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CTBUH Journal
About the Council The Council on Tall Buildings and Urban Habitat, based at the Illinois Institute of Technology in CTBUH Journal Chicago and with a China offi ce at Tongji International Journal on Tall Buildings and Urban Habitat University in Shanghai, is an international not-for-profi t organization supported by architecture, engineering, planning, development, and construction professionals. Founded in 1969, the Council’s mission is to disseminate multi- Tall buildings: design, construction, and operation | 2014 Issue IV disciplinary information on tall buildings and sustainable urban environments, to maximize the international interaction of professionals involved Case Study: One Central Park, Sydney in creating the built environment, and to make the latest knowledge available to professionals in High-Rise Housing: The Singapore Experience a useful form. The Emergence of Asian Supertalls The CTBUH disseminates its fi ndings, and facilitates business exchange, through: the Achieving Six Stars in Sydney publication of books, monographs, proceedings, and reports; the organization of world congresses, Ethical Implications of international, regional, and specialty conferences The Skyscraper Race and workshops; the maintaining of an extensive website and tall building databases of built, under Tall Buildings in Numbers: construction, and proposed buildings; the Unfi nished Projects distribution of a monthly international tall building e-newsletter; the maintaining of an Talking Tall: Ben van Berkel international resource center; the bestowing of annual awards for design and construction excellence and individual lifetime achievement; the management of special task forces/working groups; the hosting of technical forums; and the publication of the CTBUH Journal, a professional journal containing refereed papers written by researchers, scholars, and practicing professionals. -
Artistbio 957.Pdf
An undiscovered island. An epic journey. An illustrious ship. Known just by its name and its logo, GALANTIS could be all or none of these things. A Google search only turns up empty websites and social pages, and mention of a one-off A-Trak collaboration. Is it beats? Art? Something else entirely? At the most basic level, GALANTIS is two friends making music together. The fact that they’re Christian “Bloodshy” Karlsson of Miike Snow and Linus Eklow, aka Style of Eye, is what changes the plot. The accomplished duo’s groundbreaking work as GALANTIS destroys current electronic dance music tropes, demonstrating that emotion and musicianship can indeed coexist with what Eklow calls “a really really big kind of vibe.” “GALANTIS is about challenging, not following.” says Karlsson. Karlsson should know about shaking things up. As half of production duo Bloodshy & Avant, he reinvented pop divas like Madonna, Britney Spears and Kylie Minogue in the early 2000s. He co-wrote and produced Spears’ stunning, career-changing single “Toxic” to the tune of a 2005 Grammy Award for Best Dance Recording. Since then he’s been breaking more ground as one-third of mysterious, jackalobe-branded band Miike Snow. The trio’s two albums, 2009’s self-titled debut and 2011’s Happy To You, fuse the warm pulse of dance music with inspired songcraft, spanning rock, indie, pop and soul. And they recreated that special synthesis live, playing over 300 shows, including big stages like Coachella, Lollapalooza and Ultra Music Festival. As Style of Eye, Eklow has cut his own path through the wilds of electronic music for the last decade, defying genre and releasing work on a diverse swath of labels including of- the-moment EDM purveyors like Fool’s Gold, OWSLA and Refune; and underground stalwarts like Classic, Dirtybird and Pickadoll. -
PÁGINA WEB DJ SEBASTIÁN XOTTELO 1 Creación Y Diseño De
PÁGINA WEB DJ SEBASTIÁN XOTTELO 1 Creación y diseño de la página oficial de Sebastián Xottelo, dj bogotano de música electrónica Luis Felipe Castro Miranda Fundación Universitaria Panamericana Facultad de Comunicación Programa de Mercadeo y Publicidad Bogotá Junio de 2013 PÁGINA WEB DJ SEBASTIÁN XOTTELO 2 Creación y diseño de la página oficial de Sebastián Xottelo, dj bogotano de música electrónica Luis Felipe Castro Miranda Trabajo para obtener la certificación del seminario como opción de grado Diseño web. Asesor Sergio Nieto Fundación Universitaria Panamericana Facultad de Comunicación Programa de Mercadeo y Publicidad Bogotá Junio de 2013 PÁGINA WEB DJ SEBASTIÁN XOTTELO 3 Tabla De Contenido Resumen ................................................................................................................... 5 Antecedentes del problema ................................................................................. 6 Descripción del problema .................................................................................... 9 Objetivo General ................................................................................................... 10 Objetivos específicos ....................................................................... 10 Justificación ............................................................................................................ 11 Diseño Metodológico ........................................................................................... 12 Descripción .................................................................................... -
