knitting pattern is a classic herringbone look on this scarf enhanced with a delightful swollen fringe. A free butterfly scarf knitting pattern with a fine repetitive shape and carefully placed beads, this pattern positively sparkles. Free boa knitting pattern there are no feathers, but you can use the yarn to create a stylish boa constrictor with this pattern. A free Ripple scarf knitting pattern say no straight line. Have a wave with a unique view of this scarf picture. Free Scarf Mermaid Knitting Pattern This template is pretty simple, but the choice of yarn and fringe tail will send you underwater. How to link the art of knitting is surprisingly easy to learn. Pick up the basic elements of knitting with these simple steps. Knitting instructions, knowing how to put the main stitches together, will allow you to create a wide range of knitting projects. These tips will show you how to do it. Knitting can also provide home decor. The templates on the next page will show you how to make projects that transform the look of your home. For starter blankets, or for any quilter who wants to complete a simple and interesting project, the following Easy quilt templates are perfect quilted designs. These models of blankets range from stunning wall patterns to an attractive and glamorous evening bag. The links below will lead you to wonderful blanket models with easy-to-follow instructions, helpful illustrations and photos, and a free blanket template that you can download and print out. Have fun and enjoy creating an easy quilt pattern: Advertising elegant Keepsake quilt pillow template will fit into any home decor. Advertising Learn how to blanket or freshen up the basics with our refresher course. Flip over our model blanket to find your next quilted project. Find out more about the timeless art of quilting on our quilting page. Sarah Harts One of the things that can be intimidating for new embroiderers is the transfer of the painting. Sarah Heart solves this problem with her print template and tutorial showing you how to type on fabric with a Silhouette machine. This not only makes it easy to start sewing, but it also creates a background that looks fun around sewing. If you don't have Silhouette, you can still print out a free PDF on cloth irons on the freezer. DIY Mother's Day Printed Gift from Sarah Heart Knack Creating Bringing Bouquet as Housewarming Housewarming valued, but it doesn't last long. Bringing an embroidered home sweet home message surrounded by your own bouquet is a gift that lasts a lifetime. Stitch these bold and vibrant florals for a friend and family member and their new home to show you the care. Home Sweet Home PDF Pattern, $7, Knack Blanks Want Bold and Romantic Floral With Fewer Stitches? Combine felt with embroidery! This tutorial includes templates that you can customize to make your own floral design to make your stitching looks different each time. How to create embroidered felt flowers from spruce crafts Oh Sew Bootiful Create a stunning work of art with this pre-printed fabric pattern from Oh Sew Bootiful. Instead of sewing on a simple fabric, you embroider cherry blossoms on a blurr photo background, giving the effect that your embroidery is part of the scene. Cherry Blossom Fabric Pattern Pack, $13, Oh Sew Bootiful Continue 5 of 20 below. DMC Jess Phoenix designs gorgeous floral illustrations, and this free pattern is part of the collection she created for the embroidery thread maker, DMC. You can read more about her design and inspiration on the DMC site, as well as finding more florists from the series. Spring Garden Pattern from DMC Brynn and Co. Not all flowers should look organic and natural. These roses, sewn entirely with a satin stitch, have a geometric style that remains soft and has movement. They look beautiful as a group framed in a hoop, but they will also look fantastically divided or embroidered on clothes by geometric floral embroidery pattern, $8, Brynn and Co Molly Johanson Ribbon embroidery is a great way to make stunning florals for just a few stitches. Although the technique requires a bit of practice, it's worth it to make this bouquet. The template tells you exactly which stitches to use and links to useful tutorials. Embroider a gorgeous bouquet with a ribbon of ate crafts Ann Vale dress up your dishtowels with these loose patterns from Anna to Flax and Twine. The two designs are different but have a similar feeling, and they look especially large stitched in pearl cotton. Flower embroidery for Dishtowels of flax and Twine Continue to 9 out of 20 below. Lolly and Grace If you've always wanted to try a thread painting, this is the template for you. Lolly and Grace have created this free template to stitch along that walks you through the process step by step (look for a link at the end of the post to advance through the steps). Of course, you can always use a pattern without carving a painting or try a technique on one of Lolly and Grace's many floral designs. Carving Painting Stitch along with Lolly and Grace Amy L Fraser This floral embroidery pattern does not use the traditional technique of painting threads, but it still has a painted look. Long straight stitches look like smears and in combination with other basic embroidery embroidery you can create a work of art. Garden Rose Embroidery Pattern, $8, Amy L Fraser I should be stripping the floor This free floral wreath painting gets its flowers from the woven stitch wheel. Inside the wreath phrase is a homemade sweet home, but you can easily change this to customize the design. And while Christie's blog post I have to be mopping the floor made it for spring, it will also look gorgeous like an autumn or winter wreath. Spring hoop art embroidery from I Should Be Mopping Floor Abigail Timmys for Sew Mama Sew Beauty Floral Embroidery is something that both intricate and simple designs can be elegant and delightful.
