Market Structure and Innovation Policies in France Matthieu Lardeau
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
20.3. Consolidated Financial Statements BOLLORÉ
BOLLORÉ Board of Directors As of March 23, 2017 Vincent Bolloré Chairman and Chief Executive Officer Cyrille Bolloré Deputy Chief Executive Officer, Vice-Chairman and Managing Director Yannick Bolloré Vice-Chairman Cédric de Bailliencourt Vice-Chairman Gilles Alix Representative of Bolloré Participations, Chief Executive Officer of the Bolloré Group Chantal Bolloré Marie Bolloré Sébastien Bolloré Valérie Coscas Marie-Annick Darmaillac Representative of Financière V Hubert Fabri Janine Goalabré Representative of Omnium Bolloré Dominique Hériard-Dubreuil Céline Merle-Béral Alexandre Picciotto Olivier Roussel Martine Studer François Thomazeau Financial information Emmanuel Fossorier Xavier Le Roy Director of Financial Communications Director of Investor Relations Tel.: +33 (0)1 46 96 47 85 Tel.: +33 (0)1 46 96 47 85 Fax: +33 (0)1 46 96 42 38 Fax: +33 (0)1 46 96 42 38 REGISTRATION DOCUMENT 2016 01 02 — Group profile 04 — Message from the Chairman 06 — Key figures 08 — Economic organizational chart 09 — Stock exchange data 10 — Our locations 13 — Transportation and logistics 21 — Communications 29 — Electricity storage and solutions 37 — Other assets 41 — Corporate Social Responsibility 45 — Annual financial report 02 Group BOLLORÉ Profile Founded in 1822, the Bolloré Group is among the 500 largest companies in the world. Publicly traded, it is still majority controlled by the Bolloré family. The stability of its shareholder base enables it to follow a long-term investment policy. Thanks to its diversification strategy based on innovation -
French a Level
Coloma Sixth Form FRENCH A LEVEL 1 Specification This qualification is linear. Linear means that students will sit all their exams at the end of the course. Subject content Core content 1. Social issues and trends 2. Political and artistic culture 3. Grammar Options 4. Works: Literary texts and films Assessments Paper 1: Listening, reading and writing What's assessed Aspects of French-speaking society: current trends Aspects of French-speaking society: current issues Artistic culture in the French-speaking world Aspects of political life in the French-speaking world Grammar How it's assessed Written exam: 2 hours 30 minutes 100 marks 50% of A-level Questions Listening and responding to spoken passages from a range of contexts and sources covering different registers and adapted as necessary. Material will include complex factual and abstract content and questions will target main points, gist and detail. Studio recordings will be used and students will have individual control of the recording. All questions are in French, to be answered with non-verbal responses or in French (30 marks) Reading and responding to a variety of texts written for different purposes, drawn from a range of authentic sources and adapted as necessary. Material will include complex factual and abstract content and questions will target main points, gist and detail. 2 All questions are in French, to be answered with non-verbal responses or in French (50 marks) Translation into English; a passage of minimum 100 words (10 marks) Translation into French; a passage of minimum 100 words (10 marks). No access to a dictionary during the assessment. -
Modernist Aesthetics and the Artificial Light of Paris: 1900 to 1939
Modernist Aesthetics and the Artificial Light of Paris: 1900 to 1939 Thesis submitted for the degree of Doctor of Philosophy at the University of Leicester by Emma Elizabeth Reddy (MA Cantab) School of English University of Leicester February 2017 2 ABSTRACT Modernist Aesthetics and the Artificial Light of Paris: 1900 to 1939 Emma Elizabeth Reddy In this project the fields of modernist studies and science converge on the topic of lighting. My research illuminates a previously neglected area of modernism: the impact of artificial lighting on American modernist literature written in Paris between 1900 and 1939. Throughout that period, Paris maintained its position as an artistic centre and emerged as a stage for innovative public