The Comfy Quiz Part II Round 1: Music Round
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Gavin Ames Avid Editor
Gavin Ames Avid Editor Profile Gavin is an exceptionally talented editor. Fast, creative, and very technically minded. He is one of the best music editors around, with vast live multi-cam experience ranging from The Isle of Wight Festival, to Take That, Faithless and Primal Scream concerts. Since excelling in the music genre, Gavin went on to develop his skills in comedy, editing Shooting Stars. His talents have since gone from strength to strength and he now has a wide range of high-end credits under his belt, such as live stand up for Bill Bailey, Steven Merchant, Ed Byrne and Angelos Epithemiou. He has also edited sketch comedy, a number of studio shows and comedy docs. Gavin has a real passion for editing comedy and clients love working with him so much that they ask him back time and time again! Comedy / Entertainment / Factual “The World According to Jeff Goldblum” Series 2. Through the prism of Jeff Goldblum's always inquisitive and highly entertaining mind, nothing is as it seem. Each episode is centred around something we all love — like sneakers or ice cream — as Jeff pulls the thread on these deceptively familiar objects and unravels a wonderful world of astonishing connections, fascinating science and history, amazing people, and a whole lot of surprising big ideas and insights. Nutopia for National Geographic and Disney + “Guessable” In this comedy game show, two celebrity teams compete to identify the famous name or object inside a mystery box. Sara Pascoe hosts the show with John Kearns on hand as her assistant. Alan Davies and Darren Harriott are the team captains, in a format that puts a twist on classic family games. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Kiff Aarau We Keep You in the Loop
SEP.19 2 Tone EINSCHLAUFEN Betrifft: Unangefochten nach Hause tanzen Impressum Nº 07.19 Die Telefone bleiben stumm, die hastig durch Wipkingen ebenso souverän besteigen wie das DER MUSIKZEITUNG LOOP 22. JAHRGANG den Raum gebrüllten Regieanweisungen sind Nachtboot nach Kairo. Und in lockerer Fuss- verklungen, es ist niemand mehr da. Wilson- bekleidung tanzt man auch unangefochten P.S./LOOP Verlag Pickett-Zeit, Schichtende. Der Kugelschrei- nach Hause, getragen von den Ska-Klängen Hohlstrasse 216, 8004 Zürich ber wird zurück in die Hemdtasche gesteckt, aus den ganz frühen Achtzigerjahren, die uns Tel. 044 240 44 25 der Rechner heruntergefahren, der Schreib- auf den folgenden Seiten begleiten. Eine mu- www.loopzeitung.ch tisch verlassen. Stummen Schrittes durchs sikalische Energiequelle, politisch ummantelt Treppenhaus, zwei Stockwerke, danach vor- und von nachwachsenden Generationen im- bei an der stillgelegten Stempeluhr und raus mer wieder befeuert. Und womöglich erneut Verlag, Layout: Thierry Frochaux in die Sommernacht. «Guido has left the aktuell, wenn Grossbritannien Ende Oktober [email protected] building.» Ein Satz, der jede Nacht kurz in den EU-Austritt umsetzen muss. Denn spä- meinem Kopf aufflackert, gefolgt von einem testens dann wird «You’re Wondering Now» Administration, Inserate: Manfred Müller Blick hoch zum Himmel. von The Specials eine neue Facette erhalten. [email protected] Um diese Uhrzeit ist der Verkehrslärm in un- Ganz zu schweigen von «Ghost Town». serer kleinen grossen Stadt bereits angenehm Noch bleiben also knapp zwei Monate bis Redaktion: Philippe Amrein (amp), gedrosselt, allerdings nicht so stark, dass man zur grossen Abrechnung respektive dem Ab- Benedikt Sartorius (bs), Koni Löpfe sich bloss noch von atmender Stille umgeben schied von Grossbritannien, wie wir es ken- wähnen würde. -
Australian Tour 2018
AUSTRALIAN TOUR 2018 “It’s a rare and joyous thing to see a stand up so vibrant and imperiously on top of his game” ★★★★★ Mail on Sunday MELBOURNE ATHENAEUM THEATRE 21 & 22 APRIL Book at Ticketek 132 849 www.ticketek.com.au PERTH REGAL THEATRE 25 APRIL Book at Ticketek 132 849 www.ticketek.com.au or www.perthcomedyfest.com.au SYDNEY FACTORY THEATRE 27 & 28 APRIL Book at Festival Box Office 9020 6966 www.sydneycomedyfest.com.au or Ticketek 132 849 www.ticketek.com.au TICKETS ON SALE FRIDAY 2 FEBRUARY 10am UK comedian Paul Chowdhry is bringing his highly acclaimed Live Innit show for his first Australian tour in April. Tickets go on sale Friday 2 February at 10am. Live Innit, sees Paul Chowdhry addressing love in the cyber age, trolling the trolls and an unfortunate case of mistaken identity. Paul said “the Live Innit tour has sold out almost everywhere (apart from the racist towns). I had to add extra dates so people stop abusing me online. This extension will be better than the one at my Uncles’ house in Southall in 1980.” This show was sold out across the UK including shows at the Hammersmith Apollo and The SSE Wembley Arena. "It has seemed to happen without many people noticing, but Paul Chowdhry has become something of a big deal” The Guardian Paul has appeared on the multi-award nominated hit show Taskmaster, presented by Greg Davies and Alex Horne and featuring guests including Frank Skinner, Al Murray, Katherine Ryan, Noel Fielding, and Mel Giedroyc. Paul appeared four times on Channel 4’s Comedy Gala, alongside comics including Lee Evans and Michael McIntyre and has also regularly appeared on shows such as 8 Out Of 10 Cats, Very British Problems and Celebrity Squares. -