Recommended publications
  • Blackwork Embroidery Pattern Generation Using a Parametric Shape Grammar
    Blackwork Embroidery Pattern Generation Using a Parametric Shape Grammar April Grow, Michael Mateas, and Noah Wardrip-Fruin Computational Media Department University of California Santa Cruz Santa Cruz, CA 95060 USA [email protected], [email protected], [email protected] Abstract Design tools with computational algorithms have been aiding artists for many years in 2D and 3D, from of- fering a digital drafting table or canvas to applying im- age filters or other mathematical transformations. How- ever, there are many more non-digital creative tasks that can benefit from computer-aided design. This paper presents an interactive parametric shape grammar for blackwork embroidery pattern generation, whose pat- terns are then implemented (sewn) using an unmodified home embroidery machine. A design tool executes the grammar-guided user input, enumerates expanded pat- tern possibilities, and compiles patterns into an imme- Figure 1: Generated samples by our parametric shape gram- diately sewable file format. The grammar is capable of mar. These demonstrate borders, focal designs (motifs), and generating published embroidery patterns as well as in- two examples of space-filling patterns. finitely possible new patterns, and has future applica- tions in other areas of surface pattern design and crafts. Related Work Introduction ”Embroidery” is a broad term that roughly encompasses any embellishment by thread, or materials held or strung via thread, on nearly any material, most commonly on textiles. In the multi-millennial lifespan of embroidery, while many fundamental stitches remain the same, dozens of styles and approaches have been classified (Leslie 2007). This paper chooses to focus on non-freeform blackwork embroidery, one of the most restrained styles, as a first approach to em- broidery pattern generation.
    [Show full text]
  • Silverwork and Sequins
    Session 2: Cornucopia II: Silverwork and sequins In this session you will be learning how to couch metallic threads, both Jap Thread and twist. You will also learn how to stitch sequins in place using a bead. Metallic threads add a touch of sparkle to your embroidery designs. They are made by tightly wrapping a flat metallic strip around a core of cotton or silk thread. This produces a shiny thread which can be bought in a range of sizes. There are particular ways of stitching with metallic threads which you will learn in this session. MATERIALS AND EQUIPMENT NEEDED FOR THIS SESSION: • Embroidery hoop or small frame • Embroidery scissors • Needles: o Crewel/embroidery needle size 10/12 o Large-eyed needle such as a chenille or tapestry needle (large enough to take the metallic threads) • The worked embroidery from Session 1: Cornucopia I: Blackwork Infills • Silver Jap Thread • Silver Twist Thread (or DMC silver metallic stranded thread) • Grey sewing cotton • Silver sequins, 3-4 mm, either round or flower-shaped or both: about 5-6 in total • Silver or clear seed beads, one per sequin plus one spare READ ALL OF THE INSTRUCTIONS THROUGH BEFORE YOU START YOUR EMBROIDERY. WORKING THE EMBROIDERY: HORN-OF-PLENTY SECTIONS 1. Place your worked piece from Session 1: Cornucopia I: Blackwork Infills in your hoop or frame (if it isn’t still there!) 2. You are going to use a technique called COUCHING to stitch the silver threads in position on your embroidery. Metallic threads are often too heavy to stitch through the fabric and the outer metallic cover will separate off if you take them through the fabric too often.