Inglês Do Cotidiano: Letras De Música
PROFESSOR: LAWDO NATELL DISCIPLINA: INGLÊS CONTEÚDO: DAILY ENGLISH – SONG LYRICS (INGLÊS DO COTIDIANO – LETRAS DE MÚSICA) INGLÊS DO COTIDIANO: LETRAS DE MÚSICA Um estudante de língua estrangeira deve ser capaz de reconhecer a importância da produção cultural em LEM como representação da diversidade cultural e linguística. 2 INGLÊS DO COTIDIANO: LETRAS DE MÚSICA • Subjetividade; • Presença de emoções; • Uso de palavras no sentido figurado (conotação); • Pode conter figuras de linguagem; 3 INGLÊS DO COTIDIANO: LETRAS DE MÚSICA https://www.youtube.com/watch?v=qGLbmknWeQ8 4 INGLÊS DO COTIDIANO: LETRAS DE MÚSICA "No Money" - GALANTIS Sorry I ain't got no money I'm not trying to be funny but I left it all at home today You can call me what you wanna I ain't giving you a dollar this time I ain't gonna run away You might knock me down, you might knock me down, but I will get back up again You can call it how you wanna I ain't giving you a dollar this time I ain't gonna run away (run away, run away) This time, this time, this time This time I ain't gonna run, run, run, run Not this time, not this time This time I ain't gonna run, run, run, run Not this time, not this time Not this time, not this time (time) Available at: www.azlyrics.com/lyrics/galantis/nomoney.html 5 INGLÊS DO COTIDIANO: LETRAS DE MÚSICA Galantis é uma dupla de música eletrônica de Estocolmo, formada em 2012. É composta por Christian “Bloodshy” Karlsson que atua no Bloodshy & Avant e Linus Eklöw, também conhecido como Style of Eye. -
Seng Wei Was Indoctrinated in the Electronic Dance Music Scene Whilst Still a Student in University in L.A
Bio: Seng Wei was indoctrinated in the electronic dance music scene whilst still a student in university in L.A. Since graduating and returning to Singapore in late 2003, he started DJing as a hobby. Gradually, Seng Wei's devotion and passion for the electronic music scene escalated into something more as he gained experience playing out at clubs and various outdoor events. He bought his first proper dance compilation back in 99’- Clubber’s guide to Trance by ATB, which was an influential moment that saw Seng Wei branch out and start to discover other styles of dance music such as House. Seng Wei's style is deep, funky and progressive house with an infusion of tech and organic elements. Although his musical tastes are always changing; he presently is playing a lot more of the nu-disco and deep tech house sound with a touch of electro thrown in there for good measure, which is diversified and incorporated into his sets. He transcends any boundaries between the different genres of music, and really knows how to move the floor. As a DJ, he draws influences from all types of music from jazz and classical, to rock and electro and combines these different elements into his set. He believes that since music seems to be evolving all the time, the oxymoron of the new/old music (The retro/electro music of the 70s and 80s, along with the revival of jazz and classical music) is especially evident in the 21st century today and will continue to have an effect on the ever changing dance music scene in the years to come. -
A Discursive Project of Low-Carbon City in Shenzhen, China
Anti-Carbonism or Carbon Exceptionalism: A Discursive Project of Low-Carbon City in Shenzhen, China Yunjing Li Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2019 2019 Yunjing Li All rights reserved ABSTRACT Anti-Carbonism or Carbon Exceptionalism: A Discursive Project of Low-Carbon City in Shenzhen, China Yunjing Li As the role of cities in addressing climate change has been increasingly recognized over the past two decades, the idea of a low-carbon city becomes a dominant framework to organize urban governance and envision a sustainable urban future. It also becomes a development discourse in the less developed world to guide the ongoing urbanization process. China’s efforts toward building low-carbon cities have been inspiring at first and then obscured by the halt or total failure of famous mega-projects, leading to a conclusion that Chinese low-carbon cities compose merely a strategy of green branding for promoting local economy. This conclusion, however, largely neglects the profound implications of the decarbonization discourse for the dynamics between the central and local governments, which together determine the rules and resources for development practices. The conclusion also hinders the progressive potentials of the decarbonization discourse in terms of introducing new values and norms to urban governance. This dissertation approaches “low-carbon cities” as a part of the decarbonization -
GALANTIS Release “The Heart That I'm Hearing” from Self-Titled EP Due