lighting. For many, the streets of Paris provided the first demonstration of electricity’s potential. Indeed, my research has shown that Paris was both the location of international expositions promoting electric light, as well as a city whose world-class experiments in lighting and public lighting displays were widely admired. Therefore, I have selected texts with a deep connection to Paris. While significant scholarship exists in relation to Parisian artificial lighting in fine art, a thorough assessment of the impact of lighting on the modern movement is absent from recent critical analysis. As such, this thesis seeks to account for literary modernism in relation to developments in public and private lighting. My research analyses a comprehensive range of evocations of gas and electric light to better understand the relationship between artificial light and modernist literary aesthetics. This work is illuminating for what it reveals about the place of light in the modern imagination, its unique symbolic and metaphorical richness, as well as the modern subject’s adaptability to technological change more broadly. -
La Télévision Au Pilori De La Caricature, 1950-2000
AC_92368_p127p140_BL 26/04/07 13:41 Page 129 dossier médiamorphoses 129 La télévision au pilori Hélène Duccini de la caricature, 1950-2000 La télévision au pilori de la caricature, 1950-2000 Hélène Duccini, université de Paris 10, Nanterre La télévision est très vite devenue le moyen d’information privilégié des Français, loin devant le livre évidemment, le journal ou même la radio. À ce titre elle est très présente dans les mises en scène des caricaturistes, soit qu’elle suscite la critique, soit qu’elle figure la nouvelle agora démocratique des citoyens et des consommateurs. n règle générale, les caricaturistes ne peuvent Au milieu des années quatre-vingts, une révolution fonda- commencer leurs attaques que lorsque le public mentale s’opère dans les médias. Le monopole public est E de leurs journaux est apte à rire ou sourire de abandonné et l’on voit apparaître d’autres chaînes hert- leurs traits, apte à saisir les allusions, comprendre les réfé- ziennes : Canal+ (1984), la Cinq (1985), M6 (1986), la rences et les référents. Il y a donc tout naturellement un naissance d’ARTE attendant 1992. La révolution du câble décalage entre l’apparition d’un nouveau média, en l’oc- augmente elle aussi l’éventail des chaînes ouvrant l’écran currence la télévision, et sa mise au pilori par la caricature. à Eurosport, Paris Première, TV5, Planète, Ciné Cinéma, En fait, dans l’immédiat après-guerre, la télévision reste le Ciné Cinéfil pour n’en citer que quelques-unes. L’apparition privilège de quelques-uns. Un vrai coup d’envoi est donné de la télécommande, outil indispensable du choix par le dans le public en 1953 par la retransmission en direct du téléspectateur, facilite désormais le « zapping ». -
AVRIL 2017 15E ÉDITION SOMMAIRE
GUIDE DES CHAÎNES NUMÉRIQUES AVRIL 2017 15e ÉDITION SOMMAIRE SYNTHÈSE ........................................................4 Partie II : la production audiovisuelle et RESSOURCES DOCUMENTAIRES .....................6 cinématographique à partir des données du CNC 1. La production audiovisuelle ................................................ 43 CHAPITRE 1 2. La production cinématographique ................................ 49 L’OFFRE DE CHAÎNES NUMÉRIQUES CHAPITRE 6 1. Les chaînes de la TNT ................................................................... 8 L’ÉCONOMIE DES CHAÎNES NUMÉRIQUES 2. Les chaînes conventionnées et déclarées dans l’offre élargie ........................................................................ 8 Partie I : résultats économiques du secteur 3. Les chaînes payantes diffusées 1. Bilan financier des chaînes gratuites en 2015 .......... 56 en France en 2016 ......................................................................... 9 2. Bilan financier des chaînes payantes en 2015 ........ 66 . La télévision de rattrapage (TVR) ..................................... 10 4 Partie II : la publicité 1. Investissements publicitaires bruts CHAPITRE 2 sur l’ensemble des chaînes .................................................. 75 LES MODES DE RÉCEPTION 2. Les dépenses et recettes DE LA TÉLÉVISION NUMÉRIQUE EN FRANCE publicitaires nettes en 2015 et en 2016 ......................... 81 1. Le marché des récepteurs .................................................... 14 Partie III : l’emploi 2. Les modes de réception........................................................ -