    [Show full text]
  • S Quill News from Quail Run Needlework
    The Quail’’s Quill News From Quail Run Needlework April 2011 From Susan’s Desk Specializing In Welcome to the first issue of our new newsletter! Custom, Innovative Finishing This inaugural issue profiles our beautiful new store. The new location is perfect and our view of the fountain, courtyard and lake is just gorgeous. The wall of windows provides great light for the retail space. Our window displays are gathering much attention and many questions about needlework from people walking by our shop. Mercardo del Lago Center Parking is easy and there are lots of comfortable stools and chairs to sit in while you 8320 N. Hayden Rd look at canvases or catalogues for that special design. There are many special new models to give you great finishing ideas. Come in and see our shop if you have not Suite C112 had the chance! Scottsdale, AZ 85258 This month our new thread is a lovely Chinese silk in 190 colors from City Needleworks. It is 6 meters of 6 ply and works well on 18 mesh canvas. If you have 480-551-1423 not tried the new High Cotton, it is another fine thread we introduced this year. The colors are marvelous , it plies easily and has a slight sheen. I have used it on a new 480-551-1425 (fax) Laurel Burch design as the new colors in this line are perfect for the brilliant colors. 800-635-9750 (toll free) New canvases from market have arrived - the new Leigh pagodas, Sophia’s fans and kimonos, Mindy’s oriental quilts, Debbie Mum’s Halloween, Mary Lake Thompson’s www.quailrun-inc.com bottle bouquets and ribbon candy from Melissa Shirley, Napa wine scene from Susan Roberts and many more.
    [Show full text]
  • Blackwork Embroidery Pattern Generation Using a Parametric Shape Grammar April Grow
    Blackwork Embroidery Pattern Generation Using a Parametric Shape Grammar April Grow ABSTRACT Design tools with computational algorithms have been aiding artists for many years, primarily with image manipulation such as rotation, scaling, or applying graphical filters. However, there are many non-digital creative tasks that can benefit from computer- aided design. This paper presents an interactive parametric shape grammar for blackwork embroidery pattern generation, whose patterns are then implemented (sewn) using an unmodified home embroidery machine. A design tool executes the grammar guided user input, enumerates expanded pattern possibilities, and compiles patterns into an immediately sewable file format. The grammar is capable of generating published embroidery patterns as well as infinitely possible new patterns, and has future applications in other areas of design and crafts. Introduction “Embroidery” is a broad term that roughly encompasses any embellishment by thread or materials held or strung via thread on nearly any substance, most commonly on textiles. In the multi-millennial lifespan of embroidery, while many fundamental stitches remain the same, dozens of styles and approaches have been classified [1]. This paper chooses to focus on non-freeform blackwork embroidery, one of the most restrained styles, as a first approach to embroidery pattern generation. The objectives of this work include (1) representing counted-stitch embroidery digitally; (2) discovering local properties of stitches to develop into grammar rules capable of generating previously published blackwork embroidery Figure 1: Generated samples by our patterns; (3) offering those stylistically different parametric shape grammar grammar rules as agency to a designer of embroidery patterns; (4) providing instant visualization of enumerated pattern possibilities; and (5) enabling anyone to discover, explore, and enjoy blackwork embroidery or related applications of this grammar.