PURE ONE Classic Series II Best-Selling Digital Radio Allows You to ‘Listen Later’
Never miss your favourite radio show with the PURE ONE Classic Series II Best-selling digital radio allows you to ‘Listen Later’ London, UK, 8th September 2011: PURE – the world leading radio maker – presents ONE Classic Series II, the third generation of the biggest selling digital radio in the world, which has been updated with ‘Listen Later’, a new and easy way of saving a favourite radio show and listening to it at the user’s convenience. Listen Later allows the user to set their ONE Classic Series II (SRP £64.99) to save a favourite programme daily or weekly, on week days or weekends, or once-only, and listen to it later. The user then chooses which programme they want to save by selecting the Listen Later button to set the time, duration*, regularity and station. The user can simply and easily enjoy their favourite programme at a time which suits them through their radio. When playing the programme the user can pause at any time, and automatic bookmarking means that if they only managed to listen to part of the programme, they can start again from where they left off. Listen Later is perfect for fans of programmes such as the Archers, Just a Minute or Woman’s Hour on BBC Radio 4, Dennis and Gnasher on FunKids, the Worship Hour on Premier radio or the Wonder Years on Radio 1. Says Clive Dickens, Chief Operating Officer of Absolute Radio: “PURE’s Listen Later is a great new feature for our listeners as it will enable them to save and never miss a popular programme like Ian Wright’s post commentary football analysis on Absolute Radio Extra, his Wright’s 90s Show on Absolute Radio 90s or Frank Skinner’s unmissable Absolute Radio Saturday morning show. -
Audiouk Response to Ofcom Call for Evidence Relating to BBC Sounds
AudioUK response to Ofcom call for evidence relating to BBC Sounds About the independent UK audio production sector 1. AudioUK is the trade body for the audio-led production sector in the UK. AudioUK has four core priorities: Business; Representation; Community; and Excellence – and has over 100 member companies based across the whole of the UK. AudioUK runs the Audiotrain skills programme. It also runs the Audio Production Awards, an annual celebration of the craft skills of audio production. AudioUK, along with Radiocentre, oversees the administration of the Audio Content Fund which distributes a grant from the UK government to fund public service content on commercial and community radio. As a member of the DCMS Broadcasting, Film and Production Working Group, AudioUK has produced guidelines for safe working in audio production during the coronavirus pandemic. 2. Outside of in-house radio and publishing production, audio production is carried out by a mixture of companies and self-employed individuals. In terms of companies we estimate there are between 180-200 SMEs spread around the UK. Traditionally audio production companies worked almost exclusively for the BBC, but activity has broadened out to podcasting, audiobooks and productions for commercial radio. The latter has been encouraged by the Audio Content Fund, which has created numerous new partnerships between indie audio production companies and commercial radio stations1. 3. We continue to support the existence of an independent and well-funded BBC, providing public service content to the Licence Fee Payer, nevertheless there is a real opportunity for the UK audio production sector to build its international reputation as a maker of first-class audio content, attracting more investment from partners such as podcast platforms, brands and national and international broadcasters. -