Annual Report 2019 Key Figures
ANNUAL REPORT 2019 ENTERTAIN. INFORM. ENGAGE. KEY FIGURES SHARE PERFORMANCE 1 January 2019 to 31 December 2019 +31.15 % MDAX +16.41 % SXMP –5.82 % RTL GROUP INDEX = 100 –10.55 % RTL Group share price development PROSIEBENSAT1 for January to December 2019 based on the Frankfurt Stock Exchange (Xetra) against MDAX, Euro Stoxx 600 Media (SXMP) and ProSiebenSat1 Fremantle’s America’s Got Talent: The Champions is a prime-time hit on NBC. 2 RTL Group Annual Report 2019 Key figures REVENUE 2015 – 2019 (€ million) EBITA 2015 – 2019 (€ million) 19 6,651 19 1,139 18 6,505 18 1,171 17 6,373 17 1,248 16 6,237 16 1,205 15 6,029 15 1,167 PROFIT FOR THE YEAR 2015 – 2019 (€ million) EQUITY 2015 – 2019 (€ million) 19 864 19 3,825 18 785 18 3,553 17 837 17 3,432 16 816 16 3,552 15 863 15 3,409 MARKET CAPITALISATION* 2015 – 2019 (€ billion) TOTAL DIVIDEND / DIVIDEND YIELD PER SHARE 2015 – 2019 (€)(%) 19 6.8 19 NIL* – 18 7.2 18 4.00** 6.3 17 10.4 17 4.00*** 5.9 16 10.7 16 4.00**** 5.4 15 11.9 15 4.00***** 4.9 *As of 31 December * On 2 April 2020, RTL Group’s Board of Directors decided to withdraw its earlier proposal of a € 4.00 per share dividend in respect of the fiscal year 2019, due to the coronavirus outbreak. No dividend will now be proposed to the Annual Meeting of Shareholders on 30 June 2020. -
MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems
institut montaigne MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems REPORT MAY 2019 MEDIA POLARIZATION “À LA FRANÇAISE” MEDIA POLARIZATION There is no desire more natural than the desire for knowledge MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems MAY 2019 EXECUTIVE SUMMARY In France, representative democracy is experiencing a growing mistrust that also affects the media. The latter are facing major simultaneous challenges: • a disruption of their business model in the digital age; • a dependence on social networks and search engines to gain visibility; • increased competition due to the convergence of content on digital media (competition between text, video and audio on the Internet); • increased competition due to the emergence of actors exercising their influence independently from the media (politicians, bloggers, comedians, etc.). In the United States, these developments have contributed to the polarization of the public square, characterized by the radicalization of the conservative press, with significant impact on electoral processes. Institut Montaigne investigated whether a similar phenomenon was at work in France. To this end, it led an in-depth study in partnership with the Sciences Po Médialab, the Sciences Po School of Journalism as well as the MIT Center for Civic Media. It also benefited from data collected and analyzed by the Pew Research Center*, in their report “News Media Attitudes in France”. Going beyond “fake news” 1 The changes affecting the media space are often reduced to the study of their most visible symp- toms. For instance, the concept of “fake news”, which has been amply commented on, falls short of encompassing the complexity of the transformations at work. -
View Annual Report
2016 ANNUAL REPORT CONTENT MESSAGES FROM THE SUPERVISORY BOARD AND THE MANAGEMENT BOARD 02 1 4 Profile of the Group and its Businesses | Financial Report | Statutory Auditors’ Report Financial Communication, Tax Policy on the Consolidated Financial Statements | and Regulatory Environment | Risk Factors 05 Consolidated Financial Statements | 1. Profi le of the Group and its Businesses 07 Statutory Auditors’ Report on 2. Financial Communication, Tax policy and Regulatory Environment 43 the Financial Statements | Statutory 3. Risk Factors 47 Financial Statements 183 Selected key consolidated fi nancial data 184 I - 2016 Financial Report 185 II - Appendix to the Financial