    [Show full text]
  • Basic Blackwork Class – HL Anja Snihová Camarni
    Basic Blackwork Class – HL Anja Snihová Camarni I’m including in this handout a couple of different ways of explaining “how-to” in blackwork, because not every explanation works for every person. Also, please excuse the crass commercial plugs. I didn’t have time to completely re-write, so pretend that this somebody else’s. Which it is! Anja and MaryAnne are not the same person. <grin> MaryAnne Bartlett is a 21st century woman, making a living by writing and researching, designing and selling blackwork designs and products. Anja Snihova’ was born in the late 14th century and due to the potions that her alchemist husband makes, survived into the early 17th century! Beginning Blackwork Blackwork is a counted thread technique made popular in England in the 1500's by Catharine of Aragon, the Spanish first wife of King Henry VIII of England. It was immortalized in the incredibly detailed portraits done by the court painter, Hans Holbein, whose name is give to the stitch used, which is just a running stitch that doubles back on itself at the other end of its "journey". Blackwork can be anything from a simple line drawing to the complex pattern of #10 below, and on to designs so complex no one seems to know how to do them! It was usually done with silk thread on a white even-weave linen, and despite the name of the technique, was done in every colour of the rainbow, although black was the most popular colour, followed by red and blue. The most peculiar thing about this technique is that, done properly, the design repeats on both the right and wrong sides of the fabric, making it perfect for collars, cuffs, veils and ribbons where both sides need to look nice! Blackwork Embroidery Instructions 1.
    [Show full text]
  • Lone Star Library, Alphabetic by Author
    7/5/2018 Lone Star Library, Alphabetic by Author 1 Agnew, Patience Needlepoint for Churches 2 Aimee Stitch Your State 3 Alderson, Chottie Stitchin' with Chottie, Bk 1 4 Alderson, Chottie A Rare Delight, Or Nue Project 5 Alderson, Chottie Stitchin' with Chottie, Bk 2 6 Alderson, Chottie Stitchin' with Chottie, Bk 3 7 Alderson, Chottie Stitchin' with Chottie, Bk 4 8 Alderson, Chottie Stitchin' with Chottie, Bk 5, Albuquerque Game 9 Altherr, Ilse Blackwork and Holbein Embroidery 10 Altherr, Ilse Mastering the Art of Pulled Thread Embroidery 11 Ambuter, Carolyn Carolyn Ambuter's Complete Book of Needlepoint 12 Ambuter, Carolyn Carolyn Ambuter's Even More Complete Book of Needlepoint 13 Ambuter, Carolyn The Open Canvas 14 Anchor Mezzopunto e Punti di Tappezzeria 15 ANG A Stitch Book 25th Anniversary of ANG 16 ANG Stitch Book II 17 ANG, Atlanta Chapter A Canvas Christmas II 18 ANG, Masters Teacher Program Teachers' Treasures South Central Area's 2003 ANG Seminar Project: Two-Sided 19 ANG, South Central Area Nativity Set with Stable 20 ARO Designs Historic Houston 21 ARO Designs Houston Skyline Shapes of Needlepoint, Series I, 22 Arthur, Sandra Circles/Squares/Triangles/Rectangles Shapes of Needlepoint, Series II, 23 Arthur, Sandra Diamonds/Hearts/Octagons/Stars Shapes of Needlepoint, Series III, 24 Arthur, Sandra Corners/Hexagons/Ovals/Parallelograms Shapes of Needlepoint, Series IV, 25 Arthur, Sandra Diagonals/Horizontals/Verticals 26 Ashby, D. & Woolsey, J. Creative Embroidery Techniques Using Color Through Gold 27 Ashby, D. & Woolsey, J. Ribbon Embroidery 28 Bahouth, Candace Flowers, Birds, and Unicorns: Medieval Needlepoint 29 Bahouth, Candace Romantic Needlepoint 30 Baird, Carolyn Hedge Favorite Stitches, Revised 31 Baird, Carolyn Hedge Favorite Stitches, Volume 2 32 Baird, Carolyn Hedge Merry Easter Eggs 33 Baird, Carolyn Hedge Merry Needlepoint 34 Baker, Muriel The ABC's of Canvas Embroidery 35 Baker, Muriel The XYZ's of Canvas Embroidery 36 Baker, Muriel Scribner Book of Embroidery Designs 37 Banbury, G.