Wavelength (January 1985)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 1-1985 Wavelength (January 1985) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (January 1985) 51 https://scholarworks.uno.edu/wavelength/51 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. NEW ORLEANS MUSIC MAGAZ, " ISSUE NO. 51 JANUARY • 1985 $1.50 S . s DrPT. IULK RATE US POSTAGE JAH ' · 5 PAID Hew Orleans. LA EARL K.LC~G Perm1t No. 532 UBRf\RYu C0550 EARL K LONG LIBRARY UNIV OF N. O. ACQUISITIONS DEPT N. O. I HNNY T L)e GO 1ST B T GOSP RO P E .NIE • THE C T ES • T 0 S & T ALTER MOUTON, , 0 T & BOUR E (C JU S) • OBER " UNI " 0 KWO • E ·Y AY • PLEASA T JOSE H AL BL ES N GHT) 1 Music Pfogramming M A ~ -----leans, 2120 Canal, New Orleans, LA-70112 WAVELENGTH ISSUE NO. 51 e JANUARY 1985 "I'm not sure, but I'm almost positive, that all music came from New Orleans." Ernie K-Doe, 1979 FEATURES Remembering the Beaconette ...... 14 The Line ........................ 22 An American Mother . ............. 24 1984 Band Guide ................. 27 DEPARTMENTS January News .................. ... 4 It's Music . 8 Radio ........................... 14 New Bands ...................... 13 Rhythmics. 10 January Listings . ................. 3 3 C/assijieds ...................... -
Magazine Media
FEBRUARY 2010: THE FANTASY ISSUE M M MediaMagazine edia agazine Menglish and media centre issue 31 | februaryM 2010 Superheroes Dexter Vampires english and media centre Aliens Dystopia Apocalypses | issue 31 | february 2010 MM MM MediaMagazine is published by the English and Media Centre, a non-profit making organisation. editorial The Centre publishes a wide range of classroom materials and runs courses for teachers. If you’re studying English at A Level, look out e thought our last issue, on Reality, was one of our best yet, for emagazine, also published by Wbut this Fantasy-themed edition is just as inspired. Perhaps the Centre. our curiosity about the real and our fascination with fantasy are two sides of the same coin … The English and Media Centre 18 Compton Terrace By way of context, Annette Hill explores the factors behind London N1 2UN our current passion for the afterlife and the paranormal, while Telephone: 020 7359 8080 Chris Bruce suggests ways of investigating fantasy across media Fax: 020 7354 0133 platforms from an examiner’s perspective and Jerome Monahan provides an Email for subscription enquiries: illustrated history of fantasy at the movies via Jung, the Gothic and the ghost story. [email protected] We have a volley of vampires from Buffy to True Blood’s Bill, by way of Let The Right One In, and some persuasive and chilling accounts of how they represent real world Managing Editor: Michael Simons prejudices and fears. In a cluster of superhero articles, Matt Freeman explores the Editor: Jenny Grahame cultural significance of Superman, while Steph Hendry unpicks the ideologies of Editorial assistant/admin: superheroes and their relevance in a post-9/11 world – and identifies the world’s Rebecca Scambler first superheroic serial-killer. -
Listen to Music at Work
MEDIA PACK ABSOLUTE RADIO The Absolute Radio family of stations is made up of Absolute Radio, Absolute Classic Rock, Absolute Radio 60s, Absolute Radio 70s, Absolute 80s, Absolute Radio 90s and Absolute Radio 00s. From landmark documentaries and intimate live sessions to festival exclusives and specialist programming, Absolute Radio is commercial radio’s most ambitious and innovative brand. We’re famous for being the home of Dave Berry, Jason Manford, Frank Skinner and the No Repeat Guarantee. We champion the very best in rock music, from breaking new acts such as Rag‘n’Bone Man and Blossoms to favourites such as Coldplay and Foo Fighters, along with the best of legends like The Beatles, Bon Jovi and Queen. We don’t do plastic pop pap – we do real guitars, real drums and real singers. Absolute Radio. Where real music matters. ABSOLUTE RADIO NETWORK NOW REACHES 4.7M LISTENERS 34.4M LISTENING HOURS ACROSS THE NETWORK PER WEEK UK’S #1 COMMERCIAL RADIO BREAK- FAST SHOW ABSOLUTE 80S #2 DIGITAL COMMERCIAL RADIO STATION ABSOLUTE RADIO AUDIENCE Absolute Radio’s listeners are ‘Reluctant Adults’ and are not like past generations. They have mortgages, families, careers and other adult responsibilities but also want to keep doing most of the things they did in their younger, ‘carefree’ years. To them, age is just a number. This is not about being childish, more about a defence against the dull! ‘Adulting’ is being done on their terms, as they turn their back on the societal norms of the past. For our ‘Reluctant Adults’, music is a constant and it is integral to everything they do. -
Fanatics!: Power, Identity and Fandom in Football