Report: Unaudited supplementary fi nancial data 208 2 III - Consolidated Financial Statements for the year ended December 31, 2016 210 Societal, Social and IV - 2016 Statutory Financial Statements 300 Environmental Information 51 1. Corporate Social Responsibility (CSR) Policy 52 2. Key Messages 58 3. Societal, Social and Environmental Indicators 64 4. Verifi cation of Non-Financial Data 101 5 Recent Events | Forecasts | Statutory Auditors’ Report on EBITA forecasts 343 1. Recent Events 344 2. Forecasts 344 3 3. Statutory Auditors’ Report on EBITA forecasts 345 Information about the Company | Corporate Governance | Reports 107 1. General Information about the Company 108 2. Additional Information about the Company 109 3. Corporate Governance 125 6 4. Report by the Chairman of Vivendi’s Supervisory Board Responsibility for Auditing the Financial Statements 347 on Corporate Governance, Internal Audits and Risk 1. Responsibility for Auditing the Financial Statements 348 Management – Fiscal year 2016 172 5. Statutory Auditors’ Report, Prepared in Accordance with Article L.225-235 of the French Commercial Code, on the Report Prepared by the Chairman of the Supervisory Board of Vivendi SA 181 ANNUAL REPORT 2016 ANNUAL REPORT 2016 The Annual Report in English is a translation of the French “Document de référence” provided for information purposes. -
BOLL 1902299 RAPPORT ACTIVIT… 2018 GB.Indd
Bolloré Business report 2018 ! — !Message!from!the!Chairman # —$ Profile % —$ Key!figures & —$ Economic!organizational!chart ' —$ Stock!exchange!data ( —$ Our!locations (! —$ Group!strategy (# —$ Business!model (% —$ CSR!key!figures () — !Governance The Group (& Transportation and logistics !% Communications ,# Electricity storage and solutions #! — ! Other!assets #% —$ Corporate!social!responsibility *! — !History!of!the!Group BUSINESS REPORT 2018 — BOLLORÉ 01 Message from the Chairman Vincent Bolloré, Chairman and Chief Executive O! cer of Financière de l’Odet Bolloré was founded in Brittany, in 1822, by leaders. Having seen him at work in the Group my two great-great-great-great-grandfathers, for twelve years, I fi rmly believe that Cyrille François Le Marié and René Bolloré. They Bolloré is the right choice for this new chapter were followed successively by their children, in the Group’s story. As planned, I will remain Nicolas Le Marié, my great-great-great-uncle, Chairman and Chief Executive Officer of and Jean-Claude Guillaume Bolloré, my Financière de l’Odet – which controls 65% of great-great-great-grandfather, their children Bolloré’s share capital – until February 17, 2022, and their children’s children, right down to date of our bicentennial, to ensure that the my uncles and my father. transition is as smooth as possible. Today, it gives me great pride to see the seventh generation take over the reins, with the help of teams of cohesive and experienced 02 BOLLORÉ — BUSINESS REPORT 2018 Cyrille Bolloré" Chairman and Chief Executive O! cer of Bolloré I am greatly honored by the confidence that Consolidated operating income was 1.3 billion the Board of Directors has shown me by unani- euros, a 25% increase attributable largely to mously appointing me Chairman and Chief the Communications business (+29%), driven Executive Officer of Bolloré, replacing Vincent by the very good performance of Vivendi’s Bolloré. -
Reference Document Including the Annual Financial Report
REFERENCE DOCUMENT INCLUDING THE ANNUAL FINANCIAL REPORT 2012 PROFILE LAGARDÈRE, A WORLD-CLASS PURE-PLAY MEDIA GROUP LED BY ARNAUD LAGARDÈRE, OPERATES IN AROUND 30 COUNTRIES AND IS STRUCTURED AROUND FOUR DISTINCT, COMPLEMENTARY DIVISIONS: • Lagardère Publishing: Book and e-Publishing; • Lagardère Active: Press, Audiovisual (Radio, Television, Audiovisual Production), Digital and Advertising Sales Brokerage; • Lagardère Services: Travel Retail and Distribution; • Lagardère Unlimited: Sport Industry and Entertainment. EXE LOGO L'Identité / Le Logo Les cotes indiquées sont données à titre indicatif et devront être vérifiées par les entrepreneurs. Ceux-ci devront soumettre leurs dessins Echelle: d’éxécution pour approbation avant réalisation. L’étude technique des travaux