    [Show full text]
  • Fabrics for Embroidery
    Fabrics for Embroidery In previous articles I have examined a number of different items of equipment and techniques, but when it comes to choosing which fabric to use it can be difficult, even for the most experienced embroiderer. Understanding the nature and construction of different fabrics will help you to identify the ones you most enjoy working with, but until you reach that stage I suggest you keep an open mind and experiment with different fabrics. Start by considering any physical limitations you may have, especially your eyesight as not all the fabrics recommended for embroidery are easy to use and whilst lights and lenses will eliminate some of the problems, dark fabrics or ones with a high thread count may prove frustrating. If you are new to counted thread techniques, I suggest you use a fabric where you can see the threads clearly! The technique you intend to use can often determine the most suitable fabric to use, for example, hardanger, requires specialist 22 count fabric. The weight of the fabric is also important. Mountmellick embroidery, which uses heavy cotton threads, requires a firm, close woven fabric to support the weight of the embroidery and if the embroidery has buttons, ribbons or beads added, the fabric must be able to support the embellishments without causing distortion. To avoid distortion, the size of the thread and needle you propose to use needs to be in proportion to the weight of the fabric and pass through the fabric smoothly, without rubbing or damaging either the thread or the fabric. If the embroidery is free style, rather than a counted thread technique such as cross stitch, consider the appearance of the material and the points mentioned above.
    [Show full text]
  • Blackwork Journey
    Blackwork Journey © 1 'Sublime Stitches' Aida Part 6 Patterns 75 - 85 Full Design Area: 16.07 x 29.57 inches worked on 14 count AIDA 225 x 414 stitches Material: Minimum size - 26 x 40 inches to allow for embroidery frame and mounting Suggested fabric: Zweigart 14 count Aida, white, antique white or cream The sample was worked on Zweigart 14 count Aida, white Over dyed or space dyed fabrics may detract from the design - select carefully! There are 12 pages of patterns. One page will be placed in 'Freebies' in Blackwork Journey every month. Each pattern or group of patterns have their: Individual numbers, Technique, Threads and beads used, Chart, Picture and Method. Each month join a printout of the chart to the one before. The final chart will consist of 12 pages arranged in the order as shown above. Please follow the main chart carefully to place and work the different patterns. The embroidery may differ slightly. Where patterns overlap between the pages do not start the pattern. The part patterns are there to help in the placing of the design. As additional pages are added the part patterns will be complete. Do not add beads to the design until all 12 pages have been worked. The sample was worked in DMC and Anchor floss in four shades including DMC 310 as the base colour. Cross stitch is worked in TWO strands over two threads, back stitch is worked in ONE strand over two threads. Threads used: DMC 310 Black, three skeins Anchor 1206 variegated, or DMC 815 Garnet, three skeins DMC 415 Pearl grey, one skein DMC 414 Steel grey, one skein Metallic threads used: Rainbow Gallery Petite Treasure Braid PB01, one card or DMC Lights Effects E3852 Dark Gold, one skein DMC Lights Effects E317 DMC 996 electric blue is used on the chart to show ONE strand of 415 and ONE strand 414 together to make two strands for pulled thread work stitches.
    [Show full text]
  • The Complete Costume Dictionary
    The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.