GALANTIS Release “The Heart That I’m Hearing” from Self-titled EP Due Out April 1 on Big Beat Records Upcoming North American Tour Including Coachella Tickets On Sale Now at wearegalantis.com Galantis EP pre-sale: http://smarturl.it/GalantisEP “The Heart that I’m Hearing” SoundCloud: https://soundcloud.com/wearegalantis/galantis-the-heart-that-im/s- iPcAx “The duo…have two differing musical backgrounds, but when they come together oh boy do sparks fly.” –Earmilk "Galantis sounds like your go-to dance track served shaken, chilled, and definitely on the rocks. "—Refinery29 “it bangs emotionally.” – Stereogum “a fine tuned ear for what crowds across dance floors are craving” – Dancing Astronaut “anthemic, uplifiting” – DJ Times Galantis, the duo of Christian “Bloodshy” Karlsson of Miike Snow and Linus Eklow aka Style of Eye, have shared another track, “The Heart That I’m Hearing” from their self-titled debut EP due out April 1 on Big Beat Records. The pulsating synths and skittering rhythm of “The Heart That I’m Hearing” mirror the song’s lyrics about the rush of falling love. The emotive vocal features the custom “Galantis filter” which blends male and female voices. Stream the track here and at Refinery 29 where it premiered. The EP is available for pre-sale here. Galantis just announced a North American tour and they’re bringing the Seafox, the fantastical animal on their artwork, with them! The tour includes appearances at the Coachella Festival on April 12th and 19th, which will be their debut live dates. When Galantis was conceived, they quickly realized a dj set would not embody the music’s Olympian sound that unites various branches of electronic music and have been putting together a live show with the adventurous spirit and innovation their songs demand. -
Wesc Och Galantis Samarbete Lanserat På Footaction Genom Ett
WeSC och Galantis samarbete lanserat på Footaction genom ett butiksevent i New York Stockholm, Sverige, 24 februari 2020 Den 13:e februari, kvällen innan Galantis två utsålda konserter i NYC, mötte den internationellt erkända duon upp WeSC och Footaction för att träffa fans och lansera sin gemensamma kollektion. Kollektionen görs tillsammans med streetwear-varumärket WeSC och säljs till en början exklusivt på Footaction 14th street i New York. Fans stod i kö och väntade för att få träffa Galantis och för att köpa en begränsad upplaga t-shirts på Footaction innan hela kollektionen lanseras i USA och Europa senare under 2020. Kollektionen består av 14 olika produkter och innefattar t-shirts, windbreakers, joggers och bomberjackor. Produkterna är designade med såväl visuella delar från Galantis tidigare album som annan grafik förknippad med duon samt inslag från deras live-spelningar. “Eventet på Footaction var ett fantastiskt sätt att lansera WeSC:s samarbete med Galantis. Jag ser fram emot när kollektionen landar hos andra återförsäljare runtom i världen under augusti 2020” Säger Joseph Janus, VD, WeSC. För mer information, vänligen kontakta: Joseph Janus, VD +1 (212) 334 9372 Kort om WeSC WeSC designar, marknadsför och säljer kläder och accessoarer inom segmentet premium streetwear på den internationella marknaden under varumärket WeSC (We are the Superlative Conspiracy). WeSC:s aktie handlas på Nasdaq First North Growth Market och bolagets Certified Adviser är G&W Fondkommission: Telefon: +46 (0)8 503 000 50, E-post: [email protected], www.gwkapital.se. Om Galantis Med en ny standard för låtskrivning inom genren dance är Galantis ett samarbetsprojekt mellan Christian Karlsson (alias Bloodshy, en tredjedel av Miike Snow) och Linus Eklöw (alias Style of Eye). -
Galantis the Aviary Album Download Download
galantis the aviary album download Download. Galantis – The Aviary (2017) Full. On The Aviary, Eklöw and Karlsson are still calling from the same playbooks. Now, though, the halting pings of tropical house largely supplant Pharmacy’s four-on-the-floor synths. It may be a necessary update, but sometimes it’s the frame for flimsy structures. The creeping “Hunter” is a lyrical mess: “Got them red eyes in the night,” sings London’s Hannah Wilson, dangerously close to patois, “like a panther, outta sight.” The Aviary is the second studio album by Swedish electronic dance music duo Galantis.[2] It was released on 15 September 2017 through Big Beat Records[3] and Atlantic Records, and features appearances from Throttle, Reece Bullimore, Hook n Sling, ROZES, Hannah Wilson and Wrabel.[4] Album: The Aviary. Genre: Dance, Electronic. 2 Hey Alligator. 3 Girls on Boys (with Rozes) 4 Salvage (Up All Night) feat. Poo Bear. 5 Tell Me How You Love Me. 8 Written in the Scars feat. Wrabel. 10 Love on Me (with Hook N Sling) 11 Pillow Fight. On 1 April 2016, the pair released the single "No Money", which became their first single to debut on the US Billboard Hot 100.[6] On 5 August 2016, they released the standalone single "Make Me Feel" for the soundtrack to Netflix's original film, XOXO. On 30 September 2016, Galantis and Hook n Sling released the collaborative single "Love on Me" followed by a music video for the track on 4 October 2016, directed by Dano Cerny. On 15 December 2016, they released a lyric video for "Pillow Fight", which the band has said "brings back the original Galantis heart and roots". -
Anchor Channel Typical Product Catalogue Contents Advantage and Application