concernant les éléments porteurs concourant la stabilité ou la solidité du bâtiment et tous autres éléments qui leur sont intégrés ou forment corps avec eux, devra être vérifié par un bureau d’étude qualifié. Agence d'architecture intérieure LAGARDERE - Concept C5 - O’CLOCK Optimisation Les entrepreneurs devront s’engager à executer les travaux selon les règles de l’art et dans le respect des règlementations en vigueur. Ce 15, rue Colbert 78000 Versailles Date : 13 01 2010 dessin est la propriété de : VERSIONS - 15, rue Colbert - 78000 Versailles. Ne peut être reproduit sans autorisation. tél : 01 30 97 03 03 fax : 01 30 97 03 00 e.mail : [email protected] PANTONE 382C PANTONE PANTONE 382C PANTONE Informer, Rassurer, Partager PROCESS BLACK C PROCESS BLACK C Les cotes indiquées sont données à titre indicatif et devront être vérifiées par les entrepreneurs. Ceux-ci devront soumettre leurs dessins d’éxécution pour approbation avant réalisation. L’étude technique des travaux concernant les éléments porteurs concourant la stabilité ou la Echelle: Agence d'architecture intérieure solidité du bâtiment et tous autres éléments qui leur sont intégrés ou forment corps avec eux, devra être vérifié par un bureau d’étude qualifié. -
Oddo Media Forum
ODDO May 16th, 2008 MEDIA FORUM 1. M6 Group’s activities First quarter 2008 2 An enlarged population with multichannel access Population equipped with multichannel access accounts for 44% in 2007 and jumps to 73% in 2008 Q1 < 10 channels Free multichannel: DTT Free multichannel: DSL Multichannel with subscription (cable, satellite…) 100% 90% 18% 21,5% 23% 24% 26% 28% 28% 28% 29% 29% 29% 29% 80% 1% 70% 5% 4% 12% 12% 16% 18% 18,5% 60% 50% 32% 40% 82% 79% 77% 76% 74% 72% 67% 44% 30% 46% 56% 46,5% 20% 27% 10% 11% 7% 6% 0% 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 M6 estimates 3 Source: Médiamétrie and M6 estimates M6 Group’s presence in the fragmented environment TF1 27,2% (-3.2 pts) France 2 17,6% (-0.6 pt) Historical France 3 13,4% (-0.9 pt) channels 76.9% M6 11,0% (-1.3 pt) Arte -F5 4,1% (-0.3 pt) Canal + 3,6% (-0.3 pt) TMC 2,0% (+1.0 pt) W9 1,7% (+0.8 pt) Gulli 1,4% (+0.7 pt) NT1 1,1% (+0.6 pt) NRJ 12 1,0% (+0.7 pt) Other TV France 4 0,8% (+0.5 pt) channels 23.1% Direct 8 0,5% (+0.3 pt) Virgin 17 0,5% (=) I Télé 0,3% (=) BFM TV 0,3% (+0.1 pt) OtherAutres TV chanelschaînes excl.hors DTTTNT 13,5% (+1.9 pt) 4 Source : Médiamétrie - national audience share individuals 4 y.o. and over Source: Médiamétrie In access prime time, M6 outperforms TF1 on housewives <50 Season 2006-2007 Sept. -
Subject List - Rbdigital Magazines Subscriptions (March 7, 2017)
Subject List - RBdigital Magazines Subscriptions (March 7, 2017) Architecture Affaires Plus (French) Business Today –Taiwan AD – China Capital France AD - Germany Economist AD - Italia Entrepreneur Magazine Architectural Digest Fast Company Architectural Digest - India Inc. Magazine Architectural Digest - Mexico Kiplinger's Personal Finance Rotman Art & Photography Children Aperture Artist’s Magazine National Geographic Kids ARTnews National Geographic Little Kids Digital Photo Digital Photo Pro Digital SLR Photography Chinese Language Drawing Drawing: The Complete Course AD China Juxtapoz: Art & Culture Magazine Business Today – Taiwan Outdoor Photographer Common Health Magazine – Taiwan Photoshop Creative Cosmopolitan – Hong Kong PleinAir Elegant Beauty - Taiwan Popular Photography Elle - Taiwan Queen’s Quarterly Esquire - Taiwan Shutterbug Evergreen – Taiwan Wallpaper GQ - China Watercolor Artist Global Views Monthly – Taiwan Harper’s Bazaar – Hong Kong Bridal Health 2.0 – Taiwan Marie Claire – Hong Kong Marie Claire - Taiwan Brides Men’s Uno - Taiwan Destination Weddings & Honeymoons Mombaby - Taiwan The Knot Weddings Magazine Next Magazine – Taiwan Martha Stewart Weddings Or - China Rhythms Monthly – Taiwan Business Ryori - Taiwan Scientific American – China Adweek Supertaste – Taiwan 1 Computers Handcrafted Jewelry Handwoven Apple Magazine Interweave Crochet Computer Music Interweave Knits Game informer Jewelry Stringing Gamesmaster Knit & Spin GamesTM Knitscene iPhone Life Knitter MacLife Knitting & Crochet from Woman’s Weekly