    [Show full text]
  • Tanja Berlin (Berlin Embroidery Designs)
    Tanja Berlin Berlin Embroidery Designs 1481 Hunterbrook Road NW Calgary, Alberta T2K 4V4, Canada Tel: (403) 274 6293 Website: www.berlinembroidery.com Email: [email protected] Blackwork Etui Box Blackwork Technique Tanja Berlin (Berlin Embroidery Designs) 1481 Hunterbrook Road NW Calgary, Alberta T2K 4V4 Canada Tel (403) 274 6293 Website: www.berlinembroidery.com Email: [email protected] BLACKWORK ETUI BOX MATERIALS REQUIRED Counted Fabric: Any brand of counted fabric that is either 16 threads to the inch or 32 threads to the inch, this will ensure that the finished pattern fits the sides of the box panels. You will require a strip of fabric 16 inches (40 cm) long and 52 inches (130 cm) to cover panels A, C, G, H and I, which are worked in the blackwork patterns. There is approximately 1 ½ inches or 4 cm of seam allowance all away around each panel, which will be used to glue the fabric to the box panel. There should be a small strip of fabric remaining which can be used to make the blackwork ribbons to go across the width of panels B. Plain Fabric: You will require plain or patterned cotton fabric to cover panels B, D, E, F, and J. DMC Embroidery Floss: Cross-stitch borders: Green DMC No. 3362. Blackwork patterns: Light green DMC No. 3347, blue DMC No. 931 and brown DMC No. 433. Needles: A No. 24 Tapestry needle when working on 16 count fabric and a No. 28 tapestry needle when working on 32 count fabric. Extra Strong Tacky Glue: Aleene’s original tacky glue or PVA, for constructing the box.
    [Show full text]
  • Royal School of Needlework Annual Review 2016-2017
    Royal School of Needlework Annual Review 2016-2017 Mission The mission of the Royal School of Needlework (RSN) is to teach, practise and promote the art and techniques of hand embroidery. Vision The vision of the RSN is to be known and recognised as the international centre of excellence for hand embroidery offering a common approach everywhere we teach are open to all levels, from beginners to advanced, and students of all ages; to be both the custodian of the history of hand embroidery techniques and active advocates of new developments in hand embroidery. A Laudian altar frontal designed and created by the RSN for the Chapel Royal, Hampton Court Pal- ace and used for the first time when Her Majesty The Queen attended the com- memorative service for the Companions of Honour. Public Benefit men which attracted over 20,000 visitors (below left) and our exhibition celebrating our 30th anniversary of being During the year the RSN met its public benefit obligations based at Hampton Court Palace which attracted 5,000 in a variety of ways. We demonstrated hand stitching for people from around the world (below right). Burberry and The New Craftsmen (front cover) at Mak- End-of-year shows were held for all the main courses: ers’ House a pop up event which highlighted the inspira- Future Tutors, Certificate, Diploma and Degree each of tion and craftsmanship behind the AW 2017 Burberry which was open to all. The RSN was selected by English collection attracting thousands of visitors. Heritage to be one of its London icons and we asked The RSN showed or loaned work from our Collection to a now qualified Future Tutor Kate Barlow to be photo- range of events including an exhibition of cross stitch graphed for the exhibition (centre) which was held at curated by Mr X Stitch.
    [Show full text]
  • Blackwork Partlet
    Blackwork Partlet By Lady Joan Silvertoppe Submitted to the Kingdom of Caid's Arts & Sciences Fair & Pentathlon March 2011. Entered in Fiber – Needlework – Counted Thread Work, Apprentice level Description This is a 16th century blackwork partlet, with the embroidery done in the simple style of blackwork. The partlet is a garment worn by both gentry and noble men and women of northern Europe and England as an upper chest covering throughout the century. The style of blackwork is not specifically dateable, but is commonly found in images from early to mid century. Note: The back of the partlet has been left unsewn, to allow a view of the interior for the judges. Pattern/Design: The embroidery pattern is an allover flower & knotwork design, and it is a period inspired design. It was designed by Ianthé d'Averoigne, mka Kim Brody Salazar, the editor/author of The New Carolingian Modelbook - plate 59. It is her design, based on period styles. Originally I had planned on using a period design from one of the pattern model books. However, I know my own tolerance for doing a repeating anything, which is rather low. I wanted a design that would cover the entire visible area of the partlet, not a stripe or series of stripes as most embroidered shirts have. There are a few patterns in the model books that are all over repeats, but they are rather simple and would be mind numbing for me to repeat for long. This design has lots of different flowers, which I adore, along with the knotwork design, which is similar to period model book designs.
    [Show full text]