6 ‘FOOTBALL’S COMING HOME’ BUT WHOSE HOME? AND DO WE WANT IT? Nation, football and the politics of exclusion Ben Carrington Racism manifests itself in plural and complex forms. In this situation the logic of racism needs to be appraised in what we shall call metonymic elaborations. This means that racisms may be expressed through a variety of coded signifiers…. Contemporary racisms have evolved and adapted to new circumstances. The crucial property of these elaborations is that they can produce a racist effect while denying that this effect is the result of racism. (Solomos and Back 1996:27, emphasis added) Introduction This chapter argues that the dominant discourse that surrounded Euro 96 (the 1996 European Football Championships) drew on, and reinforced, a form of cultural racism that currently appears to be pervasive. It is argued that the national ‘imagined community’ (Anderson 1991) that was re- constructed was one that actively worked to exclude certain categories of people—being both gendered and racially exclusive. Seeking to understand the underlying cultural processes that generated this discourse, I show the connections between other cultural spheres, notably pop music, and argue that these cultural expressions are part of a wider reassertion of a narrow and closed white male English identity which has become coded as the so- called ‘New Lad’ phenomenon. The chapter surveys some of the contemporary characteristics of popular culture before locating the pivotal role of comedians David Baddiel and Frank Skinner in generating the Euro 96 anthem, ‘Three Lions’ with its ‘football’s coming home’ chorus, and outlines why this song and related themes became so popular within both the public and political imagination. -
Viewers at Its Peak
Frank Skinner Comedian, Writer, TV and Radio Presenter Frank Skinner hosts Absolute Radio’s Sony Award winning Saturday morning flagship show, whose podcasts have been downloaded 6.5 million times. He is also President of the Samuel Johnson Society. He is the host of Room 101 and was a team captain on the recent I Love My Country. He is currently touring his latest stand up show, “Man In A Suit”. Skinner has done three series of the popular Frank Skinner’s Opinionated for BBC Two. As a keen ukulele fan, he has filmed a documentary investigating the life of George Formby for BBC Four. Additionally, Skinner has hosted the BBC Radio Three Christmas Day comedy panel show, The Right Notes in the Wrong Order; and in 2010, reunited with David Baddiel to exclusively present a series of shows for Absolute Radio throughout the FIFA World Cup™. This series reached number one in the iTunes Top 10 comedy podcasts chart within the first week of its launch and attracted over 3 million downloads in total. Skinner has also been a columnist for The Times. In 2009, Skinner completed the triple-extended, sell-out Credit Crunch Cabaret in London’s West End, offering recession-hit Londoners the chance to experience a variety of award-winning acts for just £10 a ticket. The show included Michael McIntyre, Al Murray - The Pub Landlord, John Bishop, Lee Mack, Russell Howard and Chris Addison. Skinner authored a Panorama (BBC One) special on taste and decency, as well as hosted Have I Got News For You? and Never Mind The Buzzcocks on BBC Two. -
Madness Absolutely Mp3, Flac, Wma
Madness Absolutely mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Reggae Album: Absolutely Country: UK Released: 1980 Style: Ska MP3 version RAR size: 1211 mb FLAC version RAR size: 1832 mb WMA version RAR size: 1513 mb Rating: 4.6 Votes: 208 Other Formats: VQF RA AUD APE MP4 AHX DXD Tracklist Hide Credits Baggy Trousers A1 2:45 Written-By – Foreman*, McPherson* Embarrassment A2 3:13 Written-By – Thompson*, Barson* E.R.N.I.E. A3 2:08 Written-By – Foreman*, McPherson* Close Escape A4 3:29 Written-By – Foreman*, Thompson* Not Home Today A5 2:30 Written-By – McPherson*, Barson* On The Beat Pete A6 3:05 Written-By – Thompson*, Madness Solid Gone A7 2:22 Written-By – Smash* Take It Or Leave It B1 3:26 Written-By – Thompson*, Barson* Shadow Of Fear B2 1:58 Written-By – McPherson*, Barson* Disappear B3 2:58 Written-By – McPherson*, Bedford* Overdone B4 3:45 Written-By – Foreman*, Thompson* In The Rain B5 2:42 Written-By – Mc Pherson*, Madness You Said B6 2:35 Written-By – McPherson*, Barson* Return Of Los Palmas 7 B7 1:57 Written-By – Woodgate*, Bedford*, Barson* Companies, etc. Record Company – Virgin España, S.A. Phonographic Copyright (p) – Stiff Records Ltd. Copyright (c) – Stiff Records Ltd. Manufactured By – PolyGram Servicios, S.A. Distributed By – Discos CBS, S.A., Madrid Credits Baritone Saxophone, Tenor Saxophone – Lee Thompson* Bass – Mark Bedford Drums, Other [Fire Extinguisher] – Woody* Guitar, Sitar, Steel Guitar – Chris Foreman Illustration – Humphrey Ocean Lead Vocals, Percussion – Suggs Liner Notes – Robbi Millar Producer – Clive Langer & Alan Winstanley Vibraphone, Marimba, Harmonica, Piano, Organ – Mike Barson Vocals, Trumpet – Chas Smash Notes Close to Madness - Absolutely but with different distributor ℗ © 1980 Stiff Records Ltd.