Anchor Channel Typical Product Catalogue Contents Advantage and Application 1. Advantage and A lication ··································································································· 01 pp Good Anti-corrosion Performance Wide Application Low Construction Cost Stainless Steel ---Austenitic Architectural Facade/ Public Facility Simple Tools 2. Product Performance Testing ······························································································ 02 Stainless Steel / Rail Transportation Less Installation Time Structural Steel---Hot Dip / Indoor Decoration Easy Installation 3. Order Instruction ····················································································································· 04 Galvanization 4. Material and Process ···············································································································06 5. Anchor Channel Calculation ································································································ 08 Simple Installation Strong Reliability High Construction Safety . Minimum dge istance and n 6 E D Mi imum Bolt Spacing ····················································09 Bolted Connection without Welding No Impact on Main Structure No Welding Sparks Adjustable Installation Position Force Bearing No Noise or Vibration 7.Welded Anchor Channel ········································································································· 10 No Damage on the Steel Bars 8. Casted Anchor Channel •········································································································ -
The Story of Shenzhen
The Story of Shenzhen: Its Economic, Social and Environmental Transformation. UNITED NATIONS HUMAN SETTLEMENTS PROGRAMME THE STORY OF SHENZHEN P.O. Box 30030, Nairobi 00100, Kenya Its Economic, Social and Environmental Transformation [email protected] www.unhabitat.org THE STORY OF SHENZHEN Its Economic, Social and Environmental Transformation THE STORY OF SHENZHEN First published in Nairobi in 2019 by UN-Habitat Copyright © United Nations Human Settlements Programme, 2019 All rights reserved United Nations Human Settlements Programme (UN-Habitat) P. O. Box 30030, 00100 Nairobi GPO KENYA Tel: 254-020-7623120 (Central Office) www.unhabitat.org HS Number: HS/030/19E ISBN Number: (Volume) 978-92-1-132840-0 The designations employed and the presentation of the material in this publication do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers of boundaries. Views expressed in this publication do not necessarily reflect those of the United Nations Human Settlements Programme, the United Nations, or its Member States. Excerpts may be reproduced without authorization, on condition that the source is indicated. Cover Photo: Shenzhen City @SZAICE External Contributors: Pengfei Ni, Aloysius C. Mosha, Jie Tang, Raffaele Scuderi, Werner Lang, Shi Yin, Wang Dong, Lawrence Scott Davis, Catherine Kong, William Donald Coleman UN-Habitat Contributors: Marco Kamiya and Ananda Weliwita Project Coordinator: Yi Zhang Project Assistant: Hazel Kuria Editors: Cathryn Johnson and Lawrence Scott Davis Design and Layout: Paul Odhiambo Partner: Shenzhen Association for International Culture Exchanges (SZAICE) Table of Contents Foreword .............................................................................................................................................................................. -
Annual Report | October 31, 2020
Annual Report | October 31, 2020 Vanguard Emerging Markets Stock Index Fund See the inside front cover for important information about access to your fund’s annual and semiannual shareholder reports. Important information about access to shareholder reports Beginning on January 1, 2021, as permitted by regulations adopted by the Securities and Exchange Commission, paper copies of your fund’s annual and semiannual shareholder reports will no longer be sent to you by mail, unless you specifically request them. Instead, you will be notified by mail each time a report is posted on the website and will be provided with a link to access the report. If you have already elected to receive shareholder reports electronically, you will not be affected by this change and do not need to take any action. You may elect to receive shareholder reports and other communications from the fund electronically by contacting your financial intermediary (such as a broker-dealer or bank) or, if you invest directly with the fund, by calling Vanguard at one of the phone numbers on the back cover of this report or by logging on to vanguard.com. You may elect to receive paper copies of all future shareholder reports free of charge. If you invest through a financial intermediary, you can contact the intermediary to request that you continue to receive paper copies. If you invest directly with the fund, you can call Vanguard at one of the phone numbers on the back cover of this report or log on to vanguard.com. Your election to receive paper copies will apply to all the funds you hold through an intermediary or directly with Vanguard.